- Webb (T) A New Select Collection
Webb (T) A New Select Collection of Epitaphs, 2vols., S Bladen London 1775 and Black (W) The Strange Adventures of a Phaeton
- KENNETH WEBB (Irish b. 1927). FIELD
KENNETH WEBB (Irish b. 1927). FIELD OF FLOWERS WITH DISTANT THATCHED COTTAGE signed lower left. Oil on canvas - Framed 20 in. x 16 in.
- I. WEBB SURRATT (AMERICAN, 1916-1996),
I. WEBB SURRATT (AMERICAN, 1916-1996), ABSTRACTION Oil on canvas, retains exhibition label to verso, circa 1950, framed.
- PAUL WEBB (AMERICAN B 1902), SHUCKS!
PAUL WEBB (AMERICAN B 1902), SHUCKS! LETS' ALL GET SOME SLEEP AN' TACKLE IT AG'IN WHEN WE'RE FRESH, CHARCOAL AND CRAYON, 22-1/2 X 1Paul Webb (American b 1902), Shucks! Lets' All get some Sleep an' Tackle it Ag'in When We're Fresh, Charcoal and Crayon, 22-1/2 x 1
- Webb Young (American 1913-2005)
Webb Young (American 1913-2005) Mountainscape. Watercolor on paper signed at the lower left corner the sight size apprx. 14-3/4" x 21-1/4" double matted and framed under glass overall apprx. 22-1/4" x 29".
- Alonzo C. Webb (American b. 1888)
Alonzo C. Webb (American b. 1888) Portail Gothique St. Loup-de-Naud etching signed A.C. Webb (lower right) 16 1/2 x 12 inches.
- W. B. WEBB (BRITISH 19TH CENTURY)
W. B. WEBB (BRITISH 19TH CENTURY) HILLY LANDSCAPE WITH LAKE AND TOWN Oil on canvas: 11 x 16 3/4 in. Framed; lower left signed W. B. Webb
- JAMES WEBB (British 1825-1895).
JAMES WEBB (British 1825-1895). FISHING BOATS OFF COAST signed lower left. Oil on canvas - Framed 16 in. x 20 in.
- JAMES WEBB (1825-1895), "SANDS
JAMES WEBB (1825-1895), "SANDS AT SCHEVENINGEN HOLLOW," 1873, OIL ON CANVAS LAID TO CANVAS, 24" H X 40" WJames Webb, (1825-1895) "Sands at Scheveningen Hollow," 1873, Oil on canvas laid to canvas Signed and dated lower left: James Webb; titled in another hand verso Oil on canvas laid to canvas Dimensions: 24" H x 40" W
- W. B. WEBB (BRITISH, CIRCA 1900),
W. B. WEBB (BRITISH, CIRCA 1900), TERRIERS HUNTING [TWO WORKS] Both oil on board, each signed; the first depicting two terriers in a wooded landscape with a fox and recently deceased pheasant; the second depicting two terriers lurking around a rat trap; presented in matching burl wood and gilt frames.
- H WebbEgypta pairsignedwatercolour
H WebbEgypta pairsignedwatercolour and gouache 30.25cm x 50.75cm (12" x 20")
- DOUG WEBB (B. 1956)Doug Webb (b.
DOUG WEBB (B. 1956)Doug Webb (b. 1956), Fishing in a Sink, screen print on paper, pencil signed and numbered; two James Carter lithographs to include Marriage Vase along with one untitled, pencil signed and numbered; along with a James Carter portfolio.
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
- W H Toms after J BadesladeA Map
W H Toms after J BadesladeA Map of Gloucestershirehand coloured engraving 15.5cm x 15.5cm (6" x 6")and a hand coloured map of Monmouthshire engraved by B Baker Islington
- Attributed to James R. Webb (British,
Attributed to James R. Webb (British, 1825-1895)
Off Harwich
oil on board
attributed and titled on label
10 x 18 inches.
Property from the Estate of Paula Trienens, Glencoe, Illinois
- JOHN PIKE (WI/NY/MA, 1911-1979)
JOHN PIKE (WI/NY/MA, 1911-1979) Illustration for "The Web Caught the Spider", by Charles B. Child, Collier's Magazine, Nov 22, 1952. Watercolor on paper, signed lower right, with a clip from the magazine verso, return label to the artist's agent's address at 111 W 60th St, NYC. Housed in an aluminum box frame, matted and glazed, OS: 26" x 27", SS: 20" x 20 3/4", fine condition.
- James Webb (British 1825-1895)/Dinant
James Webb (British 1825-1895)/Dinant on the Meuse/signed and dated 1846/oil on canvas, 76cm x 27cm/Provenance: Original bill of sale dated Jan 4th 1949, Mawson Swan & Morgan Ltd., Newcastle on Tyne
- CHARLOTTE RILEY WEBB, ATLANTA (20TH/21ST
CHARLOTTE RILEY WEBB, ATLANTA (20TH/21ST CENTURY), WOMEN DANCING, ACRYLIC ON PAPER, 17 1/4"H X 41"W (SIGHT), 26 3/4"H X 50 1/4"W (FRAME)Charlotte Riley Webb, Atlanta, (20th/21st Century) Women Dancing, acrylic on paper signed lower right. An Atlanta native, raised in Cleveland, Ohio, Charlotte earned her BFA from The Cleveland Institute of Art. Beginning her MFA at Georgia State, she has continued her education and artistic growth, exploring new mediums through numerous art workshops and art colonies.Charlotte's rhythmic style with its bright bold colors easily translated into the illustrations for seven children's books and being a contributing artist to "Our Children Can Soar" earned her a 2010 NAACP Image Award. Webb has woven forms and a bold color palette into compositions of pastels and paintings she calls "Earth Tunes. It was in this series that she marked her complete transition from representational art to abstraction even though she had hinged on the abstraction genre for many years. Her series, "Still Running Lines Through My Head", highlights the spoken, written memories and experiences of this artist.Charlotte's lifetime interests in theater, poetry, literature and music resonated, and evolved into her art and became the impetus behind these works. She is now focused on creating her current series based on the poetic and musical works of two amazing women.A NAWA member, Pollack Krasner recipient as well as numerous other awards and residences, her 40 year retrospective exhibition of all of these series has thus far been exhibited at, the Hammonds House Museum in Atlanta, Dec. 2010, the NAAHBCU Museum in Montgomery, Alabama and the Bessie Smith Museum in Chattanooga, TN and in part in several fine art galleries throughout the country. Charlotte was honored to be one of the 2011 judges for the Atlanta Dogwood Festival and the 2011 Bombay Sapphire regional finalist, exhibited in Miami's Art Basel. She has been featured in several publications, most recently in the International Review of African American Artists, 2012 and in the Contemporary Women Artists XVI Exhibition, Longevity, at the St. Louis University Museum of Art. acrylic on paper Dimensions: 17 1/4"H x 41"W (sight), 26 3/4"H x 50 1/4"W (frame)
- COLOR LITHOGRAPH, AFTER W. WEBB
COLOR LITHOGRAPH, AFTER W. WEBB JOHN MYTTONColor lithograph, after W. Webb John Mytton, 18 1/2" x 24".
Condition:
Light toning.
- H. WEBSTER: "MORLAIX" Watercolor
H. WEBSTER: "MORLAIX" Watercolor and ink on paper 5 x 7 in. together with a feline study pen and ink drawing attributed to Pierre Jeanniot 14 1/4 x 13 3/4 in.
- Two African-American watercolors,
Two African-American watercolors, children seated: one of a boy at a table with plate, signed middle bottom "C. Webb", inscribed verso "First one I ever made in Asheville"; one of a girl holding a glass and titled verso "Pansy" and inscribed "Original in Asheville", signed "CWP", watercolors over pencil on paper, American School, early 20th century, unframed, both 8 x 6 in. Light foxing, toning.
- Kenneth Webb (British, b. 1927)
Glasgow
Kenneth Webb (British, b. 1927)
Glasgow Wharf
gouache and watercolor on paper
signed Kenneth Webb (lower right)
14 1/4 x 21 1/4 inches.
- 46 STAR AMERICAN FLAG Marked 'WEBB'
46 STAR AMERICAN FLAG Marked 'WEBB' & 'Stoddard'
- THREE ANTIQUE AMERICAN AND ENGLISH
THREE ANTIQUE AMERICAN AND ENGLISH ETCHINGS The first: Albert James Webb (American, 1891-1975), Proposition #1, circa 1935-43, pencil signed, titled, and marked as trial proof lower margin; the second: Charles Bird (English, 1856-1916), Interior of Bristol Cathedral, pencil signed at lower right; the third: Abbo Ostrowsky (American, 1889-1975), Central Park Zoo, New York, 1925, pencil signed at lower right; each framed.
- ATTRIBUTED TO JAMES WEBB (1825-1895)
ATTRIBUTED TO JAMES WEBB (1825-1895) BRITISHAttributed to James Webb, shipping on the Thames, by the Tower of London, oil on canvas, signed 'Webb' bottom left, verso: titled and attributed to James Webb on a paper label. Giltwood frame. 24 x 36 inches.
- * WEBSTER (british 19th/20th century)
* WEBSTER (british 19th/20th century) NOBLEWOMAN IN FEATHERED HAT Signed bottom left, oil on canvas 39 1/2 x 29 1/4 in. ,000-1,500 Craquelure, minor scattered reouch, opague varnish
- WILLIAM MINSHALL BIRCHALL (1884-1941)
THE
WILLIAM MINSHALL BIRCHALL (1884-1941)
THE MAPLIN LIGHT
signed, dated 1925 and inscribed, watercolour heightened with white, 25 x 35cm
- Painting attributed to David Webb
Painting attributed to David Webb (Asheville, North Carolina/New York, 1926-1975), abstract composition, oil on canvas, 36 x 48 in.; early 20th century carved and painted wood frame. 1/4 in. hole lower right; frame with abrasions and flaking. Artist's collection; by descent in family; The Estate of the Late George David Webb, Asheville, North Carolina, and New York, New York.
- JOHN COTHER WEBB, MEZZOTINTReclining
JOHN COTHER WEBB, MEZZOTINTReclining female nude print. Overall framed size is 24" x 27". See images. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
- W.E. Webb (1862-1903) oil on canvas
W.E. Webb (1862-1903) oil on canvas of Venice, signed lower right W.E. Webb, unframed.
8" x 12" ss
Condition: Relined, wear consistent with age.
- Wesley E. Webber (MA 1841-1914)
Wesley E. Webber (MA 1841-1914) The Strolloil on canvas signed and dated ''W. Webber. / 84'' lower left presented in original gilt and gesso frame with acanthus borders the frame's verso with Hastings & Davenport Boston label. SS 13.75 x 10.5 in.; DOA 219.75 x 21.5A native of Maine and a Union Army veteran Webber was a self-taught and highly accomplished landscape artist based in Boston and later in New York. Many of his scenes were painted from life in New Hampshire.Some surface grime and yellowing of varnish; minor chipping to the frame corners; the frame with gold overpaint; black light inspection reveals a small spot touch-up in upper left corner.
- H.H. WEBB, BRITISH 19TH CENTURY,
H.H. WEBB, BRITISH 19TH CENTURY, KERESLEY, NORTH COVENTRY, OIL ON BOARD, 9 1/2 X 11 1/2 IN. (24.1 X 29.2 CM.), FRAME: 14 1/2 X 12 1/4 IN. (36.8 X 31.1 CM.)H.H. WEBB, BRITISH, 19TH CENTURY KERESLEY, NORTH COVENTRY, Oil on board Verso titled and signed: Keresley Nth Coventry / H.H. Webb Oil on board Dimensions: 9 1/2 x 11 1/2 in. (24.1 x 29.2 cm.), Frame: 14 1/2 x 12 1/4 in. (36.8 x 31.1 cm.)
- DAVID WEBSTER, PAINTING David Webster
DAVID WEBSTER, PAINTING David Webster (American, 20th/21st c.), Untitled, 1991, mixed media on paper, pencil signed "Webster" and dated "15 XII 91" at lower left, 12.5"h x 10"w (frame)
- James R. Maples and Patrick McClary
James R. Maples and Patrick McClary South Carolina 20th century THREE WORKS: BLUEBIRD PAINTED BUNTING CARDINAL painted carved wood and metal on driftwood bases; bluebird signed and dated on base: JRM PMC 2008 #4 H5'' W10''; painted bunting signed and dated on base: PMC ''07'' #4 H5'' W8''; cardinal signed and dated on base: PMC ''07'' #3 H9'' W11'' (3pcs) Provenance: Renderings of backyard birds from a Hilton Head Island collection. Other Notes: Maples a native of Chicago studied painting at the Art Institute of Chicago and began his career of woodcarving in 1982. He now resides on Hilton Head Island SC. McClary is a woodcarver working in the studio of Maples. Condition: Very good condition. Back   Inquiry    Previous Item  Next Item © Charlton Hall Auctions. Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678   © 2012 CHARLTON HALL GALLERIES INC.
- TODD WEBB (1905-2000): "THE FOUR
TODD WEBB (1905-2000): "THE FOUR BOYS NEAR FULTON FISH MARKET" Gelatin silver print 5 x 7 in. titled and stamped on verso.
- TODD WEBB (ME/NY/MI, 1905-2000)
TODD WEBB (ME/NY/MI, 1905-2000) "From Chatham Square El Station, New York, 1946", gelatin silver photo, titled and signed in lower margin, in chrome framed archival mount under plexiglass, OS: 17" x 14", SS: 6 1/2" x 9".
- Jane Webb London (British, 19th
Jane Webb London (British, 19th Century) "Summer Florals", suite of eight hand-colored lithographs, sight 10" x 8", London, 1846. Glazed, matted and presented in green-painted frames.