A few examples of appraisal values for
MAURIN QUINA

• A 1906 MAURIN QUINA FRENCH
  A 1906 MAURIN QUINA FRENCH LITHOGRAPH POSTERCappiello, Leonetto (French, 1875-1942) (1906)Fine French poster on linen for MAURIN QUINA absinthe apéritif with green devil and bottle with label, printed by P. Vercasson, Rue de Lancry, Paris. This poster could be rolled for shipping.Frame measures 62 x 46 inches.Very good condition, noting professional linen mounting, there are no issues of damage, repair or major color loss.
• CHARLES MAURIN, ETCHING WITH
  CHARLES MAURIN, ETCHING WITH AQUATINT Charles Maurin (French, 1856-1914), Mother and Child, etching with aquatint, pencil signed "Maurin" at lower right, 13.5"h x 10"w (sheet), unframed
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) NUN AND GIRLS,hand colored engraving. Signed in plate lower left, signed in pencil outside plate lower right. #1248 on verso. Framed and glazed. Sight size 7 3/4" x 6 1/2", overall 14 3/4" x 12 3/4". Very good condition, some spotting. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• PRINT, LE ROYAL SPORT QUINA,
  PRINT, LE ROYAL SPORT QUINA, ROUGE ET BANC French School (20th century), "Le Royal Sport Quina, Rouge et Banc," circa 1920, lithographic poster in colors, published by Royal Sport, unsigned, image: 51"h x 36"w, overall (with frame): 59"h x 44"w
• Massive French Advertisement for
  Massive French Advertisement for ''Maurin Quina Le Puy France''. Along the side ''Imp. P. Vercasson & C 43 R de Lancry Paris''. 45'' x 62'' canvas 52'' x 69'' frame.Canvas has some aging to it. Frame is Gilded wood and appears to be in excellent condition.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) TWO WOMEN INtheir boudoir, hand colored etching. Depicts two women dressing and washing with a cat in the foreground. Signed lower right in pencil, Maurin. #1350 Sight size 12 3/4" x 8", overall with frame 21" x 15". Overall good condition. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) ENGRAVING ANDdrawing. To include: recumbent woman, hand colored engraving. Signed in plate lower left, and outside of plate in pencil lower right. #1261 on verso. Framed and glazed. Sight size 6 1/4" x 8", overall 11" x 12 1/2". Shows some foxing in the bottom left corner, overall good condition. Along with a study for the engraving, drawing on paper, pencil and blue crayon. Signed lower right, Maurin. #33. Image size 6 1/2" x 8", overall mounted on paper 13 1/4" x 20 1/4". Some loss to mounting paper, otherwise drawing itself is in good condition. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) ARTIST'Sportfolio, group lot containing 6 works and 1 ukiyo-e print. To include: an etching of women at a flower market, signed faintly outside plate lower right, laid down on artist's board, sight size 8 1/4" x 11", overall size 11" x 14", heavily foxed throughout. Ukiyo-e print by Utamaro (1753-1806) Three Beauties, glued to paper in upper left corner, sight size 15 1/4" x 10 1/2", sheet size 18" x 12 1/2", good condition. An etching, portrait of a bearded man, probably a military officer, signed in pencil outside of plate lower right Maurin, sight size 16" x 12", overall 24" x 17 1/2", shows foxing on the sides outside of image. An identical print, monochrome, depicting the bearded man, signed Maurin in plate lower right, and in pencil outside of plate lower right, sight size 16" x 12", overall 22 1/2" x 15 1/2", good condition. A monochrome etching, portrait of a woman in profile, laughing, signed in plate C Maurin 1887, #219, appears to be titled F. Evita, sight size 11" x 9", overall 21 1/2" x 14 1/2", shows foxing at borders, but not in the plate. A hand colored etching, Two Women and an Infant, from the Maternity series, signed outside of the plate in pencil lower right, #1431, sight size 19 1/2" x 17", overall 22 3/4" x 21 1/2", two considerable areas of loss, shows foxing and small tear in the margins. A pencil drawing depicting a nude woman crouching, signed in pencil lower right Maurin, sight size 25" x 19 1/2", several small tears to borders, heavily foxed. Comes in the portfolio of the artist, believed to have belonged to Maurin, 29 1/2" x 21 1/2", has a sticker which says au Louvre, Paris, fair condition, some wear along edges. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) STANDINGLittle Girl Hugging her Doll, pencil drawing on paper on artist board, under glass, affixed at corners. Unframed. Signed lower right, Maurin. Paper is watermarked Ingres, upper right. 15 3/4" x 9 1/2". Paper shows some foxing throughout, some staining. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) PAIR OF HANDcolored etchings, depicting nude girls. In the first, the girl appears to be crying, signed in plate in reverse. Sight size 9" x 4", overall with frame 15 1/2" x 9 1/4". Along with another depicting a young girl from behind with her mother faintly visible in the background. Signed in plate in reverse. Sight size 7 1/4" x 3 1/4", overall with frame 13 1/2" x 8 3/4". Both are in overall good condition. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) MUSEUM SQUARE,St Pierre, hand colored etching. Parisian park scene with families, overlooking the city with a view of the Eiffel Tower. #1406. Titled lower left, and signed in pencil lower right. Image is 10 1/2" x 19 1/2", overall on mounting paper 20" x 26 1/4". Glued on paper at four corners, stains from glue. Foxing on left side, outside the plate. One spot of foxing in the upper right in plate. Tear in upper left corner, some loss to mounted paper. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) PAIR OFetchings. To include: a hand colored etching depicting a nude girl holding her doll. Signed lower right in plate in reverse. Sight size 10" x 7 1/2", overall with frame 14"x 11". Along with a black and white etching depicting a nude girl hugging her mother. Signed lower right in plate in reverse. Sight size 9 1/4" x 7 1/4", overall with frame 15" x 12 1/2". Good overall condition. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) NUDE GIRL ATher washbasin, pencil and charcoal mixed media drawing on paper. #84, signed lower right, Maurin. Mounted on paper, glued on four corners. 11 1/2" x 15" image size, overall 20 1/4" x 26". Shows staining, large stain in center in the shape of a crescent, further staining in upper left, right, and lower right. Some paper loss to mounting paper. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) FEMALE NUDE,mixed media drawing or study. Charcoal and chalk. Signed lower right, Maurin. #731. 22" x 17 3/4", mounted on heavier paper 26 1/2" x 20 1/2". Shows foxing, primarily in the upper right, minor loss to top right corner. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) ORIENTALISTscene, mixed media drawing, study, pencil and chalk on paper. Unframed, under glass, affixed to artist board, glue down on corners. Signed lower left in pencil. Depicting a harem scene with a dancing woman and reclining man in a royal court. 9" x 17". In overall good condition, some spotting, foxing. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) TWO ARTWORKS:a study and a print. To include: a hand colored print, depicting a young gentleman in troubadour costume, seated, holding a glass of champagne. Marked A H Laurent in the left corner, as well as Ch Maurin. Signed in pencil lower right, Maurin. #1367. 11" x 8 1/2" image size, mounted on paper 26 1/4" x 20 1/2". Some discoloration to paper, some small tears along edge of mounted paper. Along with a study of what was likely the same subject, mixed media under glass, paper affixed to artist's board. Signed lower right, Maurin. 11 1/4" x 8 3/4". Overall good condition, the glass over the lower right part of the image is missing. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) TWO ETCHINGS.Little Girl Standing Over Her Doll, etching on paper. Signed in plate in lower left Maurin. Also signed in crayon outside plate. #478. Sight size 11" x 11", overall sheet size 22" x 17 3/4". Shows minor tears and paper loss to border, image is intact. Some spotting. Along with an etching of a young girl with two infants, signed in plate in reverse C Maurin, signed outside of plate in pencil. #383. Sight size 4" x 5 1/2", mounted to paper at the corners, sheet size is 13" x 20 1/2". Good overall condition, paper loss to mounted sheet. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) "TWO WOMENFeeding Rabbits", hand colored etching. Signed lower right in pencil, Maurin. #1284. Pictured in "Charles Maurin un Symboliste du Reel". Sight size 10 1/4" x 8 1/4", overall with frame and mat 17" x 14". Good original condition. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• MAÏNA JUAN. MAïNA JUAN.Paris, ca.
  MAÏNA JUAN. MAïNA JUAN.Paris, ca. 1920 [?]. Central portrait of the fortune-teller and thought reader in a gypsy-like costume, her head encircled by signs of the Zodiac. 23 ¼ x 31 ½". Top margin chipped; B. Unmounted.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) TWO HANDcolored etchings. To include: one depicts a mother holding her child, signed lower right in plate in reverse, sight size 9 1/2" x 7 1/2", overall with frame 13 3/4" x 11", good overall condition. Along with one depicting a mother bathing her young child, "Le Tub", signed lower left, Ch. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• MARIE LAURENCIN ETCHINGMarie
  MARIE LAURENCIN ETCHINGMarie Laurencin (French 1885-1956)- ''Le Prince Charmaut'' (Marchesseau 29)- etching, 1913, signed and numbered 4/25 in pencil, on laid paper with full margins, edition of 25. 7 3/4 x 9 3/4''
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) TWO NUDE WOMENin their toilette, hand colored engraving. Signed in pencil, lower left, Maurin. #1239. 10 1/4" x 8 1/4" image size, mounted on 20 1/4" x 13 1/4" paper. Some foxing, shows discoloration around corners from the mounting. Minor paper loss to mounting. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) HAND COLOREDwoodblock print, depicting a woman with rabbit. Signed lower right in pencil. Sight size 9 1/2" x 6", overall with frame 15" x 10 3/4". Overall very good condition. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• Cassandre (French 1901-1968)
  Cassandre (French 1901-1968) DuBonnet vin tonique au quinquina 1932 poster 62 1/2 x 42 1/2 inches.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) PAIR OFprints: a woodblock print titled "La Sphinge", depicting a nude woman kneeling, leaning on her hands and knees, windmill in background. Signed CM in the bottom left, and outside print lower right Maurin, #310. Sight size 7" x 9 1/2", mounted at the corners on paper 13 1/2" x 20 1/2", some tears to mount paper. Along with an etching depicting a nude woman emerging from a well, probably an allegorical depiction of Truth coming out of her well, based on a quote by Democritus. Signed in plate lower left in reverse. #365 Sight size 15" x 10", mounted on paper at four corners 26" x 20 1/4", some loss to mounting paper, otherwise good condition. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) PAIR OFunfinished charcoal studies of two faceless women. Unframed. To include: standing figure, signed lower left Maurin, #698, 12" x 9 1/2", mounted on paper 20 1/4" x 13", very minor foxing, some loss to mounting paper. Along with a seated figure with a mirror, signed lower right Maurin, #703, 12 1/4" x 9", mounted on paper 20 1/4" x 13 1/4", some minor spotting. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• CHARLES MAURIN, PORTRAIT OF
  CHARLES MAURIN, PORTRAIT OF TOULOUSE LAUTREC, 1893 Charles Maurin (French, 1856-1914). "Portrait de Henri de Toulouse-Lautrec" -1893, aquatint on paper. Signed in plate. William Weston Gallery, London and Christie's labels verso. Approx. 23.5" x 18.25" (frame), 14" x 9.5" (sheet)
• MATHURIN MOREAU (FRENCH
  MATHURIN MOREAU (FRENCH 1822-1912) ALLEGORICAL FIGURES OF SPRING AND AUTUMN bronze, green-brown patina, each modelled as a dancing nymph, Summer holding a basket of flowers, Autumn with grapes, on circular bases signed 'Moreau Math' and ' E Colin & Cie/ PARIS'(2)74cm high
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) WOMAN IN HERToilette, mixed media drawing. Framed and glazed. Signed lower right Maurin. Sight size 10 3/4" x 7 3/4", overall 17" x 13 1/4". Minor spotting. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• FOUR MARCEL MOULY NUMBERED
  FOUR MARCEL MOULY NUMBERED LITHOGRAPHS, IN CASE Set of four Marcel Mouly (French 1918-2008), modern color lithographs comprising, "La Fenetre Outre Mer", "La Guitare", Pichet et Compotier a la Grappe de Raisins", and "Le Pichet Rose", all numbered in graphite 78/390 at lower left and pencil signed at lower right, unframed, in clamshell book case. Approx. plate h. 12", w. 9.5" ; paper h. 17.25", w. 11.75".
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) MOTHER ANDChild, mixed media drawing. Depicts a young mother cradling her baby. No visible signature, has not been removed from frame. Sight size 16" x 12 1/2", overall with frame 21 1/2" x 17 1/4". Shows some areas of light brown spotting to the right side. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.
• Mathurin Moreau (French, 1822-1912)
  Mathurin Moreau (French, 1822-1912) Bronze, gold patina, modeled as a young woman holding a bucket and leaning against a wall, inscribed 'Math. Moreau / Hors Concours' with Medaille D'Honneur seal, raised on a circular base. H: 21 in.
• French Gold Pique Tortoiseshell
  French Gold Pique Tortoiseshell Coin Purse, first quarter 20th century, the lid with an inlaid gold cartouche with pique surround, the interior fitted with the period gold-edged accordion-pleated blue moire coin holders, monogrammed, on the cartouche, "EM", l. 3", w. 2".
• MAITHURIN MEHEUT (1882-1959), 12
  MAITHURIN MEHEUT (1882-1959), 12 HENRIOT QUIMPER BRETON POLYCHROME EARTHENWARE 'LA GALETTE' DESSERT PLATES, CIRCA 1925MAITHURIN MEHEUT (1882-1959), 12 HENRIOT QUIMPER BRETON POLYCHROME EARTHENWARE 'LA GALETTE' DESSERT PLATES, CIRCA 1925, black painted marks and numerals, initialed MM in a circle on the front, dia: 7.25 in. (12)
• MAURICE UTRILLO (1883-1955): LE
  MAURICE UTRILLO (1883-1955): LE CABARET DU LAPIN AGILE Print signed and dated Paris 1924; 8 x 11 1/8 in. (sight).
• CHARLES MAURIN (1856-1914,
  CHARLES MAURIN (1856-1914, FRANCE) DRAWING OF Ayoung boy's head, Charles Laurent bust portrait, mixed media on paper. Inscribed Pour Mr. Henry Laurent to the right of the drawing. Signed in pencil just below the portrait, "Maurin". Sight size 24 1/4" x 18 1/4", overall with gilded frame 26" x 20 1/4". Foxing and spotting primarily to the top border, somewhat lighter throughout. Some chipping to frame. Labeled 722 on verso. Maurin was a graduate of Ecole des Beaux-Artes, Paris and the Academie Julian. He showed widely at salons in the 1880s and 1890s, was closely associated with Edgar Degas, Auguste Renoir, Felix Vallotton, and Toulouse-Lautrec. Maurin is credited with having invented the "spritzethnik", the use of an atomizer to spray pigment onto the paper to create atmospheric watercolor landscapes of "great beauty". He is closely associated with the Parisian avant-garde movement, and with realist and symbolist movements. Maurin's work is held in the collections of the Louvre, Musee d'Orsay, Metropolitan Museum of Art, Art Institute of Chicago, Philadelphia Museum of Art, Los Angeles County Museum of Art, Fine Arts Museums of San Francisco, Museum of Modern Art, Cleveland Museum of Art, and others. Provenance: from the collection of Henry Laurent, a close patron of the artist, Charles Maurin. Henry Laurent acquired over 1,000 works by Maurin at the urging of Edgar Degas who considered Maurin the most important French painter since Ingres. The collection was passed to Henry's son, Charles, and subsequently by descent, to his daughter, Danielle Francis (nee Laurent) of Marion, MA.