A few examples of appraisal values for
MAYNARD REECE

• MAYNARD REECE (AMERICAN,
  MAYNARD REECE (AMERICAN, 1920–2020), ‘SCOTER HEADS’, WATERCOLOR AND GOUACHE ON PAPER FRAME: 21 7/8 X 18 IN. (55.6 X 45.7 CM.)Maynard Reece (American, 1920–2020), ‘Scoter Heads', Watercolor and Gouache on Paper, Dimensions: Frame: 21 7/8 x 18 in. (55.6 x 45.7 cm.)
• MAYNARD REECE, AMERICAN
  MAYNARD REECE, AMERICAN 1920-2020, MIGRATORY BIRD HUNTING STAMP, 1959, ENGRAVING, SIGHT: 9 1/2 X 7 IN., FRAME: 15 1/8 X 13 1/4 IN.MAYNARD REECE, AMERICAN, 1920-2020 MIGRATORY BIRD HUNTING STAMP, 1959, Engraving Signed and dated in pencil l/r Engraving Dimensions: Sight: 9 1/2 x 7 in., Frame: 15 1/8 x 13 1/4 in.
• Maynard Reece print, Canada
  Maynard Reece print, Canada geese, pencil signed lower right, numbered 247/950. Overall 19” x 25” Condition: no glass CT Transfer Fee $10
• MAYNARD REECE (AMERICAN,
  MAYNARD REECE (AMERICAN, 1920-2020), HAZY DAY BOBWHITES Offset print in colors, pencil signed and numbered lower margin, in giltwood frame with linen liner.
• 1959 Reece Federal duck stamp
  1959 Reece Federal duck stamp print, "King Buck" or "Labrador Retriever with Mallard", with stamp, signed lower right "Maynard Reece" (American, 1917-1998) and inscribed lower left in pencil "Duck Stamp Design - 1959", lithograph, North Carolina Museum of Art label verso, image 6-1/2 x 9 in.; black-painted wood frame. Light toning, taped in, stamp tacked in and with 3/16 in. tear from left edge; frame with abrasions.
• 1959 Reece Federal duck stamp
  1959 Reece Federal duck stamp print, "King Buck" or "Labrador Retriever with Mallard" with stamp, signed lower right in pencil "Maynard Reece" (American, 1917-1998) and inscribed "Duck Stamp Design-1959", Russell A. Fink label verso, lithograph, image 6-1/2 x 9 in.; black wood frame. Mounted with picture corners, toning, stamp in glassine; frame with abrasions.
• Leonard Howard Reedy (Illinois,
  Leonard Howard Reedy (Illinois, 1899-1956), D
• NANCY REESE (B. 1949): PEEPLE OF
  NANCY REESE (B. 1949): PEEPLE OF ZEE WURL- RELAX2004; colored print mounted to foam core, in double-sided glass frame; pencil-signed and dated lower right; signed and dated again, and inscribed verso; Provenance: The Estate of Juliet McIver, Los Angeles, CA; 6 1/4 x 5 3/4 inches; 8 x 8 inches frame Condition:
• William Foster Reece painting
  William Foster Reece painting (Washington, born 1938), study of a sorrell horse in a field, signed and inscribed verso "Horse Study Sorrell", signed lower right "Wm. F. Reece/ © 1977", oil on Masonite, 8-1/2 x 9-7/8 in.; original frame. Good condition. Overland Trail Galleries, Jackson Hole, Wyoming (label verso).
• Marjorie Reed (1915-1996
  Marjorie Reed (1915-1996 Vallecito CA) Stagecoach on a Narrow Canyon Trail
• Marjorie Reed (1915-1996
  Marjorie Reed (1915-1996 Vallecito CA) Stagecoach
• 1959 Federal duck stamp print,
  1959 Federal duck stamp print, "King Buck" or "Labrador Retriever with Mallard" with stamp, signed lower right in pencil "Maynard Reece" (American, 1917-1998) and inscribed lower left "Duck Stamp Design-1959" and "2nd Stone", other pencil inscriptions at bottom margin, label verso "Abercrombie & Fitch" including inscriptions verso backing "C31952" and "…last copy 2nd stone", lithograph, page 10-7/8 x 13 in., image 6-1/2 x 9 in.; black painted wood frame. Hinged at top with paper tape, toning from acidic mat, stamp taped to verso of mat with archival tape; frame with abrasions. Private Collection.
• JOSEPH REED, ALS, DURING THE PA
  JOSEPH REED, ALS, DURING THE PA LINE MUTINY, 1781 Joseph Reed (1741-1785, Statesman, Aide de Camp of Washington) autograph letter, signed, as President of the Supreme Executive Council of Pennsylvania, dated at Philadelphia, January 25, 1781, to Brig. Gen. Anthony Wayne at Trenton; 2 1/2 pp., folio, 11 3/4 x 7 1/8 in. Reed tells Wayne, "We have just received a fresh Demand from Mr. Deane for Shirts & Shoes," expressing exasperation because the articles had already been sent in an effort to appease the desperate soldiers in winter camp at Jockey Hollow. He asks Wayne and other officers to do all they can to distribute supplies. A postscript alludes to the reorganization of the PA Line, including relocation of various regiments.
• REEFER MADNESS & MORFINISTEN Reefer
  REEFER MADNESS & MORFINISTEN Reefer Madness & Morfinisten
• REEVES, O/C STILL LIFEwith gold
  REEVES, O/C STILL LIFEwith gold pitcher and martini glass. Joseph Mason Reeves, Jr. (Am. 1989-1974). Signed lower left. Frame size: 17" high, 13 7/8" wide. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• MIXED MEDIA, BEN REEVES Ben
  MIXED MEDIA, BEN REEVES Ben Reeves (Canadian, b. 1969), "Second Narrows," 2020, oil, acrylic and collage on canvas, signed, titled, and dated verso, gallery label (Maybaum Gallery, San Francisco, CA) affixed stretcher bar verso, canvas: 40"h x 30"w, overall (with frame): 41.5"h x 31.5"w. Provenance: Purchased from Maybaum Gallery, San Francisco, CA, 2020.
• Funerary Lament for Young
  Funerary Lament for Young Soldiers by Milo Reice Milo Reice (American b. 1952). ?Mixed media on layered paper titled signed and dated?80 l.c.; 31 x 43 in. Daniel Jacobs and Derek Mason Collection
• PROF. H.B. REYNOLDS. THE WORLD
  PROF. H.B. REYNOLDS. THE WORLD RENOWNED SORCERER, NECRO...Prof. H.B. Reynolds. The World Renowned Sorcerer, Necromancer, and Magician. Providence: What Cheer Print, ca. 1885. Letterpress broadside on thin brittle paper, with large central engraving of a conjuring performance, filled with boastful language, and promising shows of “freaks” and a display of the magician’s ability to free himself after being bound by ropes and cords. 28 ¾ x 10 ½”. Rolled. Closed tears and minor losses at edges.
• R. Reeve (1908-1999) - Oil painting
  R. Reeve (1908-1999) - Oil painting - ''Reflections'' board 14.5ins x 11ins signed in grained wood frame
• Marjorie Reed (1915-1996
  Marjorie Reed (1915-1996 Vallecito CA) The Broken Wheel (Sketch for Butterfield Exhibit)
• Marjorie Reed (1915-1996
  Marjorie Reed (1915-1996 Vallecito CA) Full Moon at TEEC NOS POS Trading Post Northern Arizona
• WARWICK REYNOLDS (1880-1926)
  WARWICK REYNOLDS (1880-1926) 'PROSPERITY' crayon on paper, signed lower right38cm x 26.5cmProvenance: The Fine Art Society, 148 New Bond Street, London, 1992Formerly the collection of Andrew McIntosh Patrick.Literature: Bradshaw P.V. TheArt of the Illustrator, The Press Art School, Forest Hill, London 1918Note: In 1918 Percy Bradshaw contacted 20 of the leading illustrators of the day and commissioned each of them for a special illustration. Each artist was given an entirely free hand as to the subject, the only stipulation being that the painting or drawing should be representative of his/her technique and that each stage in its composition should be shown. Bradshaw then reproduced in 6 plates each step in the artistic process and published the 6 lithographs in a portfolio with a 12-page introduction and description of the process within a card folder. The current lot represents the final drawing by Warwick Reynolds.Other artists were Lawson Wood, F.H. Townsend, Fortunino Matania, Harry Rountree, Claude A. Shepperson, Bert Thomas, William Heath Robinson, Frank Reynolds, Cyrus Cuneo, William Russell Flint, Charles Brock, Spenser Pryse, Edmund Sullivan, Balliol Salmon, H.M. Bateman, Louise Wright, W Hatherell, Dudley Hardy and Bernard Partridge.Born in Islington, WarwickReynolds was the son of a cartoonist and illustrator of the same name. He studied in London at the Grosvenor Studio and the St. John’s Wood Art School, and in 1895 began working as a magazine illustrator, eventually contributing to such publications as The Idler, Pearson’s Magazine, The Quiver and The Strand Magazine, among others. In 1906 he settled in Glasgow where he was employed as a staff artist at the Daily Record, he also exhibited at the Royal Academy, the Royal Glasgow Institute of Fine Arts and the Royal Scottish Academy.
• 19th century British School
  19th century British School portrait, "Mr. Reed at 77 1820", man wearing black jacket and yellow vest, unsigned, oil on canvas, 19th century, 35-7/8 x 28 in.; 19th century Empire style gilt wood and composition frame. Lined and restretched on old stretcher, stretcher marks, repaired hole at center with paint loss, crackle, abrasions at edges, retouch at cheek, clothing, background, less than 10 percent of surface affected; frame resurfaced, losses to composition.
• Marjorie Reed (1915-1996
  Marjorie Reed (1915-1996 Vallecito CA) Santa Barbara Mission in Happier Days
• John Wesley Hardrick (American,
  John Wesley Hardrick (American, 1891-1968), "Overlook at Beanblossom", oil on board; 23 1/2" x 29 1/2"; unsigned. Brass plaque on frame. Hardrick was an important African-American painter from Indianapolis. He studied at the Herron Art Institute and exhibited with fellow African-American painter, W.E. Scott in 1917. He also shared a studio with Hale Woodruff for a time in the 1920's. He worked as a WPA muralist in 1933-34.
• JAMES McARDELL (1729-1765) AFTER
  JAMES McARDELL (1729-1765) AFTER SIR JOSHUA REYNOLDS, PRA (1723-1792) PORTRAIT OF MRS HUGH BONFOY NEE ELIOT proof mezzotint before letters, trimmed to within plate mark, 1755, 37.5 x 27.5cm, and four other mezzotints by McArdell, comprising Mary Duchess of Ancaster 1757 and John Duke of Montagu both after Thomas Hudson, John Couts Esqr after Allan Ramsay and Rembrandt's mother, all trimmed to or within plate mark, some faults (5) Provenance: Collection of Leonard Daneham Cunliffe (d 1937) benefactor of the Fitzwilliam Museum (d1937) thence by descent to the present vendor. Reynolds evident pleasure in his portrait of Mrs Bonfoy was such that "it was one of the first of his works to be engraved as a mezzotint, despite the obscurity of the sitter" (N Penny quoted by D Mannings in Sir Joshua Reynolds, Complete Catalogue of his Paintings 2000, no 200, pp94-5).
• Manner of Theodore Wor
  Manner of Theodore Wor
• WATERCOLOR, JOSEPH MASON REEVES
  WATERCOLOR, JOSEPH MASON REEVES Joseph Mason Reeves (American, 1898-1974), Crashing Waves, pencil and watercolor on artist board, unsigned, estate stamp signed by Donna Hampton Reeves verso, board (unframed): 16"h x 20"w
• Marjorie Jane Reed (1915-1996
  Marjorie Jane Reed (1915-1996 Vallecito CA) and John W. Hilton (1904-1983 Indio CA) 'Come and Get It'' signed and dated lower right: Marjorie Reed - & J.W. Hilton 1952 titled on the stretcher oil on canvas
• Marvin "Chico" Posey Jr.
  Marvin "Chico" Posey Jr. (American/Tennessee 1964-2003) two pastels on paper 1998 "Saxophonist" and "Bassist" both signed and dated lower right sight 24 3/8 in. x 18 in. matted and framed alike.
• Joel Reeves painting (Georgia, 20th
  Joel Reeves painting (Georgia, 20th century), "May Day", signed verso "Joel Reeves 1970", acrylic on Masonite, 23-7/8 x 29-3/4 in.; original black-painted lattice wood frame. Light grime; frame with abrasions. Swan Coach House Gallery (label verso); Private Collection, Highlands, North Carolina.
• GRANT REYNARD (1887-1968) PPM
  GRANT REYNARD (1887-1968) PPM GIFT PRINT FOR 1946Grant T. Reynard (1887-1968)The Pianist (1946)The etching from an edition of 200 is signed by the artist in pencil lower right.This image served as the sixteenth Prairie Print Makers Presentation Print for distribution to associate members and sale to the organization's membership.Image measures 8.25 x 10.75, sheet is 10.25 x 13, and frame is 17.75 x 20.75 inches.Very good condition, the full untrimmed sheet with two deckle edges, not laid down, no damage, puncture or repair; framed to archival standards in acid free mounts. Toning from a previous mat is evident in the outer margins of the sheet as shown in the images here outside the frame and mat. There are two tabs of brown paper tape on the top edge of the print front.Provenance: A Leawood, Kansas corporate collection.
• Four Richard Stone Reeves
  Four Richard Stone Reeves (American, b. 1919-2005) numbered limited edition prints, each pencil signed (lower right) by the artist, equine portraits titled 'Buck Passer', 'Kelso', 'Neji', 'Ribot' 17.25" x 19.5" sight size / 24.5" x 26.5" overall
• After Roland Reed (American,
  After Roland Reed (American, 1864-1934) A Group of Six modern Photographs photography
• KENNETH REEVE, INDIANA, ILLINOIS
  KENNETH REEVE, INDIANA, ILLINOIS (1910 - 2012), MONDAY MORNING, WINTER NOCTURNE, TWO AQUATINT ETCHINGS, 5 1/2"H X 8 3/4"W, (SIGHT), 12"H X 15 1/4"W (FRAME)Kenneth Reeve, Indiana, Illinois, (1910 - 2012) Monday Morning, Winter Nocturne, two aquatint etchings Titled lower left and signed lower right. two aquatint etchings Dimensions: 5 1/2"H x 8 3/4"W, (sight), 12"H x 15 1/4"W (frame)
• PAUL REED (1909-2007):
  PAUL REED (1909-2007): "YELLOWJACK II" Acrylic on canvas 54 x 43 1/2 in. signed titled and dated 1965 on the stretcher. Provenance: Chrysler Museum of Art Norfolk Virginia proceeds to benefit the Acquisitions Fund.