A few examples of appraisal values for
MAGNANI

• Two Bavarian Medallions: Prince
  Two Bavarian Medallions: Prince Regent Luitpold Jubliee Medallion, 1905 and an Order of Philip the Magnanimous Cross, early 20th century height 3.25 in — 8.3 cm
• Donald Baechler 1956–2022. Two
  Donald Baechler 1956–2022. Two Fishes. 1999, soft-ground etching and aquatint in colors on Magnani Pescia. 12 h × 8? w in. result: $563. estimate: $600–800. Signed, dated and numbered to lower edge ‘8/34 Donald Baechler '99’. This work is number 8 from the edition of 34 printed by Harlan & Weaver, New York and published by Baron/Boisante Editions, New York.
• Donald Baechler 1956–2022. Balloon.
  Donald Baechler 1956–2022. Balloon. 1999, soft-ground etching and aquatint in colors on Magnani Pescia. 11? h × 8? w in. result: $625. estimate: $600–800. Signed, dated and numbered to lower edge ‘8/34 Donald Baechler '99’. This work is number 8 from the edition of 34 printed by Harlan & Weaver, New York and published by Baron/Boisante Editions, New York.
• FRITZ SCHOLDER, LARGE ETCHING
  FRITZ SCHOLDER, LARGE ETCHING WITH AQUATINT, 1978 Fritz Scholder (American, 1937-2005), "Fancy Dancer in Roma", on Magnani wove paper, pencil signed and numbered 35/90 on lower margins, framed under plexiglass, 47"h x 38"w (image), 67"h x 47"w (frame)
• THEODORE B. STARR INC. ARMORIAL
  THEODORE B. STARR INC. ARMORIAL SCALLOP-EDGED STERLING SILVER FOOTED PLATTER, H X ~D: 1 3/8 X 12 1/4 IN. (3.49 X 31.12 CM.); 28.7 OZTheodore B. Starr Inc. Armorial Scallop-Edged Sterling Silver Footed Platter,, Top inscribed with bull and Latin text: magnanimiter crucem sustine. Dimensions: H x ~D: 1 3/8 x 12 1/4 in. (3.49 x 31.12 cm.); 28.7 oz
• HELEN FRANKENTHALER (AMERICAN
  HELEN FRANKENTHALER (AMERICAN 1928-2011), MIDNIGHT (HARRISON 123), ETCHING AND DRYPOINT IN COLOR, 572 X 470 MM (22-1/2 X 18-1/2 IN)Helen Frankenthaler (American 1928-2011), Midnight , (Harrison 123), Etching and drypoint in color on Magnani paper, 1987, signed in pencil with artist's cipher signature and dated, l.r. and numbered 3/71 l.l.; apparently in good condition. Framed.* Sight size: 572 x 470 mm (22-1/2 x 18-1/2 in) Dimensions: Sight size: 572 x 470 mm (22-1/2 x 18-1/2 in)
• RICHARD C. STRALEY, OIL ON CANVAS
  RICHARD C. STRALEY, OIL ON CANVAS Richard C. Straley (American, 1927-2008), "Anna (Anna Magnani)", portrait of the Italian actress, signed on verso, 10.5"h x 13.25"w (sight), 17.25"h x 20.5"w (frame)
• FRITZ SCHOLDER (1937-2005,
  FRITZ SCHOLDER (1937-2005, LUISENO), "INDIAN PORTRAIT IN ROMA," 1978Fritz Scholder, (1937-2005, Luiseno) "Indian Portrait in Roma," 1978, Etching and aquatint in colors on Magnani paper Edition: 72/90 Signed and numbered in pencil in the lower margin: Scholder; 2RC Editrice, Rome, Italy, pub. and with their blindstamp in the lower left margin corner Etching and aquatint in colors on Magnani paper Dimensions: Plate: 47.25" H x 38.75" W; Sheet: 63" H x 44" W
• ALBERTO MAGNANI 'WHITE COAT' OIL ON
  ALBERTO MAGNANI 'WHITE COAT' OIL ON CANVASAlberto Magnani, Italy (1945-) 'White Coat' oil on canvas painting with label on verso from Elaine Baker Gallery, Boca Raton, Florida. Measures 53"H x 37.25"W framed; 52"H x 36"W unframed.
• GRAHAM SUTHERLAND, PORTFOLIO (15)
  GRAHAM SUTHERLAND, PORTFOLIO (15) AQUATINTS, 1978 Graham Vivian Sutherland (British,1903-1980) , "Apollinaire: Le Bestiaire ou Cortege d'Orphee" (The Bestiary or the Procession of Orpheus) Standard Edition, on Magnani paper, each pencil signed and numbered 30/75 along lower margins, each blind stamped with artist monogram and printer's stamp, jointly published by Marlborough Fine Art, London and 2RC Editrice, Milan, various sizes, in original cardboard portfolio box, with front plate, edition page, text pages and print dividers, 35"h x 26"w x 2"d (portfolio box)
• Continental School, 19th Century
  Continental School, 19th Century Magnanimity of Scipio (Study for a Transom) watercolor on paper 7 3/4 x 15 3/4 inches. Property from the Estate of Rosemary Ann Giesfeldt, Milwaukee, Wisconsin
• (7) Pc Vintage garment group to
  (7) Pc Vintage garment group to include 60's Junior Sophisticated black mini dress, S, 1950's Harry S. Epstein New York fit and flare dress, black wool bodice, tiered style skirt, 33" bust, 26" waist, free hips, L. Magnani 60's scarf print shorts, S, black lace tie front wrap, wonderful black velvet Loomtogs wrap waist pedal pushers, metal zip closure at back, rhinestone button closure at back, 27" waist, Brigitte Freed textured cotton tie front bodice blouse, S and black rayon mini-dress with beaded fringe bodice, metal zip closure, S
• ATTRIBUTED TO ANNIBALE CARRACCI
  ATTRIBUTED TO ANNIBALE CARRACCI (BOLOGNA (1560-1609 ROME): RECTO: EXTENSIVE LANDSCAPE WITH A CLUMP OF TREES; VERSO: STUDIES OF A SEATED MALE NUDE AND OF A SHOULDER AND UPPER ARM Pen and brown ink (recto); pen and brown ink black chalk on paper (verso); 5 1/2 x 13 in. PROVENANCE: Sir Peter Lely (L.2092); Jonathan Richardson Sr. (L.2184); Sir Joshua Reynolds (L.2364); William Esdaile (L.2617); Hamilton Easter Field (L.872a); Mr. and Mrs. Lester Francis Avnet; By whom sold Sotheby's New York January 18 1984 lot 183 (as Attributed to Agostino Carracci); Pietro Scarpa Venice; Acquired from the above 1988. EXHIBITED: Morgan 2001 no. 6 (as Attributed to Agostino). The landscape drawing of the Carracci have continued to present problems of attribution to scholars and connoisseurs. This lovely expansive view has been attributed to Agostino but the description of the distant mountains and the open and free composition and handling are quite close to works generally given to Annibale such as the extraordinary Landscape with a Smiling Sunrise in the Louvre. The studies on the verso can be connected with the frescoes in the principal salone of Palazzo Magnani Bologna a commission planned and executed by the three Carracci together and completed around 1592. The seated male nude with his arms above his head and his legs crossed is most closely related to a Telamon generally attributed to Lodovico. The drawing has affinities with Lodovico's early style in the delicacy of the penwork but there are also similarities with Annibale's slightly later study for Hercules in the Camerino Farnese.
• Tennessee Williams Archive
  Tennessee Williams Archive (American Writer/Playwright, 1911-1983), circa 1950-1980, twelve signed items including typed materials by Williams, photographs, record albums, magazine articles and reviews, many dedicated to "Bob" (probably Robert Hines), several signature variations including "10," "10 Wms", "Tenn Wms", and "Tennessee Williams", accompanied by approximately 22 unsigned items relating to Williams's life and death; detailed listing:Signed items-Photograph, close-up of Williams wearing straw hat and neckerchief, signed recto “To Robert, Tennessee Williams” in black marker, also inscribed verso by Williams in blue ink, dated 1981, 10 x 7-7/8 in.-Photograph, Williams and (presumably) Anna Magnani with arms linked, signed recto “Tennessee Williams” in black marker, 8 x 10 in.-“Something Unexpected,” dated May, 1965, typed essay by Williams regarding his encounter with bibliographer Andreas Brown, signed “Tennessee Williams” ink blue ink and “Love, 10” in pencil, 10-7/8 x 8-3/8 in.-“(I run) Cried the Fox,” typed poem from The Winter of Cities, copyright 1956, signed “Tennessee Williams, San Francisco Bay, 1981!” in blue ink, with additional notes in same hand, on letterhead for Octavia Street in San Francisco, 10-7/8 x 8-3/8 in.-Christopher Street gay-oriented magazine, Issue 58, Vol. 5, No. 10, 1981, “The Travelling [sic] Companion,” one act play by Williams, signed “Bob, Love 10” in red ink, 10-7/8 x 8-1/8 in.-Mediterranean Review, Vol. 1, No. 2 Winter, 1971, “Apostrophe to Myself” narrative poem (originally read at the London Poetry Festival, 1970), signed “Velly Solly(?), but – 10. Wms.” in blue ink, 8-1/2 x 9-1/4 in.-Women, published 1948, prints by noted artists featuring the female form, with narratives of each work by noted writers. William’s narrative, titled “An Appreciation,” relates to a work by Hans Hoffman, signed “Tennessee Williams” in black ink, 15 x 11-1/4 in.-“Tennessee Williams Reading from The Glass Menagerie, The Yellow Bird, and Five Poems,” record album, copyright 1960, signed verso in blue ink “To Bob, dear Bob – Tennessee Williams” at top and “Tenn Wms, 10” at bottom, 12-3/8 x 12-3/8 in.-“Tennessee Williams Reads Hart Crane,” record album, copyright 1965, signed verso in blue ink “To uplift us all, he is – /from Tenn Wms – to you -,” 12-1/4 x 12-1/4 in.-“Tennessee Williams, A Streetcar Named Desire,” 3-record album, copyright 1973, singed verso in blue ink “To Bob, dear Bob, the ‘Streetcar,’ Tennessee Williams,” 12-3/8 x 12-1/2 in.-“Demon Smoke,” photocopy of Williams poem from ninth grade, originally published in his school yearbook, 1935, signed within copy “Tennessee Williams/No possible comment before dinner/TW,” 8-1/2 x 11 in. -Photocopy of hand-written letter dated March 23, 1981, addressed to “A Cher Bob,” discussing the work of an unnamed poet, “He rises, like others, fresh from the Southern Spring of tradition,” signed within copy “Yours, T. Williams, 10,” 8-1/2 x 11 in. Unsigned items-Life Magazine, February 3, 1961, “Five Fiery Ladies,” article discussing the heroines/actresses in Tennessee Williams dramas-Tennessee Williams funeral memorabilia, 1983: prayer cards and psalm/hymn sheet (presumably distributed at his funeral), all with his full name, life and death dates (three pieces)-Time Magazine, March 7, 1983, “The Laureate of the Outcast,” memorial article by T.E. Kalem-“The Tangier Summer and the Villa on the Marshan,” copyright 1994, typed narrative by Robert Hines including conversations with Tennessee Williams.-Tennessee Williams commemorative stamp memorabilia, circa 1995: US Postal Commemoration programs (signed by participants and Tennessee’s brother, Dakin Williams), newspaper articles, postcards, stamp, and pins (eleven pieces)-Tennessee Williams/New Orleans Literary Festival program, 1995 (with autographs of several participants)- Tennessee Williams/New Orleans Literary Festival program, schedule of events, 1996 (two pieces)-Glass Menagerie programs, Hippodrome State Theatre, 1998 (two pieces)