A few examples of appraisal values for
MARGARET GILMOUR

• MARGARET GILMOUR (1860-1942)
  MARGARET GILMOUR (1860-1942) GLASGOW SCHOOL JARDINIÈRE, CIRCA 1910 repoussé-decorated brass, signed with monogram MG32cm square, 25cm high
• MARGARET GILMOUR (1860-1942)
  MARGARET GILMOUR (1860-1942) (ATTRIBUTED TO) GLASGOW SCHOOL BLOTTER, CIRCA 1910 repoussé-decorated brass, card29.5cm x 45.5cm
• MARGARET GLASS (BRITISH, B. 1950)
  MARGARET GLASS (BRITISH, B. 1950) Still life with a vase signed and dated 'MRG 96' (lower left) pastel 40 x 50cm ARR
• WORK ON PAPER, MARGARET FARR
  WORK ON PAPER, MARGARET FARR Margaret Farr (American, b. 1951), "Geraniums," 2004, watercolor and colored pencil on paper, signed and dated lower right, overall (with frame): 27.25"h x 35.25"w
• Margrethe Mather (Am. 1885-1952)
  Margrethe Mather (Am. 1885-1952) Photographportrait of Jetta Goudal and Harold Grieve platinum print signed and dated in pencil on the mount. Unframed.Image 6 7/8 x 8 5/8 in.; Mount 17 7/8 x 14 1/8 in.Jetta Goudal and Harold Grieve were married in 1930 - she an actress from the silent film era and he an art director and founding member of the Academy of Motion Picture Arts and Sciences.Collection of Clyde Nolan Jr. Greensboro NC
• Margaret Glass (1950-) pastel
  Margaret Glass (1950-) pastel 'Waldringfield' signed 11 x 16.5in. Estimate ?120-180 Good untouched condition with no faults noted card mount slim gilt frame with artist label verso. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?80
• MARGARET (MAGGIE) HAMILTON
  MARGARET (MAGGIE) HAMILTON (BRITISH, 1867 - 1952) 6" x 8 ½" image Original watercolor drawing on vellum, signed lower left, in a gilt frame with cream linen mat, overall 13 ½" x 15 ¾". Vixseboxe Art Galleries label verso.
• Margaret Isobel Wright (British
  Margaret Isobel Wright (British 1884-1957)/Picking Bluebells/signed/watercolour, 36cm x 31cm
• MARGARET MACDONALD, FRANCES
  MARGARET MACDONALD, FRANCES MACDONALD, J. HERBERT MCNAIR GLASGOW INSTITUTE OF THE FINE ARTS, 1897 stone lithograph, printed by Imprimerie Chaix and published by G. Boudet for the French periodical Les Affiches Étrangères, France 189729cm x 12cmNote: Examples of the original poster of circa 1895-1896 printed by Carter and Pratt, Glasgow can be seen at the Hunterian Art Gallery, Glasgow and the Kelvingrove Art Gallery & Museum, Glasgow
• MARGARET GILLIES (BRITISH
  MARGARET GILLIES (BRITISH 1803-1887), THE PARTING BENEDICTION, WATERCOLOR ON PAPER, FRAMED, 32 X 25-1/4 INCHESMargaret Gillies (British 1803-1887), The Parting Benediction, Watercolor on Paper, Framed, 32 x 25-1/4 inches
• MARGARET FRANCIS (BRITISH,
  MARGARET FRANCIS (BRITISH, 20TH/21ST CENTURY) (3) Towards the Sea, River Ribble; Before the Thunderstorm, Electric Green & Purple Clouds (2003), a pair each signed titled and dated 'Margaret Francis 2003' (verso) watercolour and gouache each 23.5 x 27cm together with a signed booklet on the artist (3) ARR
• MARGARET THOMAS (BRITISH 1916-)
  MARGARET THOMAS (BRITISH 1916-) DAFFODILS - NOVEMBER TWILIGHT CHELSEA Oil on burlap: 30 x 20 in. Framed lower left signed and dated: MT 53
• Margaret Taylor Goss Burroughs
  Margaret Taylor Goss Burroughs (American 1917-2010) Reading is Fundamental 2002 linocut signed M. Burroughs and dated (lower right) titled (lower left) 16 x 20 1/4 inches.
• GILBERT MARGESON (CANADIAN,
  GILBERT MARGESON (CANADIAN, 1852-1949)Gilbert Margeson (Canadian, 1852-1949), "Gloucester Fishermen on the Grand Banks", oil on canvas, signed lower left, inscribed en verso, 36 in. x 30 in., framed; accompanied by 1980 letter from The Mariners Museum with information on the artist and subject.
• Margaret Rymill (1913-?) Australia,
  Margaret Rymill (1913-?) Australia, still life, oil on board, signed lower right, dated 67, approx 40cm x 30cm
• Margaret Fisher Prout
  Margaret Fisher Prout (1875-1963)/Flowers in Painted Cup/artist's label verso/mixed media, 30.5cm x 32cm/Provenance: given as a gift by the artist to the Dowager Countess of Buchan, while painting her portrait circa 1940s-50s, and by descent
• Margaret Taylor Goss Burroughs
  Margaret Taylor Goss Burroughs (American 1917-2010) On the Beach linocut edition 26/50 signed Margaret Burroughs (lower right) and titled (lower left) 11 x 14 1/4 inches.
• FRAMED SAMPLER "Margaret Watt,
  FRAMED SAMPLER "Margaret Watt, April 28, 1846, Miss Mary Young's School, Rome" in band at bottom, wool on linen, featuring a large deer, peacocks and cats, "AW" & "MW" with a colored heart at top, geometric floral edge. In faux rosewood bullnose stick frame, under plexiglass, OS: 18" x 18", SS: 16 1/2" x 16 1/2".
• MARGARET HAMILTON (19TH CENTURY,
  MARGARET HAMILTON (19TH CENTURY, BRITISH) 6" x 8 ½" image Original watercolor drawing on vellum, signed lower right, in a gilt frame with cream linen mat, overall 13 ½" x 15 ¾". Vixseboxe Art Galleries label verso.
• Margaret Harmsworth/Golden Field
  Margaret Harmsworth/Golden Field with Path towards Hills/signed/oil on canvas, 32cm x 45cm and/Beach Scene with Figures Bathing/signed/oil on canvas, 59cm x 72cm
• MARGARET FISHER, ILLINOIS / NEW
  MARGARET FISHER, ILLINOIS / NEW YORK (1898 - 1990), THE MUSIC RECALLED, 1945, PENCIL, WATERCOLOR, AND GOUACHE ON PAPER, 12 3/4"H X 9 3/4"W (SIGHT), 17"H X 14 1/8"W (FRAME)Margaret Fisher, Illinois / New York, (1898 - 1990) The Music Recalled, 1945, pencil, watercolor, and gouache on paper signed with initials lower right. From the archives of AskArt: A painter of abstraction, Margaret Fisher began her career as an economist and architect. In New York City, Alfred Steiglitz, photographer and gallery owner who promoted modernist art, encouraged Fisher to follow her passion. She enrolled in the Art Institute of Chicago, where she studed with Albin Polaske and at the Art Students League in New York City where her instructors included Boardman Robinson. She also attended summer schools in Gloucester and Provincetown, Massachusetts. Indicative of her success were several prestigious solo exhibitions including the Art Institute of Chicago, 1975; Harvard University, 1973; and Musuem of Fine Arts in Houston in 1965. pencil, watercolor, and gouache on paper Dimensions: 12 3/4"H x 9 3/4"W (sight), 17"H x 14 1/8"W (frame)
• MARGARET HAMILTON (GREAT BRITAIN,
  MARGARET HAMILTON (GREAT BRITAIN, FL. 1870-1910), BRITISH MERCHANT MARINE OFFICER., GOUACHE ON BROWN PAPER, 12.5" X 10". FRAMED 19.5" X 16.5".MARGARET HAMILTON, Great Britain, fl. 1870-1910, British Merchant Marine officer. A competent head study of possibly a Cunard Line officer. Unsigned. Extensive description of the work on the back paper. Dimensions: Gouache on brown paper, 12.5" x 10". Framed 19.5" x 16.5".
• Margaret Fisher Prout
  Margaret Fisher Prout (1875-1963)/Flowers in White and Gold Cup/artist's label verso/mixed media, 30.25cm x 33.5cm/Provenance: given as a gift by the artist to the Dowager Countess of Buchan, while painting her portrait circa 1940s-50s, and by descent
• Margaret Patterson gouache,
  Margaret Patterson gouache, roses, pencil signed lower right, Margaret Patterson. Image 10” x 7” Overall 18” x 14.5” Condition: good CT Transfer Fee $10
• GLADYS MARGUERITA WILKINS (UNITED
  GLADYS MARGUERITA WILKINS (UNITED STATES) 1907-1985. MOTIF NO. 1 ROCKPORT. WOODCUT, C. 1935. ED: SMALL, PROBABLY 30 OR FEWER. SIGNED...Gladys Marguerita Wilkins (United States) 1907-1985. Motif No. 1 Rockport. Woodcut, c. 1935. Ed: Small, probably 30 or fewer. Signed with pencil, l.r. Titled with pencil, l.l. Printed by the artist in black ink on cream laid paper with complete margins. 89 x 140 mm. (3 1/2 x 5 1/2 in.)
• Margaret Rymill (1913-?) Australia,
  Margaret Rymill (1913-?) Australia, still life, oil on board, signed lower right, and dated 68, approx 27.5cm x 20.5cm
• MARGOT VOORHIES THOMPSON MIXED
  MARGOT VOORHIES THOMPSON MIXED MEDIA (PORTLAND, ORMARGOT VOORHIES THOMPSON MIXED MEDIA (Portland, Oregon, born 1948) "Mountain Light," sumi, gouache and mixed media collage on paper. Image measures 10" x 48", pencil signed lower right and dated 1996, titled lower left. In a wood frame.
• MARGARET ANN GAUG (1909-1994) PPM
  MARGARET ANN GAUG (1909-1994) PPM GIFT PRINT FOR 1956Margaret Ann Gaug (1909-1994)Ballerina (1956)The etching with aquatint from an edition of 200 is signed by the artist in pencil lower right, titled lower left, and accompanied by the original folio.This image served as the twenty-sixth Prairie Print Makers Presentation Print for distribution to associate members and sale to the organization's membership.Image measures 9.75 x 8, sheet is 12 x 10, and frame is 19 x 16.25 inches.Very good condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts. There is a faint frame of toning around the image.Provenance: A Leawood, Kansas corporate collection.
• WORK ON PAPER, MARGARET FARR
  WORK ON PAPER, MARGARET FARR Margaret Farr (American, b. 1955), "Bedfellows," watercolor and colored pencil, signed lower right, overall (with frame): 25"h x 21.25"w
• Margaret Patterson (American,
  Margaret Patterson (American, 1867-1950) Cottage on Sunny Hillside oil on canvas signed LR Approx. 25 x 28 inches. Collection of Mrs. A. Edward Allinson
• MARGARET BAIRD (BRITISH
  MARGARET BAIRD (BRITISH 1891-1979) NAIVE LANDSCAPE Oil on board: 17 x 14 1/2 in. Framed; lower right signed and dated: M. Baird 1972
• Margaret Moir Southwell Woodward
  Margaret Moir Southwell Woodward (1938-.) Figure Study, signed and dated lower right 94, Australian large work, approx 54.5cm x 75cm
• MARGARET MELLIS INK PAINTING WITH
  MARGARET MELLIS INK PAINTING WITH CIGARETTEMargaret Mellis (Scottish born in China, 1914-2009). Ink painting with collaged cigarette, n.d. Inscribed "El Cigarillo y el Arte, Despues de Ferryfrost / London Oct. MM MA" at lower right. A fascinating piece by Margaret Mellis featuring two long-lashed eyes delineated in indigo blue ink, the eye to the right presenting the word "ART" on the sclera, as well as an actual cigarette collaged to the left of the composition with lyrical passages of yellow and pink ink suggesting light radiating from the cigarette butt, swirling plumes of smoke, and a heart surrounding the "ART" eye. The inscription below reads, "El Cigarillo y el Arte, Despues de Ferryfrost" suggesting enjoying a cigarette after partaking in a "Ferryfrost" - perhaps Mellis' alternative word for sex. A whimsical artwork by Margaret Mellis mounted under glass in a custom frame. Size: 5.875" L x 7.875" W (14.9 cm x 20 cm) About the artist: "Born in 1914, in China, Margaret Mellis and her family returned to Scotland soon after her birth. She studied at Edinburgh College of Art, where she was taught by SJ Peploe and WG Gillies, and learnt alongside Wilhelmina Barns-Graham and William Gear. In 1933, she went to Paris to study under Andre Lhote, followed by another visit in 1937. In between, in 1936, she met Adrian Stokes; the couple married in 1938. Together, they moved to St Ives, Cornwall, arguably heralding the next wave of artists to the area, with Ben Nicholson, Barbara Hepworth, Naum Gabo, Terry Frost, Patrick Heron, and Roger Hilton. Before this, she studied for a time at the Euston Road School, before fleeing to Cornwall following the outbreak of war. This move to St Ives coincided with Mellis exploring collage and relief. Created from found materials and paper, these collages were exhibited in New Movements in Art, at the London Museum in 1942. In 1946, following her divorce from Stokes, Mellis met the artist Francis Davison, with whom she moved to London, and then to Cap d' Antibes, in 1947. They married in 1948, and relocated to Walberswick, and later Syleham, Norfolk, in 1950, and then to Suffolk. For much of this time, though both continued to create artworks, neither was widely exhibited in London - they were geographically and, at times, conceptually, distant from life in the capital. This began to change, after Mellis embarked upon a series of large abstract paintings known as 'colour structures'. These were exhibited in London, with solo shows at Grabowski Gallery, in 1969, and then at Basil Jacobs Gallery, in 1972. From both shows, Mellis sold work to important public collections; the Government Art Collection bought a painting from the Basil Jacobs show, in 1972, while a painting had earlier been purchased by the Arts Council of Great Britain, in 1969. In 1978, Mellis started creating driftwood reliefs, which she found while walking along the local coast at Southwold, and likened the creative process to Surrealist automatism. In the mid-'80s, Mellis was included in several high-profile exhibitions, including the important survey show of St Ives 1939-64, staged at the Tate Gallery, London, in 1985, and later Scottish Art since 1900, at the Scottish National Gallery of Modern Art, Edinburgh. In 1987, the Redfern Gallery staged a retrospective exhibition, from which the Tate and Arts Council bought recent driftwood reliefs. The exhibition was also attended by a young Damien Hirst; intrigued by the driftwood constructions in particular, Hirst wrote to the artist, and was invited to visit Mellis in Southwold, forming a lasting friendship. Mellis was part of the Tate St Ives' inaugural exhibition in 1993, and was the subject of a retrospective that opened at City Art Centre, Edinburgh, and toured the UK, in 1997. Recent exhibitions include Modern Scottish Women 1885-1965, at the Scottish National Gallery of Modern Art, and a joint-show with Damien Hirst at Pier Arts Centre, Orkney. In 2018, her work featured in an exhibition inspired by Virginia Woolf and her writings, at Tate St Ives." (Redfern Gallery website) Provenance: private Santa Barbara, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179033 Condition: Inscribed "El Cigarillo y el Arte, Despues de Ferryfrost / London Oct. MM MA" at lower right. Artwork is mounted under glass in a custom frame. It has not been examined outside the frame but appears to be in excellent condition. Gold tone metal frame has minor surface wear but is otherwise very nice. Glass is intact. Frame is fit with suspension wire.
• MARGRET SHORT (OREGON, 20/21ST
  MARGRET SHORT (OREGON, 20/21ST CENTURY) TWO OIL PAMARGRET SHORT (Oregon, 20/21st century) two oil paintings, table-top still lifes. Oil on board titled "Concertante," signed lower left, label an attached verso from the Lawrence Gallery, Or., image measures 12" x 11". Oil on canvas titled "Mrs. Merrifield's Dream," signed lower right, label attached verso from the Portland Art Museum Rental Sales Gallery, image measures 12" x 10". In wood frames; 17.5" x 16.75" and 17.25" x 15.25" overall.
• Margot Rosenthal (Connecticut 20th
  Margot Rosenthal (Connecticut 20th C.): two works including: ''Romanesque'' a collagraph signed titled and numbered by the artist in pencil color print edition 5/15 framed under glass slight waving of the paper ss: 21 1/2'' h. x 17 1/2'' w.; untitled mixed media collage abstract in the manner of Sean Scully signed sparse foxing to mat ss: 12 1/2'' h. x 18 1/2'' w. (Additional artist bio information provided)
• MARGARET SMITH (BRITISH B. 1948),
  MARGARET SMITH (BRITISH B. 1948), BLUE ARRID, ACRYLIC ON CANAS, 22-1/2 X 15-1/2Margaret Smith (British b. 1948), Blue Arrid, Acrylic on Canas, 22-1/2 x 15-1/2