A few examples of appraisal values for
MAPPIN WEBB

• Webb Young (American 1913-2005)
  Webb Young (American 1913-2005) Mountainscape. Watercolor on paper signed at the lower left corner the sight size apprx. 14-3/4" x 21-1/4" double matted and framed under glass overall apprx. 22-1/4" x 29".
• Webb (T) A New Select Collection of
  Webb (T) A New Select Collection of Epitaphs, 2vols., S Bladen London 1775 and Black (W) The Strange Adventures of a Phaeton
• KENNETH WEBB (Irish b. 1927). FIELD
  KENNETH WEBB (Irish b. 1927). FIELD OF FLOWERS WITH DISTANT THATCHED COTTAGE signed lower left. Oil on canvas - Framed 20 in. x 16 in.
• Two African-American watercolors,
  Two African-American watercolors, children seated: one of a boy at a table with plate, signed middle bottom "C. Webb", inscribed verso "First one I ever made in Asheville"; one of a girl holding a glass and titled verso "Pansy" and inscribed "Original in Asheville", signed "CWP", watercolors over pencil on paper, American School, early 20th century, unframed, both 8 x 6 in. Light foxing, toning.
• Tricolor Webb cameo vase, white and
  Tricolor Webb cameo vase, white and rose floral and insect decoration on gold and rose ground, base marked "Thomas Webb & Sons" (England, 1885-1925), 6 in. Minor rim roughness as made. Maude B. Feld, New York, 1971.
• DOUG WEBB (B. 1956)Doug Webb (b.
  DOUG WEBB (B. 1956)Doug Webb (b. 1956), Fishing in a Sink, screen print on paper, pencil signed and numbered; two James Carter lithographs to include Marriage Vase along with one untitled, pencil signed and numbered; along with a James Carter portfolio. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Alonzo C. Webb (American b. 1888)
  Alonzo C. Webb (American b. 1888) Portail Gothique St. Loup-de-Naud etching signed A.C. Webb (lower right) 16 1/2 x 12 inches.
• James Webb (British
  James Webb (British 1825-1895)/Dinant on the Meuse/signed and dated 1846/oil on canvas, 76cm x 27cm/Provenance: Original bill of sale dated Jan 4th 1949, Mawson Swan & Morgan Ltd., Newcastle on Tyne
• I. WEBB SURRATT (AMERICAN,
  I. WEBB SURRATT (AMERICAN, 1916-1996), ABSTRACTION Oil on canvas, retains exhibition label to verso, circa 1950, framed.
• Two tricolor Webb cameo bowls: both
  Two tricolor Webb cameo bowls: both marked "Thomas Webb & Sons Cameo" (England, 1885-1925), white over blue floral and butterfly decoration on rose ground, 2-1/2 x 5-1/4 in. and 6 in. Maude B. Feld, New York.
• A large oval platter in Old
  A large oval platter in Old Sheffield Plate a rare example of Mapppin and Webb's O.S.P. manufacture 1863 55 x 45 cm.
• JAMES WEBB (British 1825-1895).
  JAMES WEBB (British 1825-1895). FISHING BOATS OFF COAST signed lower left. Oil on canvas - Framed 16 in. x 20 in.
• W.E. Webb (1862-1903) oil on canvas
  W.E. Webb (1862-1903) oil on canvas of Venice, signed lower right W.E. Webb, unframed. 8" x 12" ss Condition: Relined, wear consistent with age.
• Jane Webb London (British, 19th
  Jane Webb London (British, 19th Century) "Summer Florals", suite of eight hand-colored lithographs, sight 10" x 8", London, 1846. Glazed, matted and presented in green-painted frames.
• W. B. WEBB (BRITISH, CIRCA 1900),
  W. B. WEBB (BRITISH, CIRCA 1900), TERRIERS HUNTING [TWO WORKS] Both oil on board, each signed; the first depicting two terriers in a wooded landscape with a fox and recently deceased pheasant; the second depicting two terriers lurking around a rat trap; presented in matching burl wood and gilt frames.
• Webb cameo vase, white berry
  Webb cameo vase, white berry decoration on orange/brown ground, base marked "Thos. Webb & Sons Cameo" (England, 1885-1925), 6-3/4 in.
• CHARLOTTE RILEY WEBB, ATLANTA
  CHARLOTTE RILEY WEBB, ATLANTA (20TH/21ST CENTURY), WOMEN DANCING, ACRYLIC ON PAPER, 17 1/4"H X 41"W (SIGHT), 26 3/4"H X 50 1/4"W (FRAME)Charlotte Riley Webb, Atlanta, (20th/21st Century) Women Dancing, acrylic on paper signed lower right. An Atlanta native, raised in Cleveland, Ohio, Charlotte earned her BFA from The Cleveland Institute of Art. Beginning her MFA at Georgia State, she has continued her education and artistic growth, exploring new mediums through numerous art workshops and art colonies.Charlotte's rhythmic style with its bright bold colors easily translated into the illustrations for seven children's books and being a contributing artist to "Our Children Can Soar" earned her a 2010 NAACP Image Award. Webb has woven forms and a bold color palette into compositions of pastels and paintings she calls "Earth Tunes. It was in this series that she marked her complete transition from representational art to abstraction even though she had hinged on the abstraction genre for many years. Her series, "Still Running Lines Through My Head", highlights the spoken, written memories and experiences of this artist.Charlotte's lifetime interests in theater, poetry, literature and music resonated, and evolved into her art and became the impetus behind these works. She is now focused on creating her current series based on the poetic and musical works of two amazing women.A NAWA member, Pollack Krasner recipient as well as numerous other awards and residences, her 40 year retrospective exhibition of all of these series has thus far been exhibited at, the Hammonds House Museum in Atlanta, Dec. 2010, the NAAHBCU Museum in Montgomery, Alabama and the Bessie Smith Museum in Chattanooga, TN and in part in several fine art galleries throughout the country. Charlotte was honored to be one of the 2011 judges for the Atlanta Dogwood Festival and the 2011 Bombay Sapphire regional finalist, exhibited in Miami's Art Basel. She has been featured in several publications, most recently in the International Review of African American Artists, 2012 and in the Contemporary Women Artists XVI Exhibition, Longevity, at the St. Louis University Museum of Art. acrylic on paper Dimensions: 17 1/4"H x 41"W (sight), 26 3/4"H x 50 1/4"W (frame)
• W. B. WEBB (BRITISH 19TH CENTURY)
  W. B. WEBB (BRITISH 19TH CENTURY) HILLY LANDSCAPE WITH LAKE AND TOWN Oil on canvas: 11 x 16 3/4 in. Framed; lower left signed W. B. Webb
• JAMES WEBB (1825-1895), "SANDS AT
  JAMES WEBB (1825-1895), "SANDS AT SCHEVENINGEN HOLLOW," 1873, OIL ON CANVAS LAID TO CANVAS, 24" H X 40" WJames Webb, (1825-1895) "Sands at Scheveningen Hollow," 1873, Oil on canvas laid to canvas Signed and dated lower left: James Webb; titled in another hand verso Oil on canvas laid to canvas Dimensions: 24" H x 40" W
• Attributed to James R. Webb
  Attributed to James R. Webb (British, 1825-1895) Off Harwich oil on board attributed and titled on label 10 x 18 inches. Property from the Estate of Paula Trienens, Glencoe, Illinois
• JOHN PIKE (WI/NY/MA, 1911-1979)
  JOHN PIKE (WI/NY/MA, 1911-1979) Illustration for "The Web Caught the Spider", by Charles B. Child, Collier's Magazine, Nov 22, 1952. Watercolor on paper, signed lower right, with a clip from the magazine verso, return label to the artist's agent's address at 111 W 60th St, NYC. Housed in an aluminum box frame, matted and glazed, OS: 26" x 27", SS: 20" x 20 3/4", fine condition.
• Marguerite Kirmse (American,
  Marguerite Kirmse (American, 1885-1954) etching "The Spider Web", depicting a Scottie dog looking at a spider, etching on paper, pencil signed, inscribed "to Mr. R. T. Townsend with compliments of the artist", 6-5/8" x 4-5/8", framed 15-1/4" x 12-1/4", good condition, not inspected out of frame
• COLOR LITHOGRAPH, AFTER W. WEBB
  COLOR LITHOGRAPH, AFTER W. WEBB JOHN MYTTONColor lithograph, after W. Webb John Mytton, 18 1/2" x 24". Condition: Light toning.
• Kenneth Webb (British, b. 1927)
  Kenneth Webb (British, b. 1927) Glasgow Wharf gouache and watercolor on paper signed Kenneth Webb (lower right) 14 1/4 x 21 1/4 inches.
• JUDSON T. WEBB CHICAGO ARTS &
  JUDSON T. WEBB CHICAGO ARTS & CRAFTS POTTERY VASEJudson T. Webb (American, 1859-1932). Arts & Crafts Chicago pottery vase or pot with a mottled turquoise drip on olive green glossy glaze. Incised spider web mark along the underside. Webb was a pottery instructor at the Art Institute of Chicago and wrote a book titled "Pottery Making," published in 1914. Height: 3 1/3 in x diameter: 5 1/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• Painting attributed to David Webb
  Painting attributed to David Webb (Asheville, North Carolina/New York, 1926-1975), abstract composition, oil on canvas, 36 x 48 in.; early 20th century carved and painted wood frame. 1/4 in. hole lower right; frame with abrasions and flaking. Artist's collection; by descent in family; The Estate of the Late George David Webb, Asheville, North Carolina, and New York, New York.
• DAVID WEBSTER, PAINTING David
  DAVID WEBSTER, PAINTING David Webster (American, 20th/21st c.), Untitled, 1991, mixed media on paper, pencil signed "Webster" and dated "15 XII 91" at lower left, 12.5"h x 10"w (frame)
• ATTRIBUTED TO JAMES WEBB
  ATTRIBUTED TO JAMES WEBB (1825-1895) BRITISHAttributed to James Webb, shipping on the Thames, by the Tower of London, oil on canvas, signed 'Webb' bottom left, verso: titled and attributed to James Webb on a paper label. Giltwood frame. 24 x 36 inches.
• WANDA MILLER MATHHEWS WITHIN AND
  WANDA MILLER MATHHEWS WITHIN AND BEYOND
• Jane Webb Loudon (British,
  Jane Webb Loudon (British, 1807-1858) "Ornamental Botanicals", trio of hand-colored lithographs, sight 11" x 8-1/2", legend lower margin. Glazed, matted and presented in giltwood frames.
• WILLIAM MINSHALL BIRCHALL
  WILLIAM MINSHALL BIRCHALL (1884-1941) THE MAPLIN LIGHT signed, dated 1925 and inscribed, watercolour heightened with white, 25 x 35cm
• A WEBSTER, WINDMILL AND FOREST
  A WEBSTER, WINDMILL AND FOREST PATH, PAIR OF OIL ON BOARD, 10 X 8 INA Webster, Windmill and Forest Path, Pair of Oil on Board, 10 x 8 in
• THREE ANTIQUE AMERICAN AND
  THREE ANTIQUE AMERICAN AND ENGLISH ETCHINGS The first: Albert James Webb (American, 1891-1975), Proposition #1, circa 1935-43, pencil signed, titled, and marked as trial proof lower margin; the second: Charles Bird (English, 1856-1916), Interior of Bristol Cathedral, pencil signed at lower right; the third: Abbo Ostrowsky (American, 1889-1975), Central Park Zoo, New York, 1925, pencil signed at lower right; each framed.
• After Jane Webb Loudon (British,
  After Jane Webb Loudon (British, 1807-1858) \"Botanicals\", suite of six hand-colored lithographs, sight 10\" x 8\". Glazed, matted and handsomely framed en suite.
• MOLLY NYE TOBY FLORAL SPIDER WEB WC
  MOLLY NYE TOBY FLORAL SPIDER WEB WC PAINTING Massachusetts,1893-1984Depicting a bunch of lavender flowers with green foliage and a black and yellow spider on a web.
• H WebbEgypta
  H WebbEgypta pairsignedwatercolour and gouache 30.25cm x 50.75cm (12" x 20")