A few examples of appraisal values for
M OCAMPO

• FLORENCIO MOLENA CAMPOS
  FLORENCIO MOLENA CAMPOS (CA/ARGENTINA, 1891-1959) Un Gaucho, gouache and colored pencil on paperboard, signed upper right and dated 1956. Depicts a cowboy on horseback with his dog in the lead, a pair of oxen behind, traveling a desolate landscape, along a barbed wire fence line. In a black painted carved wood Mexican frame, matted, under plexi, OS: 27 1/2" x 36 1/2", SS: 16 1/4" x 25 1/4", fine condition.
• OSCAR ROMERO (MEXICAN/AMERICAN,
  OSCAR ROMERO (MEXICAN/AMERICAN, CONTEMPORARY) 72" x 48" "El Pacho", 1989. Mixed media on canvas, signed, dated, and titled verso, in bronze painted wood frame, overall 76" x 51 ¾".
• H. R. OCAMPO (PHILLIPINO, 1911 -
  H. R. OCAMPO (PHILLIPINO, 1911 - 1978), 'CHILDREN PLAYING', AQUATINT IN GREEN AND YELLOW, ED. 27/30, FRAMED: 18-1/4 X 13-7/8 INH. R. Ocampo (Phillipino, 1911 - 1978), 'Children Playing', Aquatint in Green and Yellow, ed. 27/30, Framed: 18-1/4 x 13-7/8 in
• OOC - 'Capea en un Pueblo de
  OOC - 'Capea en un Pueblo de Aragon' by Rafael Durancamps (Spain 1891-1979) signed lower left undated circa 1950s depicting a village bullfight in a meadow at the foot of a hilltop town loosely rendered in the golden light of Spain in a handcarved
• CAMACHO Paul. 1969 Optical Oil on
  CAMACHO Paul. 1969 Optical Oil on Canvas ''Point.''Signed titled and dated verso. A 1970 Arts Magazine review of Camacho's work states that ''In paintings such as...''Point'' he proves himself to be a color magician capable of creating unlimited possibilities of striking contrasts and pulsating rhythms in his own inimitable way.'' Signed and dated verso label verso. Paul Camacho Puerto Rican 1929-1989. From a Greenwich CT estate Dimensions: 52.25'' high x 52.25'' wide. Condition: Vertical purple crayon (?) mark approx. 17'' long lower left corner. Some light surface abrasions and scuffing. Area pressure marks particularly in the lower right corner.
• MANUEL OCAMPO (FILIPINO, B.
  MANUEL OCAMPO (FILIPINO, B. 1965), THE UNSEEN POWER OF THE MONOCHROME Acrylic on canvas, signed and titled to verso, 2000, gallery wrapped canvas.
• OOC - Market Day in Mexico by
  OOC - Market Day in Mexico by Francis Luis Mora (NY/CT 1879-1940) unsigned a sketch in oils of two seated figures with man and boy standing behind another man walking away in background carved wood frame SS: 14'' x 12''; OS: 20'' x 18'' fine condition.
• ACOMA PUEBLO POT BY MELISSA
  ACOMA PUEBLO POT BY MELISSA ANTONIO. Geometric work with kokopelli border - 5 1/2 in. high.
• Miguel Castro Lenero (Mexican b.
  Miguel Castro Lenero (Mexican b. 1956) Figure & Cactus ink on paper initialed MCL (lower right) 23 1/4 x 15 1/2 inches.
• OOC - 'El patio del Alc?zar de
  OOC - 'El patio del Alc?zar de Sevilla' by T. Liger-Hidalgo (Spanish 19th-20th c) signed lr in black lacquer frame SS: 12 1/4'' x 8 1/4'' OS: 17 3/4'' x 13 3/4'' small repaired puncture midway up right-hand column.
• LARGE M & R ROMERO ACOMA POT Two
  LARGE M & R ROMERO ACOMA POT Two color carved relief pot with checkered border and decoration of musical dancing deity with sun and geometric patterns, signed "M & R Romero Acoma Pueblo NM, " 12 in. H., 13 in. Diam.
• Mario Martin del Campo (Mexican, b.
  Mario Martin del Campo (Mexican, b. 1945) Untitled. Etching in color, signed in pencil in the lower right margin and dated '83, numbered 63/100 in the lower left margin, the plate size approx. 12" x 9-1/2", paper size approx. 16-5/8" x 13-3/4", not framed.
• MARCIAL CAMILO AYALA(Mexican
  MARCIAL CAMILO AYALA(Mexican 20th/21st century) Moonlight Scene in Forest, 1979, signed lower right "Marcial Camilo 1979", oil on Masonite, 24 x 24 in.; painted wood frame, 26-3/4 x 26-3/4 in. . Provenance: Private North Carolina Collection Condition: abrasions at edges, some draw crackle; frame with abrasions
• CLARENCE MCGRATH (AMERICAN
  CLARENCE MCGRATH (AMERICAN 1938-2007), CAMPESINO DE MICHOACAN, OIL ON MASONITE, 36 X 48 INCHESClarence McGrath (American 1938-2007), Campesino da Michoacan, Signed McGrath l.l. Oil on Masonite 36 x 48 in (91.4 x 121.9 cm) Dimensions: 36 x 48 in (91.4 x 121.9 cm)
• ANTONIA MARTINEZ ALBAREZ CALLENO
  ANTONIA MARTINEZ ALBAREZ CALLENO (B. 20TH CENTURY), FIGURAL GROUP, CIRCA 1970S-80S; OCUMICHO, MICHOACAN, MEXICOAntonia Martinez Albarez, (b. 20th century) Figural group, circa 1970s; Ocumicho, Michoacan, Mexico, Glazed ceramic Signed and inscribed to base: Antonia / Martinez / Albarez / Calle No / 71 Glazed ceramic Dimensions: 15.5" H x 8.5" W x 6" D Provenance: The Estate of Oscar and Barbara Leidenfrost
• OOC - View of a Mexican Town by
  OOC - View of a Mexican Town by Gustaf Adolf Tenggren (CA/NY/Sweden 1896-1970) signed lower left and dated '39 depicting people passing an early cathedral houses and stepped road on distant hill in Arts & Crafts Period carved match corner frame SS:
• Miguel Castro Lenero (Mexican b.
  Miguel Castro Lenero (Mexican b. 1956) El Deserto y Los Animales ink on paper initialed MCL (lower right) 23 1/4 x 15 1/2 inches.
• Mata Ortiz textured pottery
  Mata Ortiz textured pottery olla/vase by Israel Sandoval; contrasting smooth painted polychrome graphite surface and tool worked clay exterior. Signed on the base. 13 1/2"H. Very good condition, a few very minute areas of wear to paint.
• ROBERTO CAMPOS: "PERAS DE
  ROBERTO CAMPOS: "PERAS DE ARAGON"oil on canvas signed and titled verso Provenance: The Douglas & Eunice Goodan Living Trust Condition: with craqualure 21 1/4 x 29 inches Condition:
• CAMPUZANO, Jose Luis,
  CAMPUZANO, Jose Luis, (American/Spanish, 1918-1979): Abstract Modernist Composition, Oil/Canvas, 35'' x 35'', signed lower right, framed, 37.25'' x 37.25''.
• Acoma pottery olla 7" h. ?
  Acoma pottery olla 7" h. ?
• CARLOS OROZCO ROMERO (MEXICAN.
  CARLOS OROZCO ROMERO (MEXICAN. 1898-1984)Oaxaquena, 1954. Signed l/l, the reverse with labels, Sala De Arte, El Cuchitrilmand Museo Nacional Des Artes Plasticas. Oil on Board. 12 by 8.5 in., overall in a painted frame 14.75 by 11.5 in. Property of Robert Merrill, Palm Beach, FL Cond: The Ptg. has been with the same family for more than 40 yrs. There is some spotting on the picture. There appears to be perhaps paint drip in one area, images attached. This drip may be deliberate ? These marks are to the left of the figures lower portion of dress. There is also some sporadic spotting throughout, the spots are also visible in the ptg. when one zooms in on the image, images attached here as well. We are of the opinion they are water or related spotting. They disappear some if you lightly dab the spot with a damp cloth- rubbing lightly. A very limited attempt was made to be certain. These spots should remove via light cleaning by a professional. The picture was hanging low, at back level of a sofa in the home, perhaps, a drink was spilled and splashed. Also some very miner scrapping along some edges where the panel meets frame edge. see images as well!
• Rosalia Campo Menendez (Spanish, b.
  Rosalia Campo Menendez (Spanish, b. 1928) "Truchas (Trout)", oil on canvas, 21-1/2" x 29", signed lower left "R. Campo", titled and signed en verso "Truchas, R. Campo". Framed.
• TWO MEXICAN POTS An olla signed
  TWO MEXICAN POTS An olla signed by Manuel Olivas (2940-2007) working at Maria Ortiz Potter, circa 1970, bold geometric patterns painted on a buff clay body, signed on the bottom; the second pot is a handled vase has a painted body painted with a cloud and rain design, marked on the underside "HMM".
• (3) MATA ORTIZ BLACKWARE OLLAS &
  (3) MATA ORTIZ BLACKWARE OLLAS & JEMEZ PUEBLO JAR(lot of 3) Burnished blackware pottery ollas, Mata Ortiz, Mexico, including: (1) signed underfoot Oscar Gonzales Quezada (20th c.), approx 5.5"h, 5.75"diam, (1) signed underfoot Jeronimo Villalpando (20th c.), approx 5.25"h, 6.75"diam, together with (1) redware seed jar, Bertina Tosa (b.1960), Jemez Pueblo, approx 3.25"h, 3.75"diam; 2.75lbs total
• CASIMIRO CASTRO: "MEXICO Y SUS
  CASIMIRO CASTRO: "MEXICO Y SUS ALREDEDORES" PORTFOLIOcomprising eight lithographs; the first: "Trajes Mexicanos (10 3/4 x 14 inches sight; 18 1/2 x 22 1/4 inches frame); the second: "La Calle de Roldan"; the third: "Trajes Mexicanos un Fandango"; the fourth: "Ataque de Una Diligencia"; the fifth: "Camino de Tacubaya a Chapultepec"; the sixth: "La Plazuela de Guardiola"; the seventh: "Trajes Mexicanos"; the eighth: "El Mercado de Iturbide"; each:12 1/4 x 17 inches sheet; Condition: the first framed, the others unframed Condition:
• A. AROSTEGUI 'MESA Y OBJETOS'
  A. AROSTEGUI 'MESA Y OBJETOS' TROMPE L'OEIL MM/OIL Alegandro Arostegui (Nicaraguan b. 1935), 'Mesa Y Objetos No. 1' (Table and Objects), 1981, mixed media and oil on canvas depicting a trompe l'oeil still life of a square table with packaged tin food items, signed and dated to lower left, framed. Approximate dimensions: h. 47.5", w. 51.25"; frame h. 48", w. 52", d. 1.625".
• Eugenio Oliva y Rodrigo (Spanish c.
  Eugenio Oliva y Rodrigo (Spanish c. 1852-1925) "A Courtyard Entertainment Madrid" 1885 oil on wood panel signed and dated lower right 7 1/2 in. x 12 5/8 in. framed. Provenance: Collection of a Texas Gentleman.
• TEODORO MARTINEZ BENITO (B. 20TH
  TEODORO MARTINEZ BENITO (B. 20TH CENTURY), FIGURAL GROUP, CIRCA 1970S; OCUMICHO, MICHOACAN, MEXICOTeodoro Martinez Benito, (b. 20th century) Figural group, circa 1970s; Ocumicho, Michoacan, Mexico, Glazed ceramic Signed and inscribed to base: Teodoro / Martinez / Benito / Ocumicho / Calle No 71 Glazed ceramic Dimensions: 12.125" H x 8.25" W x 7" W Provenance: The Estate of Oscar and Barbara Leidenfrost
• Jose Manuel Capuletti Spanish,
  Jose Manuel Capuletti Spanish, 1925-1978 Las Naranjas de Clavinque (The Oranges of Clavinque) Estimate:$1,200-$1,800
• GLORIA HERNANDEZ MATA ORTIZ OLLA
  GLORIA HERNANDEZ MATA ORTIZ OLLA POTGloria Hernandez, Mata Ortiz, Mexico. Southwest Native American Pueblo hand made and hand painted pottery pot or olla with geometric and feather designs in black on a red ground. Signed along the underside. With a black circular stand. Height: 15 in x diameter: 14 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• CAMACHO Paul. 1968 Geometric Oil on
  CAMACHO Paul. 1968 Geometric Oil on Canvas.Signed and dated verso label verso. Paul Camacho Puerto Rican 1929-1989. From a Norwalk CT estate. Dimensions: 46'' square. Condition: Slightly dirty with areas of light surface staining; buckling at corners of canvas.
• A THREE COLOR ACOMA OLLA, THIRD
  A THREE COLOR ACOMA OLLA, THIRD QUARTER 20TH CENTThe Acoma Pueblo potter jar decorated in panels of geometrics on th classic form with flared shoulder and rising neck is signed 'B M Terivio Acoma N. Mex' in unknown hand. There are Acoma potters who spell their last name Torivio.Measures 7.5 x 8 x 8 inches.Very good condition. There are no chips, cracks, repairs. There are scattered minor spots of light wear and rubs as shown.Provenance: The 40 year collection of Father Tom Wiederholt, Kansas City, Missouri. Tom was a close personal friend of scholar and curator Ralph 'Ted' Coe who advised Tom on most of his acquisitions.
• Pablo Estaban O'Higgins (Mexican,
  Pablo Estaban O'Higgins (Mexican, 1904-1983) "Campesina". Lithograph on paper, signed in pencil in the lower right margin and dated '66, numbered 5/50 in the lower left margin, the image size approx. 25" x 14", matted and framed under glass overall approx. 34-1/4" x 22-5/8". Exhibition labels verso; please see detail photographs.
• MATA ORTIZ POLYCHROME POTTERY
  MATA ORTIZ POLYCHROME POTTERY JARLarge ceramic southwestern polychrome vessel, Mata Ortiz pottery or Casas Grandes, etched signature on the bottom reads Joel Martinez, measures 10 1/2" high and 10 1/2" in diameter. Some surface imperfections, see images for details on condition. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• Mel Ramos 1935–2018. Ocelot.
  Mel Ramos 1935–2018. Ocelot. 1969, lithograph in colors. 26 h × 40 w in. result: $756. estimate: $400–600. This work is a proof apart from the edition of 98 printed by Mourlot, New York and published by Reese Palley Gallery, New York.