A few examples of appraisal values for
MARGUERITE PEARSON

• MARGUERITE S. PEARSON, ATTRIB.
  MARGUERITE S. PEARSON, ATTRIB. WATERCOLORWatercolor painting on paper attributed to Marguerite Stuber Pearson. Image shows a woman playing piano while being watched by a cat. From a collection of works by Pearson and other Rockport, Maine artists. Unsigned. Overall framed size is 24" x 19 shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• MARGUERITE PEARSON ORIENTALIST
  MARGUERITE PEARSON ORIENTALIST STILL LIFE PAINTING Massachusetts1898-1978Depicts a reflective gold colored serving tray with a bowl of mixed fruits over a floral swath of fabric and a geisha sculpture set a dark wood table in the manner of Hovsep Pushman. Pearson studied with William James and Frederick Bosley at the Boston Museum of Fine Arts School and figure painting under the guidance of Edmund Tarbell. Pearson also took private lessons with Aldro T. Hibbard, Henry Leith-Ross, Henry Hunt Clark, Howard Giles, Harold N. Anderson and Chase Emerson. She was a member of the Allied Artists of America, New Haven Paint & Clay Club, the Ogunquit Art Association, and the Rockport Art Association.
• MARGUERITE STUBER PEARSONAmerican
  MARGUERITE STUBER PEARSONAmerican 1898-1978Petunias In Glass''. Signed lower left ''Marguerite S. Pearson''. Titled on artist's label verso.Oil on canvas board 12'' x 16''. Framed.''
• MARGUERITE STUBER PEARSONAmerican
  MARGUERITE STUBER PEARSONAmerican 1898-1978Petunias in Brass''. Signed lower right ''M.S. Pearson''. Titled on artist's label verso.Oil on canvas board 12'' x 17''. Framed.''
• MARGUERITE STUBER PEARSON,
  MARGUERITE STUBER PEARSON, (AMERICAN, 1898-1978), FLORAL STILL LIFE, 1928, OIL ON CANVAS, 25 X 30 IN., FRAME 30 X 35 IN.MARGUERITE STUBER PEARSON (American, 1898-1978) Floral Still Life 1928, oil on canvas signed and dated M.S. Pearson '28 lower right 25 x 30 in., frame 30 x 35 in. 1928, oil on canvas Dimensions: 25 x 30 in., frame 30 x 35 in. Provenance: The Estate of a Wellesley, Massachusetts Collector. Condition: Wax lined. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• MARGUERITE STUBER PEARSON, AMERICAN
  MARGUERITE STUBER PEARSON, AMERICAN (1898-1978), FLORAL STILL LIFE, OIL ON CANVAS, 35 X 30 INCHESMARGUERITE STUBER PEARSON, American, (1898-1978) Floral Still Life, oil on canvas signed lower right "Marguerite S. Pearson ©" oil on canvas Dimensions: 35 x 30 inches Provenance: Private Collection, Connecticut Framed dimensions: 32 3/4 x 37 3/4 x 1 1/2 inches Tags: oil painting, still life, listed artist, female artist, woman artist Condition: in good overall condition; unlined canvas; scattered craquelure; a 1" tear lower left corner (see photos); no restoration apparent under UV We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
• MARGUERITE STUBER PEARSON
  MARGUERITE STUBER PEARSON (MASSACHUSETTS, 1898-1978), STILL LIFE OF ZINNIAS AND OTHER FLOWERS., OIL ON CANVAS, 24" X 28". FRAMED 27" X 32".MARGUERITE STUBER PEARSON, Massachusetts, 1898-1978, Still life of zinnias and other flowers. Signed lower left "M.S. Pearson". Dimensions: Oil on canvas, 24" x 28". Framed 27" x 32".
• Marguerite Stuber Pearson
  Marguerite Stuber Pearson (American/ Massachusetts 1898-1978) "Still Life with Roses" oil on canvas signed lower right 28 in. x 22 in. giltwood frame.
• Margrethe Mather (Am. 1885-1952)
  Margrethe Mather (Am. 1885-1952) Photographportrait of Jetta Goudal and Harold Grieve platinum print signed and dated in pencil on the mount. Unframed.Image 6 7/8 x 8 5/8 in.; Mount 17 7/8 x 14 1/8 in.Jetta Goudal and Harold Grieve were married in 1930 - she an actress from the silent film era and he an art director and founding member of the Academy of Motion Picture Arts and Sciences.Collection of Clyde Nolan Jr. Greensboro NC
• MARJORIE PIGOTT (CANADIAN,
  MARJORIE PIGOTT (CANADIAN, 1904-1990) UNTITLED ("BIRD" & "BEE") TWO WATERCOLOURS; EACH INITIALED; EACH SIGHT (4" x 5") (4" x 5.3")
• MARGUERITE PEARSON (1898-1978):
  MARGUERITE PEARSON (1898-1978): CYCLAMEN IN A VASE Oil on board signed lower left. 14 x 12 in. (sight) 19 3/4 x 17 3/4 in. (frame). Property from a Connecticut Collector.
• Margaret Patterson (American,
  Margaret Patterson (American, 1867-1950) Cottage on Sunny Hillside oil on canvas signed LR Approx. 25 x 28 inches. Collection of Mrs. A. Edward Allinson
• MARGUERITE STUBER PEARSON
  MARGUERITE STUBER PEARSON (american 1898-1978) TABLETOP STILL LIFE Signed bottom right, oil on canvas 20 x 24 in. provenance: Private Collection, Virginia. ,200-1,800 Good original condition
• Margaret Patterson gouache,
  Margaret Patterson gouache, roses, pencil signed lower right, Margaret Patterson. Image 10” x 7” Overall 18” x 14.5” Condition: good CT Transfer Fee $10
• MISS PEARCE AFTER THOMAS SULLY
  MISS PEARCE AFTER THOMAS SULLY (AMERICAN, 1783-1872) PORTRAIT OF MISS PEARCE AFTER THOMAS SULLY (AMERICAN, 1783-1872) GICLEE ON BOARD, MATTED IN ANTIQUE CARVED GILTWOOD FRAME; 39"H 34"W
• MARGUERITE K. BRUNEAU (B. 1929 -
  MARGUERITE K. BRUNEAU (B. 1929 - ) CANADIANMarguerite Kittie Bruneau, "Bourrasque", coloured lithograph, titled and numbered 7 / 66 lower left, signed and dated 78’ lower right, 19" x 25".
• MARGUERITE KIRMSE (1885 - 1954) :
  MARGUERITE KIRMSE (1885 - 1954) : "GOOD MORNING"etching, signed and titled in pencil lower 14 1/4 x 11 1/2 inches framed Condition:
• Margaret Patterson (American,
  Margaret Patterson (American, 1867-1950) Mountains in Early Spring/ A Spanish Landscape gouache signed LR 19 3/4 x 23 1/2 inches. Collection of Mrs. A. Edward Allinson
• Nude study of a woman from the
  Nude study of a woman from the back, signed lower right "M.S. Pearson" (Marguerite Stuber Pearson, Massachusetts, 1898-1978), conte or charcoal on brown paper, 17-3/4 x 11-1/2 in.; wood and gilt silver frame. Attached to red paper; frame with abrasions. DuMouchelles, Detroit, Michigan (label attached).
• MARJORIE PIGOTT (CANADIAN,
  MARJORIE PIGOTT (CANADIAN, 1904-1990) UNTITLED (FLOWER STUDIES) TWO WATERCOLOURS; EACH INITIALED; EACH SIGHT (3.8" x 5.3") (4" x 6")
• MARGUERITE BRUNEAU, RCA
  MARGUERITE BRUNEAU, RCA (1929-2021) CANADIANMarguerite (Kittie) Bruneau, R.C.A., "Petit renard avec skieur", mixed media on board, 24 x 18 inches. Signed, titled and dated 1987 verso.
• MARGARET J. PATTERSON (AMERICAN,
  MARGARET J. PATTERSON (AMERICAN, 1867-1950), "TORCELLO", COLORED WOODBLOCK PRINT, BOAT WITH RED SAILS IN BAY, RIPPLED REFLECTIONS ON...Margaret J. Patterson (American, 1867-1950), "Torcello", colored woodblock print, boat with red sails in bay, rippled reflections on water throughout, village with tall tower in distance, pencil signed lower right, titled left of center, not examined out of frame, wear consistent with age, including minor toning, etc., block size: 10 1/4" x 7".
• MARJORIE PIGOTT (CANADIAN,
  MARJORIE PIGOTT (CANADIAN, 1904-1990) UNTITLED ("FOLIAGE" & "SUNSET") TWO WATERCOLOURS; EACH SIGNED; EACH SIGHT (6.3" x 9") (9.5" x 6.3")
• WORK ON PAPER, MARGARET FARR
  WORK ON PAPER, MARGARET FARR Margaret Farr (American, b. 1951), "Geraniums," 2004, watercolor and colored pencil on paper, signed and dated lower right, overall (with frame): 27.25"h x 35.25"w
• CHARLES MAIRET. PEASANT WOMAN
  CHARLES MAIRET. PEASANT WOMAN PREPARING FOOD, OIL (French, 1878-1957). Oil on canvas, signed "C. Mairet" ul, 53 1/2 x 40 in., framed.
• MARJORIE PIGOTT (CANADIAN,
  MARJORIE PIGOTT (CANADIAN, 1904-1990) UNTITLED ("EARLY MORNING" & "WOODLAND STUDY") TWO WATERCOLOURS; EACH SIGNED; EACH SIGHT (8.8" x 3.8") (17.5" x 2.8")
• PAULETTE GENET (FRENCH, 1892-1983),
  PAULETTE GENET (FRENCH, 1892-1983), LANDSCAPE WITH RIVER Oil on canvas, signed at lower right, matted and framed under glass.
• MARGUERITE YOURCENAR, ECRIT DANS LE
  MARGUERITE YOURCENAR, ECRIT DANS LE JARDIN, 1980 Fata Morgana, Montpelier, no. 7 of 50, on Rives, with engraving by Pierre Albuisson signed, titled and numbered 7/50, lacking the engraving suite called for, loose pages in green paper folder, in original cardboard box, 15.75"h x 12"w
• Jane Peterson (American, 1876-1965)
  Jane Peterson (American, 1876-1965) Two Macaws gouache signed LL 11 1/2 x 17 inches. Collection of Mrs. A. Edward Allinson
• DAISY MARGUERITE HUGHES,
  DAISY MARGUERITE HUGHES, (1882-1968), "RUE ROYALE PARIS", OIL ON CANVAS BOARD, 15" H X 18" WDaisy Marguerite Hughes, (1882-1968) "Rue Royale Paris" Oil on canvas board Signed lower left: D.M. Hughes; signed again, titled, numbered and inscribed verso: No. 15 / c/o Lucien Lefebvre-Foinet, 2 rue Brea, Paris 15" H x 18" W Oil on canvas board Dimensions: 15" H x 18" W
• MARGUERITE KIRMSE (BRITISH/AMERICAN
  MARGUERITE KIRMSE (BRITISH/AMERICAN 1885-1954), 'WE', ETCHING, FRAMED, 14-1/2 X 12 INMarguerite Kirmse (British/American 1885-1954), 'We', Etching, Framed: 14-1/2 x 12 in
• MARJORIE PIGOTT (CANADIAN,
  MARJORIE PIGOTT (CANADIAN, 1904-1990) UNTITLED (FLOWERS AND BEE) WATERCOLOUR; SIGNED Sight 16.5 x 12 in — 41.9 x 30.5 cm
• MARGUERITE LOEB
  MARGUERITE LOEB MCBEY(Pennsylvania/Tangier/London, 1905-1999) Twenty-two female subject watercolors including self portraits, her companion Lady Duff, circa 1966-1973, smallest 8-1/2 x 5-5/8 in., largest 15 x 11 in.; unframed Provenance: Estate of the Artists James McBey and Marguerite McBey, London, England; by descent in family Condition: some light toning, some hinged in
• Marguerite Kirmse (American,
  Marguerite Kirmse (American, 1885-1954), "The Reception Committee", drypoint etching; 7 1/2" x 9 1/2"; pencil signed and titled lower margin.
• MARY PEARSON OIL ON CANVAS PORTRAIT
  MARY PEARSON OIL ON CANVAS PORTRAIT OF A GENTLEMANMary Pearson (British 1799-1871) , oil on canvas portrait of a gentleman, signed middle right and dated 1824 , 36" x 28". Provenance: A Chicago collection. Condition: Frame: 42 1/2" x 33 3/4". Relined. Heavy varnish, which obscures evidence of restorations. Craquelure, mainly to lower left.
• MARGARET J. PATTERSON, (1867-1950),
  MARGARET J. PATTERSON, (1867-1950), TWO MOUNTAIN LANDSCAPES, ETCHINGS AND ENGRAVING, 14 1/4"H X 16 1/4"W (FRAME), 7 3/4"H X 9 3/4"W (SIGHT)Margaret J. Patterson, (1867-1950) two mountain landscapes, etchings and engraving Hills of Anacapri. One pencil signed and inscribed, 'To Charles Dana.' Both unframed with mattes. About the artist: born in Soerabaija (Surabaja), Java, Miss Patterson worked during her lifetime as a painter, printmaker, illustrator, and art teacher in Boston and Wellesley. She studied art formally at The Pratt Institute, New York under Arthur Dow and with Herman Dudley Murphy and Charles Herbert Woodbury in Boston. By 1909 she was assistant director of drawing for Boston public schools and was appointed director by 1912. She traveled to Spain in summer of 1910. Studied with Ciaudio Castelucho in Italy by 1912, and later with him in Paris. Also she studied with Augalada. Miss Patterson first studied wood-block printing with Ethel Mars in Paris and was given her first one-person exhibition, arranged my Miss Mars, at Galerie Levesque in 1913. She exhibited at Panama-Pacific International Exposition in San Francisco in 1915. She settled in Boston and by the fall of 1920 had been appointed head of art department in Wellesley, Massachusetts. She exhibited in Paris in 1922; traveled to Italy twice between 1922 and 1924. She served as secretary of the art society, The Group, during the 1920s. She continued to teach until early in the 1940s, spending her summers teaching and painting at her studio, Horn's Hill, on Monhegan Island, Maine. Miss Patterson died in Boston on February 17th, 1950. Her works are preserved in a number of national and international museums as well as in private collections. etchings and engraving Dimensions: 14 1/4"H x 16 1/4"W (frame), 7 3/4"H x 9 3/4"W (sight)