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AFTER MICHELLE AMODIO, NARCISSUS, C
AFTER MICHELLE AMODIO, NARCISSUS, C 1890-1910, BRONZEItalian Bronze After Michelle Amodio, Narcissus, c. 1890-1910, (Italian, 19th Century) after the Pompeii original found in 1862, in the Museo National Napoli, on a round base, unsigned. MEASURMENTS: H
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COLLECTION OF ART REFERENCE BOOKS
COLLECTION OF ART REFERENCE BOOKS
ON ASIAN WORKS OF ART ????????????????????????????????????????including art reference books for jade, works or art, archaeology, musuem and exhibition catalogues, in total 46 publications.12th Annual New York Arts of Pacific Asia Show, New York, 2004Asian Art Museum: Selected articles from Orientations, Hong Kong: Orientations Magazine Ltd., 1999Bonhams: Fine Asian Art, London: Bonhams, 2005Chinese Buddhist Sculpture: from the collection of C.R. Moss O.B.E. and other properties (catalogue), Oriental Arts, 2000Chinese Jade Animals, Hong Kong: Urban Council of Hong Kong, 1997Chinese Jade: Selected articles from Orientations 1983-1996, Hong Kong: Orientations Magazine Ltd., 1997Christie's: Fine Chinese Ceramics and Works of Art Including Export Art, 2008Denwood, Philip (ed.), The Arts of the Eurasian Steppelands: a Colloquy held 27-29 June 1977 (Colloquies on Art & Archaeology in Asia No.7), London: School of Oriental and African Studies, 1977Fong, Wen and Watt, James C.Y., Possessing the Past: Treasures from the National Palace Museum, Taipei, New York: The Metropolitan Museum of Art, 1996Forsyth, Angus and McElney, Brian, Jades from China, Bath: The Museum of East Asian Art, 1994Hansford, S. Howard, Chinese Carved Jades, London: Faber and Faber Limited, 1968Howard, David S., A Tale of Three Cities: Canton, Shanghai & Hong Kong, London: Sotheby's, 1997Juliano, Annette L., Lerner, Judith A., Alram, Michael, Monks and Merchants: Silk Road Treasures from Northwest China, New York: Harry N. Abrams, 2001Kerr, Rose, Chinese Art and Design: The T.T. Tsui Gallery of Chinese Art, London: Victoria and Albert Museum, 1991Knapston Rasti catalogue Nov 05Knapston Rasti catalogue Nov 07Leiper, Susan, Precious Cargo: Scots and the China Trade, Edinburgh: National Museums of Scotland, 1997Lin, James C.S. (ed.), The Search for Immortality: Tomb Treasures of Han China, New Haven: Yale University Press, 2012Lu, Wenbao, Jades of the Liangzhu Culture, Hong Kong: The Chinese University of Hong Kong Art, 1998Michaelson, Carol, Gilded Dragons: Buried Treasures from China's Golden Ages, London: The British Museum, 1999Ming, Yu, Chinese Jade, Cambridge: Cambridge University Press, 2011Morgan, Michell (ed.), The Museum of East Asian Art Journal Volume V, Bath: The Museum of East Asian Art, 1999Morgan, Michelle, 100 Treasures: The Museum of East Asian Art, Bath: The Museum of East Asian Art, 2000National Museums of Scotland, Ming: The Golden Empire, Edinburgh: National Museums of Scotland, 2014Oriental Art Vol 44 No. 2 (1998)Oriental Art Vol 45 No. 1 (1999)Peterson, Harold (ed.), Chinese Jades: Archaic and Modern from the Minneapolis Institute of Arts, Rutland: Charles E. Tuttle Company, 1977Pirazzoli-t'Serstevens, Michele, The Han Dynasty, New York: Rizzoli International Publications, 1982Portal, Jane and Duan, Qingbo (ed.) The First Emperor: China's Terracotta Army, London: The British Museum, 2007Rawson, Jessica (ed.), Treasures from Shanghai: Ancient Chinese Bronzes and Jades, London: The British Museum, 2009Rawson, Jessica, Chinese Jade from the Neolithic to the Qing, London: The British Museum, 2002Rawson, Jessica, Chinese Ornament: The Lotus and the Dragon, London: The British Museum, 1984Schafer, Edward H., The Golden Peaches of Samarkand: A Study of Tang Exotics, Berkeley: The University of California Press, 1985Scott, Rosemary E., Chinese Jades (Colloquies on Art & Archaeology in Asia No.18), London: School of Oriental and African Studies, 1997Shanghai Museum Chinese Painting Gallery, Shanghai: Shanghai MuseumSickman, Laurence and Soper, Alexander, The Art and Architecture of China, New Haven: Yale University Press, 1992So, Jenny F. and Bunker, Emma C., Traders and Raiders on China's Northern Frontier, Washington: Smithsonian Institution, 1995The International Asian Art Fair, 2004Watson, William, The Arts of China to AD 900, New Haven: Yale University Press, 1995Watson, William, The Genius of China: An exhibition of archaeological finds of the People's Republic of China, London: Times Newspapers Ltd., 1973Watt, James C.Y. (et al.), China: Dawn of a Golden Age, 200-750 AD, New York: The Metropolitan Museum of Art, 2004Whitfield, Roderick (ed.), The Problem of Meaning in Early Chinese Ritual Bronzes (Colloquies on Art & Archaeology in Asia No.15), London: School of Oriental and African Studies, 1993Wilson, Ming, Chinese Jades (Victoria & Albert Museum Far Eastern Series), London: V&A Publications, 2004Yang, Xiaoneng (ed.), New Perspectives on China's Past: Chinese Archaeology in the Twentieth Century: Cultures and Civilizations Reconsidered (Vol 1), New Haven: Yale University Press, 2004Yang, Xiaoneng (ed.), New Perspectives on China's Past: Chinese Archaeology in the Twentieth Century: Major Archaeological Discoveries in Twentieth Century China (Vol 2), New Haven: Yale University Press, 2004Zhang, Hongxing, The Qianlong Emperor: Treasures from the Forbidden City, Edinburgh: National Museums of Scotland, 2002(qty)Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years.Please note this lot will be offered with no reserve. ???????
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Two Watering Cans, each stamped on base with initials "ME", glazed ceramic, 14-1/4 x 12 in.
Provenance: The Important Private Collection of a Rocky Mountain Couple
Condition:
anomalies as made, surface dust/accretion, crazing, glaze anomalies at spouts
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Portrait Charger of "KW" or King William III, initialed on base "ME", glazed ceramic, 2 x 13 in.
Provenance: The Important Private Collection of a Rocky Mountain Couple
Condition:
anomalies as made, pinholes, slight surface dirt/accretion
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Portrait Charger of "AR" or Anne Regina, initialed on base "ME", glazed ceramic, 2-1/2 x 13-1/2 in.
Provenance: The Important Private Collection of a Rocky Mountain Couple
Note: Charger is based on 18th century dish of the same design, see the Art Gallery of South Australia, accession number 898C32: https://www.agsa.sa.gov.au/collection-publications/collection/works/queen-anne-charger/23978/
Condition:
anomalies as made, pinholes, slight surface dirt/accretion
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Portrait Charger of "GR" or Georgius Rex, initialed on base "ME", glazed ceramic, 2-1/4 x 13-1/2 in.
Provenance: The Important Private Collection of a Rocky Mountain Couple
Note: Charger is based on 18th century dish of the same design, see English Delftware by Anthony Ray page 17.
Condition:
anomalies as made, pinholes, slight surface dirt/accretion
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Two Figural Salts, with candle sockets at the shoulders, each initialed on base "ME", glazed ceramic, larger 8-1/4 x 4 x 4-7/8 in.
Provenance: The Important Private Collection of a Rocky Mountain Couple
Condition:
anomalies as made, pinholes, slight surface dirt/accretion; larger example with glaze/firing anomaly at left side of basin, most likely as made
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Three Pitchers, each stamped on base with initials "ME", glazed ceramic, 12-1/8 x 9-1/8 in.
Provenance: The Important Private Collection of a Rocky Mountain Couple
Condition:
anomalies as made, pinholes, slight surface dirt/accretion
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Two Figural Salts, with candle sockets at the shoulders, each initialed on base "ME", glazed ceramic, larger 8-3/8 x 4 x 5 in.
Provenance: The Important Private Collection of a Rocky Mountain Couple
Condition:
anomalies as made, pinholes, slight surface dirt/accretion; larger example with firing crack to base
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Pair of Portrait Chargers, featuring "CR" or Charles Rex hiding in the Boscobel Oak, initialed on base "ME", glazed ceramic, 2-5/8 x 12-1/4 in.
Provenance: The Important Private Collection of a Rocky Mountain Couple
Note: Charger is based on 18th century dish of the same design, see the British Museum accession number 1939,0607.1: https://www.britishmuseum.org/collection/object/H_1939-0607-1
Condition:
anomalies as made, pinholes, slight surface dirt/accretion; one charger with large crack and repair through center and on underside of rim (see blacklight)
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Four Octagonal Plates, each initialed "ME" to base, glazed ceramic, 10-1/8 in. diameter
Provenance: The Important Private Collection of a Rocky Mountain Couple
Condition:
anomalies as made, surface dust/accretion, slight roughness at edges
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Monteith, initialed on base "ME", glazed ceramic, 9-1/4 x 16 x 13-3/4 in.
Provenance: The Important Private Collection of a Rocky Mountain Couple
Condition:
anomalies as made, pinholes, surface dirt/accretion
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MICHELLE ERICKSON(Hampton,
MICHELLE ERICKSON(Hampton, Virginia, 20th/21st century)
Large Punch Bowl, with hunting scenes, initialed and inscribed on base "A/D+E/1862/ME", glazed ceramic, 7-3/4 x 14-3/8 in. diameter
Provenance: The Important Private Collection of a Rocky Mountain Couple
Condition:
anomalies as made, slight pinholes and wear to base
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CHRISTOPHER WHYTE RABBIT FUR
CHRISTOPHER WHYTE RABBIT FUR SHAWL / SCARF Christopher Whyte by Michelle Revere black grey and white rabbit fur shawl / scarf, lined with black satin and with two pouch pockets, with label "Christopher Whyte." 68" L x 13" W.
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VINTAGE METAL FISHING TACKLE BOX,
VINTAGE METAL FISHING TACKLE BOX, 70+ LURES, REELS(lot) Vintage metal fishing tackle box with many fishing lures, some in unopened packs, highlights include some with glass eyes, spinners, wood lures, bobbers, tackle hooks; multiple fishing reels including: (1) Heddon Pal p.4 casting reel; (1) ABU 500; (1) Garcia Michelle 204; (1) Shakespeare Squirt Cast Model, FB, Johnson 1961 and 1969 owners manual for 10 speed motor included; box: 13"h, 18"w, 10.5"d, 17.40lbs total
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MICHELLE SAKHAI (21ST CENTURY).
MICHELLE SAKHAI (21ST CENTURY). Pair of oils and silver leaf on canvas. "Seascape Diptych". 2012. Signed lower left. Signed, dated, and verso. Dimensions: Each: 30" high x 24" wide Condition: Unframed. Tarnishing.
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ERICA MICHELLE ANDERSON:
ERICA MICHELLE ANDERSON: UNTITLEDMixed media collage, signed with initials 'EMA.M' lower right and on the reverse.
23 1/2 x 19 3/4 in., 30 x 25 1/2 in. (frame).
Condition
In very good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
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Walt Disney Lady and the Tramp
Walt Disney Lady and the Tramp print on canvas board, "A Dog's Life" by Michelle St Laurent, Disney Fine Art published by Collectors Editions, signed limited edition 62/195, with COA, 12-5/8" x 25-1/2" sight, 18" x 31" matted
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Southwestern-Style Brown Leather
Southwestern-Style Brown Leather Satchel Backpack
1998
crafted of soft brown leather with rope stitched edges and decorated with fringe, charms, and beaded medallion; signed Chester Co. Michelle '98 under beaded flap
length 16 inches x width 15 inches
The Collection of Michelle Smith, Washington, D.C.
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James Rogers Southwestern-Style
James Rogers Southwestern-Style Silver Cuff Bracelet AND Chrome Hearts Sterling Silver Southwestern-Style Ranger Set
second half 20th century
lot of 2, includes:
a slender silver cuff with southwestern decoration; marked with the JAMES ROGERS company hallmark
cuff width 1/4 inch, interior circumference 5-1/2 inches x gap length 1-3/8 inches, weight 13.0 dwt.
a black leather belt featuring a heavy silver ranger set; marked STERLING CHROME HEARTS 1989
belt length 33-1/2 inches, buckle length 2-3/4 inches x width 3 inches, weight 198.5 dwt.
The Collection of Michelle Smith, Washington, D.C.
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A Southwestern Style Silver Cuff
A Southwestern Style Silver Cuff Bracelet
third quarter 20th century
illegibly marked on ends
cuff width 1-1/4 inches, interior circumference 5-1/2 inches x gap length 1 inch 77.9 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Pair of Southwestern-Style Silver
Pair of Southwestern-Style Silver Cuffs
mid-20th century
lot of 2, both illegibly marked, includes:
cuff width 1-3/8 inches, interior circumference 5-3/4 inches x gap length 7/8 inch, weight 27.6 dwt.
cuff width 1-3/8 inches, interior circumference 5-1/2 inches x gap length 7/8 inch, weight 30.8 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Southwestern-Style Silver and
Southwestern-Style Silver and Sodalite Cuff Bracelet, with Syllabics
second half 20th century
signed with a triangle hallmark housing T. LEF. GRAVE
cuff width 3/4 inch, interior circumference 6-1/4 inches x gap length 7/8 inch, weight 49.1 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Orville Tsinnie (Diné, 1943-2017)
Orville Tsinnie
(Diné, 1943-2017)
Heavy Stamped Sterling Silver and Twisted Wire Cuff Bracelet
signed Orville Tsinnie and marked with artist hallmark and STERLING
cuff width 3/4 inch, interior circumference 5-1/2 inches x gap length 1-1/8 inches, weight 89.5 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Navajo or Zuni Silver and Petit
Navajo or Zuni Silver and Petit Point Turquoise Pin / Brooch
third quarter 20th century
not marked
diameter 3 inches, weight 19.9 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Navajo Silver Pearl Necklace
Navajo Silver Pearl Necklace
mid-20th century
single-strand necklace strung with graduated silver beads; not marked
length 28-1/2 inches, weight 187.7 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Navajo Silver Twisted Wire Cuff
Navajo Silver Twisted Wire Cuff Bracelet
mid-20th century
marked STERLING
cuff width 7/8 inches, interior circumference 5-1/2 inches x gap length 1 inch, weight 57.2 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Navajo Stamped Sterling Silver Cuff
Navajo Stamped Sterling Silver Cuff Bracelet
mid-20th century
marked STERLING
cuff width 1-1/8 inches, interior circumference 5-1/4 inches x gap length 7/8 inch, weight 23.4 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Wide Navajo Silver and Turquoise
Wide Navajo Silver and Turquoise Cuff Bracelet
mid-20th century
not marked
cuff width 2-7/8 inches, interior circumference 5-3/4 inches x gap length 1-1/8 inches, weight 61.6 dwt.
The Collection of Michelle Smith, Washington, D.C.
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William Spratling (American,
William Spratling
(American, 1900-1967)
Mexican Sterling Silver and Turquoise Pin / Pendant
radiating sun design, set with turquoise cabochons; marked SPRATLING MADE IN MEXICO WS
diameter 3 inches, weight 50.9 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Frank Vacit (Zuni, 1915-1999)
Frank Vacit
(Zuni, 1915-1999)
Silver, Turquoise, and Jet Ring
marked with artist's fleur-de-lis hallmark
size 5.5, weight 11.2 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Navajo Silver and Turquoise
Navajo Silver and Turquoise Necklace
mid-20th century
not marked
necklace length 27-1/2 inches, pendant length 3 inches x width 2-1/2 inches, weight 50.6 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Navajo Silver and Turquoise
Navajo Silver and Turquoise Squash Blossom Necklace
third quarter 20th century
a central silver naja set with seven turquoise cabochons, highlighted by ten graduated squash blossoms, each set with a turquoise cabochon and accented with silver leaf appliqué; not marked
necklace length 29 inches, weight 179.4 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Navajo or Zuni Silver and Petit
Navajo or Zuni Silver and Petit Point Turquoise Chandelier Post Earrings
second quarter - mid 20th century
set with petit point turquoise clusters; not marked
length 2 inches x width 3/4 inch, weight 5.9 dwt.
The Collection of Michelle Smith, Washington, D.C.
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Michelle Erickson (American,
Michelle Erickson (American, b.1960), Staffordshire-Style Creamware Tea Table Group, 1990s height 6.2 in — 15.8 cm, diameter 8.7 in — 22 cm
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Michelle Erickson (American,
Michelle Erickson (American, b.1960), Staffordshire-Style Creamware Pew Group, 1994 18.8 x 24 x 8.5 in — 47.8 x 61 x 21.6 cm