A few examples of appraisal values for
MANTON

• c. 1940's Manton & Smith male light
  c. 1940's Manton & Smith male light weight bicycle. Barn fresh complete. Fair cond.
• A Minton parian figure, Miranda,
  A Minton parian figure, Miranda, modelled by John Bell, and a standing parian figure
• 1 vol. (Austen, John,
  1 vol. (Austen, John, illustrator.) Prevost, l'Abbe. Manon Lescaut. London: G. Bles, 1928. #255/500 signed by Austen. Lg. 4to, contemp. slate blue morocco, gilt, gilt-lettered & ornamental pine, t.e.g., other edges untrimmed, turn-ins gilt, raised bands, silked doublures & endpapers; joints & extremities rubbed, edges of endpapers fading. With 12 color plates, other illus. Internally clean.
• MANSON MEEKINS (NC, 1916-2018),
  MANSON MEEKINS (NC, 1916-2018), REDHEAD Avon, North Carolina, circa 1950, carved and painted wood, incised MM brand.
• Merton Willmore painting (Merton
  Merton Willmore painting (Merton Widdicombe Willmore, Massachusetts/Ohio, 1893-1974), oil on canvas, 20 x 30 in.; original white painted frame. Original stretcher and tacking edge, crackle, cupping, stretcher marks, cleavage, flaking middle sky; frame with flaking, abrasions.
• Merton Willmore painting (Merton
  Merton Willmore painting (Merton Widdicombe Willmore, Massachusetts/Ohio, 1893-1974), winter landscape with hunter and dog, "No Hunting" sign, signed lower right "M. Willmore", oil on canvas, 28 x 34 in.; original carved and painted wood frame. Original stretcher and tacking edge, light grime.
• MORTIMER BORNE (american
  MORTIMER BORNE (american 1902-1987) VIEW OF MANHATTAN FROM NEW JERSEY 1941, pencil signed, dated and dedicated in the margin. Etching. 7 x 10 in. Framed and matted behind glass. On light wove paper with unidentified watermark "FRAN". 9 3/4 x 13 1/4 in. sheet Sheet cut at right. Mat burn and light staining. Brown tape affixed verso and on corners. Reverse foxing where papertape is affixed verso.
• A MONOCHROME WATERCOLOUR, AFTER R.P
  A MONOCHROME WATERCOLOUR, AFTER R.P BONNINGTON. 'Jeune fille malade' DEPICTING A SICK YOUNG WOMAN LAYING IN BED WITH A NUN TO THE FOOT OF THE BED. 42 X 37CM (INCL FRME)
• 1 piece. (Anthony Benezet.)
  1 piece. (Anthony Benezet.) Hartley, Thomas. Paradise Restored: or A Testimony to The Doctrine of The Blessed Millennium. London: M. Richardson, 1764. 8vo, contemp. sheep, morocco spine label; rubbed & occasionally blistered, front cover detaching. Light to moderate foxing & spotting. Anthony Benezet's copy, signed by him at head of title page & head of front paste-down. Benezet, Anthony (1713-1784), one of the first American Abolitionists, "the most prolific anti-slavery propagandist of the Eighteenth Century" (Am. Nat. Bio.)
• [MASSON] JEAN PAULHAN, LES
  [MASSON] JEAN PAULHAN, LES HAIN-TENY, SIGNED Jean Paulhan. Les Hain-Teny. Les Bibliophiles de l'Union Francaise, 1956, #24/100, this copy for Le Colonel Daniel Sickles, unbound folios in paper cover and hand-painted hardcover chemise and slipcase, 9 full-page aquatint etchings by Andre Masson, plus cover, signed by the author, artist and publisher, 18"h x 13.75"w x 2.25"d
• *MANN THOMAS Typed letter signed
  *MANN THOMAS Typed letter signed (''Thomas Mann'') one page on personal letterhead October 16 1944. To Charles Nelson. Mann informs Nelson that he is unable to provide him with the requested quotation by the French philosopher Henri Bergson as his copies of Bergson's works along with the majority of his library were lost upon his flight from Germany in 1933. Two vertical creases; one horizontal crease. 8 x 7 inches.
• STANTON MANOLAKAS (AMERICA, 1946-),
  STANTON MANOLAKAS (AMERICA, 1946-), "COLOR STUDY, NANTUCKET, CIRCA 1865"., WATERCOLOR ON PAPER, 14" X 20.5" SIGHT. FRAMED 23" X 29.5".STANTON MANOLAKAS, America, 1946-, "Color Study, Nantucket, circa 1865". Signed "Stanton Manolakas" dated 1986 and titled lower right. Dimensions: Watercolor on paper, 14" x 20.5" sight. Framed 23" x 29.5".
• WILLIAM MORRIS (1834-1896) TWO
  WILLIAM MORRIS (1834-1896) TWO BOLTS OF FABRIC, LATE 20TH CENTURY COMPTON pattern printed cotton, 1095cm x 136cm; and MARIGOLD, blue colourway, printed on linen, printed to selvedge "MARIGOLD"/ DESIGNED BY WILLIAM MORRIS/ AN ORIGINAL SCREENPRINT BY SANDERSON, 3655cm x 126cm(2)Provenance: From the collection of Arthur Halcrow VerstageNote: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.Literature: Parry, Linda William Morris Textiles, V&A 2013, p.258, no.95, and p.207, no.10
• MANSON MEEKINS (NC, 1916-2018),
  MANSON MEEKINS (NC, 1916-2018), REDHEAD Avon, North Carolina, circa 1940, carved and painted wood, incised MM in the bottom.
• Anton Mauve (Dutch, 1838-1888)
  Anton Mauve (Dutch, 1838-1888) Peasants in the Woods watercolor 12 1/2 x 17 inches.
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Village Monhegan Island with Great Manan, gouache on paper, unsigned, in blonde cove frame with roping, under pale grey mat, glazed, OS: 15 1/2" x 17 1/2", SS: 5 3/4" x 8", good condition.
• POSTER, ANTONIN CHATINIERE
  POSTER, ANTONIN CHATINIERE Antonin Chatiniere (19th century), "Manon," stone lithograph poster, signed in plate, overall (with frame): 35.75"h x 24.75"w
• ENGLISH, MANNER OF MORRIS & CO.
  ENGLISH, MANNER OF MORRIS & CO. AESTHETIC MOVEMENT SETTLE, CIRCA 1880 ebonised wood, with an upholstered cushion128cm wide, 84cm high, 49cm deep
• Benjamin Maund (British, 19th
  Benjamin Maund (British, 19th Century) "Botanicals", suite of eight hand-colored engravings, London, 1826, sight 7" x 5-1/2". Glazed, matted and presented in giltwood frames.
• ANTON MAUVE (DUTCH 1838-1888)
  ANTON MAUVE (DUTCH 1838-1888) FARM HAND IN A STABLE INTERIOR Oil on panel: 12 3/4 x 17 1/2 in. Framed; lower right signed ''A. Mauve''
• MALLET, ALLAIN MANESSON. NOUVEAU
  MALLET, ALLAIN MANESSON. NOUVEAU CONTINENT OU AMERIQUE (Paris, 1685), copperplate engraving, German text above the map; with outline color. Presented in frame, 10-3/4 x 9 in.
• Antonio Tantardini (Italian,
  Antonio Tantardini (Italian, 1829-1879) Reading a Letter carved marble signed and inscribed 'Milano' on edge of base Height 49 inches.
• MENGIN, Paul Eugene, (French,
  MENGIN, Paul Eugene, (French, 1853-1937): Woman with Mandolin, Bronze, 20.5'' in height, signed, affixed to a beveled marble plinth. CONDITION: Plinth has some flecks of loss.
• WILLARD MORIN (AMERICAN/CANADIAN,
  WILLARD MORIN (AMERICAN/CANADIAN, 20TH CENTURY) MEDICINE MAN Carved cotton wood sculpture. Signed 'Willard Morin'.
• Marantonia Italian genre
  Marantonia Italian genre painting, a couple conversing, signed lower left "Marantonia", oil on canvas, Italian School, 20th century, 14-1/8 x 11-1/4 in.; original gilt wood and composition French style frame. Original stretcher and tacking edge; frame with losses and retouch, fronted with glass. Private Collection, Ohio.
• Mawson (T H) The Art and Craft of
  Mawson (T H) The Art and Craft of Garden Making third edition and Willmot (E) Warley Gardens in Spring and Summer Quaritch 1909
• 17C TITIAN SCHOOL ENGLISH MANNERISM
  17C TITIAN SCHOOL ENGLISH MANNERISM PAINTING England17th CenturyDepicts two gentleman in elegant clothing at a desk, one man in black stares towards the viewer while the second figure swathed in red velvet stares at his companion while hunched over a letter.
• DICKENS/THACKERAY, LOVING BALLAD OF
  DICKENS/THACKERAY, LOVING BALLAD OF LORD BATEMANillustrated by George Cruikshank, 1st edition, 1st issue. London, Charles Tilt, 1839. Original pictorial cloth in Morocco case. 12mo. 4 7/8" high, 3 7/8" wide. Contents loose in binding, scuffs to spine.Provenance: Property of a Roxbury, CT Collection. We offer in-house packing and shipping of this item to an address in the United States for $45.00 via USPS Priority Mail. The price includes insurance up to $5,000.00. Tracking informationwill be sent to your email address. International buyers are responsible for arranging 3rd party shipping.
• Merton W. Willmore painting (Merton
  Merton W. Willmore painting (Merton Widdicombe Willmore, Massachusetts/Ohio, 1893-1974), winter landscape with houses, signed lower right "M. Willmore", oil on canvas, 13-3/8 x 16-1/2 in.; original gilt wood frame. Grime, original stretcher and tacking edge; frame overpainted with green paint, possibly by artist, flaking, abrasions.
• THOMAS MORAN (UNITED STATES)
  THOMAS MORAN (UNITED STATES) 1837-1926. MULFORD'S ORCHARD, EASTHAMPTON. ETCHING, 1883. REF: PARRISH ART MUSEUM (1987), NO. 207; GILC..Thomas Moran (United States) 1837-1926. Mulford's Orchard, Easthampton. Etching, 1883. Ref: Parrish Art Museum (1987), no. 207; Gilcrease 45; Fern 75. Ed: 100 ? Signed, dated and inscribed in the plate in reverse" Easthampton/ Sept 21st/Mulfords Orchard. Printed with brown ink on cream chine collé with margins, as issued. 293 x 448 mm. (11 1/2 x 17 5/8 in.)
• ÉDOUARD MANET (french 1832-1883)
  ÉDOUARD MANET (french 1832-1883) "BERTHE MORISOT" 1872. Etching. 4 3/4 x 3 1/8 in. [Guerin 59; Harris 75]. Unframed note: This etching is from the 1905 edition of 100 published by Alfred Strölin. provenance: Goldmark Gallery, Uppingham, United Kingdom. Private Collection, Arizona. Sheet: 17 9/16 x 12 7/8 in. Matted. Sheet affixed to backing board via four plastic corners. Sheet with margins. Edges of sheet are slightly deckled. There are some soft handling folds to edges of sheet- especially in upper right corner. Overall good condition.
• DECORATED MANTEL. Vermont 19th
  DECORATED MANTEL. Vermont 19th century pine. Original black and white marbleized graining. Imperfections. Wear yellowing and heat damage. 48''h. 59 3/4''w.
• WELLMAN (WILLIAM) MORRISON OIL ON
  WELLMAN (WILLIAM) MORRISON OIL ON CANVAS PORTRAITWellman (William) Morrison (American d. 1857) , oil on canvas portrait of a gentleman, signed under lining, 21 1/2" x 18". Exhibited Boston Athenaeum, listed as possibly a self portrait. Provenance: The Collection of Dic and Donnie Catzen. Competitive in-house shipping is available for this lot. Condition: Relined. Newer stretcher. Several repaired tears including to forehead and shoulder.
• SCULPTURE, MARDONIO MAGANA Mardonio
  SCULPTURE, MARDONIO MAGANA Mardonio Magana (Mexican, 1868-1947), Bald Man, carved wooden sculpture, signed beneath, overall: 10"h x 5.5"w x 6.5"d. Provenance: From the Private Collection of Bernard Zakheim (San Francisco Bay Area, CA); thence inherited through descent. Zakheim was an early American artist who worked on the murals of Coit Tower (San Francisco, CA). Exhibited: "Mardonio Magana: El Sentir de la Tradicion" - Museo Casa Estudio Diego Rivera y Frida Kahlo (Mexico City, MX) - May-Sept. 2003. Reference: Exhibition Catalogue - "Mardonio Magana: El Sentir de la Tradicion," 2003, illustrated on pp. 134 and 147/nos. 16 and 188
• Giovanni Martino (1908 - 1997,
  Giovanni Martino (1908 - 1997, PA) oil on board titled verso "Manayunk". 11.75" x 15.75" ss / 17.75" x 21.5" oa Condition: Some restorations noted.
• TOD LINDENMUTH
  TOD LINDENMUTH (MASSACHUSETTS/FLORIDA, 1885-1976), "MANTAS WHARF" (PROVINCETOWN, MASSACHUSETTS)., COLOR WOODCUT ON PAPER, 12" X 15" SIGHT. FRAMED 22" X 24.5".TOD LINDENMUTH, Massachusetts/Florida, 1885-1976, "Mantas Wharf" (Provincetown, Massachusetts). Signed in pencil lower right "Tod Lindenmuth". Titled in pencil lower left. Dimensions: Color woodcut on paper, 12" x 15" sight. Framed 22" x 24.5".