A few examples of appraisal values for
MARGATE

• Mark Catesby engraving (British,
  Mark Catesby engraving (British, 1679-1744), "The Margate Fish" with earlier edition text from [The Natural History of Carolina, Florida, and the Bahama Islands], third edition, reprinted from the 1771 edition, lacking watermark, "MC" monogram, hand-colored engraving on wove paper, unframed, plate 10-3/8 x 14-1/8 in., page 14-1/4 x 20-1/8 in. Toning, stains, text bleed, corner loss upper left, lower left and lower right, pen mark upper left.
• Margot Rosenthal (Connecticut 20th
  Margot Rosenthal (Connecticut 20th C.): two works including: ''Romanesque'' a collagraph signed titled and numbered by the artist in pencil color print edition 5/15 framed under glass slight waving of the paper ss: 21 1/2'' h. x 17 1/2'' w.; untitled mixed media collage abstract in the manner of Sean Scully signed sparse foxing to mat ss: 12 1/2'' h. x 18 1/2'' w. (Additional artist bio information provided)
• MARGOT BEHREND ROSENTHAL (GERMAN,
  MARGOT BEHREND ROSENTHAL (GERMAN, 1913 - 2010), "SEASCAPE", 1961, OIL ON PANEL, DEPICTS ABSTRACTED SURF CRASHING ONTO ROCKY SHORE, S...Margot Behrend Rosenthal (German, 1913 - 2010), "Seascape", 1961, oil on panel, depicts abstracted surf crashing onto rocky shore, signed and dated LR, framed, not examined out of frame, wear consistent with age and use, ss: 23" h. x 28 1/2" w.
• John Hill (1770-1850) after P.J. de
  John Hill (1770-1850) after P.J. de Loutherbourg - Coloured aquatint - ''Margate with the Arrival of the Hoy'' 13.5ins x 20ins published October 1st 1808 by I. & W. Macgavin No. 197 New Bond Street London in moulded frame and glazed and Joseph C. Stadler (fl. late 18th/early 19th Century) - Aquatint - ''Panoramic View of Rochester and Chatham'' 12ins x 20.5ins published June 1st 1795 by J. & J. Boydell Shakespeare Gallery Pall Mall and No. 90 Cheapside in moulded and gilt frame
• MARGIT OMAR (B. 1941):
  MARGIT OMAR (B. 1941): ABSTRACTmixed media on thin wood panel, mounted to paper board, framed under acrylic; signed verso; Provenance: The Jerry Magnin Family Office; 12 x 15 inches; 18 3/4 x 21 1/4 inches frame Condition:
• MARGARET FRANCIS (BRITISH,
  MARGARET FRANCIS (BRITISH, 20TH/21ST CENTURY) (3) Towards the Sea, River Ribble; Before the Thunderstorm, Electric Green & Purple Clouds (2003), a pair each signed titled and dated 'Margaret Francis 2003' (verso) watercolour and gouache each 23.5 x 27cm together with a signed booklet on the artist (3) ARR
• Margaret Morcom. Seaside Village
  Margaret Morcom. Seaside Village watercolor signed ll framed Estimate $ 50-100 No condition report supplied.
• MARGUERITE KIRMSE
  MARGUERITE KIRMSE (CONNECTICUT/U.K., 1885-1954) ETMARGUERITE KIRMSE (Connecticut/U.K., 1885-1954) etching, "Going to Cover," hunting hounds. Pencil signed lower right. Image measures 7" x 14.5". In a wood frame; 15" x 23.5" overall.
• MARGUERITE KIRMSE
  MARGUERITE KIRMSE (CONNECTICUT/UNITED KINGDOM, 1885-1954), TWO BLACK AND WHITE ETCHINGS:, ON PAPER, 9” X 6.25” SIGHT. FRAMED 15" X 12”.MARGUERITE KIRMSE, Connecticut/United Kingdom, 1885-1954, Two black and white etchings: 1) "What is it?". Signed lower right. Artist's proof. 2) "The Dragonfly". Signed lower right. Artist's proof. Both with numbered Harlow McDonald & Co. labels verso. Dimensions: On paper, 9" x 6.25" sight. Framed 15" x 12".
• MARGUERITE KIRMSE
  MARGUERITE KIRMSE (CONNECTICUT/U.K., 1885-1954) ETMARGUERITE KIRMSE (Connecticut/U.K., 1885-1954) etching, "Going to Cover," hunting hounds. Pencil signed lower right. Image measures 7" x 14.5". In a wood frame; 15" x 23.5" overall.
• * Boris Margo (American
  * Boris Margo (American 1902-1995) From Meteorites cellocut edition 193/200 signed Baris Margo (lower right) 11 1/2 x 16 inches.
• Margaret Glass (1950-) pastel
  Margaret Glass (1950-) pastel 'Waldringfield' signed 11 x 16.5in. Estimate ?120-180 Good untouched condition with no faults noted card mount slim gilt frame with artist label verso. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?80
• BORIS MARGO
  BORIS MARGO (AMERICAN,1902-1995)Boris Margo (American,1902-1995), (born in Russia), cellocut, 'Across the River', signed lower right, titled and numbered lower left, original label on back, as is, paper size 56" x 26". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Margit V. Varga New York (b.
  Margit V. Varga New York (b. 1908) MY STUDIO WINDOW NEW YORK oil on canvas framed signed: lower right H16'' W20'' Other Notes: Verso bearing fragment of old label. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• MARGUERITE KIRMSE
  MARGUERITE KIRMSE (CONNECTICUT/UNITED KINGDOM, 1885-1954), “THE YOUNG VISITOR”., 7.75” X 10.75” TO THE PLATE LINE. FRAMED 15” X 17.75”.MARGUERITE KIRMSE, Connecticut/United Kingdom, 1885-1954, "The Young Visitor". Signed in pencil lower right. Includes an Arthur H. Harlow & Co. label that was cut from the original backing, which details the title and lists this as an artist's proof. Dimensions: 7.75" x 10.75" to the plate line. Framed 15" x 17.75".
• George Shepherd/Spellem Court,
  George Shepherd/Spellem Court, Margate/inscribed and signed with initialls/watercolour, 13cm x 18cm/and three others
• ROGER DESOUTTER (ENGLAND, B. 1923),
  ROGER DESOUTTER (ENGLAND, B. 1923), "THE 'QUEEN MARGARET' PREPARING FOR DEPARTURE"., OIL ON CANVAS, 24" X 36". FRAMED 29" X 41".ROGER DESOUTTER, England, b. 1923, "The 'Queen Margaret' Preparing for Departure". Signed lower right "Roger Desoutter". Titled on label verso. Dimensions: Oil on canvas, 24" x 36". Framed 29" x 41". Provenance: The Collection of the late George Makris.
• Marguerite Kirmse (American,
  Marguerite Kirmse (American, 1885-1954) etching "Train Time" depicting a Scottie dog and a terrier looking out a window, etching on paper, pencil signed, 6-3/4" x 9-3/4" plate, framed 14-1/4" x 17-1/4", good condition, some scattered foxing spots, not inspected out of frame, 2 with chips to ears, 2 with paint loss
• MARGOT VOORHIES THOMPSON MIXED
  MARGOT VOORHIES THOMPSON MIXED MEDIA (PORTLAND, ORMARGOT VOORHIES THOMPSON MIXED MEDIA (Portland, Oregon, born 1948) "Mountain Light," sumi, gouache and mixed media collage on paper. Image measures 10" x 48", pencil signed lower right and dated 1996, titled lower left. In a wood frame.
• Margie Hughto (American, b. 1944)
  Margie Hughto (American, b. 1944) Imperial Gardens, 1985 handmade paper signed Margie Hughto and dated (lower left) 44 1/4 x 84 inches. Property from the Collection of Mark and Karen Zorensky, St. Louis, Missouri
• CIR OF JOSEPH M WILLIAM TURNER,
  CIR OF JOSEPH M WILLIAM TURNER, SHIPS OFF MARGATECircle of Joseph Mallord William Turner (English, 1775-1851)Ships off Margateoil on canvassigned bottom edge JMW Turner RA12 1/4 x 18in (31 x 46cm)
• MARGUERITE E. FALCONERCape Cod
  MARGUERITE E. FALCONERCape Cod ContemporaryA lone tree on a dune at sunset. Signed lower right M.E. Falconer''.Oil on masonite 12'' x 16''. Framed.''
• MARGUERITE KIRMSE (american
  MARGUERITE KIRMSE (american 1885-1954) three etchings "THE MORNING WALK " 5 x 2 13/16 in. and; "SEA URCHINS" 7 3/8 x 5 7/8 in. "NARCISSUS" 7 5/16 x 5 1/8 in. Each pencil signed and titled in the margin. (3) provenance: Private Collection, Virginia. Narcissus: Framed, matted. Not examined out of frame. Margins are basically clean. There is an area of foxing in right margin. Some areas of faint toning in image. Lower margin has a slight area of toning/brown discoloration. Image is crisp and dark. Sea Urchins: Framed, matted. Not examined out of frame. There are a few tiny areas of foxing in lower margin near mat window edge. Image is crisp and dark. Sheet appears clean. The Morning Walk: Framed, matted. Not examined out of frame. Not under glass- glass is removed from frame. There is foxing throughout image and sheet and also to mat itself. Image is crisp and dark. Sheet has slightly shifted within mat window- sheet is not centered within window.
• BEACH SCENE BY MARGARET CHAPMAN
  BEACH SCENE BY MARGARET CHAPMAN (ENGLISH 1940-2000). Oil on canvas signed lower left. Stylized beach scene with numerous figures. Unframed 12''h. 18''w.
• A large Boris Margo (Ukraine,
  A large Boris Margo (Ukraine, 1902 - 1995) relief print in embossed white and cream paper, pencil signed lower left and titled “In Memoriam” and numbered 15/25. Overall 32.5” x 45” Condition: good CT Transfer Fee $20
• Margaret Beadles (NC) Seascapeoil
  Margaret Beadles (NC) Seascapeoil on canvas signed at lower right depicting a sunset over the crashing surf gilt frame with linen linerSS 19.5 x 23.5 in.; DOA 25 x 28.75 in.Some marks to canvas.
• A Marguerite Kirmse (1885-1954)
  A Marguerite Kirmse (1885-1954) etching, a black and a white dog looking out window in wintertime, signed in margin lower right Marguerite Kirmse, and titled in margin lower left, Train Time. Provenance: B. Watson collection Image 7.75" x 9.75" Overall 13.5" x 16.25" Condition: areas of spot foxing CT Transfer Fee $10
• MARGUERITE E. FALCONERCape Cod
  MARGUERITE E. FALCONERCape Cod ContemporarySunset on the marsh. Signed lower right M.E. Falconer''.Oil on masonite 9'' x 12''. Framed.''
• MARGARET BOURKE-WHITE
  MARGARET BOURKE-WHITE (1904-1971): "HUDSON RIVER VALLEY SACANDAGA BRIDGE SOUTH OF CORINTH" Gelatin silver print 10 x 13 3/4 in. (sheet) title and artist's shadow stamp on verso.
• MARGIT BECK, NEW YORK / ROMANIA
  MARGIT BECK, NEW YORK / ROMANIA (1911-1997), ABSTRACT, OIL ON CANVAS, 39 3/4"H X 50"W, 41 3/4"H X 52"W (FRAME)Margit Beck, New York / Romania, (1911-1997) abstract, oil on canvas Signed lower right. Biography from the Archives of askART: Margit Beck was born in Tokay, Hungary, and received her art education at The Institute of Fine Arts, Oradea Mare, Romania. Coming to the United States in the 30's she studied at The Art Students League in New York. During the 1940's, Miss Beck's style as a cubist took form making use of angular patterns using the most striking contrasts, by applying paint with the palette knife while using brilliant bursts of color amid prisms of light. Her early work utilized highly stylized figures in abstract form. By the mid 1950's she became a MacDowell fellow, and the time spent in the mountains of New Hampshire, gave her a new perspective by utilizing dazzling incandescent colors, vibrating movements applied to ethereal scenes of forest, mountain and universe. Each painting uses bold conceptions that are adroitly developed through the patterning of light and color into congruity of design, Margit Beck was no stranger to the American art scene. She has had 22one-man shows, including Contemporary Arts Gallery (New York City), The Babcock Galleries (New York City) and ACA Galleries (New York City) all of which have met with wide spread critical acclaim by newspapers and art publications. Miss Beck's paintings have been shown in nearly every major National as well as International exhibitions. She is represented in major permanent collections throughout the country. Miss Beck has been the recipient of some of the most prestigious award and honors awarded in the art field including 3 Childe Hassam Fund Purchase awards (1968,69,71). Miss Beck is a member of numerous art associations including, the National Academy of Design where she received academician in 1975. In reviewing her work The Herald Tribune wrote: "Painting becomes a God-like act as Margit Beck recreates the breadth and wonder of the west's open spaces in imaginative canvases that combine realist and abstract idioms with stunning effect. Aerial landscapes, mountain fastnesses, lowering storms are done with power, vision and verve that are close to breathtaking. Miss Beck's paintings, watercolors and drawings show a rarity of singular beauty and subtlety. Her imagery is based on complexed aerial views of cities and farmlands, and mountains, with their built-in geometric configurations and dizzying rush of space. Her work contains the contradictory, ambiguous elements of things seen from a great distance, but she distills from this telescopic approach a brilliant montage of shapes, stunningly distorted by space, yet enveloped by an overall logic, serenity and colorist quietude. It is Miss Beck's gift to make us experience her vertiginous heights without once disturbing the equilibrium required to see her paintings as first-rate works of art." By the 1970's Miss Beck's broad sweep of color indicating fields, hills, and valley, are replaced by trees, clusters of farm buildings and the geometric grid of roads, fences and plowed fields all put down giving great attention to the illusion of deep space. These canvases huge in size (70"x80") give the viewer a sense that the landscape is a patchwork quilt of patterns, with her mountains undulating with the concentric rhythm of their contours, and her villages and farms sparkling with a radiance of tiny jewels. In 1976 Ms. Beck was diagnosed with Parkinson's Disease. That along with the death of her husband of 40 years ultimately devastated the creative spirit that was essential in the creation of her mystical masterpieces. By 1984 it became impossible for her to hold a paintbrush and ultimately her body was ravaged by the deteriorating affects of her worsening condition. In 1997 she passed away. oil on canvas Dimensions: 39 3/4"H x 50"W, 41 3/4"H x 52"W (frame)
• KIRMSE Marguerite (American
  KIRMSE Marguerite (American 1885-1984): ''Beau of Hasu Farin?'' depicts a setter portrait Etching sight size 5 1/2'' x 6 1/2'' pencil signed lower right titled lower left contemporary frame 11'' x 12''.CONDITION: Overall browning of paper several faint spots of foxing.
• A Marguerite Kirmse (1885-1954)
  A Marguerite Kirmse (1885-1954) etching of a black Scottie dog looking out an open windowsill over a window box of trailing ivy, signed Marguerite Kirmse and titled, Good Morning. Provenance: B. Watson collection Image size 7.25" x 5" Overall 12" x 9" Condition: good
• Bronze Figure of Marguerite
  Bronze Figure of Marguerite Estimate:$1,500-$2,500
• MARGARET BOURKE-WHITE (AMERICAN
  MARGARET BOURKE-WHITE (AMERICAN 1904-1971): ''TERMINAL TOWER CLEVELAND OHIO'' Black and white photograph printed in May 1987 by Igor Bakht from the original negative laid down on masonite. Labels: Light New York; Deitch Projects New York. 29 x 22 x 2 in.
• MARGARET BOURKE-WHITE (AMERICAN
  MARGARET BOURKE-WHITE (AMERICAN 1904-1971): POURING THE HEAT Black and white photograph printed in May 1987 by Igor Bakht from the original negative laid down on masonite. Labels: Light New York; Deitch Projects New York. 23 x 17 3/4 x 1 7/8 in.
• A Marguerite Kirmse (1885-1954)
  A Marguerite Kirmse (1885-1954) etching of three Scotties anticipating the waves on the shoreline, signed Marguerite Kirmse and titled, The Great Adventure. Provenance: B. Watson collection Image size 8.5" x 6.5" Overall 13.5" x 10" Condition: good CT Transfer Fee $10