A few examples of appraisal values for
MIDDAY

• Frederick Hale McDuff (American
  Frederick Hale McDuff (American 1931-2011) Noonday. Oil on canvas signed at the lower right corner not framed.
• Attributed to Lilly Martin
  Attributed to Lilly Martin Spencer(1822 - 1902) Noontime Break, American, unsigned, oil on canvas, oval 29-1/2 x 25 in.; fine 19th-century gilt wood and composition frame,
• 3 MEZZOTINTS BY RICHARD HOUSTON
  3 MEZZOTINTS BY RICHARD HOUSTON (ENGLISH 1721-1775) AFTER MERCIER: ''Morning'' ''Noon'' ''Evening'' sight size 14 1/4'' x 10 1/4'' matching frames 22'' x 17''.CONDITION: Scattered pale foxing some toning and burning from the mat. Not examined out of the frame.
• YURI ZELENG (RUSSIAN, B. 1959)
  YURI ZELENG (RUSSIAN, B. 1959) 12" x 20" "Midday, Venice", 1992-93. Oil on canvas, signed lower left corner, in wood frame, overall 17 ½" x 25 ½".
• Frederick Hale McDuff (American
  Frederick Hale McDuff (American 1931-2011) Canal at Midday. Oil on canvas signed in the lower left corner not framed.
• CHAIM SAVITSKY (ISRAELI
  CHAIM SAVITSKY (ISRAELI 1907-2014)CHAIM SAVITSKY (ISRAELI 1907-2014) High Noon , oil on canvas 40.5 x 50.5 cm (16 x 19 7/8 in.) framed dimensions: 51 x 61 cm (20 1/8 x 24 in.) signed lower right
• Frederick Hale McDuff (American
  Frederick Hale McDuff (American 1931-2011) Parc Monceau Midday. Oil on canvas signed at the right edge not framed.
• FRENCH SCHOOL: AFTERNOON PROMENADE:
  FRENCH SCHOOL: AFTERNOON PROMENADE: A PAIRTwo ink and watercolor on paper, unsigned. Both 9 3/4 x 13 1/4 in. (sight), 16 1/2 x 20 in. (frame). Condition Both apparently in very good condition. Not examined out of frame. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• KARL ADAM HEINISCH (GERMAN,
  KARL ADAM HEINISCH (GERMAN, 1847-1923), MID-DAY REPAST Oil on panel, signed and inscribed "Munchen" at lower left, framed.
• William Woodward (American/New
  William Woodward (American/New Orleans 1859-1939) "Mid-Morning at Corner of Dauphine and St. Louis Streets" 1912 Raffaelli oil crayon on board signed and dated lower right pencil-signed titled dated and inscribed "original sketch" en verso 22 1/2 in. x 29 in. in a period frame. Provenance: Estate of Nancy Shaw Michel New Orleans; from the Estate of Virginia Shaw Putnam 11 Rosa Park New Orleans. Note: William Woodward documented the historic buildings of the Vieux Carré in the early 20th century. A pioneering advocate of historic preservation his impressionist works uniquely record the ambience architectural character and street life of this district. The work offered here shows a view down Dauphine Street with St. Louis Street intersecting it. The mid-morning light creates strong shadows on the street while various people go about their business. Rendered in a brilliant palette this large composition is highly finished and has a vibrancy and energy not often found in works from this series.
• GEORGES SCHREIBER (AMERICAN
  GEORGES SCHREIBER (AMERICAN 1904-1977), NOON, LITHOGRAPH, 1942, FRAMED 18 X 22 INGeorges Schreiber (American 1904-1977), Noon, Lithograph, 1942, Framed 18 x 22 in
• Lunch Companion 28''x34''
  Lunch Companion 28''x34''
• ''Afternoon With Friends'' Oil
  ''Afternoon With Friends'' Oil on Paper - Illegibly Signed - Framed Measurements 9.5''x13''
• Oldrich Farsky American, 1860-
  Oldrich Farsky American, 1860- after 1930 Late Afternoon Estimate:$1,000-$1,500
• 1 vol. Hemingway, Ernest. Death in
  1 vol. Hemingway, Ernest. Death in The Afternoon. New York: Scribner's, 1932. First edition. Lg. 8vo, orig. black cloth; moderately scuffed & dusty. Lacking d/j. Hanneman 10a
• CHRISTOPHER BLOSSOM, (B. 1956),
  CHRISTOPHER BLOSSOM, (B. 1956), "MIDDAY GREEN, BLUE AND GREY", OIL ON BOARD, 8" H X 10"Christopher Blossom, (b. 1956) "Midday Green, Blue and Grey" Oil on board Signed lower left: Christopher Blossom; titled on a label affixed to the verso of the frame 8" H x 10" Provenance: Maynard Dixon Country 2014, Mount Carmel, UT (CB3) The Estate of George David Sturges Oil on board Dimensions: 8" H x 10" Provenance: Maynard Dixon Country 2014, Mount Carmel, UT (CB3) The Estate of George David Sturges
• EDITH BRISCOE STEVENS
  EDITH BRISCOE STEVENS (CONNECTICUT/MASSACHUSETTS, 1898-1931), "NOON LIGHT (GLOUCESTER, MASS)"., OIL ON BOARD, 8" X 10". FRAMED 9" X 11".EDITH BRISCOE STEVENS, Connecticut/Massachusetts, 1898-1931, "Noon Light (Gloucester, Mass)". Signed lower left "Edith B. Stevens". Dimensions: Oil on board, 8" x 10". Framed 9" x 11".
• JAN CLAYTON PAGRATIS (AMERICAN),
  JAN CLAYTON PAGRATIS (AMERICAN), RED VILLAGE SERIES: NOONTIME HARVEST Oil on canvas, signed, inscribed to verso, retaining artist's label, framed.
• PARIAN FIGURINE OF A MAIDENA parian
  PARIAN FIGURINE OF A MAIDENA parian maiden, mid 19th century, known as 'Morning Dew' by Royal Worcester, showing a young maiden in classical attire holding an amphora while hovering over a foliate base, mounted atop a glazed porcelain socle base. No apparent maker's marks. Measuring 16.25" high,
• AFTER MARK FISHER, AFTERNOON, OIL
  AFTER MARK FISHER, AFTERNOON, OIL ON PANEL, FRAME: 15 X 19-1/2 INAfter Mark Fisher, Afternoon, Oil on Panel, Frame: 15 x 19-1/2 in
• Dale Nichols (American,
  Dale Nichols (American, 1904-1995) Midwest Morning lithograph signed in pencil (lower right) plate 9 3/8 x 12 1/4 inches.
• DAVID TAUSZKY (1878-1972), "LATE
  DAVID TAUSZKY (1878-1972), "LATE AFTERNOON," OIL ON CANVAS LAID TO WAXED CANVAS, 30" H X 25" WDavid Tauszky, (1878-1972) "Late Afternoon", Oil on canvas laid to waxed canvas Signed lower left: Tauszky; titled on a gallery label affixed to the verso of the stretcher Oil on canvas laid to waxed canvas Dimensions: 30" H x 25 " W Provenance: Grand Central Art Galleries, Inc., New York, NY
• GEORGE THOMAS PASTEL ON PAPER
  GEORGE THOMAS PASTEL ON PAPER "MIDDAY REFLECTIONS"George Thomas Pastel on Paper "Midday Reflections," signed lower left GC Thomas, in carved and molded gilt wood frame, signed on reverse Original Pastel by George Thomas 13.5 in. x 17 in. Framed 17.5 in. x 21.5 in. Thomas, an impressionist painter of highly colorful marine scenes, paints primarily in pastels; he studied Art History and Archaeology at Princeton University; he earned a degree in printmaking from the School of Museum of Fine Arts, Boston and was a professor at MIT, Boston Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• DAVID MUIRHEAD BONE. "AFTERNOON,
  DAVID MUIRHEAD BONE. "AFTERNOON, SAHAGUN, SPAIN," ETCHING (1929). Signed lr, 11 3/4 x 7 in., framed.
• Group of Three Afternoon/Evening
  Group of Three Afternoon/Evening Bags Estimate:$200-$300
• Karl Schmidt American, 1890-1962
  Karl Schmidt American, 1890-1962 A Sunny Afternoon, 1921 Estimate:$700-$900
• LE MATIN DU 10 THERMIDOR AN II
  LE MATIN DU 10 THERMIDOR AN II (1797), ENGRAVING, FRAME: 19-3/4 X 23-1/2 INLe Matin Du 10 Thermidor an II (1797), Engraving, Frame: 19-3/4 x 23-1/2 in
• CINDY KOLODZIEJSKI, POTTERY VASE
  CINDY KOLODZIEJSKI, POTTERY VASE Cindy Kolodziejski (American, b. 1962), "High Noon", glazed, hand decorated earthenware, signed to underside, 13.5"h x 10"w x 8"l
• Sam Middleton (American b. 1927)
  Sam Middleton (American b. 1927) Morning Mist 1978 mixed media on paper signed Middleton and dated (lower right); signed Middleton titled and dated (verso) 11 1/2 x 8 1/2 inches.
• Frederick Hale McDuff (American
  Frederick Hale McDuff (American b. 1931) "Afternoon Rest". Oil on canvas signed in the lower right corner not framed.
• Noel Rockmore (American/New Orleans
  Noel Rockmore (American/New Orleans 1928-1995) "Midday McGlades Saloon NYC" acrylic on board signed dated "'70" and inscribed "McGlades" lower right titled dated "Feb 1970" en verso 12 in. x 24 in. Note: Located on the corner of 68th and Columbus Streets in New York City Paddy McGlades Saloon was a favorite neighborhood bar for over a hundred years. Hanging from the ceiling was a round clock with the numbers printed backwards allowing the patrons to read the time in a mirror without turning around. Images of horseracing a favorite pastime of the bartender Al "The Bishop " were displayed above the register. Populated by colorful characters seated at the bar Rockmore depicts the seedy bar at midday with bright light streaming in through the doorway and windows. Reference: "What Makes a Great Bar?" Theme Magazine United Kingdom February 2002 www.kingcocktail.com
• DALE NICHOLS (NE/IL/AZ,
  DALE NICHOLS (NE/IL/AZ, 1904-1995) "Midwest Morning", lithograph, signed in pencil lower right, original Associated American Artist label and paper mat, 9 1/2" x 12 1/2" image on 12" x 16" sheet. Unframed, in foamcore folio.
• John Deforest Stull American
  John Deforest Stull American 1910-1972 ''Lunch Hour'' oil on canvas unsigned 32 1/4 x 47 in. framed Estimate $ 400-600 Frame wear. Paintings have not been examined by blacklight.
• DAVID E. DOSS (NC), AFTERNOON
  DAVID E. DOSS (NC), AFTERNOON SUNNING Oil on board, 2003, signed at lower right, inscribed to verso, attractively framed.
• PAUL CHELKO, "EPIPHANY AT NOON",
  PAUL CHELKO, "EPIPHANY AT NOON", DRAWING Paul Chelko (American/Georgia, 1933-2007). "Epiphany at Noon", pen and ink, signed upper left, titled upper right. Approx. 35.5" x 33.5" (framed), 30" x 22.5" (sheet)
• Frederick Hale McDuff (American
  Frederick Hale McDuff (American 1931-2011) "Afternoon by the Gazebo". Oil on canvas over board with a gilt frame with a linen liner overall 9-1/2" x 14-1/4".