A few examples of appraisal values for
LYNCH SONS

• B. LYNCH (AMERICAN, CONTEMPORARY)
  B. LYNCH (AMERICAN, CONTEMPORARY) 6" x 6 ?" image size Untitled, 1981. Lithograph in colors, signed, dated, and inscribed A/P lower margin, matted under glass with metal section frame, overall 14 ½" x 14 ¾".
• James Lynch (West Virginia,
  James Lynch (West Virginia, 1946-2008) "Hempton", signed lower right "James Lynch", watercolor on paper, 14-1/2 x 27-1/2 in., barnwood frame,
• Lynch Robert William [American
  Lynch Robert William [American mid-20th c.] oil on masonite impressionist painting of houses and woods in winter signed l.r. "R. Lynch and signed verso "Robt. Lynch". 7.75"x9.5"
• George Wesley Bellows (American
  George Wesley Bellows (American 1882-1925) "Lychnis and Her Sons" from the "Men Like Gods" series lithograph pencil signed titled numbered "4" and signed by printer Bolton Brown sheet 23 3/4 in. x 18 3/4 in. image 16 1/2 in. x 13 1/2 in. matted. Provenance: The Estate of James R. Lamantia Jr. (1923-2011) New Orleans and New York. Reference: George Wesley Bellows: His Lithographs by Alfred A. Knopf New York 1927 plate 150.
• Benton Murdoch Spruance SOUVENIR OF
  Benton Murdoch Spruance SOUVENIR OF LIDICE FATHERS AND SONS Two lithographs Estimate:$700-$1,000
• FREDERICK LYNCH, AMERICAN
  FREDERICK LYNCH, AMERICAN (1935-2016), STELE SIX (610), 1986, GOUACHE ON PAPER, 9"H X 14 3/4"W (SIGHT), 20"H X 11 1/4"W (FRAME)Frederick Lynch, American, (1935-2016) Stele Six (610), 1986, gouache on paper Signed lower right. Provenance: From a private collector, Indianapolis. Exhibited: Barridoff Galleries, Portland, Maine. Biography from Cove Street Arts: Frederick Lynch grew up in Massachusetts and received his BFA from Massachusetts College of Art, his MEd from Westfield State College, and continued on to Post Graduate study at the University of Massachusetts, the Instituo de Allende in Mexico, Massachusetts College of Art and Maine College of Art. Lynch moved to Maine in the 1970s where he later met his wife. He married and lived in Saco for the rest of his life where he died after an illness in July of 2016. His work is largely abstract and often inspired by nature, fashion magazines, patterns, and his love of working with a variety of materials. Lynch's work is included in the permanent collections of the Museum of Fine Art in Boston, Portland Museum of Art, the Farnsworth Art Museum, and the Ogunquit Museum of American Art. He also taught painting at University of Southern Maine and Colby College. gouache on paper Dimensions: 9"H x 14 3/4"W (sight), 20"H x 11 1/4"W (frame)
• Lynching Scene of Four African
  Lynching Scene of Four African Americans Russellville KY 1908 Silver gelatin photograph depicting the lynching of four African American men in Russellville KY 5.25 x 7.25 in. The photograph is accompanied by the publication: Coffman Edward. The Story of Russellville: A Short History of the Town of Russellville Logan County Ky. The News-Democrat Print 1931. Small 8vo paper covers 71pp.In 1908 African American Rufus Browder shot and killed a prominent white farmer for whom he worked by the name of James Cunningham out of self defense. Browder was arrested and moved to Louisville KY for his own protection. Subsequently a group of Browder\'s friends were arrested and placed in jail for \"disturbing the peace \" and on the night of Aug. 1 1908 a white mob entered the jail and demanded the prisoners. With the jailer\'s cooperation the prisoners were handed over to the mob and hanged simultaneously from the same tree. A note pinned to one of the men read \"Let this be a warning to you niggers to let white people alone or you will go the same way.\" The four victims were Joseph Riley Virgil Robert and Thomas Jones. This photograph was also produced as a real photo postcard and was purportedly printed and distributed by Nashville TN salesman Jack Morton. Condition: Small pinhole along middle left edge of photograph. Some water damage to book. Some separation of covers along spine of book.
• James Lynch (born 1956)/Tamworth
  James Lynch (born 1956)/Tamworth Boar/signed, dated 1983, inscribed on label verso/egg tempera, 38cm x 55cm
• GEORGE F. LYNCH. GYPSY WOMAN WITH
  GEORGE F. LYNCH. GYPSY WOMAN WITH MANDOLIN, OIL After Corot, oil on canvas, signed lr, 24 x 20 in., framed
• Tom Lynch (American, 20th/21st
  Tom Lynch (American, 20th/21st Century) Smelt Fishing lithograph signed in pencil and dated 14 1/2 x 20 inches.
• PAINTING, ALLEN LYNCH Allen Lynch
  PAINTING, ALLEN LYNCH Allen Lynch (American, 20th century) "Tunitias," 1964, oil on canvas, signed and dated verso, overall (with frame): 23.75"h x 23.75"w
• *A 1936 U.S. Lynchburg Virginia
  *A 1936 U.S. Lynchburg Virginia Sesquicentennial.
• MIKE LYNCH "TRUCK" (1989
  MIKE LYNCH "TRUCK" (1989 LITHOGRAPH)Mike Lynch (Minnesota, b. 1938) Truck , 1989 Lithograph on paper 6" x 13 1/4" (image) The profile of a 1954 Chevy 3600 pickup truck, pencil-signed and numbered (#43/50) to the bottom margin. Float-mounted behind glass in a maple frame that measures 12" x 17". Provenance : From the collection of a Fortune 500 company. Condition Very good condition. Not removed from the frame.
• MIKE LYNCH ‘MOOSE JUNCTION’
  MIKE LYNCH ‘MOOSE JUNCTION’ LITHOGRAPHMike Lynch (Minnesota, b. 1938) Moose Junction, 1987 Lithograph on paper 12 1/2" x 18 1/4" (sheet) Pencil-signed and dated to the bottom right margin. Presented behind glass in a maple frame that measures 14 1/2" x 20 1/4". Provenance: From the corporate art collection of a Kansas City based Fortune 500 company, previously acquired from the Groveland Gallery in Minneapolis, MN. Condition Very good condition. Not removed from the frame.
• ROBERT LYNCH. MOONLIGHT IN
  ROBERT LYNCH. MOONLIGHT IN WINTER, OIL Oil on board, signed lr, 9 x 12 in., framed.
• ALBERT LYNCH (PERUVIAN/PARIS,
  ALBERT LYNCH (PERUVIAN/PARIS, 1851-1912)Albert Lynch (Peruvian/Paris, 1851-1912), "Arranging Flowers", oil on canvas, signed lower left, "Morin & Janet, Paris" stamp on stretcher, 25 3/4 in. x 19 3/4 in., framed.
• [DECLARATION SIGNERS] THOMAS
  [DECLARATION SIGNERS] THOMAS LYNCH (ATTRIB.) Cut signature attributed to Declaration of Independence signer Thomas Lynch, mounted on sheet of paper, along with a handwritten note from Samuel Hamilton, grand-nephew of Lynch, dated 1887, in which he attests that the signature was cut from one of Lynch's books, a Swift work published 1764, approx. .75"h x 1.25"l (signature piece), 11.5"h x 8.5"w (overall)
• Charles Hunt & Son Lord Lyon Winner
  Charles Hunt & Son Lord Lyon Winner of the 2000 Guineas Stakes at Newmarket and the Derby Stakes at Epsom coloured engraving 57.5cm x 77cm (22.5" x 30") and sundry hunting prints
• TWO BILL LYNCH CARNIVAL POSTERS,
  TWO BILL LYNCH CARNIVAL POSTERS, 122 & 129, FRAMED Two Bill Lynch Shows Ltd. carnival offset lithograph posters, marked "Globe Poster Corp, Chicago IL to right side and numbered 122 and 129 to left side, framed. Provenance: From the Private Collection of Lee Friedman, Atlanta, Georgia. Approximate dimensions: paper h. 28. 25", w. 28"; frame h. 34. 5", w. 34. 25", d. 1".
• FOUR SEASONS ARTIST PROOF PRINTS BY
  FOUR SEASONS ARTIST PROOF PRINTS BY JAMIE LYNCH.Four Seasons Artist Proof Print Series by Jamie Lynch. Signed in pencil lower left margin Jamie Lynch A/P 1981, Spring, Summer, Autumn, Winter farmstead and landscape scenes, matching frames and matting. Jamie Lynch was the model for Andrew Wyeth painting Boy in a Coonskin Cap and later became an artist in his own right. Image 14" x 17-3/4"; framed and matted, 23" x 26-1/4" overall. Condition: : Very good with minor wear on frames. Condition: Condition: : Very good with minor wear on frames.
• JOHN LYNCH (NEW YORK, 20TH
  JOHN LYNCH (NEW YORK, 20TH CENTURY), LETTERING THE BOAT., WATERCOLOR ON BOARD, 25.25” X 17”. UNFRAMED.JOHN LYNCH, New York, 20th Century, Lettering the boat. Signed lower left "John Lynch". Dimensions: Watercolor on board, 25.25" x 17". Unframed.
• PLATT LYNES, GEORGE (1907-1955)
  PLATT LYNES, GEORGE (1907-1955) Collection of 33 photographs of members of Lincoln Kirstein's circle. Estimate:$4,000-$6,000
• Wood block print, "Lynching", 1936;
  Wood block print, "Lynching", 1936; 8 5/8" x 6 1/2"; pencil signed, titled, and dated.
• PAINTING, ALBERT LYNCH Albert Lynch
  PAINTING, ALBERT LYNCH Albert Lynch (German/French, 1860-1950), Portrait of a Young Woman, oil on canvas, signed lower right, canvas (unframed): 20"h x 14"w
• Wood block print, "Lynching", 1939;
  Wood block print, "Lynching", 1939; 9 1/4" x 6 1/2"; pencil signed, titled, and dated.
• BOHUN LYNCH. 'THE PRIZE
  BOHUN LYNCH. 'THE PRIZE RING'BOHUN LYNCH. 'THE PRIZE RING', Lynch, Bohun 'The Prize Ring'. London: Country Life, 1925. 4to, quarter calf over marbled boards. Number 674 of 750 copies, with 40 plates, seven in color. Provenance: Robert McNamara Estate and Diana Byfield McNamara Book Collection
• ANNA MANN LYNCH(American, 20th
  ANNA MANN LYNCH(American, 20th century) Southern Sam Goes to Washington, 1993, signed lower right "Anna Mann Lynch", oil on panel, 17-1/8 x 14-1/2 in.; artist painted wood frame, 20-1/8 x 17-3/4 in. Provenance: Property sold to benefit the American Folk Art Museum Condition: minor wear at corners of frame, otherwise excellent
• [African Americans] Lynn Council
  [African Americans] Lynn Council Minstrels Large Format Photograph Plus  Lot of 3 large format photographs including: Lynn Council Minstrels ca 1917 titled on the mat 13.375'' x 20'' overall; a ca 1920s photograph by H.B. Settle of Saratoga Springs New York blindstamped at lower right showing six men and six women who look to be members of some sort of club possibly theatrical 9.375'' x 7.375'' on an 13'' x 11'' mount; and a 14'' x 17.25'' photograph of a young girl holding a doll accompanied by an oval mat blindstamped HB/N.Y.
• Mark Lynch (NC 1940-2009)
  Mark Lynch (NC 1940-2009) Swimming Nudemixed media on board unsigned presented in a molded gilt frame with linen liner.SS 26 x 29.5 in.; DOA 35 x 38 in.Collection of Mary Jo & Dick Bell founders of Garden Gallery and the Water Garden Raleigh NC
• Southern School portrait and frame,
  Southern School portrait and frame, young man wearing white cravat and black coat, set against a red-draped window, said to be John Alexander Lillington (North Carolina, 1725-1786), a Revolutionary War hero, but likely his son or grandson John Alexander Lillington by tradition, unsigned, oil on canvas, circa 1830, 26-1/4 x 22 in.; fine American 19th century gilt wood and composition frame with oak leaf, acorn and bead decoration, ivy leaf and vine panel, stylized anthemion cove and corners with geometric bosses. Original stretcher and tacking edge, tears, extensive flaking, stretcher marks, accretion, grime, bloom, canvas loose; frame with original finish. By descent in the Lillington family to consigner.
• 'MOTHER & SON' OIL WITH OLD
  'MOTHER & SON' OIL WITH OLD THOMAS LAWRENCE ATTRIBUTIONCondition Restoration and cleaning of the painting was executed by James Roth of the Nelson Gallery in 1965. At that time, he re-lined the canvas with linen, removed varnish and overpaint, and applied a new coating of varnish. Presently, there is modest craquelure across the surface, but not to a distracting degree. There are two areas of relatively minor scratches (one to the top left above the figures' heads, one to the mother's garments left of her elbow), and there is a minor loss of a chip of paint (1/8") to the top left-center. The antique frame has some losses to the gilt gesso.
• FOUR FRAMED ARTWORKS Including a
  FOUR FRAMED ARTWORKS Including a Ned Ewell (Maryland, Contemporary) Winter Landscape, signed lr and dated 1989, was on paper; Alfred Winfield Strahan (American, 1886-1965, Baltimore Artist) Spring Landscape, signed lr; oil on academy board, 16 x 20 in.; and a stone house portrait, signed illegibly, lr, oil on canvas board.
• Lot of Wyeth related prints,
  Lot of Wyeth related prints, reproduction print of Jimmy Lynch after Jamie Wyeth, (3) nude prints after Andrew Wyeth, and (19) prints from the Four Seasons portfolio, largest framed size 30" x 25-1/2", fair to good condition
• THE SON - A MIAMI CHIEF COLOR
  THE SON - A MIAMI CHIEF COLOR LITHOGRAPHThe Son - A Miami Chief color lithograph, painted 1837 by J. O. Lewis, Lehman & Duval lithographer, image- 15 1/2" x 9 1/4", overall - 21" x 15 1/2". Provenance: From the family of Wilmar Sick, Baltimore, Maryland. Competitive in-house shipping is available for this lot. Condition: Stain to lower edge and matt, light toning, 2'' tear to right edge. NEOOF.
• Larry Rivers (American 1923-2002)
  Larry Rivers (American 1923-2002) Boston Massacre (a pair of works) 1970 color screenprint with collage edition 22/150 signed Rivers (lower right) Each: 19 x 27 inches.
• LYNCH TWO-SIDED WARRENTON MO ST.
  LYNCH TWO-SIDED WARRENTON MO ST. LOUIS WHISKEY MINI JUGThe condition is as shown in the multiple images. Please contact us with any specific condition questions. There are no undisclosed repairs.