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INITIALED W. H. "MARLBOROUGH"
INITIALED W. H. "MARLBOROUGH" LITHOGRAPH "Marlborough," lithograph, depicting the performance of a jazz band, 1968, initialed W. H. in the plate, signed in pencil lower right. Image: 7.5" H x 13.25" W; frame: 11.25" H x 16.75" W.
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MARION HOWARD MT. CHOCORUA PLEIN
MARION HOWARD MT. CHOCORUA PLEIN AIR LANDSCAPE Massachusetts, New Hampshire,1883-1953Impressionist work depicting Mount Chocorua at sunset as viewed from the Eastside of Highway Route 16 in North Conway, New Hampshire with a small pasture in the foreground. Notice the monetesque purple-pink haze over the mountain's peak.
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Attributed to Godfrey Kneller
Attributed to Godfrey Kneller (British 1646-1723) Portrait of Duchess of Marlborough oil on canvas laid to board 30 x 25 1/4 inches.
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Martha Jane Bradford (American,
Martha Jane Bradford (American, b. 1912), "Carmacola", color print; 24" x 35 3/4"; pencil signed and dated 1980 lower right and also numbered 22/90 and titled in margin.
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Muller (British, early 20th
Muller (British, early 20th century) "The Marlborough in the Battle of the Skagerrak" watercolor on paper signed and dated "Muller, Danvers '16" 17 1/4 x 32 1/2 in., framed
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A watercolor study for 'The Marne
A watercolor study for 'The Marne Valley' oil painting produced in 1927 and now in the collection of the Auckland Art Gallery Toi o Tamaki. (also pictured on the cover of Joanne Drayton's 'Rhona Haszard, An Experimental Expatriate New Zealand Artist' book, 2002). Sheet 12.75x16.25'', framed 14.25x17.75''. Signed lower right, titled lower left. Some toning around mat edge.
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ENGLISH DELFTWARE 'DUKE OF
ENGLISH DELFTWARE 'DUKE OF MARLBOROUGH' CHARGERattributed to London or Bristol, circa 1704-11, painted full length figure of John Churchill, the first Duke of Marlborough (1650-1722), wearing armor and yellow cloak, holding a baton, flanked by initials "DM", blue sponged trees, standing on green grassy clumps, blue dash rim with inner yellow border, 2-1/4 x 13-3/8 in.
Provenance: Jonathan Horne, London; Property from the Collection of Dudley and Constance Godfrey
Condition:
faint glaze hairlines/crazing, small chips, glaze fritting, scratches
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MARTHA JANE BRADFORD (AMERICAN B.
MARTHA JANE BRADFORD (AMERICAN B. 1946), PEMAQUID HARBOR, SILKSCREEN, FRAMED, 33-1/4 X 45-3/4 INCHESMartha Jane Bradford (American b. 1946), Pemaquid Harbor, Silkscreen, Framed, 33-1/4 x 45-3/4 inches
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British or French School, 18th
British or French School, 18th Century
Portrait of John Churchill, 1st Duke of Marlborough, in the Robes of the Order of the Garter
oil on canvas
38 x 30 1/8 inches.
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(VIEW) MASSACHUSETTS - MALDEN
(VIEW) MASSACHUSETTS - MALDEN THROUGH MARLBORO: 77 POSTCARDS EARLY TO MID-20TH CENTURY(VIEW) MASSACHUSETTS - MALDEN THROUGH MARLBORO: 77 POSTCARDS, Early to Mid-20th Century, Malden: Central Fire Station, Rotograph of Malden Auditorium and notable buildings. Manomet: Raymond's Corner Store, Ardmore Inn (Rotograph), winter scenes, "Holmes' Woodlawn Novelty Works" and more. Mansfield: Lowney Chocolate Works, street scenes, railroad station, "Eddy Garage" (photo) and more. Marion: The Casino, water views, Richard Davis residence and more. Marblehead: Royal Blue Line Motor Tours card, water views, The Blue Gingham (photo), Point Light and more. Marlboro: Main St., Boston and Maine "Fitchburg Division" Depot, Hotel Preston, post office and John Brown Hall, Patool's Corner, "The S.H. Hows (sic) Shoe Shop" several railroad station views and more. Provenance: The Estate of Hilary Bamford.
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AYRES HOUGHTELLING MARLBORO VERMONT
AYRES HOUGHTELLING MARLBORO VERMONT WC PAINTING California, New York, Ohio,1912-2006Depicting a rocky river in Marlboro, Vermont with small waterfall in the foreground and nestled between forested embankments.
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WILLIAM BRADFORD
WILLIAM BRADFORD (MASSACHUSETTS/CALIFORNIA, 1823-1892), NEW BEDFORD HARBOR., WATERCOLOR AND WASH, 8.5" X 16". FRAMED 15.25" X 23".WILLIAM BRADFORD, Massachusetts/California, 1823-1892, New Bedford Harbor. Signed lower right "W. Bradford". Dimensions: Watercolor and wash, 8.5" x 16". Framed 15.25" x 23". Provenance: The collection of Francis Dolloff.Private Collection, Massachusetts.
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Maxfield Parrish (New Hampshire,
Maxfield Parrish (New Hampshire, 1870-1966) An
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Braddock Mead (British 1688-1757)
Braddock Mead (British 1688-1757) and Thomas Jefferys/Publisher "A Map of the most Inhabited part of New England containing the Provinces of Massachusets Bay and New Hampshire with the Colonies of Conecticut and Rhode Island Divided into Counties and Townships..." published November 29 1774 Thomas Jefferys London hand-colored copper-engraved four sheet map featuring an inset city map of Boston another of Boston Harbor also with a delightful cartouche depicting the Pilgrims arriving at Plymouth Rock 42 in. x 39 1/2 in. Note: This was the largest and most detailed map of New England published during the Revolutionary period. It was used by both sides for tactical planning and was used after the war to settle boundary disputes.
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Attributed to Charles Henry
Attributed to Charles Henry Seaforth (English, 1801-1872)
HMS Marlborough at Gibraltar (with French Steamer Frigates and other Merchant Vessels)
Circa 1855
oil on canvas
40 x 60 inches.
Property from the Collection of the Legendary Dealer Norm Flayderman
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BAYER, Herbert, (German,
BAYER, Herbert, (German, 1900-1985): Marlborough Poster, 25'' x 17 3/4'', signed and dated in the plate 1073, pencil signed, unframed.CONDITION: Minor creases.
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MARION MONKS CHASE MODERNIST
MARION MONKS CHASE MODERNIST LANDSCAPE PAINTING Massachusetts,1874-1957Winter street scene depicting a small foot bridge leading to a large red house surrounded by a fence and bare trees.
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AYRES HOUGHTELLING MARLBORO VT FARM
AYRES HOUGHTELLING MARLBORO VT FARM WC PAINTING California, New York, Ohio,1912-2006Depicting a small brook alongside a curved road with red farmhouse in the background.
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JOHN MATHER, WC, NEW
JOHN MATHER, WC, NEW ZEALANDWatercolor painting by John Mather (Australian, 1848-1916) showing a mountain landscape. Signed at lower left and dated to 1912. Titled "Lyttleton, New Zealand" at lower right corner. Overall framed size measures 20" x 24". Excellent condition. Mather was Scottish and migrated to Australia in 1878. He was a painter in oils and watercolors, as well as a prolific etcher. Leader of many artist societies in Australia, he was also associated with the plein-air artist camps that grew around Sydney in the late 19th century. Three of his works are owned by the National Gallery of Victoria. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
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ROBERT HILLINGFORD, MARLBOROUGH
ROBERT HILLINGFORD, MARLBOROUGH AT BLENHEIM, OIL Robert Alexander Hillingford (British 1828 - 1904), "Marlborough And His Ally Prince Eugene Before Blenheim", undated, oil on canvas, historical military genre scene depicting the 1st Duke of Marlborough surrounded by multiple figures on horseback, signed lower right, in giltwood and gesso/composition frame. Provenance: : From the Estate of M. David Merritt, Atlanta, Georgia. Approximate measurements: Canvas h. 17", w. 26"; Overall h. 29", w. 38", d. 4. 25".
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Samuel S. Miles (Massachusetts
Samuel S. Miles (Massachusetts 1824 - ) oil on paper marsh with trees titled ''West Newbury Marshes'' on attached card signed LR matted and framed under glass some toning to mat ss: 7'' w. x 5'' h.
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STADLER AFTER J. FARINGTON
STADLER AFTER J. FARINGTON (1747-1821), 'GREAT MARLOW' aquatint, published by Boydell 1793, 21cm x 32cm, in Hogarth style frame and glazed, Baynton-Williams label verso
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Marshall (William) Rural Economy of
Marshall (William) Rural Economy of Yorkshire, 1st edition, 2 vols, London 1788, 8vo, recount half morocco bindings, two engraved maps
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MARY BRADISH TITCOMB, (AMERICAN,
MARY BRADISH TITCOMB, (AMERICAN, 1858-1927), GLOUCESTER MARINE RAILWAY (SHIP ON WAYS, GLOUCESTER HARBOR), WATERCOLOR ON PAPER, 13 1/4 X 15 1/4 IN., FRAME: 22 1/8 X 13 3/4 IN.MARY BRADISH TITCOMB, (American, 1858-1927) Gloucester Marine Railway (Ship on Ways, Gloucester Harbor), watercolor on paper signed M.B. Titcomb lower left watercolor on paper Dimensions: 13 1/4 x 15 1/4 in., frame: 22 1/8 x 13 3/4 in. Provenance: Property of a Gloucester, Massachusetts Collector. Condition: Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
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P M COLYAR (1873-1928, NEW
P M COLYAR (1873-1928, NEW BEDFORD ARTIST) FRAMEDAND GLAZED WATERCOLOR DEPICTING A WOODLAND SCENE WITH ROCKS AND A CLEARING. ORNATE PERIOD GILT GESSO AND WOOD FRAME SHOWS TOUCH UP TO CORNER. SIGHT SIZE 9” X 20 1/2”, OVERALL 20” X 31 1/2”.
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1826 needlework sampler, Martha
1826 needlework sampler, Martha Carman, Burlington Co NJ provenance, March 22, 1826, 16 1/2" x 17 1/2", some stains Estimate $400-600
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MARION POST WOLCOTT (1910-1990): "A
MARION POST WOLCOTT (1910-1990): "A RURAL SCHOOL IN BREATHITT COUNTRY KY" Gelatin silver print 8 x 10 in. (image) titled and signed.
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Marshall (William) The Rural
Marshall (William) The Rural Economy of Gloucestershire, 1st edition, 2 vols, London 1789, 8vo, recent half cloth bindings with engraved map, with Marshall (William) The Rural Economy of the West of England, 1st edition, 2 vols, London 1796, 8vo, contemporary half calf with engraved map
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1 vol. Darlington, William.
1 vol. Darlington, William. Memorials of John Bartram and Humphrey Marshall with Notices of Their Botanical Contemporaries. Philadelphia: Lindsay and Blakiston, 1849. 1st ed. Thick 8vo, modern black buckram. Frontis., facs., text illus. Scattered light foxing, light to moderate foxing to title page. With 3 pp. autograph letter signed by Anna Maria Collinson (great grand daughter of Peter Collinson, one of Bartram's botanical correspondents), to the author, 14 May 1850, giving family history, tipped in. Sabin 18597 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
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SIGNED BOTERO LITHO POSTER
SIGNED BOTERO LITHO POSTER MARLBOROUGH NYMarlborough New York (1972). Lithographic poster, art by Botero (Colombian, b. 1932). The poster is numbered 23/250 and signed by the artist. Frame measure approx. 35-1/2" x 24-1/2". Fine condition, professionally framed. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
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HENRIETTA DUCHESS OF MARLBOROUGH,
HENRIETTA DUCHESS OF MARLBOROUGH, GILTWOOD FRAME British school (18th century). "Henrietta Godolphin, 2nd Duchess of Marlborough (1681-1733)", oil on canvas. Identified on plaque, unsigned. Approx. 20" x 15.25" (framed), 16" x 10.75" (canvas)
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(2) IAN MARSHALL (B. 1933, NY)
(2) IAN MARSHALL (B. 1933, NY) FRAMED WATERCOLORpaintings, to include: the Schooner Ruth Merrill at anchor. Initialed lower right. Sight size 13 3/4" x 21 1/4", overall 23" x 29 1/2". Along with the schooner Ruth Merrill launching at Bath, ME. Initialed lower right. Sight size 11 3/8" x 17 1/4", overall 23" x 29".
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JOHN WHORF (MASSACHUSETTS,
JOHN WHORF (MASSACHUSETTS, 1903-1959), "DUNELANDS, P'TOWN" (PROVINCETOWN, MASSACHUSETTS)., WATERCOLOR ON PAPER, 15" X 22". UNFRAMED.JOHN WHORF, Massachusetts, 1903-1959, "Dunelands, P'Town" (Provincetown, Massachusetts). Signed lower right "John Whorf". Titled verso. Reverse with watercolor of docked boats. Dimensions: Watercolor on paper, 15" x 22". Unframed.
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Philip Anthony Moose watercolor
Philip Anthony Moose watercolor (Newton, North Carolina, 1921-2001), spring landscape with cottage, blooming orchard, distant cathedral, signed lower right "Philip Moose", watercolor on paper, label verso "3rd Prize Water Colors", 15-1/4 x 18-1/4 in.; wood frame. Hinged in, light toning, paper tape verso at four corners and middles; frame with abrasions. Purchased from artist by consigner; label verso "donated to the Cataba [sic] County Museum"; Private Collection, Whispering Pines, North Carolina
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WAR AFTER BENJAMIN MARSHALL
WAR AFTER BENJAMIN MARSHALL (BRITISH 1768-1835). Handcolored aquatint on paper engraved by Charles Turner (British 1773-1957) and published in London by W.C. Lee ca.1790. Matted and framed 29 1/2''h. 24 1/2''w. Light toning mat burn.
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Wilton Robert Lockwood
Wilton Robert Lockwood (Connecticut/Massachusetts 1861-1914) MEDWAY BRIDGE watercolor framed signed: lower right sight size: H10 1/2'' W17 1/4'' Provenance: North Carolina private collection.