A few examples of appraisal values for
MISSISSIPPI PEACE

• Dr J. H. McLean's Peace Makers
  Dr J. H. McLean's Peace Makers Maroon leather covering embossed in gold letters. Condition: Good.
• Mabel Pugh North Carolina print
  Mabel Pugh North Carolina print (Sarah Mabel Pugh, North Carolina, 1891-1986), titled lower left "Peace", view of the main building at Peace College, Raleigh, North Carolina, signed in pencil lower right "Mabel" and in plate "MP", woodcut on paper, block 10-3/4 x 8-1/2 in., page 15-1/2 x 11-3/4 in.; modern gilt and black-painted wood frame. Hinged in, stain upper left margin, light foxing, creases lower right corner; frame with abrasions.
• Mississippi portrait, lady
  Mississippi portrait, lady holding a book, thought to depict a Natchez sitter, unsigned, oil on canvas, 19th century, 30-1/8 x 25 in.; original 19th century gilt wood and composition frame. Original stretcher and tacking edge, crackle, cleavage, cupping, flaking, stretcher marks, retouch in hands, background, at repair top middle, on neck and face, percentage obscured by varnish; frame resurfaced, abrasions. Colorman stamp verso canvas "L. Frank…Boston(?)"; Private Collection, Beaufort, South Carolina
• Southern School 19th c. "Low
  Southern School 19th c. "Low Water in the Mississippi" oil on canvas unsigned 17 1/2 n. x 21 in. period giltwood frame.
• Knute Heldner (American/New
  Knute Heldner (American/New Orleans, 1877-1952) "Peaceful Marsh", oil on canvas, 11" x 18", signed lower right: "Knute Heldner". Presented in a carved giltwood frame.
• INDIAN PEACE METAL, ANDREW
  INDIAN PEACE METAL, ANDREW JACKSON JULIEN - IP 15 63 MM MS 62 BN
• Two Southern compositions: one of a
  Two Southern compositions: one of a black family picking cotton, one of a black family walking to church, both signed lower right "MS" (Marguerite Sease, Greenville, South Carolina, 20th century), artist's label verso, dyed cotton, canvas and yarn on cotton fabric, 11-1/2 x 15-5/8 in.; matching bamboo style carved wood frames. Floated, good condition; frames with abrasions.
• Margaret Rice (American, b.
  Margaret Rice (American, b. 1903) "Peaceful Lakeside Afternoon", oil on canvas, 24" x 36", signed lower right "M. Rice". Presented in a polychromed exhibition frame with linen liner.
• Gary Lawrence Niblett (New
  Gary Lawrence Niblett (New Mexico/California, born 1943) Dreams of Peace, 1978, signed lower right "© Gary Niblett '78 CA" and titled, oil on canvas, 18 x 24 in.; gilt wood and composition frame,
• ANTIQUE MAP OF MISSISSIPPI AND
  ANTIQUE MAP OF MISSISSIPPI AND LOUISIANAAntique Map of Mississippi and Louisiana , 19th c., published by A. & C. Black, Edinburgh, color lithograph, sight 15 1/2 in. x 12 in., framed Provenance: Estate of Julia Evans Reed
• ANTIQUE FRENCH MAP OF
  ANTIQUE FRENCH MAP OF MISSISSIPPIAntique French Map of Mississippi , "Carte Geographique, Statistique et Historique du Mississipi", Paris, Buchon, 1825, sight 21 in. x 27 1/2 in., framed Provenance: Estate of Julia Evans Reed
• NATIVE AMERICAN MISSISSIPPI
  NATIVE AMERICAN MISSISSIPPI EARTHENWARE EFFIGY POT Mississippi,800 AD-1400 ADGlobular blackware form with molded figural decoration of a nude woman with large breasts and exaggerated features.
• [Mississippi Company Crash]
  [Mississippi Company Crash] "Mississippi of 'Twydbefaamde Goudland door de Inbeelding der Windnegotie" engraved page extracted from Het Groote Tafereel der Dwaasheid (The Great Scene of Folly) c. 1720 sight 14 1/2 in. x 11 1/2 in. matted and framed. Note: The book from which this page was taken contained satirical poems plays and engravings about the great speculative real estate bubble of 1720. The banker John Law a Scot who took over the Mississippi Company of France in 1717 hyped the company stock from 500 livres per share to 18 000 livres. The phrase "Wind-Negotie" in this lot's title translates to "wind-trade" a reference to traders not even owning the stock they sold. The bubble burst as quickly as it rose foreshadowing economic events almost 300 years later.
• LALLAH MILES PERRY
  LALLAH MILES PERRY (AMERICAN/MISSISSIPPI, 1926)Lallah Miles Perry (American/Mississippi, 1926-2008) , "February", ink on paper, signed lower right, "Mississippi Art Colony Fall 2000 Travel Show Entry #2" label with artist and title on backing, 14 in. x 22 1/4 in.; TOGETHER WITH "Still Life", ink on paper, pencil-signed lower right , sight 7 1/4 in. x 3 in., both framed. ( 2 pcs.)
• COIN: 1923-S Peace Dollar. PCGS
  COIN: 1923-S Peace Dollar. PCGS graded MS62.
• NATIVE AMERICAN PEACE PIPE - Late
  NATIVE AMERICAN PEACE PIPE - Late 19th c Sioux Calumet taken at Fort Abercrombie Dakota Territory (according to label) two-color catlinite bowl with lead inlay of four winds on sides of round flat sided bowl playing card 'clubs' at stem red and green
• U.S. MINT 1925 PEACE DOLLAR MS 63
  U.S. MINT 1925 PEACE DOLLAR MS 63 NCG GRADED: Early label.
• Set of 20 Peace silver dollars, all
  Set of 20 Peace silver dollars, all different dates and mint marks, 1921-1935: 1921 Choice AU, 1927 MS-60, 1927-D Choice AU, 1928-S Choice AU or better, 1934 Choice AU, others VF to MS-60, six total MS-60, five or six cleaned . The Estate of the Late James Dowd Faulkner, Monroe, North Carolina
• INDIAN PEACE METAL, MILLARD
  INDIAN PEACE METAL, MILLARD FILLMORE JULIEN - IP 31 64MM MS 65 BN
• MEXICAN-AMERICAN WAR PRESENTATION
  MEXICAN-AMERICAN WAR PRESENTATION SWORD - Mississippi Officer's Presentation Sword Capt. George H. Crump of the Vicksburg Volunteers commanded by Col. Jefferson Davis in Mexico as Co H 1st Miss Vols became Co B 3rd Infy Regt Miss Nat Guard between w
• Rare pocket map of Mississippi
  Rare pocket map of Mississippi TANNER'S MAP OF MISSISSIPPI. Philadelphia: Carey & Hart circa 1836-1845. Folded map in decorated leather binding. Provenance: From the library of a South Carolina scholar. Cover with wear; tears along creases; paper with age discoloration.
• C. Warren Cullar (American/Texas,
  C. Warren Cullar (American/Texas, Contemporary) "Peaceful Trail", watercolor, sight 13-1/2" x 20-1/2", signed lower left. Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann.
• Southern School late 19th
  Southern School late 19th c./early 20th c. "Steamboat Mississippi" oil on wood panel signed "Nittro" lower right 4 3/4 in. x 8 3/4 in. in a giltwood frame.
• "A MAP OF THE UNITED STATES OF
  "A MAP OF THE UNITED STATES OF AMERICA AS SETTLED BY THE PEACE OF 1783" 1785 ENGRAVING, 9.25" X 11.25". UNFRAMED."A MAP OF THE UNITED STATES OF AMERICA AS SETTLED BY THE PEACE OF 1783", 1785, Published by John Fielding, London. A fairly detailed rendering of the newly minted United States of America, showing North Carolina, South Carolina, Georgia and Virginia extending west to the Mississippi. Dimensions: Engraving, 9.25" x 11.25". Unframed.
• American (20th Century) "Peaceful
  American (20th Century) "Peaceful Lake View", oil on canvas, 24" x 36", signed lowe left: "Dewitt". Presented in a carved giltwood frame.
• 1926 Peace Dollar $1 PCGS MS62
  1926 Peace Dollar $1 PCGS MS62 Silver Coin
• CHARLES LA SMITH (1871 - 1937):
  CHARLES LA SMITH (1871 - 1937): "PEACEFULNESS"oil on canvas; signed lower right; titled on stretcher verso; 20 x 24 inches; 24 x 28 1/4 inches frame Condition:
• Large Liverpool black
  Large Liverpool black transfer-printed mug early 19th century Decorated with "Peace, Plenty and Independence" (McCauley No.187). H: 6 in. PROVENANCE: Sotheby's, New York, 1999 Reglaze just above right hand figure also to the left of left hand figure (does not flouresce under UV)
• Clarence Millet N.A.
  Clarence Millet N.A. (American/New Orleans 1897-1959) "Along the Path Mississippi Gulf Coast" oil on canvas board signed lower left 8 1/2 in. x 9 1/8 in. framed.
• Marie Atkinson Hull
  Marie Atkinson Hull (American/Mississippi 1890-1980) "Mississippi Abstract Landscape" c. 1972 oil on canvas signed lower left 23 in. x 60 in. in a period frame. Provenance: Descended in the family of noted Mississippi art collector Bitsy Irby. Note: Marie Hull's style as a painter successfully matured into full abstraction. In the early 1970s she painted a series of Mississippi landscapes which she described as "lyrical abstraction". These works are composed of horizontal bands of color with soft edges and gradations that meld with ease. Hull applied the short vertical strokes after the canvases dried in order to give the paintings a particular texture. The work offered here evokes the red clay of Mississippi under a white-hot sky. Works from this series won the Grand Prize in the Competitive Exhibition of Mississippi Artists at the Mississippi Arts Festival of 1972.
• MIDNIGHT RACE OF THE MISSISSIPPI,
  MIDNIGHT RACE OF THE MISSISSIPPI, HAND-COLOR AQUATINT; TOGETHER WITH CHROMOLITHOGRAPH OF NATIVE AMERICAN IN CANOE, FRAMEDMidnight Race of the Mississippi, Hand-Color Aquatint; together with Chromolithograph of Native American in Canoe, Framed
• Emmitt Thames (American/Mississippi
  Emmitt Thames (American/Mississippi b. 1933) "Mississippi Landscape" 1970 watercolor signed and dated lower right sight 14 1/2 in. x 21 1/2 in. matted and framed.
• Clarence Millet
  Clarence Millet (Ameri-can/Louisiana 1897-1959) "Beyond Flows the Mississippi" oil on canvas signed lower right signed and titled en verso 30 in. x 35 in. in a period frame. Note: Louisiana artist Clarence Millet (1897-1959) painted scenes of the French Quarter rural Mississippi and the Mississippi River batture. Works from the latter group are among his most developed and mature compositions. "Beyond Flows the Mississippi " the painting offered here dramatically conveys the breeze off the river through the arc of the trees and the moss blowing in the wind. The dramatic sky is characteristic of his batture works as shown in paintings in the collections of the Ogden Museum of Southern Art and The Historic New Orleans Collection. Millet's depiction of the budding trees and fresh green grass evoke spring while the sky and wind suggest a coming rain storm. The building of houses on the batture land became common throughout the depression-era and continued through the middle of the 20th century. The fact that the land was technically owned by the government meant that building there was tax-free if not strictly legal. Many of the batture dwellers would take advantage of the fertile soil that was inundated with river water in the springtime and create small gardens near their houses. Eventually the "batture dwellers" were forced to leave their homes and find legal housing; most of the homes have since been demolished although a few examples still exist on the Mississippi River at the Jefferson Parish line. Reference: Delehanty Randolph Art in the American South: Works from the Ogden Collection Baton Rouge: LSU Press 1996 page 66-67 nos. 46 and 47. Brady Patricia ed. Complementary Visions of Louisiana Art: The Laura Simon Nelson Collection The Historic New Orleans Collection 1996 page 54 no. 48.
• 1925-S U.S. Peace Silver Dollar
  1925-S U.S. Peace Silver Dollar uncirculated.
• 1923 PEACE DOLLAR MS-64 This was
  1923 PEACE DOLLAR MS-64 This was originally in a PCGS64 holder and removed to be in a Dansco album. Very close to a 65, a field disturbance in front of her nose being the only distraction Beautiful flashy white luster and hard to find really nice Peace Dollars.
• 1926-S U.S. Peace Silver Dollar.
  1926-S U.S. Peace Silver Dollar.