A few examples of appraisal values for
MARQUIS

• Richard Marquis (American, b. 1945)
  Richard Marquis (American, b. 1945) studio glass sculpture; rocket bottle form with opaline amethyst base, opaque white neck, and red conical cap applied with murrina depicting various animals, US map, etc.; signature in cane "1984/Noble Effort". 9 1/2"H. Very good condition with no chips, cracks or repairs.
• WORK ON PAPER, PORTRAIT OF A
  WORK ON PAPER, PORTRAIT OF A MARQUIS GONZAGUE GANE DE VILMONT French School (18th century), Portrait of a Marquis Gonzague Gane de Vilmont, pastel on laid paper, unsigned, sight: 19"h x 15"w, overall (with frame): 23"h x 19"w
• Richard Marquis. Marquiscarpa
  Richard Marquis. Marquiscarpa #2000-7. 2000, fused, slumped, blown and wheel-carved glass. 5¾ h × 6¼ w × 4? d in. result: $4,788. estimate: $3,000–5,000. Signed in murrina to bowl ‘Marquis’. Etched signature and date to interior of base ‘© 2000 Marquis’. Provenance: Elliott Brown Gallery, Seattle | Collection of Pamela Lee Biallas
• 19TH C COLORED ENGRAVING TITLED
  19TH C COLORED ENGRAVING TITLED "THE MARQUIS",PRINTED AND ENGRAVED BY CHARLES HUNT & SON, PUBLISHED IN LONDON, DECEMBER 1, 1862. SHOWS TANNING AND FOXING. IN PERIOD OAK FRAME. SIGHT SIZE 25" X 29 1/2", OVERALL 31" X 35 1/2". LIMITED EDITION #131/400.
• Richard Marquis. Marquiscarpa
  Richard Marquis. Marquiscarpa #36. 1997, fused, slumped, blown and wheel-carved murrine. 7? h × 6 w × 4¾ d in. result: $4,788. estimate: $4,000–6,000. Signed in murrina to body ‘Marquis’. Etched signature, date and number to interior of base 'Marquis ©1997 36’. Provenance: Sotheby's, New York, 4 June 2001, Lot 152 | Collection of Pamela Lee Biallas
• Richard Marquis. Marquiscarpa
  Richard Marquis. Marquiscarpa #99-3. 1999, fused, slumped glass, blown and wheel-carved glass. 8 h × 6½ w × 5¾ d in. result: $6,930. estimate: $5,000–7,000. Signed in murrina to bowl ‘Marquis’. Etched signature and date to interior of base ‘©1999 Marquis’. Provenance: Elliott Brown Gallery, Seattle | Collection of Pamela Lee Biallas
• Richard Marquis. Marquiscarpa. c.
  Richard Marquis. Marquiscarpa. c. 1990, fused, slumped, blown, and wheel-carved murrine. 6¼ h × 10¼ w × 3¼ d in. result: $6,875. estimate: $7,000–9,000. Signed in murrina ‘Marquis’.
• Richard Marquis. Teariffic.
  Richard Marquis. Teariffic. 1973-74, hand-blown glass, murrine, cotton, silk, glass beads. 7 h × 7 w × 6 d in. result: $4,788. estimate: $5,000–7,000. This work features a cloth container commissioned from Nirmal Kaur (Barbara Brittell). Etched signature and date to underside ‘1973-1974 Marquis’. Provenance: The Artist | Lannan Collection, Florida | Collection of Pamela Lee Biallas
• 3 PC. LOT; MARQUIS, BERGERE AND
  3 PC. LOT; MARQUIS, BERGERE AND PETITE GUERIDON 3 PIECE MISC. LOT CONSISTING OF A LOUIS XV STYLE CARVED GILTWOOD MARQUIS, BERGERE AND EMPIRE STYLE MAHOGANY PETITE GUERIDON; 28" TALLEST; CONDITION: AREAS OF CARVING ON MARQUIS IN POOR CONDITION
• 19th century English School
  19th century English School portrait, gentleman in full uniform, standing with sword supporting proper right hand, inscription verso frame "2nd Marquis", unsigned, oil on canvas, late 18th/early 19th century, 56-1/8 x 44-1/4 in.; original monumental 19th century gilt wood and composition Louis XIV style frame with inward sloping cushion, acanthus on a crosshatched ground, corner shell and acanthus decoration. Lined, crackle, bitumen draw, abrasions bottom and upper right, two periods restoration 50 percent of surface retouched within draw crackle, large parts of uniform, background; frame with losses to composition. Estate of the late Judge John Emery Parks, Honolulu, Hawaii.
• Richard Marquis. Marquiscarpa #1.
  Richard Marquis. Marquiscarpa #1. 1991-95, fused, slumped, blown and wheel-carved murrine. 7¼ h × 7½ w × 5? d in. result: $5,670. estimate: $4,000–6,000. Signed in murrina to body ‘Marquis’. Etched signature, date and number to underside ‘1991-95 Marquis #1’. Provenance: Elliott Brown Gallery, Seattle | Collection of Pamela Lee Biallas
• RARE PAIR LATE 19TH C. FRENCH
  RARE PAIR LATE 19TH C. FRENCH MARQUIS DIRECTOIREA rare pair of late nineteenth century painted French marquis in the Directoire style. Ht: 36" Wd: 31" Dpth: 24" Seat: 20"
• Richard Marquis (b. 1945) Crazy
  Richard Marquis (b. 1945) Crazy Quilt Teapot, 1985 hand-blown glass, murrine signed 'Marquis 4-85' H 7 1/2 x Dia 5 3/4 inches.
• Richard Marquis (American, b.1945),
  Richard Marquis (American, b.1945), Murrine Glass Teapot Sculpture, 1978 height 3.9 in — 10 cm
• THE DUKE OF MARLOW
  THE DUKE OF MARLOW (AMERICAN/ALABAMA, 20TH C.)The Duke of Marlow (American/Alabama, 20th c.), "Dot Halo, Rubio Rose and Purvis Young Mashup", 2022, mixed media collage with signed Purvis Young artworks on board, signed and inscribed "Purvis Young RIP" lower center, signed and dated en verso, 19 1/2 in. x 13 3/4 in. (oval), framed, overall 24 1/2 in. x 18 1/2 in. x 1 1/2 in. Condition: Overall good condition.
• Richard Marquis (American, b.1945),
  Richard Marquis (American, b.1945), Murrine Glass Teapot Sculpture, 1978 height 4.4 in — 11.2 cm
• Richard Marquis. Marquiscarpa
  Richard Marquis. Marquiscarpa #29. 1991, fused, slumped, blown, and wheel-carved glass murrine. 6½ h × 8½ w × 3 d in. result: $13,750. estimate: $3,000–5,000. Signed in murrina ‘Marquis’. Provenance: Private Collection
• Richard Marquis, (American, born
  Richard Marquis, (American, born 1945), \"Checkerboard Teapot\", signed on base \"Richard Marquis ? 1979\", blown glass, 5 in.,
• Laurent-Honoré Marqueste (French,
  Laurent-Honoré Marqueste (French, 1848-1920) VICTORY VICTORY
• René Paul Marquet (French,
  René Paul Marquet (French, 1875-1939) FRENCH EMPIRE COUPLE each a parcel gilt cold painted bronze and carved ivory on onyx base
• Louis Marcoussis (French,
  Louis Marcoussis (French, 1883-1941) Serge Lifar etching 16 3/4 x 9 3/4 inches (plate). Property from the Estate of Frank McIntosh, Greenport, New York
• PETITE LOUIS XV STYLE WALNUT
  PETITE LOUIS XV STYLE WALNUT MARQUIS Petite Louis XV style carved walnut marquis; 36"H 39"W 21"D
• ATTRIBUTED TO ANTOINE VESTIER:
  ATTRIBUTED TO ANTOINE VESTIER: "MARQUISE MEZIERES"unsigned; oil on canvas (relined); unsigned, titled and with artist attribution on handwritten label on stretcher; Condition: in-painting throughout; canvas re-lined, as stated; 33 x 25 1/2 inches; 40 1/2 x 33 3/4 inches frame Condition:
• A Louis XVI Style Marquetry and
  A Louis XVI Style Marquetry and Gilt Metal Mounted Semanier having a rectangular marble top with canted front corners over the conforming case fitted with seven foliate decorated drawers raised on cabriole legs ending in sabots. Height 51 x width 16 x depth 11 inches.
• (MAP) JAILLOT ALEXIS HUBERT Le
  (MAP) JAILLOT ALEXIS HUBERT Le Marquisat et Eslectorat de Brandebourg. Engraved map with hand-coloring in outline from Atlas Nouveau. Amsterdam 1696. 24 1/2 x 37 1/2 inches.
• JEAN ALEXANDRE MARICOT, PORTRAIT OF
  JEAN ALEXANDRE MARICOT, PORTRAIT OF A MANJean Alexandre Maricot (French, 1789-after 1848)Portrait of a man, 1827gouache on panelsigned center right Maricot and dated8 1/2 x 6 1/4in (22 x 16cm) Provenance:Property o
• * (FISH) BLOCH MARCUS ELIZIER A
  * (FISH) BLOCH MARCUS ELIZIER A group of three engravings with hand-coloring depicting fish from Ichthyologie; ou Histoire Naturelle Generale et Particuliere des Poissons. Berlin 1785 or later. 10 3/4 x 18 1/2 inches each.
• A Johann Maresch Waist-up Figural
  A Johann Maresch Waist-up Figural Humidor of Ascot Man Pottery with matte finish colors cheerful man in red coat with grey ascot impressed JM 3548.
• MINIATURE PORTRAIT MARQUIS LOUIS
  MINIATURE PORTRAIT MARQUIS LOUIS CHARLES PASCAULTFramed miniature watercolor portrait on paper card, Louis Charles Pascault, the Marquis de Poleon (1790-1867), three-quarter view half-length portrait, housed in a French frame, card: approx 3 7/8"h, 2 3/8"w *Note: a similar painting is in the collection of the Maryland Historical Society* *Provenance: The Veazey family was a prominent fixture of the Eastern Shore of Maryland. The initial immigrant ancestor was John Veazey, who settled on two tracts of land in Cecil County in the late seventeenth century. Thomas Ward Veazey was born on January 31, 1774 at the family estate Cherry Grove to Edward (c.1730-1784) and Elizabeth [nee de Coursey] (c.1730-1791) Veazey. Thomas was orphaned at a young age, and would receive his education at Washington College, where he graduated in 1795. Thomas married three times to Sarah Worrell (Kent County, Maryland, d.1795), Mary Veazey (d.1810), and Mary Wallace (Elkton, Maryland, 1789-1867). He fathered eleven children. His political career began in 1808 when he served as a presidential elector for James Madison. He later served in the Maryland House of Delegates from 1811 to 1812, relinquishing his seat in the General Assembly to participate in the War of 1812. During the conflict, he commanded militia forces defending Fredericktown in Cecil County, where the town was destroyed by fire during a British raid. After the war, he returned to Cherry Grove as a gentleman planter until in 1833, when he was chosen as a member of the Governor’s Council. In 1835, he was nominated as a candidate for governor, receiving fifty-three out of the seventy-six ballots cast. He was sworn in as the 24th Governor of Maryland on January 14, 1836 and would serve until 1839. His governorship weathered the constitutional crisis of 1837 and is remembered for its successful solution to the reapportionment crisis. His term would represent the last Whig Party administration to hold the Maryland governor’s office. He died on July 1, 1842 at Cherry Grove. This collection of historic items is offered through our consignor from the estate of Katherine Hartley Grauer [nee Craycroft] (1908-1997), great-granddaughter of Col. Thomas Ward Veazey.*
• Richard Marquis. Breastplate. 1975,
  Richard Marquis. Breastplate. 1975, hand-blown glass. 2¾ h × 11 dia in. result: $3,024. estimate: $3,000–5,000. Etched signature and date to underside ‘Marquis 75’. Provenance: Lannan Collection, Florida | Collection of Pamela Lee Biallas
• MAURICE QUENTIN DE LA TOUR (FRANCE,
  MAURICE QUENTIN DE LA TOUR (FRANCE, 1704-1788) Portrait of Charles Louis Auguste Fouquet, Duc de Belle Ile (1684-1761), pastel on paper, laid to hardboard years ago, unsigned, identified on frame tag, housed in a replica gilt matched corner cove frame, under glass, OS: 31 1/2" x 27 1/2", SS: 23" x 19", restored on right edge of background, otherwise very good. This is one of five or six similar pastel portraits of the Marechal de France painted by de la Tour in 1748, the year Fouquet was created Duke and Peer of France, (at the conclusion of the Austrian War of Succession) and the year the first version of this portrait appeared in the Salon. That pastel was sold by Christie's, New York, on 23 Jan, 2004 for $388,300. Most notable variations in the other 1748 portraits by de la Tour place the red ribbon and insignia of the Order of the Golden Fleece on top of or underneath the blue sash of the Order of the Holy Spirit. The subject's bemused, cynical expression remained a constant.
• [Civil War - CDV] Autographed CDV
  [Civil War - CDV] Autographed CDV of Major David D. Marquis 98th Illinois With ?Webster/Louisville? blind stamp lower left ink signed ?Very Respectfully/Your Obt Servant/D.D. Marquis/Maj. 98th Ills.? on verso. A standing portrait of Marquis wearing double breasted frock coat without rank straps. From Olney Illinois David Marquis joined Company B. as captain in September 1862. He was promoted to major in April 1863 and lieutenant colonel in June 1865 although never mustered in that rank. The 98th Illinois was mounted in the spring of 1863 and armed with the fearsome Spencer repeating rifle became part of Colonel John T. Wilder??Ts famous ?Lightning? brigade. Scouting well in advance of the army during the bloody Chickamauga campaign Wilder??Ts out numbered brigade relied on the Spencer??Ts firepower ??"putting down a ?living sheet of flame???"while smashing several Confederate infantry attacks. The ?Lightning? brigade later rode at the forefront during the non-stop fighting for Atlanta winning further accolades for their conduct on the battlefield. Condition: CDV shows moderate wear G+.
• Richard Marquis. Shot Glass
  Richard Marquis. Shot Glass Sample Box #7. 1993, hand-blown glass, zanfirico technique, sheet glass, wood, wire, found objects. 14¾ h × 11? w × 3½ d in. result: $4,032. estimate: $2,500–3,500. Etched signature and date to lower right corner ‘©1993 Marquis’. Signed, titled and dated to verso ‘Shot Glass Sample Box #7 ©1993 Marquis’. Provenance: Acquired directly from the artist, Collection of Pamela Lee Biallas
• ROBERT MARCIUS, TWO TESSELLATED
  ROBERT MARCIUS, TWO TESSELLATED STONE AND BRASS TABLES 1980s, for Casa Bique, each with an inset glass top, including a rectangular side table (21.25 x 22.5 x 27.25 in.); and a square coffee table (17 x 38 x 38 in.), paper label to underside.
• Louis Narcisse Jacob, Marquis
  Louis Narcisse Jacob, Marquis d'Aigremont (French, 1768-1829) PORTRAIT MINIATURE OF AN OFFICER, 29 JUNE, 1829 pencil sketch on paper, signed and dated on the frame paper backing in gilt gessoed frame 9 x 8 in — 22.9 x 20.3 cm
• Richard Marquis. Patchwork Coffee
  Richard Marquis. Patchwork Coffee Pot. 1979, hand-blown glass, murrine. 6½ h × 5½ w × 4½ d in. result: $6,048. estimate: $4,000–6,000. Signed in murrina to underside 'Marquis'. Etched signature and date to underside '© 1979 Marquis'. Provenance: Acquired directly from the artist, Collection of Pamela Lee Biallas