A few examples of appraisal values for
MACINTYRE

• J MCINTIYRE, PAIR OF PORTRAIT OF
  J MCINTIYRE, PAIR OF PORTRAIT OF MAN AND WOMAN, EACH GRAPHITE WITH WHITE HIGHLIGHTS, 31 X 27 INJ McIntiyre, Pair of Portrait of Man and Woman, Each Graphite with White Highlights, 31 x 27 in
• Murray MacDonald (Scottish, fl.
  Murray MacDonald (Scottish, fl. 1889-1910) "Near Loch Ard, Looking West, Perthshire". Oil on canvas, signed and dated 1901 at the lower left corner, titled and signed verso, approx. 12-1/2" x 15-1/2", framed in a decorative gilt frame overall approx. 18-3/4" x 25".
• MCINTYRE, Joseph Wrightson,
  MCINTYRE, Joseph Wrightson, (English, 1866-1888): Panoramic Highland Scene featuring a Path Blocked By A Shepherd and His Flock with A Horse-Drawn Carriage Looking To Pass and Several Onlookers Sitting on the Rock Wall Looking On, Oil/Canvas, sight size 19'' x 35.75'', signed lower right, encased in carved and painted gesso frame, 25.5'' x 41.5''. CONDITION: Frame has some minor loss, painting has some scattered craquelure but no visible inpaint by blacklight.
• Macdonald, James. General View of
  Macdonald, James. General View of the Agriculture of the Hebrides, Edinburgh 1811. 8vo., cont. half calf - Shepherd, T.H. Modern Athens, 1829. 4to., cont. half maroon roan gilt. Engraved additional title and 100 plates (spotted). With 5 others on Scotland (7)/Provenance: Spetchley Park
• CAMERON T. MCINTYRE (B. 1968)Old
  CAMERON T. MCINTYRE (B. 1968)Old Friends, 2007 signed "Cameron McIntyre" lower left oil on board, 9 by 12 in. titled, dated, and signed on back A renowned decoy carver, Cameron's passion for art and the natural environment extends to his landscape paintings as well. He studied life drawing, figure, and landscape painting at the University of South Carolina and the Gibbes Museum of Art in Charleston, SC. He moved to Virginia's Eastern Shore in 1989 where he enjoys painting in quiet seclusion, studying, absorbing, and interpreting the surrounding natural landscape.
• American School early 20th c.
  American School early 20th c. "McIntyre & Heath Billy Cumsand's Georgia Minstrels" signed "Dryden" lower left 68 in. x 37 1/4 in. framed. Note: Recent scholarship on blackface minstrelsy by authors such as Mel Watkins and Robert Toll has shown that although appropriately condemned for its racial stereotyping minstrel shows nonetheless played an important role in the development of American comedic theatre. The existence of a joint seminar in American minstrelsy at the Graduate Center at the City University of New York and the book that accompanied it Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy show that research in this subject is still developing. The editors of Inside the Minstrel Mask write "Scholarship has been slow to examine minstrelsy because of its racist character. In the last twenty years however scholars have discovered that minstrelsy is a gigantic mirror reflecting America's struggle and policies on issues of race class and gender. By studying minstrelsy we discover who we were and how we got to be who we are." This painting of the well-known minstrel duo of James McIntyre (1857-1937) and Thomas Kurton Heath (1853-1938) is based on the 1916 photo by Apeda Studios (now in the New York World-Telegram and Sun Newspaper Photograph Collection Library of Congress). The two Vaudeville performers joined forces in 1874 and soon became famous for their black-face characters of "Alexander Hambletonian" (played by McIntyre) a slow-witted stable boy and "Henry Jones" (played by Heath) a clever entertainer who continually outwits his companion. The duo performed for more than fifty years and their most popular sketch The Ham Tree was used throughout their long career. Reference: Leonard William Torbert. Masquerade in Black. Metuchen NJ: The Scarecrow Press Inc. 1986. Bean et. al. Inside the Minstrel Mask: Readings in Nineteenth Century Blackface Minstrelsy. Hanover NH: Wesleyan University Press 1996.
• Robert MacIntosh (British, born
  Robert MacIntosh (British, born 1949) Three Cape Buffalo, signed lower right "Rob MacIntosh ©1989", oil on canvas, 23-5/8 x 36 in.; modern 22 kt. gold leaf and burlwood frame,
• JOHN MACWHIRTER (SCOTTISH,
  JOHN MACWHIRTER (SCOTTISH, 1839-1911), EVENING MIST - ISLE OF SKYE Watercolor on paper, signed lower left, presented under glass in the likely original gilt frame.
• Callum Morton (Canadian b. 1965)
  Callum Morton (Canadian b. 1965) Mac Attack Wahroonga Sydney 2001 digital print edition of 30 23 1/2 x 33 inches.
• AFTER CHARLES RENNIE MACKINTOSH
  AFTER CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928), GLASGOW INSTITUTE OF THE FINE ARTS, REPRODUCTION PHOTOPRINT POSTER, FRAME: 41 X 18 1/4 IN. (104.1 X 46.4 CM.)After Charles Rennie Mackintosh (Scottish 1868-1928), Glasgow Institute of the Fine Arts, Reproduction Photoprint Poster,, Dimensions: Frame: 41 x 18 1/4 in. (104.1 x 46.4 cm.)
• BEATTIE, JAMES AN ESSAY ON THE
  BEATTIE, JAMES AN ESSAY ON THE NATURE AND IMMUTABILITY OF TRUTH Edinburgh: A. Kincaid, 1770. First edition, 8vo, half-title, contemporary calf, head of spine slightly rubbed
• MARGARET MACDONALD, FRANCES
  MARGARET MACDONALD, FRANCES MACDONALD, J. HERBERT MCNAIR GLASGOW INSTITUTE OF THE FINE ARTS, 1897 stone lithograph, printed by Imprimerie Chaix and published by G. Boudet for the French periodical Les Affiches Étrangères, France 189729cm x 12cmNote: Examples of the original poster of circa 1895-1896 printed by Carter and Pratt, Glasgow can be seen at the Hunterian Art Gallery, Glasgow and the Kelvingrove Art Gallery & Museum, Glasgow
• CHARLES RENNIE MACKINTOSH AND
  CHARLES RENNIE MACKINTOSH AND MARGARET MACDONALD INTEREST A BOOK OF ELFIN RHYMES BY NORMAN (PSEUD.) with 40 drawings in colour by Carton Moore Park published by Gay and Bird 1900. Inscription in pencil to front endpaper: TO HENRY STEEL DAVIDSON FROM/ MARGARET MACDONALD MACKINTOSH AND/ CHARLES RENNIE MACKINTOSH CHRISTMAS 1900, together with a folded 4-page notepaper headed ‘Windyhill/ Kilmacolm’ containing a handwritten list of “Kitty’s Books” from 1883 to 1928Literature: Davidson, Hamish R. Memories of Charles Rennie Mackintosh,Scottish Art Review, 11, no. 4, 1968, from p. 2.Note: Charles Rennie Mackintosh became acquainted with the Davidson family around 1894/95 and was commissioned in 1900 to design their new home, Windyhill in Kilmacolm. The Davidson’s remained lifelong friends and supporters of Mackintosh and his wife Margaret MacDonald.William and Jean Davidson had three sons, William Cameron (1890–1975); Hamish Reid (1893–1972) and Henry Steel (1896–1915), who was killed in action in France. From 1898 (or earlier) until 1905 (or later) Mackintosh gave Mr and Mrs Davidson and each of their sons, Christmas gifts of books inscribed by Mackintosh until 1899 and, following their marriage, inscribed by Charles and Margaret Mackintosh from 1900.In 1968, looking back more than 60 years, Hamish Reid Davidson refers to some of these books in his Memories of Charles Rennie Mackintosh. Up to 1899, gifts to the boys were from “Uncle Tosh” and from 1900 were inscribed by Charles and Margaret in the form as can be seen in ‘A Book of Elfin Rhymes’. He also says that the joint inscription from 1900 was probably by Margaret rather than Charles as it was less flamboyant than the earlier Uncle Tosh inscriptions.In 1967, Hamish Davidson compiled a list of seven Mackintosh inscribed books then in his possession (but since dispersed), a copy of which is in the Glasgow School of Art collections. This is very incomplete as the books given over the years by the Mackintoshs to the Davidson family must have numbered more than thirty. The list of seven includes only one for 1900 (to Hamish); A Child’s London by Hamish Hendry, published in 1900, with the same illustrator as A Book of Elfin Rhymes, Carton Moore Park; and only one gift to his youngest brother, Henry Steel Davidson for 1902. A Book of Elfin Rhymes is not among the seven on the list, nor are the gifts for 1900 to Mr and Mrs Davidson or William Cameron.Other than the book in this lot, only one other Christmas gift to any member of the Davidson family appears to have survived which has a pasted-in inscription for Christmas 1899 from Mackintosh to Mr and Mrs Davidson. It was donated to the Glasgow School of Art in 2014. With the book in this lot is a folded 4-page notepaper on Windyhill, Kilmacolm letterhead, headed “Kitty’s Books” and with a handwritten list of one book title each year from 1883 to 1928 and concluding with the words “The forty-fifth milestone of our friendship. The End”. How the notepaper and the book are connected is unclear. One possible, but unproven, explanation is that Mrs Davidson kept the Mackintosh-inscribed book after the death in 1915 of her youngest son Henry, and that like the Mackintosh exchange of books, the Davidsons were also in the habit of giving books to friends and the notepaper records one such series of annual gifts.Frederick William Carton Moore Park (1876-1956) was born in Stewarton, Ayrshire. He was a student at the Glasgow School of Art from 1893-97. He exhibited a painting in Vienna at the 1900 Secession Exhibition which also provided Charles and Margaret Mackintosh with their first major European exposure. His early career focused on the illustration of children’s books. In a letter of 24th December 1898 from Mackintosh to the 8 years old Cameron Davidson, he says….”I am sending you this little book of animals which has been illustrated by a young friend of mine in Glasgow…..”. Perhaps this anonymous illustrator is Carton Moore Park and the book An Alphabet of Animals, newly published by Blackie.
• Charles Rennie Macintosh (Scottish,
  Charles Rennie Macintosh (Scottish, 1868-1928) drafting sketch Black ink and watercolor on linen, design draft block letter titled 'John Cochrane, Esq. The Houshill, Nitshill/ Detail of Table for Card Room', and 'Drawing No.', with hand inscription in blue ink to lower right '4 Blytheswood Sq./Glasgow 1909/ Drawing No. 52', framed. Note: Hous'hill, located in Nitshill was the the home of Catherine Cranston and her husband John Cochrane. Miss Cranston, as she was known, was the owner of a chain of tearooms in Glasgow and a major patron of Macintosh. To much acclaim, he was hired to design interiors for The Willow Tearooms in Sauchiehall Street. In 1904 she commissioned Macintosh to design new furnishing and coordinate redecoration of Hous'hill. Exhibition: 'Charles Rennie Mackintosh', Glasgow Art Gallery and Museum, Nov. 1996 - Oct. 1997. H: 14 3/8, L:16 1/2 in. sight size ,200-1,500 - foxing and staining with some areas of faded ink - rippling to surface with some other creases - frame good condition
• Horatio McCulloch (1806-1867) ''
  Horatio McCulloch (1806-1867) '' A Glen In The Isle of Arran '' Antique Oil Painting - Unsigned Label on Back - Framed 20''x26''
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Point Law, Aberdeen, (H. 1), 1902, a rare edition of 12 proofs, signed "James McBey" and inscribed "1st November 1902", etching, plate 4 x 5-1/2 in.; black frame, 13 x 11-5/8 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: dark rich impression, not examined out of frame, light toning and foxing, stain upper right
• MacNeil McLeay Scottish (1802-1878)
  MacNeil McLeay Scottish (1802-1878) SCENE AT THE HEAD OF LOCH EARN MORNING EFFECT oil on canvas framed signed titled & dated: lower right and verso M. McLeay 1871 H22'' W30'' Provenance: Private collection of Erich Huy Pennsylvania. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• MACDUFF EVERTON (b. 1947): DAWN
  MACDUFF EVERTON (b. 1947): DAWN TEMPLE OF CONCORD AGRIGENTO SICILY ITALY C-print 16 x 20 in. Provenance: Robert Burge NYC.
• PETER MCINTYRE (1910-1995),
  PETER MCINTYRE (1910-1995), "VANCOUVER FROM STANLEY PARK," TEMPERA AND INK ON PAPER LAID TO BOARD, 26" H X 29" WPeter McIntyre, (1910-1995) "Vancouver from Stanley Park", Tempera and ink on paper laid to board Signed lower right: Peter McIntyre; titled on a gallery label affixed to the stretcher Tempera and ink on paper laid to board Dimensions: 26" H x 29" W
• 19C JOSEPH MCINTYRE ROMANTICIST
  19C JOSEPH MCINTYRE ROMANTICIST RIVER LANDSCAPE United Kingdom,19th CenturyLandscape painting depicting two figures in a rowboat travelling a river in the foreground with the Zion (Syon) House at Isleworth in the background with its lion pointing towards Windsor Castle.
• Macnish, R. The Anatomy of
  Macnish, R. The Anatomy of Drunkenness, eighth thousand, Glasgow 1840/Provenance: Spetchley Park
• EDITH A. MACINTYRE, EARLY 20TH
  EDITH A. MACINTYRE, EARLY 20TH C., "SPRING FANTASY" OIL ON CANVAS, A WOODED LANDSCAPE WITH GREEN TREES AND DARK SHADOWED ACCENTS, SI...Edith A. Macintyre, early 20th C., "Spring Fantasy" oil on canvas, a wooded landscape with green trees and dark shadowed accents, signed along lower border, framed, inscriptions verso identifying the artist, title, and approximate date, wear consistent with age including areas of paint loss, crackling, a past repaired tear in upper left area, ss: 19 1/2" h. x 23 1/2" w.
• Murray McNeil Caird Urquhart
  Murray McNeil Caird Urquhart (Scottish, 1880-1972) Landscape with Road and Figure oil on canvas signed Murray Urquhart (lower right) 15 1/2 x 19 1/2 inches. Property from the Collection of Maestro Raymond Leppard, Indianapolis, Indiana
• 1 vol. Hilliard d'Aubreteuil,
  1 vol. Hilliard d'Aubreteuil, (Michel-Rene). Mis Mac Rea. Philadelphia [i.e. Brussels], 1784. 12mo, contemp. speckled calf, spine richly gilt, morocco spine label, edges stained red; extremities rubbed, joints starting to split. Bottom of title page (below date) repaired. Some darkening to edges of title page, scattered light foxing. Complete with the terminal blank. In custom 1/2 brown morocco slipcase & cloth chemise. Sabin 31904, "a tale founded on the story of Jan McCrea, probably published at Brussels."; LCCN: 98-
• MACDUFF EVERTON (b. 1947): TAJ EL
  MACDUFF EVERTON (b. 1947): TAJ EL MOSQUE INDIA C-print 7 3/4 x 19 in. (sight). Provenance: Robert Burge NYC.
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Marguerite Sleeping, 1933, signed lower left ?McBey/April 1933.?, oil on canvas, 16 x 21-3/8 in.; fine carved and gilt wood frame, selected by the artist, 25 x 30-3/4 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: original stretcher and tacking edge, recently cleaned and varnished; frame with wear to gilding commensurate with age, separations, some losses to surface
• 2 vols. Macnally, Leonard. The
  2 vols. Macnally, Leonard. The Justice of The Peace for Ireland. Dublin: H. Fitzpatrick, 1808. 8vo, contemp. sheep, red morocco spine labels; scuffed. Early owner's ink signatures & other markings on title pages. Internally generally clean. Leonard Macnally (1752-1820), lawyer and playwright active in the Irish independence movement, betrayed the revolutionaries to the British government.
• THE POETICAL WORKS OF DAVID MACBETH
  THE POETICAL WORKS OF DAVID MACBETH MOIR (VOL.1&2)The Poetical Works of David Macbeth Moir (Vol. 1&2). Edited by Thomas Aird. Publisher: Edinburgh & London: William Blackwood & Sons. Date: 1852
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Two etchings: Sunset: Wadi-Um-Mukhsheib (H.185), 1919, A3, signed lower right "James McBey" and inscribed lower left; Fortress Wall, No. 26, signed "M_", plate 7-1/2 x 9-3/8 in.; wood frames Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: both with some toning, not removed from frames, not apparently laid down; frames with abrasions
• Peter McIntyre (1910-1995 New
  Peter McIntyre (1910-1995 New Zealand) ''The Awatere, Marlborough'' Oil on Board 29''x23.5'' Image. An early and colorful abstracted landscape. Signed l.r. with artist not affixed to verso. Original framing 35''x29''. Excellent condition.
• SET OF SIX PORTRAITS REPRESENTING
  SET OF SIX PORTRAITS REPRESENTING SCOTTISH CLANS Oil on artist's board, 19th century, depicting men from the Grant, MacAulay, MacColl, MacGillivray, MacLachlan, and MacPhee clans; each painting in a plain wooden frame.
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) The Approach to Tetuan (H.137), 1913, XXXVIII, signed lower right "James McBey", etching, 5-7/16 x 9-7/8 in.; wood frame, 13-1/4 x 17-1/2 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: toning, good rich impression, not examined out of frame, not apparently laid down; frame with abrasions
• JAMES MCBEY(Scottish, 1883-1959)
  JAMES MCBEY(Scottish, 1883-1959) Portrait of Marguerite McBey in a Striped Robe, 1932, signed lower left "McBey/19 February 1932", oil on canvas, 32 x 22-1/2 in.; fine carved and gilt wood frame with mask, shell and boss decorated decoration, selected by the artist, 43 x 33-5/8 in. Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Note: Accompanied by a magazine picturing the painting in McBey's Holland Park home:Musson, J., At Home With His Pictures: McBey Studio-House, Holland Park, 2002, March 7, Country Life, pp 104-107, ill. 107 Condition: original stretcher and tacking edge, recently cleaned and revarnished, good condition; frame with some minor restoration
• John MacGregor (British b. 1944)
  John MacGregor (British b. 1944) Oil on canvas abstract 20th c. signed MacGregor 50" x 40". ?
• CHARLES RENNIE MACKINTOSH AND
  CHARLES RENNIE MACKINTOSH AND MARGARET MACDONALD MACKINTOSH INTEREST MEMORIAL EXHIBITION CATALOGUE 1933 McLellan Galleries, Glasgow, 4-27th May 1933, printed by Begg Kennedy & Elder Printers, Glasgow
• STEVE MCGINTY (UTAH, BORN 1956) OIL
  STEVE MCGINTY (UTAH, BORN 1956) OIL ON BOARD, RURASTEVE McGINTY (Utah, born 1956) oil on board, rural landscape with field and trees. Signed lower left and dated 1998. Image measures 30" x 40". In a wood frame; 38" x 48" overall.