A few examples of appraisal values for
MAKES MARKS

• JAPANESE SUMITSUBO CARPENTER'S
  JAPANESE SUMITSUBO CARPENTER'S SCRIBE 20th century, maker's mark stamped on underside, wooden construction with an iron crank. The user pulls a length of string through an inkwell and, once taught, snaps it to mark a straight line on any surface to be cut.
• PAT STEIR / MARKING TIME
  PAT STEIR / MARKING TIME (1977)Pat Steir (New Jersey/New York, b. 1940) Marking Time , 1977 Color drypoint and etching with colored pencil on paper 29 3/4" x 41 3/4" (sheet) Pencil-signed, dated, and numbered (AP VIII) to the bottom center cartouche, titled and signed with ink thumbprints below each drypoint impression. Crown Point Press (printer Patrick Foy) publisher's blind stamp to the bottom right. Matted behind glass but unframed. Condition The work is in very good condition. The bottom right corner of the glass is chipped.
• A silver inkstand, HE Ltd., marks
  A silver inkstand, HE Ltd., marks rubbed, with beaded border, 9cm wide
• After Mark Cat
  After Mark Cat
• After Mark Cat
  After Mark Cat
• After Mark Cat
  After Mark Cat
• After Mark Cat
  After Mark Cat
• Mark Sawicki/Abstract/painted
  Mark Sawicki/Abstract/painted enamel on zinc, 77cm x 76cm
• THREE PIECES OF MODERN ART.
  THREE PIECES OF MODERN ART. "Barks and Marks" print, Warren Rohrer (Pennsylvania,1927-1995). Color lithograph on paper, signed and numbered 45/175. Published by the Institute of Contemporary Art. Minor water damage. Framed, 29.5"h. 28.75"w. and vertically striped abstract by Tadaaki Kuwayama (New York/Japan, b. 1932). Acrylic or enamel paint on paper, laid down on masonite, signed and dated 1968 lower right. Overall wear, surface scuffs and slight discoloration. Bottom of "stretcher" is loose. 34"h. 11.5"w. Together with a ceramic vase "Socially Acceptable" by Francie Rich (American, b. 1942). Signed and titled on rim. Hand painted caricature portraits. Flaking. 8"h. 8"d.
• 6 vols. (1 wrappers) Maugham, W.
  6 vols. (1 wrappers) Maugham, W. Somerset: The Marking of a Saint. London: T. Fisher Unwin, 1898. 1st English ed. 8vo, orig. green cloth, spine gilt; edge wear, spine ends & corners frayed, occasionally scuffed & bubbled, slightly cocked. Endpapers browned, front free endpaper detached. Minor internal spotting. 8 pp. adverts. at back. Maugham's 2nd book. Stott A2b. * The Sacred Flame. Garden City: Doubleday, Doran, 1928. 1st ed. 8vo, orig. black cloth, paper labels; light edge wear. Stott A38a. * Six Comedies. Garden City, 1937. 1st ed. thus. 8vo, orig. cloth, d/j (some chipping to edges). VG-/VG. Stott B10. Up at The Villa. London: W. Heinemann, (1941). 1st English ed. 8vo, orig. gilt-lettered blue cloth; light wear, d/j (occasional edge wear & minor dust soiling). Endpapers, 1/2 title & verso of last leaf browned. Stott A59b. * Catalina. London: W. Heinemann, (1948). 1st ed. 8vo, orig. silver stamped scarlet cloth; minor edge wear, d/j (light edge wear to edges & joints). Bright, tight copy. Stott A67a. * The Writer's Point of View. Cambridge Univ. Press, (1951). 1st ed. Sm. 8vo, orig. red printed wrappers; minor wear. Bright, crisp copy. Stott A.
• (9) Wood scribe mortise or
  (9) Wood scribe mortise or marking gauges, including G Campbell, EW Carpenter Lancaster, Disston & Morss, Stanley
• Carved bird's-eye maple breadboard,
  Carved bird's-eye maple breadboard, game bird, rabbit, knife and fork in relief, 19 in. Minor stains, separations and losses.
• Two folders each containing a dozen
  Two folders each containing a dozen coloured paper cuts also painted book marks.
• A silver capstan inkwell and a
  A silver capstan inkwell and a small footed bowl marks rubbed
• Penmanship ink drawing of a
  Penmanship ink drawing of a pointing finger. 4.5"x7.5"
• Mark Sawicki and Stefan Knapp
  Mark Sawicki and Stefan Knapp (British 1921-1996)/Abstract/enamel on zinc, 122cm x 61cm
• A pair of Japanese rosewood bezique
  A pair of Japanese rosewood bezique markers with gilded decoration, each marker flip with Shibayama decorated insects
• Carved stone owl, surface with tool
  Carved stone owl, surface with tool marks, 22-1/2 in. Some chips and losses, base wear.
• Mark Catesby etching (British,
  Mark Catesby etching (British, 1683-1749), The Purple Jackdaw , T.12, hand-colored etching on laid paper with crown, fleur-de-lis and four watermarks, from The Natural History of Carolina, Florida and the Bahama Islands, London, 1731-1743 edition, unframed, plate 10-1/8 x 13-5/8 in., page 14-3/8 x 20-3/8 in. Tape stains, small tears and chipping at edges, foxing, toning.
• Carved stone head of black man,
  Carved stone head of black man, 15 in. Traces old black and red paint, surface wear, abrasions and tool marks, base with some chips.
• Mark Hewitt (born 1955) for Wenford
  Mark Hewitt (born 1955) for Wenford Bridge Pottery, a stoneware jug, with line and circle motifs, impressed mark to handle, 20.5cm high
• Weller Luster Comport marked Weller
  Weller Luster Comport marked Weller in black ink stamp two small scratches in the glaze below rim 4.25''h.
• MARKUSI PAPIGATOK (B. 1976-),
  MARKUSI PAPIGATOK (B. 1976-), KINNGAIT (C. DORSET)Markusi Papigatok (1976-), male, Kinngait (Cape Dorset), Nunavut, Shaman-Bird Transformation, c. late 1990s – early 2000s, signed in syllabics. Papigatok began carving when he was twelve, and has become a prolific artist of animals (especially bears) and transformation subjects. 8" height x 7" width" x 2.5" depth.
• Mark Ogle ''Prairie Encampment''
  Mark Ogle ''Prairie Encampment'' Gouache on Paper Framed 21''x33'' - Some Damage -
• LINEN MARKING STAMPS AND
  LINEN MARKING STAMPS AND STENCILS, TYPEFACE IN FITTED WOODEN SMALL CASE, WITH VARIETY OF DATES AND LETTERS; ALONG WITH THREE CUT MET...Linen marking stamps and stencils, typeface in fitted wooden small case, with variety of dates and letters; along with three cut metal stencils and two scrubs; handstamp with eagle, wooden netting tools, "third hand" tools; two sewing birds, embroidery stands, etc. (no insert type on screws)
• “FLASH” CARD MARKING
  “FLASH” CARD MARKING TEMPLATES.“Flash” Card Marking Templates. Set of eight precision metal templates used to mark cards with geometric patterns. From the workshop of Bill Gusias of Arizona, a well-known maker of crooked gambling devices. Includes as-new airbrush for the application of the “juice.”
• Claude Marks (fl. 1899-1915
  Claude Marks (fl. 1899-1915 French or British) Spanish Dancers
• 1978 ABSTRACT EXPRESSIONIST
  1978 ABSTRACT EXPRESSIONIST PENCIL DRAWING United States1978Depicts rows of verticle tick marks in varying weights creating dynamic movement.
• A Derby desk set, circa 1770, patch
  A Derby desk set, circa 1770, patch marks, painted with figures besides lakes and butterflies and insects, the inkstand surmounted with putti and a goat, comprising a pen tray and cover, an inkpot and cover, a sander and cover and a candlestick, 24cm wide (areas of restoration to the inkstand, inkpots)
• Carved and paint-decorated ch
  Carved and paint-decorated ch
• Mark Catesby etching (British,
  Mark Catesby etching (British, 1683-1749), Lyclmis…Anguis…, Eastern Coach Whip with fire pink, T.54, from The Natural History of Carolina, Florida, and the Bahama Islands , London, 1731-1743 edition, "MC" monogram in plate, hand-colored etching on laid paper with crown and fleur-de-lis watermark, plate 9-7/8 x 13-5/8 in., page 14-1/8 x 20-3/8 in.; gilt wood frame. Binding edge at bottom, top two corners with loss, light toning and foxing, four 1/2 in. tears; frame with abrasions.
• Weller Woodcraft Planter marked
  Weller Woodcraft Planter marked (die impressed) Weller small bruise on the tip of top fox's nose 5.5''h.
• IGAEL TUMARKIN (1933) FIGURAL
  IGAEL TUMARKIN (1933) FIGURAL COMPOSITION. Watercolor with pen and ink signed and dated 1959 9.75''x13.75'' Condition: This piece was examined in frame under glass. Appears to be taped to mat on corners verso. There are two push pin holes on all corners. All corners have what appears to be glue stain from previous taping on the front of the print. There are a light amount of vertically running rippling in the paper. There is an approximately .25'' tear on the top edge of the paper about 6'' from the upper left corner. The edges have a few scattered creases.
• Mark Catesby etching (British,
  Mark Catesby etching (British, 1683-1749), "The Whiteheaded Eagle…Aquila Capite Albo", Plate 1 from The Natural History of Carolina, Florida and the Bahama Islands, 1731-1745, first edition, hand-colored etching laid on paper with fleur-de-lis and shield watermark with "4" and "LVG", accompanied by text page, 10-14 x 14-34 in. (plate), 14-18 x 20-14 in. (page); wood frame.
• CARD MARKING DEVICES AND
  CARD MARKING DEVICES AND SUPPLIES.Card Marking Devices and Supplies. Including two brass card punches, an envelope filled with tiny slivers of sandpaper for marking cards, a brass template for marking or pegging cards used by Bill Gusias (possibly also used for the manufacture of stripped cards), and a quantity of gambler’s daub in tins with attached safety pins.
• Mark Catesby engraving (British,
  Mark Catesby engraving (British, 1679-1744), "The Margate Fish" with earlier edition text from [The Natural History of Carolina, Florida, and the Bahama Islands], third edition, reprinted from the 1771 edition, lacking watermark, "MC" monogram, hand-colored engraving on wove paper, unframed, plate 10-3/8 x 14-1/8 in., page 14-1/4 x 20-1/8 in. Toning, stains, text bleed, corner loss upper left, lower left and lower right, pen mark upper left.