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MERSAD BERBER (BOSNIAN, 1940-2012),
MERSAD BERBER (BOSNIAN, 1940-2012), LARGE WORK WITH HORSE AND FIGURE Hand-embellished print, with partially-visible red pencil inscription top margin, in gilt frame with matting.
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A Large Detailed Waist-up Bust
A Large Detailed Waist-up Bust After Johann Maresch Pottery with polychrome pigments detailed and stylized mustached man holding beer stein after a model by Maresch unmarked with matte finish polychrome enamels.
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Jean Francois Theodore Gechter
Jean Francois Theodore Gechter (French, 1796-1844) cavalry battle scene; gilt bronze sculptural group depicts Saracen leader Charles Martel dispatching fallen foe. Martel was known as "The Hammer" due to his signature fighting style. Both 8th century warriors and their horses armored. 16"H x 15"L. Good condition, helmet plume detached on vanquished warrior.
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Misbach (French School late
Misbach (French School late 18th/early 19th c.) "A Muscular Male Nude Positioned Frontally His Raised Arms Grasping Posing Straps" 1792 black chalk and stumping (a technique of blending chalk lines into tonal gradations) on off-white laid paper with watermark DFG unsigned verso inscribed with effaced words in pencil overwritten with others in brown ink "Nettoyer / figure de[?] Place[?] / ...d'un homme-12 Mars 1792" 23 3/8 in. x 18 1/5 in. with 1 1/2 in. x 1 7/8 in. paper addition for the right hand (2 3/4 in. from left end of top edge) unmounted. Provenance: James R. Lamantia Jr. New Orleans and New York. Note: Shepherd Gallery of New York as the lead entry in their summer catalogue for 1995 published the unmistakable twin to this very powerful drawing a watermarked sheet of nearly identical size (24 x 17 in.) with precisely the same technique stumping abstract horizon line and shading of the same darker diagonal segment behind the right calf. That sheet even has an exactly analogous model in a precisely similar position (though this subject appears slightly more muscular) and he too holds with both raised hands an identical posing strap descending from above. The Shepherd drawing is inscribed with the artist's name of Misbach plus the fact that it was executed in an "École de Modele [under] Prof. ____ [and dated Germinal Floréal or Prairi]al An 7" (which in the brief term of the French Revolutionary calendar coincides with a date between 21 March and 18 June 1799). A number of Misbach's topographical views of Paris are recorded; and he helped to train a son Constant Misbach (1808-1850) who exhibited at the Salon as a history painter between 1831 and 1850 when he died at age 42. Nothing else is known of the senior Misbach; but these two "academy" studies certainly demonstrate his full mastery of anatomy and pose even in his evidently early decade of the 1790s. (His son's birth in 1808 means that the father was probably married c. 1800/05 and thus was born in approximately 1775; he would therefore have been only in his late teens and early twenties when these drawings were made.) The fact that this and the Shepherd sheet both received such circumstantial inscriptions apparently argues for Misbach's contemporary renown a status clearly borne out by this second-and substantially earlier-addition to his oeuvre. Reference: Elisabeth Kashey French 19th C. Paintings Drawings and Watercolors summer exhibition of 9 May-23 June at Shepherd Gallery New York 1995 no. 1.
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VERTES, Marcel, (Hungarian,
VERTES, Marcel, (Hungarian, 1895-1961): Six Horses Drawing a Chariot with Ladies Aboard led by a Single Horse with a Lady Rider, Watercolor and Gauche, sight size is 13.50'' x 37'', pencil sighed lower right, framed 15.25'' x 39.50''.
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Gerry Michael Metz (American,
Gerry Michael Metz (American, b.1943) 19th century hunter tempera on board bearded figure in Hudson bay blanket coat tends nighttime campfire, buckskin pack horse forages near birch trees on edge of wintery forest; signed lower right. 11" x 14 1/2"
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Carved marble bust of Mos
Carved marble bust of Mos
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MORET: THE BORGHESE WARRIOR
MORET: THE BORGHESE WARRIOR Bronze incised signature and inscribed "Musée de Louvre " on black and veined marble stand; 12 1/2 x 15 in.
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A Large Spelter Sculpture After
A Large Spelter Sculpture After Henri Coffier de Ruze Large cast specter sculpture with a bronze patina of handsome man in muskateer attired with a plumed hat and sword. Plaque reads "Cinq Mars". Henri Coiffier de Ruze Marquis de Cinq-Mars of the court of King Louis XIII.
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Arminell Morshead (British
Arminell Morshead (British 1889-1966) Rider on Horse oil on canvas signed Morshead (lower right) 20 x 24 inches.
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ROBERT STARK JR. OIL ON MASONITE
ROBERT STARK JR. OIL ON MASONITE 'THE MARSH"Robert Stark Jr. (1933-2014) Oil on Masonite "The Marsh" with sails on the horizon, Great White Egret in the foreground, signed lower right R. Stark, in a contemporary molded gilt frame.
20.25 in. x 30 in. Framed 23.5 in. x 33.5 in.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
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Marble sculpture, classical style
Marble sculpture, classical style head of bearded man with helmet, European, 20th century, 14-1/2 in. Abrasions, grime, chips. Estate of the late Judge John Emery Parks, Honolulu, Hawaii.
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MERSAD BERBER (BOSNIAN, 1940-2012),
MERSAD BERBER (BOSNIAN, 1940-2012), INK DRAWING OF A MAN ON HORSEBACK Pen and ink on paper, 1970, with signature and inscription in red pencil in lower left and upper right, matted and framed.
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Mark Catesby (British, 1679-1749)
Mark Catesby (British, 1679-1749) Mergus (Hooded Merganser), from The Natural History of Carolina, Florida, and Bahama Islands, London, 1777 edition, signed in plate verso with monogram, hand-colored engraving laid on paper with "J. Whatman" watermark, 14-1/4 x 18-3/8 in. (page), 10-1/4 x 13-3/4 in. (plate); modern gilt wood frame,
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Painting, manner of Martszen,
Painting, manner of Martszen, cavalry skirmish, signed with conjoined "JM" center bottom, manner of Jan de Martszen The Younger, Dutch, 1609-1647, oil on canvas, European, 19th century, 8-7/8 x 11-1/2 in.; 20th century gilt wood and composition frame. Retouch, flaking, abrasions, craquelure, some corrosion, grime; frame with abrasions, loss to composition, repairs.
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T. MARSCHEL (AMERICAN, 20TH
T. MARSCHEL (AMERICAN, 20TH CENTURY)T. Marschel
American, 20th century
Lynx in the Snow
Oil on board, signed lower right
Lynx in a snowy, wooded landscape, framed and matted.
Sight 12 1/2 x 20 in. (31.8 x 50.8 cm.), frame: 22 x 29 in. (55.9 x 73.7 cm.)
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A LARGE MEISSEN PORCELAIN BLANC
A LARGE MEISSEN PORCELAIN BLANC DE CHINE MYTHOLOGICAL FIGURE GROUP
19TH CENTURY Depicting Mars in his chariot drawn by a pair of rearing horses, blue crossed swords mark, incised No. 2243cm wide, 34.5cm highNote: One of a series of allegorical and mythological groups originally designed in 1772-74 by J. J. Kändler to glorify the Russian Empress Catherine the Great.
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RAMESES (ALBERT MARCHINSKY). THE
RAMESES (ALBERT MARCHINSKY). THE GREAT RAMESES. THE EAS...London: David Allen & Sons, ca. 1913. Clad in the robes of an Egyptian mystic, Rameses here appears in a Moses-like scene, leading a flock of the faithful from a door in a great pyramid set in the background of the poster, just beyond The Sphinx. He carries a staff in his hand, while a goose walks near his feet. 19 1/8 x 28 1/8". Scattered restoration throughout image. B-.
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BORIS MARDESIC, CROATIAN,
BORIS MARDESIC, CROATIAN, CLOUDSCAPE O/BBoris Mardesic (Croatian, b. 1922) oil on board painting of a polychrome sky over a barren landscape. Board measures 8" x 10", framed to 9 3/4" x 11 3/4". Initial signed at lower right, signed verso. Excellent condition with minor wear to framing. Provenance: From the estate of Michael Milkovich, long-time director of the Museum of Fine Arts in St. Petersburg, Florida. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
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BERBER Mersad (Yugoslavia 1940-):
BERBER Mersad (Yugoslavia 1940-): Young Child Mixed Media With Foil sight size 16 1/2'' x 12 1/2'' custom frame 21'' x 16 1/2''.
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LEONARD MARCHANT (1929 - 2000):
LEONARD MARCHANT (1929 - 2000): "GENESIS"1967, mezzotint, 23/75 Provenance: with label from London Grafica Arts Condition: with damage to glass lower right in frame sheet size: 31 x 22 1/2 inches Condition:
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A Johann Maresch Waist-Up Figural
A Johann Maresch Waist-Up Figural Tobacco Jar of Explorer Terracotta with matte finish pigments ethnic traveler holding scope with perspiring brow. Impressed JM 3312.
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Marble sculpture, classical style
Marble sculpture, classical style head of man with helmet, European, 20th century, 14 in. Abrasions, grime, chips. Estate of the late Judge John Emery Parks, Honolulu, Hawaii.
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AMPHORA NEOCLASSICAL OVERSIZED
AMPHORA NEOCLASSICAL OVERSIZED EARTHENWARE WALL PLAQUE FOR JOHANN MARESCH, AFTER EMILE GUILLEMIN, CA. 1900'S 19" x 3 ¼" Early Amphora earthenware wall plaque, depicting an equestrian Arab composition in a landscape after Emile Guillemin (1841-1907) bronze sculptures. Wide border with relief design, painted in polychrome and glazed, gilt highlights; apertures on the back to hang on the wall. Marked with incised "JM hallmark" (for Johann Maresch) and "5763" on the back along with attached old paper label "Pitkin & Brooks, Sate & Lake Sts Chicago".
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Robert Ward Van Boskerck painting
Robert Ward Van Boskerck painting (New York, 1855-1932), marsh landscape with Spanish moss strewn trees, signed lower right "R.W. Van Boskerck", oil on canvas, 13-1/2 x 16-1/2 in.; 20th century carved and gilt wood reeded cushion molding frame. Lined, retouch mostly in sky affecting 10 percent of surface, crackle, cupping, cleavage, flaking, canvas loose; frame with abrasions and wear.
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THE MARSHAL OF THE VENDEE FERRANT
THE MARSHAL OF THE VENDEE FERRANT "Le maréchal ferrant de la Vendée". Gravure de Copia d'après Sablet. Paris, musée Carnavalet, approx 39cm x 29cm
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NICOLA MARSCHALL (PRUSSIAN/ALABAMA,
NICOLA MARSCHALL (PRUSSIAN/ALABAMA, 1829-1917)Nicola Marschall (Prussian/Alabama, 1829-1917), "Jacob Magee (1812-1883)" and "Mary Elizabeth Tisdale Magee (1813-1882)", 1872, 2 oils on canvas, each signed and dated lower right, each 30 in. x 25 in., period frames. (2 pcs.). Provenance: Magee Estate, c. 2014; Private Collection.
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MORRELL, Wayne Beam, (American,
MORRELL, Wayne Beam, (American, 1923-2013): ''Moods of Spring'', in the Essex Woods March 8th, 1968, Oil/Wood Panel, 12'' x 16'', signed lower right, signed titled and dated verso, fine carved and gilded frame, 17'' x 21''.
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Nicola Marschall
Nicola Marschall (Alabama/Kentucky 1829-1917) "Portrait of Marion Moses Waring (born June 18th 1843 Mobile Alabama)" oil on canvas unsigned 30 in. x 25 in. in a period frame.
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MISCHA (MAURICE) ASKENAZY
MISCHA (MAURICE) ASKENAZY (1888-1961): "PORTRAIT OF A GENTLEMAN"oil on canvas signed lower right unframed: 32 x 26 inches Condition:
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MERSAD BERBER (BOSNIAN, 1940-2012),
MERSAD BERBER (BOSNIAN, 1940-2012), TWO PORTRAITS Hand-embellished prints, 1970s, each signed, dated, and inscribed, both matted and framed.
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MARIONETTE FIGURE OF A MUSKETEER
MARIONETTE FIGURE OF A MUSKETEER Marionette figure of a musketeer, depicted with painted details wearing a feathered hat and holding a sword, 39.5"h
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RICHARD SPARRE TEMPERA ON PANEL "ON
RICHARD SPARRE TEMPERA ON PANEL "ON THE MARSH"Richard Sparre (1936-2008, Massachusetts) Tempera on Panel "On The Marsh" , signed lower right "Richard Sparre", in original frame
14.25 in. x 23.25 in. Overall 19.25 in. x 28.25 in.
A commercial artist and art director for many years, Sparre concentrated on fine art painting from 1970-on and exhibited his Cape Cod landscape and marine paintings in his own gallery as well as other venues. He also created a series of whimsical paintings using mermaid labradors, and woodys as subject matter.
Born in 1936 in Falmouth, Massachusetts, he grew up in Hingham and served in the Naval Reserve while in school. He then joined the armed forces and served in Germany during the Korean War. After his return, he attended The School of Practical Art in Boston, where he met his future wife. They married in 1958 and Sparre subsequently worked as commercial artist and art director.
In 1970, the family moved to Cape Cod, with Sparre concentrating on his fine art painting. The Sparres bought and restored a Colonial in New Seabury and opened a gallery in their home. Another gallery was in Cotuit, where Sparre added decorated and restored furniture to his inventory of paintings and prints. In 1993, the Sparres moved to Brewster to open a home studio gallery on Route 6A.
Richard Sparre passed on October 11, 2008 at his home and studio in Brewster, Massachusetts.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
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GERSHON CAMASSAR BARNYARD PASTEL
GERSHON CAMASSAR BARNYARD PASTEL DRAWING Connecticut1908-1995Impressionist depiction of farm buildings beside an old fence and dirt road. Camassar was a widely self taught artist who received constructive advice from fellow artists Robert Brackman and Lars Thorsen. His main subjects were of Southeastern Connecticut towns with the occasional Vermont landscapes, and farms.
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MARCEL MOULY (FRENCH, 1918-2008),
MARCEL MOULY (FRENCH, 1918-2008), NATURE MORTE AU GRAND ECHIQUIER (STILL LIFE WITH GRAND CHESSBOARD) Lithograph in colors, pencil signed and numbered 37/300 lower margin, retains label to verso, matted and framed.
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Two John Miers silhouette profiles:
Two John Miers silhouette profiles: one a magistrate, facing left, gouache with bronzing, artist's label verso "Miers & Field, London", 3-3/4 x 3 in., repaired tear lower right; one a gentleman facing right, artist's label verso "Miers, London", 3-1/2 x 2-5/8 in.; both with original 19th century frames, one with eglomise mat on convex glass. Estate of the Late Wyatt W. Childs, Barnesville, Georgia.