A few examples of appraisal values for
MARJORIE PATTERN

• MARGHAB TABLE RUNNER AND SIX
  MARGHAB TABLE RUNNER AND SIX MARGHAB NAPKINS FOUR MARGHAB COCKTAIL NAPKINS Shell pattern white Margandie runner watermelon Margandie Napkins and The Key pattern oyster on pink linen Condition: No Specific Condition Recorded - Sold As Is
• SIX MARGHAB PLACEMATS AND SIX
  SIX MARGHAB PLACEMATS AND SIX MARGHAB NAPKINS. Shell pattern embroidery in watermelon and taupe watermelon margandie Condition: No Specific Condition Recorded - Sold As Is
• (3) 1960's patterned garments to
  (3) 1960's patterned garments to include Ruth Norman for Gay Gibson floral poly minidress, Paganne by Gene Berk placement patterned long sleeve maxi dress, some spot stains, 6, and Hanae Mori Tokyo Lord & Taylor Tea House silk floral skirt and vest, spot stains, damage, some holes.
• SIX MARGHAB PLACEMATS SIX MARGHAB
  SIX MARGHAB PLACEMATS SIX MARGHAB NAPKINS SIX MARGHAB GOBLET ROUNDS. Shell pattern embroidery watermelon margandie placemats and rounds and cream linen napkins Condition: No Specific Condition Recorded - Sold As Is
• MARION C.1910: SUFFRAGETTE IN
  MARION C.1910: SUFFRAGETTE IN FLAG COSTUME Toned bromide print. Provenance: Property from the Collection of Gerald Kornblau. 6 3/4 x 4 1/8 in. 15 x 12 in. (framed).
• MCKEE JADITE DISHES IN LORAL
  MCKEE JADITE DISHES IN LORAL PATTERN With green depression glass glasses.
• MARJORIE TOMCHUCK EMBOSSED
  MARJORIE TOMCHUCK EMBOSSED ETCHING PHOENIXMarjorie Tomchuck (Canada / American, 1934-). Embossed etching on paper, Phoenix. Signed, titled and numbered artist's proof in pencil in the lower margin. 21 1/4" x 17" (with frame 31" x 25 1/2"). Chips and losses to frame.
• HATHAWAY-MORTON, Marjorie,
  HATHAWAY-MORTON, Marjorie, (American, 1928-2007): Abstract Seated Nude, Oil/Masonite with Collage, 27.5'' x 43.5'', signed upper right, thin edge frame, 51'' x 46.5''. She resided in Colorado, California, Lido Shores FL and Sarasota Florida where her studio was above her unattached garage. Her passion for art and observation of life is reflected in her Belgian linen canvas paintings. Provenance: Estate of Rita Adler, Sarasota, FL. CONDITION: Several abrasions with loss. PLEASE GET A SHIPPING QUOTE PRIOR TO BIDDING!
• GROUP OF SPATTERWARE. American
  GROUP OF SPATTERWARE. American 2nd half-20th century. Red spatter with peafowl. Initialed for Marjorie Weaver Akron Pennsylvania. Three platters (one without peafowl) three open vegetables ten handleless cups and saucers four-piece tea set covered tureen and eighteen plates.
• MARJORIE RODGERS (BRITISH, B. 1927)
  MARJORIE RODGERS (BRITISH, B. 1927) Worcester China; Old Minton Breakfast Cups; Stitched Ware a set of three, each signed with initials 'MR' (lower right), one dated '1951', another dated '195-'; each titled and inscribed with artist's name and address on old labels (attached to the backboards) watercolour and bodycolour on paper one 8.5 x 7cm; one oval 9 x 7.5cm; the other circular 7cm diameter (3) Provenance Wilfred Billinghame, MD of Amoa Chemical Company, Hinckley; Thence by family descent
• GROUP OF SPATTERWARE. American
  GROUP OF SPATTERWARE. American 2nd half-20th century. Red spatter with peafowl. Initialed for Marjorie Weaver Akron Pennsylvania. Three platters (one without peafowl) three open vegetables ten handleless cups and saucers four-piece tea set covered tureen and eighteen plates.
• Marjorie Reed (1915-1996
  Marjorie Reed (1915-1996 Vallecito CA) Stagecoach on a Narrow Canyon Trail
• MARJORIE EGEE, AMERICAN 20TH
  MARJORIE EGEE, AMERICAN 20TH CENTURY, TURF OF THE BIG BEE, WATERCOLOR ON PAPER, FRAMED, 29 X 36-1/4 INCHESMarjorie Egee, American 20th Century, Turf of the Big Bee, Watercolor on Paper, Framed, 29 x 36-1/4 inches
• JANE VOORHEES / PATTERNSJane
  JANE VOORHEES / PATTERNSJane Voorhees (Kansas/Missouri, 20th/21st c.) Patterns Grid of nine etchings & aquatints on paper 11 3/4" x 17 3/4" (total image size) Presented behind glass in a black frame that measures 20 1/4" x 26 1/4". Condition Excellent condition. Not removed from the frame.
• (2) Diane Fres patterned dresses,
  (2) Diane Fres patterned dresses, (1) silk, (1) poly
• MARJORIE STRIDER(New York/Oklahoma,
  MARJORIE STRIDER(New York/Oklahoma, 1934-2014) Green Vertical, 1964, foam resin and epoxy resin on Masonite with acrylic and oil, 96-1/4 x 48 x 10 in. (243.8 x 121.9 x 25.4 cm.) Note: John Yau, in his essay for the exhibition, references this work and others such as Green Horizontal, stating in summary, "...Strider not only underscores that growth and ripening are an inherent part of the life cycle, but openly celebrates sexuality and desire. Strider may well have intended to undermine minimalist insistence on paint just being paint. That Strider did these works at a time when literalism was preferred over associations of any sort amounted to a direct challenge to the Minimalist credo, which Frank Stella pithily stated as 'what you see is what you see.' Not so in Strider's work. She might sum up her work of the 1960s this way: what you see is what you are thinking. And what everybody seems to be thinking about, is sex. Her work is an uncomfortable reminder of our baser instincts. This is why she needed to make it 'comically obscene.' Laughter is a form of release, a way to diminish the tension as well as acknowledge the conflict." Exhibited: Hollis Taggart Galleries, New York, Marjorie Strider, March 10-April 2, 2011, No. 28, ill. (accompanied by a copy of the catalog and a magazine) Condition: edges with losses, some abrasions; some restoration with associated retouch at the bottom of the stalks; lattice type 'frame' with popped corners and wear
• MARGARET J. PATTERSON (AMERICAN,
  MARGARET J. PATTERSON (AMERICAN, 1867-1950), "TORCELLO", COLORED WOODBLOCK PRINT, BOAT WITH RED SAILS IN BAY, RIPPLED REFLECTIONS ON...Margaret J. Patterson (American, 1867-1950), "Torcello", colored woodblock print, boat with red sails in bay, rippled reflections on water throughout, village with tall tower in distance, pencil signed lower right, titled left of center, not examined out of frame, wear consistent with age, including minor toning, etc., block size: 10 1/4" x 7".
• A Moorcroft Marlborough pattern
  A Moorcroft Marlborough pattern enamel ginger jar, a flambé ginger jar and a pansy pot
• MARJORIE GARFIELD,
  MARJORIE GARFIELD, WATERCOLORWatercolor painting by Marjorie Stewart Garfield (American, 20th century). Signed lower right. Sight size measures 19" x 23", framed to 30" x 32". Fine condition with no visible damage.
• MILFORD ZORNES (1908-2008) 'PATTERN
  MILFORD ZORNES (1908-2008) 'PATTERN MAKERS' PRINTFramed offset print on paper, "The Pattern Makers," signed lower right Milford Zornes (American, 1908-2008), sight: approx 11.25"h, 13.75"w, overall: approx 21"h, 23.5"w, 5.75lbs
• Marjorie Reed (1915-1996
  Marjorie Reed (1915-1996 Vallecito CA) Stagecoach
• MARCY SHEAR WOLPE, (AMERICAN, B.
  MARCY SHEAR WOLPE, (AMERICAN, B. 1949) "IN NATURE'S SHADOW", SILKSCREEN, DEPICTS A TABLE SETTING ON A PORCH OVERLOOKING THE SEA, ED...Marcy Shear Wolpe, (American, b. 1949) "In Nature's Shadow", silkscreen, depicts a table setting on a porch overlooking the sea, ed. 39/50, title and signature in pencil along lower border, framed and matted behind glass, label verso, wear consistent with age, ss: 25" h. x 15 1/2" w. [PROVENANCE: Benefits Habitat for Humanity North Central Connecticut Tolland County]
• MARJORIE ORGAN HENRI, MIXED MEDIA
  MARJORIE ORGAN HENRI, MIXED MEDIA DRAWING ON PAPER Margjorie Organ Henri (Irish/American, 1886-1931), "The Church Steps, Madrid", signed "Organ" at lower left, inscribed and titled verso, 16.75"h x 11.25"w (sight), 18.75"h x 13.25"w (frame)
• MARGARET PATTERSON'S NEEDLEWORK
  MARGARET PATTERSON'S NEEDLEWORK SAMPLER DATED 1810 Worked in multi-color silk threads on linen ground, top register with flower and leaf motifs above five alphanumeric rows above a row various crowns and initials of family members, facing birds and trees above maker's name and date, "Margaret Patterson / Aged 8 1810," bottom register with trees and birds and initials ML and HL, all within a Greek key border, presented under glass in a birdseye maple frame.
• A Maricopa Redware Olla having a
  A Maricopa Redware Olla having a piecrust top above geometric banding signed Barbara Johnson. Height 6 1/2 x diameter 6 inches.
• JUDY PFAFF (b. 1946): "LAS
  JUDY PFAFF (b. 1946): "LAS MARGARITAS" Woodblock print in colors 41 x 70 1/4 in. (sheet sight) signed dated 1987 titled and numbered 10/15.
• WATERCOLOR, MARJORIE STEVENS
  WATERCOLOR, MARJORIE STEVENS Marjorie Stevens (American, 1902-1992), Japanese Tea Garden, watercolor on paper, signed lower right, overall (with frame): 29.5"h x 37.25"w
• A Marion McCoy Beige Faux Fur and
  A Marion McCoy Beige Faux Fur and Sequin Coat with iridescent sequins and beading in a foliate design. Labeled: Marion McCoy Originals.
• WILLIAM MORRIS (1834-1896) TWO
  WILLIAM MORRIS (1834-1896) TWO BOLTS OF FABRIC, LATE 20TH CENTURY COMPTON pattern printed cotton, 1095cm x 136cm; and MARIGOLD, blue colourway, printed on linen, printed to selvedge "MARIGOLD"/ DESIGNED BY WILLIAM MORRIS/ AN ORIGINAL SCREENPRINT BY SANDERSON, 3655cm x 126cm(2)Provenance: From the collection of Arthur Halcrow VerstageNote: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.Literature: Parry, Linda William Morris Textiles, V&A 2013, p.258, no.95, and p.207, no.10
• MILFORD ZORNES, (1908-2008), "THE
  MILFORD ZORNES, (1908-2008), "THE PATTERN MAKERS," 1936, OFFSET LITHOGRAPH ON BEIGE PAPER, IMAGE: 9" H X 11.75" WMilford Zornes, (1908-2008) "The Pattern Makers," 1936 Offset lithograph on beige paper Apart from the original edition 25 Signed, titled, and dated in pencil in the lower margin: Milford Zornes; signed again in ink on a small rectangle of old matting affixed to the frame's backboard. Image: 9" H x 11.75" W Provenance: Private Collection, Sierra Madre, CA Sold: John Moran Auctioneers, Pasadena, CA, "California and American Fine Art Sale," February 17, 2004, Lot 203 Notes: According to Zornes, "This view...was originally painted near Hacienda Hts and off what is now the Pomona Freeway" (i.e. the 60 Fwy). Offset lithograph on beige paper Dimensions: Image: 9" H x 11.75" W Provenance: Private Collection, Sierra Madre, CA Sold: John Moran Auctioneers, Pasadena, CA, "California and American Fine Art Sale," February 17, 2004, Lot 203
• Marjorie Reed (1915-1996
  Marjorie Reed (1915-1996 Vallecito CA) The Broken Wheel (Sketch for Butterfield Exhibit)
• COLLECTION OF FASHION AND PERFUME
  COLLECTION OF FASHION AND PERFUME COFFEE TABLE BOOKSCollection of Fashion and Perfume Coffee Table Books, comprising books published by The Vendome Press, The Metropolitan Museum of Art and Rizzoli Provenance: From the estate collection of Margo. Margo was an executive for over 40 years with The Broadway, most of those years as Executive Vice President of Cosmetics, the store's largest department. She was a powerhouse retailer who broke the "glass ceiling" long before the term was ever coined. She was legendary in the beauty world and simply known as "Margo". Dimensions: Approximately 21 linear inches (53.3 cm.) Provenance: From the estate collection of Margo. Margo was an executive for over 40 years with The Broadway, most of those years as Executive Vice President of Cosmetics, the store's largest department. She was a powerhouse retailer who broke the "glass ceiling" long before the term was ever coined. She was legendary in the beauty world and simply known as "Margo". Condition:
• MARGARET JORDAN PATTERSON,
  MARGARET JORDAN PATTERSON, (AMERICAN, 1867-1950), PETUNIAS, WOODBLOCK PRINT, IMAGE: 7 1/4 X 10 IN., FRAME: 15 1/4 X 19 1/4 IN.MARGARET JORDAN PATTERSON (American, 1867-1950) Petunias woodblock print estate stamped verso image: 7 1/4 x 10 in., frame: 15 1/4 x 19 1/4 in. woodblock print Dimensions: image: 7 1/4 x 10 in., frame: 15 1/4 x 19 1/4 in. Provenance: Provenance: The Collection of a Cape Cod, Massachusetts Couple. Exhibitions: Cahoon Museum of Art, Cotuit, Massachusetts, Margaret J. Patterson: Master of Color and Design, October 3 - November 12, 2006 (label verso). Condition: Sheet worn, creased, and folded at edges; with scattered staining, most visible at lower right corner and along left edge of image; paper separated in "v" form (approx. 1/2 in.) below right hand purple petunia.
• Shattuck Marjorie [American 20th
  Shattuck Marjorie [American 20th c.] watercolor painting of a barn shed signed l.l. "Marjorie Shattuck". 11.75"x15.5"
• Gorham sterling bowl, Marie
  Gorham sterling bowl, Marie Antoinette pattern, round footed center bowl, swag and bellflower borders with egg-and-rope bands, marks for Gorham, "13176", 1956, no monogram, 25.87 oz.T., 4 x 12-1/2 in.
• MARGOULIES Berta O'Hare (American
  MARGOULIES Berta O'Hare (American 1907-): Female Bronze Portrait Bust 7 1/2'' h. incised signature marble plinth 8 1/2'' total.