A few examples of appraisal values for
MACEY BARRISTER

• MICARELLI: AT THE BAR Pastel on
  MICARELLI: AT THE BAR Pastel on paper 28 1/2 x 17 in. signed.
• COURT MARTIAL DOCUMENT; FORBES'S
  COURT MARTIAL DOCUMENT; FORBES'S EXPEDITION, 1758 Paul Jackson (1729-1767, Captain in PA Militia, formerly Professor of Greek and Latin and Clerk of Trustees at University of Pennsylvania, later a physician and judge in Chester Co.) Original ADS, comprising a record of the proceedings of a court martial ordered by Col. Hugh Mercer at Ft. Bedford, near Raystown (now Bedford, PA), Sept 8, 1758; 1 p. folio. Three of the four cases involved soldiers under command of Capt James Robertson, 42nd Regt. of Foot, who, upon return from road-building at Laurel Hill, had fired their weapons against orders. One was acquitted, but the other two received 300 and 500 lashes with cat o' nine tails for the infraction. The fourth case involved a wagoneer who defied Major Joseph Shippen's authority and was sentenced to 300 lashes.
• SIR THOMAS LAWRENCE, P.RA. (UK,
  SIR THOMAS LAWRENCE, P.RA. (UK, 1769-1830) "Mrs. Bannister", graphite and white chalk on paper, unsigned, a study of the head of Regency Actress Elizabeth Bannister nee Miss Harper (1757-1849), denzien of the Haymarket Theatre, playing Polly in "The Beggar's Opera" in 1778. She garnered one-thousand pound contracts when 100 pounds was a gentleman's annual income, and became the principle soloist singer at the Haymarket until she retired in 1792 to raise the four daughters she had with actor John Bannister, who she had married in 1783. Housed in a gold molded frame under glass and a french-ruled mat captioned with name of artist and subject. OS: 29" x 20 1/2", SS: 19" x 12". Edge toned.
• BARRY MACK (20TH CENTURY):
  BARRY MACK (20TH CENTURY): CLASHmixed media on canvas; signed and titled verso; Provenance: Lawrence Gallery; 60 x 48 inches unframed Condition:
• MITCH EPSTEIN (b. 1952): "BARI
  MITCH EPSTEIN (b. 1952): "BARI ITALY " 1984 Ektacolor print 20 x 24 in. (sight sheet) signed titled and dated 1984 on verso.
• RUTH MAE MCCRANE (AMERICAN,
  RUTH MAE MCCRANE (AMERICAN, 1929-2002), THE BAR IS OPEN Acrylic on board, 1995, signed and dated at lower center, framed.
• MALINI (MAX KATZ BREIT). MALINI.
  MALINI (MAX KATZ BREIT). MALINI. THE CONJUROR OF THE CE...[Australia], ca. 1925. Two-color broadside features a photographic portrait of the famous Jewish-American magician best known for his impromptu miracles, and for performing before monarchs, presidents, and society elites. 14 ¾ x 34 ¼". Minor repairs throughout image; B. The only known example of this portrait. As Ricky Jay wrote in Learned Pigs and Fireproof Women, “…Malini was the embodiment of what a magician should be – not a performer who requires a fully equipped stage, elaborate apparatus, elephants, or handcuffs to accomplish his mysteries, but one who can stand a few inches from you and with a borrowed coin, a lemon, a knife, a tumbler, or a pack of cards convince you he performs miracles.” Indeed, Malini (1873 – 1942) built his reputation on impromptu miracles, performing for socialites, heads of state, monarchs, and even tribal leaders in a long career that took him around the globe. From biting the buttons off of Senator Mark Hanna’s coat on the steps of the Capitol building (and restoring them), to transforming roasted chickens into live, flapping birds at the center of a high society dinner party, Malini made his name by surprising his audiences with unexpected moments of wonder. Posters advertising Malini are truly rare, with only one other commercially printed advertisement for him known.
• AFTER BARRY LEIGHTON-JONES, THE BAR
  AFTER BARRY LEIGHTON-JONES, THE BAR ASSOCIATION AND KEY WITNESS, PAIR OF LITHOGRAPHS, FRAME: 23 X 19 1/2 IN. (58.4 X 49.5 CM.)After Barry Leighton-Jones, The Bar Association and Key Witness, Pair of Lithographs,, Dimensions: Frame: 23 x 19 1/2 in. (58.4 x 49.5 cm.)
• M. MACARTNEY, PRACTICAL EXEMPLAR OF
  M. MACARTNEY, PRACTICAL EXEMPLAR OF ARCHITECTURE Mervyn E. Macartney; THE PRACTICAL EXEMPLAR OF ARCHITECTURE, Being Measured Drawings and Photographs of Examples of Architectural Details (London: Architectural Review, n.d., c.1900) comprising four uncollated portfolios with cloth spines and printed boards.
• BARBARA MOSLEY, (20TH/21ST C.),
  BARBARA MOSLEY, (20TH/21ST C.), "BARN WITH PINK SKY", PASTEL ON PAPER, A FENCED IN GARDEN NEARLY HIDES A BARN BEHIND IT, PINK SKY AB...Barbara Mosley, (20th/21st C.), "Barn with Pink Sky", pastel on paper, a fenced in garden nearly hides a barn behind it, pink sky above, signed lower left, framed and matted behind glass, label verso, ss: 18 1/2" h. x 26 1/2" w. [PROVENANCE: Benefits Habitat for Humanity North Central Connecticut Tolland County]
• Two John Miers silhouette profiles:
  Two John Miers silhouette profiles: one a magistrate, facing left, gouache with bronzing, artist's label verso "Miers & Field, London", 3-3/4 x 3 in., repaired tear lower right; one a gentleman facing right, artist's label verso "Miers, London", 3-1/2 x 2-5/8 in.; both with original 19th century frames, one with eglomise mat on convex glass. Estate of the Late Wyatt W. Childs, Barnesville, Georgia.
• 2 vols. Macnally, Leonard. The
  2 vols. Macnally, Leonard. The Justice of The Peace for Ireland. Dublin: H. Fitzpatrick, 1808. 8vo, contemp. sheep, red morocco spine labels; scuffed. Early owner's ink signatures & other markings on title pages. Internally generally clean. Leonard Macnally (1752-1820), lawyer and playwright active in the Irish independence movement, betrayed the revolutionaries to the British government.
• AFTER JERRY BARRETT (BRITISH,
  AFTER JERRY BARRETT (BRITISH, 1814-1906), A DRAWING ROOM AT ST. JAMES'S PALACE IN THE REIGN OF QUEEN VICTORIA Engraving, engraved by F. Stacpool, London: William Lucas, 1869, presented in likely original carved wooden frame with gilt liner.
• PHILIP BARTON KEY, MD JURIST &
  PHILIP BARTON KEY, MD JURIST & POLITICIAN, ADS Philip Barton Key (1757-1815; Loyalist officer during the Revolution, afterwards a prominent Maryland jurist and legislator, uncle of Francis Scott Key) autograph letter, signed, no place or date: opinion on the will of Richard Watkins with regard to the validity of life estates in real property, according to the Maryland Act of 1786; 1 p. small folio.
• Oil on canvas portrait of a
  Oil on canvas portrait of a barrister, late 18th c. 29.5" x 24.5" ss / 36" x 30.75" oa Condition: Relined, very minor in-painting, small hole and patch, minor losses to gilt frame.
• (i) Beatrice Parsons, Hampton
  (i) Beatrice Parsons, Hampton Court, Full Bloom (ii) Charles McKenzie British, Newcastle from the Ropery Banks Estimate:$1,500-$2,500
• BARRETT Jack (American 20th C.):
  BARRETT Jack (American 20th C.): ''Classical Mime'' 30 1/2'' x 40 1/2'' signed lower right wooden frame 31'' x 41''.
• MACK, Bill, (American, 1949-):
  MACK, Bill, (American, 1949-): ''Pavlova'', Bonded Sand sculpture, 41'' x 30 1/2'', signed & numbered 33/130, framed 50'' x 39''.
• MCCLELLAND BARCLAY
  MCCLELLAND BARCLAY (AMERICAN/MISSOURI, 1891-1943)McClelland Barclay (American/Missouri, 1891-1943) , "Tennis Player", gouache on paper, signed upper right, 18 1/4 in. x 14 3/4 in., framed
• MAGGIE MACKAY Oil on MASONITE
  MAGGIE MACKAY Oil on MASONITE ''Beaver Lodge in Spring'' a mountain landscape 8'' by 10'' signed lower right with title verso. In gilt wood frame.
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Point Law, Aberdeen, (H. 1), 1902, a rare edition of 12 proofs, signed "James McBey" and inscribed "1st November 1902", etching, plate 4 x 5-1/2 in.; black frame, 13 x 11-5/8 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: dark rich impression, not examined out of frame, light toning and foxing, stain upper right
• Beswick Beatrix Potter Figures Mr
  Beswick Beatrix Potter Figures Mr McGregor Mrs Tiggywinkle Washing Tom Kitten in the Rockery Timmy Willy fetching Milk and Johnny Town Mouse eating Corn all BP10an(5)
• BARRIE WENTZELL (b. 1942): JOAN
  BARRIE WENTZELL (b. 1942): JOAN BAEZ AND JAMES TAYLOR Two gelatin silver prints each signed titled dated 1965 and numbered 28/50; 20 x 16 in.
• Michael Barringer (American, b.
  Michael Barringer (American, b. 1965) Stacked Temples, 2006 mixed media on paper 22 x 15 inches. Property from the Corporate Art Collection of DLA Piper, Atlanta, Georgia
• Gladys Maccabe (1918-2018)/Study of
  Gladys Maccabe (1918-2018)/Study of a Ballerina/signed/watercolour, 24.5cm x 17cm/Study of a Lady with Muff/watercolour, 23.5cm x 13.5cm, both unframed
• Macray (W D) Chronicon Abbatiae
  Macray (W D) Chronicon Abbatiae de Evesham, 8vo., qtr. roan, Longman 1863 and Naunton (R) The Court of Queen Elizabeth, tall 8vo., cont. green morocco gilt, London 1814
• Thomas D'Arcy McGee, M.P.P.,
  Thomas D'Arcy McGee, M.P.P., (1825-1868), Canadian CANADIAN BALLADS, AND OCCASIONAL VERSES CANADIAN BALLADS, AND OCCASIONAL VERSES
• DAWES, EDWIN. THE BARRISTER IN
  DAWES, EDWIN. THE BARRISTER IN THE CIRCLE. LONDON: MAGI...Dawes, Edwin. The Barrister in the Circle. London: Magic Circle, 1983. Publisher's cloth, with jacket. Number 35 of 500 copies. Inscribed and signed by Dawes to Tibby Clarke, one of Sidney Clarke's relatives, Òwith thanks for all his invaluable help.Ó Illustrated. 8vo. Light wear to jacket. Together with drafts of a publisher's prospectus and review of the book, with annotations in an unknown hand.
• BARRETT, Michael Chad, (American,
  BARRETT, Michael Chad, (American, Contemporary): Portrait of a Cat, sight size 7'' x 7'', signed verso and dated '97, framed, 12'' x 12''.
• Micah Williams (American 1782-1837)
  Micah Williams (American 1782-1837) vibrant pastel portrait of a young woman holding a book wearing a lime green dress 23 3/4" x 19... ?
• Thomas Bardwell/Portrait of The
  Thomas Bardwell/Portrait of The Reverend Francis Barton/half length in clerical dress/signed and dated 1765/oil on canvas 76cm x 63.5cm (30" x 25") /Provenance: Property of Sir Thomas Beauchamp-Proctor Bt Langley Park Norfolk and by descent. Sir Thomas Beauchamp-Proctor 2nd Bt (1756-1827) was a notable collector who was advised after his inheritance in 1773 by the artist Henry Walton. Sir Thomas' most celebrated acquisition was Poussin's 'Adoration of the Magi' now in the National Gallery London. The Collection at Langley Park was started by his great-great uncle George Proctor who had acquired a notable group of works by Canaletto while in Venice and purchased the house in 1742/Literature: Catalogue of the Collection at Langley Park
• BARRISTER FOLK ART PORTRAIT OIL
  BARRISTER FOLK ART PORTRAIT OIL ON CANVASA 19th century unsigned half-body portrait of barrister in wig and robe. The painting has an identifying badge on lower left corner with illegible marks. Painting in frame measures 30.25 inches by 36 inches. Condition Painting is in good condition with surface crackle. Very little wear with some paint loss. There is an old repair to surface on within the body of the subject on the canvas. Painting is set in contemporary custom giltwood frame.
• Barry Moser (American, b. 1940)
  Barry Moser (American, b. 1940) "Spring Bacchus", limited edition lithograph, signed, titled and numbered "34/50" lower center, sight dia. 17", glazed, matted and framed; together with a First Edition of Three Little Pigs, retold and illustrated by Barry Moser, published by Little, Brown & Company, 2001.
• LITHO STIPPLE METHOD - 'William
  LITHO STIPPLE METHOD - 'William Murray Earl of Mansfield Lord Chief Justice of the Court of King's Bench' by Meyer and Jackson after Sir Joshua Reynolds (1723-1782) in original walnut ogee frame gold liner glazed SS: 15 1/.2'' x 11 3/4'' OS: 19'' x 1
• Michael Barringer (American, b.
  Michael Barringer (American, b. 1965) Escaping Tendril, 2006 mixed media on paper 22 x 15 inches. Property from the Corporate Art Collection of DLA Piper, Atlanta, Georgia
• TWO COSTUME DESIGN SKETCHESeach
  TWO COSTUME DESIGN SKETCHESeach gouache on board laid to board, glazed and framed; the first: for Jennifer Jones in "Barretts of Wimpole Street", 1957, signed with initial lower right; the second: with a green fabric sample upper right; each 20 x 15 inches; 25 x 18 inches frame Condition: