A few examples of appraisal values for
LYON AND HEALY STYLE 15

• A Lyon & Healy style 23 concert
  A Lyon & Healy style 23 concert grand harp Circa 1966 marked ''Lyon & Healy / Chicago Makers USA / Concert Grand / No 5733-23 / Manufactured Under Eight Patents'' maple body with spruce soundboard with gilt-acanthus scroll decals and seven-pedal mechanism
• A Lyon and Healy Folk Harp Early
  A Lyon and Healy Folk Harp Early 20th Century together with a player's seat, removable legs and canvas cover. Serial number 2073. Harp height 47, width 29 inches.
• LYON & HEALY WASHBURN STYLE A
  LYON & HEALY WASHBURN STYLE A PROFESSIONAL MANDOLIN, CA. 1925 Serial no. 1652, with TKL case. In restored/refinished condition with repaired break to headstock.
• LYON & HEALY STYLE 23 CONCERT GRAND
  LYON & HEALY STYLE 23 CONCERT GRAND PEDAL HARPConcert grand pedal harp, Lyon & Healy, Chicago, style 23, no. 4205, natural maple with gilding, embellished with floral carving, fluted column, sweeping floral decoration accents the soundboard, seven pedals, approx 74"h, 38.75"w, 21.75"d
• LYON & HEALY, #730, FIGURED MAPLE
  LYON & HEALY, #730, FIGURED MAPLE AND GILT DECORATED HA...Lyon & Healy, #730, figured maple and gilt decorated harp, post having carved and gilt decorated winged figures, with custom cover, some strings missing, height 69 1/2 inches. Condition: minor gilt loss throughout, missing strings, all condition issues photoed. Unsure if playable as no musial expert on staff. All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• LYON & HEALEY VIOLIN. Maple and
  LYON & HEALEY VIOLIN. Maple and curly maple. Includes bow and case. 23'' h. The violin has a crack. There is a label inside. ''The Lyon & Healey Student Violin A.D. 1924 Style 1029''. Condition reports are available on all items. Please note: unless a condition report is requested we do not post detailed condition information about each item sold. If you choose to bid without requesting a condition report you are accepting the item ''as-is'' with no gaurantees.
• LYON & HEALY HARPtogether with
  LYON & HEALY HARPtogether with fitted hard traveling case, and cloth soft case 71 1/2 inches high Condition:
• A Lyon & Healy Harp 20th Century
  A Lyon & Healy Harp 20th Century impressed 60641 to the underside. Height 63 5/8 inches.
• LYON & HEALY WASHBURN 4-STRING
  LYON & HEALY WASHBURN 4-STRING BANJO, C. 1920 With mother-of-pearl inlay, the tailpiece stamped '"Kerschner Unique / Lyon & Healy / Makers / Chicago U.S.A.", the tension band stamped "PAT 12-29-14 / 5-9-16", the dowel rod stamped "Improved George Washburn" and serial number "750 / 8764", the drum head signed "Joseph Rogers Son XXX", 29"l x 11"dia (head) x 3"d, in fitted case, 32"l x 13"w x 4.5"d
• LYON & HEALY, NO. 2972 HARP WITH
  LYON & HEALY, NO. 2972 HARP WITH CASE, FOOTSTOOLLyon & Healy, No. 2972 harp with case and footstool. NO in-house shipping for this lot. Condition: Needs to be restrung (several loose or missing strings). Needs tuning. Minor sporadic gilt losses. A few surface lines at elbow. Wear consistent with age and use.
• A Lyon & Healy Carved and Parcel
  A Lyon & Healy Carved and Parcel Gilt Wood Harp Circa 1900 the brass action plate engraved Lyon & Healy, Chicago Makers USA, No 851, Manufactured Under Five Patents Height 70 5/8 inches.
• LYON & HEALY 40 PRELUDE
  LYON & HEALY 40 PRELUDE HARPDESCRIPTION: A Lyon & Healy 40 Prelude Lever Harp #60146. Marked "Lyon & Healy" and numbered "60146" Features ebonized finish and gilt bronze mounted details. CIRCA: 20th Century. ORIGIN: USA DIMENSIONS: H: 63.75" x W" 18" x L: 33" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Some strings need replacement. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• FRENCH SCHOOL: "CREDIT LYONNAIS"
  FRENCH SCHOOL: "CREDIT LYONNAIS" Ink and watercolor on paper 13 5/8 x 28 1/2 in. (sight).
• AMERICAN CONSERVATORY BRAND
  AMERICAN CONSERVATORY BRAND BOWL-BACK MANDOLIN BY LYON & HEALYEarly 20th CenturyComplete and with no damages.
• LYON & HEALY CARVED AND GILTWOOD
  LYON & HEALY CARVED AND GILTWOOD HARPAmerican, early 20th century, marked "Lyon & Healy Makers/Chicago USA/No. 931", carved wood frame with column form giltwood support with floral decoration, accommodates 45 strings, 7 pedals, with bag of strings and tuning key, 70 x 35 x 21 in. Provenance: Estate of Opal Ong, Asheville, North Carolina Condition: This lot has not been examined by a professional technician or harpist. We do not have any information about the harp's maintenance or repair history, but it likely remained undisturbed for a long time with the strings tuned and sounding board under pressure, and is likely in need of restoration. Some scratches and bumps to frame, minor cracks and small losses to gilding on pillar, sounding board and box with some scratches and small edge bumps/chips, maker's plate with patination, tarnish, and some polish wear, harp missing several strings, some strings broken, needs re-stringing and tuning, tuning discs possibly in need of adjustment, pedals operable at time of inspection
• Lottie Lyons Grow (1883-1981)
  Lottie Lyons Grow (1883-1981) Floral Still Life; oil on canvas; 18" x 24"; signed lower right.
• PLEYEL LYON & CIE HARPFrench,
  PLEYEL LYON & CIE HARPFrench, 19th century, stencil signature "Pleyel Lyon & Cie (Paris) Harpe. Syste. Gev. Lyon Brevette 748", figured mahogany with gilt highlights, column support set with gilt metal figures of dancers/muses, 74 x 39 x 22 in. Provenance: Ruth and Ed Bridgeforth, Winchester, Virginia continentalfda Condition: minor shrinkage crack at column, some pegs reset with areas of infill, scattered areas of retouch to gilding, cracks to sounding board, surface distress to brass mounts, some veneer and molding distress and repairs at top front
• LYON & HEALY AMERICAN
  LYON & HEALY AMERICAN CONSERVATORY ROUNDBACK MANDOLIN Chicago, circa 1910-1915, spruce top with fancy inlaid pick guard below sound hole, rosewood with holly back, mahogany neck, ebonized headstock with strip tuners. No case; with fitted cardboard shipper.
• John Hoyland, RA (British, b. 1934)
  John Hoyland, RA (British, b. 1934) Minimalist composition Lithograph Pencil signed, numbered 23/75 15 1/4" x 26 3/4"
• Hayley Lever (New
  Hayley Lever (New York/Massachusetts, 1875-1950), "Douarnenez, Brittany, France in the Fall, 1906", watercolor and pencil on laid paper, signed lower left "HL 1906", titled by another hand verso old backing, inscribed verso paper "St. Ives 1902", 10-1/8 x 14-3/8 in., modern gilt silver frame,
• William Turner FRSA (b.1920) oil on
  William Turner FRSA (b.1920) oil on board 'The Steps Lyon' signed and dated '73 15 x 10.5in. Estimate ?1 500-2 000 Very good untouched condition with no faults noted and possibly needs a light clean probably original parcel gilt wooden frame with label verso for Pitcairn Galleries of Knutsford. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?2 200
• 1 vol. (Bird & Bull Press.)
  1 vol. (Bird & Bull Press.) Heaney, Howell, et al. Three Lions and The Cross of Lorraine: Bartholomaeus Angelicus... Newtown, Pa., 1992. #90/138. Folio, orig. 1/4 crushed burgundy morocco & bds., black morocco spine label; minor wear. With 2 leaves from The Bartholomaeus De Proprietatibus Rerum, ca. 1495 in sleeve at back. This copy inscribed to Alvin Kernan & signed by Henry Morris, owner of The Bird & Bull Press; 2 Morris TLS's to Kernan laid in.
• TWO GAUDY PITCHERS. England 1st
  TWO GAUDY PITCHERS. England 1st half-19th century. Both with hand decorated floral designs in red and green.
• Charles Hunt & Son Lord Lyon Winner
  Charles Hunt & Son Lord Lyon Winner of the 2000 Guineas Stakes at Newmarket and the Derby Stakes at Epsom coloured engraving 57.5cm x 77cm (22.5" x 30") and sundry hunting prints
• A set of four 19th Century coloured
  A set of four 19th Century coloured aquatints by C. Hunt - Of cricketing interest - \'\'Thomas Box\'\' \'\'James Cobbett\'\' \'\'William Lilywhite\'\' and \'\'Fuller Pilch\'\' each 7ins x 6ins in rosewood frames and glazed
• AIDEN LASSELL RIPLEY (1896-1969
  AIDEN LASSELL RIPLEY (1896-1969 MASSACHUSETTS)Grasse-France two figures and donkey walking down a garden path. Watercolor study, with grid, framed and glazed glass in a gilded frame. Signed lower left and dated 1925. Sight size 14" x 18" overall 22" x 26" Provenance: Alfred J. Walker Fine Art. Good overall condition.
• HENLEY, Lionel Charles, (British,
  HENLEY, Lionel Charles, (British, 1843-1893): ''A Stitch in Time'', OIL/Canvas, 20'' x 14 1/2'', signed, gilded frame with overpaint and repair, 24 1/2'' x 19 1/2''.CONDITION: Minor flecking lower left corner, needs cleaning.
• Jane Hill crayon on paper, S.L.R,
  Jane Hill crayon on paper, S.L.R, approx 21cm x 30cm
• Lottie Lyons Grow (American,
  Lottie Lyons Grow (American, 1883-1981) Floral still life oil on canvas signed lower right 23 1/2" x 17 1/2". A few very minute paint flakes.
• Elyse Ashe Lord (British,
  Elyse Ashe Lord (British, 1900-1971) lot of two exotic musicians etchings with hand coloring both pencil signed and numbered 22 and 25/75. 7 3/4" x 6 1/2".
• HENRI MATISSE (FRENCH, 1869-1954)
  HENRI MATISSE (FRENCH, 1869-1954) 15" x 10" sight size "Fleur de Lys, Variation 37" from Charles D’Orleane "Poemes" Portfolio, 1950. Lithograph in color on Arches paper with text verso, unsigned, edited by Teriade in 1950 in an edition of 1200, which included text on the back, Arches watermark lower center, linen matted in a double sided gilt frame showing the text verso, overall 28 ¼" x 22 ¾".
• LYONEL FEININGER
  LYONEL FEININGER (AMERICAN/GERMAN, 1871 - 1956) 12 ½" x 14 ¾" image; 14 ½" x 17 ½" paper "Fishing Boats'', 1921 (posthumous printing). Woodcut on Sekishu white laid paper, hand-printed by Jacques Hnizdovsky, edition of 252, The Print Club of Cleveland Publication No. 49, matted in a black frame, overall 19 ¾" x 21 ½".
• Sydney Maiden (Exh.1928-1936)
  Sydney Maiden (Exh.1928-1936) watercolour Henley signed and dated 1942 7 x 10.5in. and six other watercolours; Aldeborough Rye Applemead and river scenes Estimate ?150-200 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?140
• FIVE COACHING LITHOGRAPHSFive
  FIVE COACHING LITHOGRAPHSFive coaching lithographs, to include three after James Pollard, The Liverpool Umpire , The Red Rover, Southampton Coach , The Mail Coach in a Thunderstorm on Newmarket Heath , and two after Henry Thomas Alken; Tandem and Four in Hand , 15 1/2" x 12". Condition: Liverpool - toning, stain, black surface dirt on left side. Other Pollards - toning. Aken -good condition.
• John Hoyland, RA (British, b. 1934)
  John Hoyland, RA (British, b. 1934) Minimalist composition Lithograph on B.F.K. Reeves Pencil signed, numbered 30/75, and dated '68 19 1/2" x 30 1/2"
• Jean Hardy (French, early 20th
  Jean Hardy (French, early 20th century) Figural scene Drypoint etching and aquatint Pencil signed and numbered 180/310, copyright by Galerie Lutetia, Paris. Hardy was a contemporary of Icart. 17 3/4" x 14"