AMEDEO MODIGLIANI MASUREL, MUSEE LUXEMBOURGAMEDEO MODIGLIANI MASUREL, MUSEE LUXEMBOURG PARISAmedeo Modigliani Masurel, Musee Luxembourg Paris, 1980 exhibition postera three sheet 1980 offset poster for the 1980 Musee de Luxembourg exhibition.63 x 48in (160 x 122cm)
DAVID SCHLUSS FIGURATIVE ACRYLIC ONDAVID SCHLUSS FIGURATIVE ACRYLIC ON PAPER David Schluss (Israeli, b. 1943) abstract acrylic painting on paper depicting the portrait of a lady wearing a hat, signed to lower left, housed in an ebonized and gilt wood frame. Image: 9.5" H x 6.5"; frame: 23.5" H x 20.75" W. Keywords: Paintings, Figure, Portrait, Modigliani style
A PAIR OF COLORFUL PRINTS, AFTER MODIGLIANIA PAIR OF COLORFUL PRINTS, AFTER MODIGLIANI Contemporary; color half-tones, frame size, 29 3/4 x 23 3/4 in.
AFTER AMEDEO MODIGLIANI "GIOVANE ROSSA"AFTER AMEDEO MODIGLIANI "GIOVANE ROSSA" OIL After Amedeo Modigliani (Italian, 1884-1920), "Giovane Rossa," oil on canvas, bearing reproduction signature lower right, further inscribed to canvas reverse with publisher's certificate: "Le Musee Imaginaire." Image: 15.25" H x 11.5" W; frame: 24" H x 20" W x 3" D. Provenance: Property from the estate of Arnold Neustadter, inventor of the Rolodex.
GROUP OF BOOKS ON ART AND ARTISTS, 13GROUP OF BOOKS ON ART AND ARTISTS, 13 Group of books on art and artists comprising Braque by John Richardson, Lucian Freud by William Feaver, The Art of Maurice Sendak by Selma Lanes, Picasso and the Weeping Women by Judi Freeman / LACMA, David Gerstein Sculptures, Francis Bacon by Michael Peppiatt, A Life of Picasso Volume I by john Richardson, German Art in the 20th Century, Gustav Klimt by Alessandra Comini, Henri Matisse Retrospective by John Elderfield M.O.M.A. NY, Henri Matisse Drawings and Paper Cut Outs by R.J. Moulin, Modigliani by Alfred Werner, and Van Gogh by Meyer Shapiro. Larger 13" x 10.5". Wear, pencil, toning.
GIRL WITH BRAIDS PRINT AFTER AMEDEOGIRL WITH BRAIDS PRINT AFTER AMEDEO MODIGLIANIFramed offset lithograph on paper, Girl with Braids, signed in print upper right Modigliani (Amedeo Modigliani, Italian, 1884-1920), sight: approx 23"h, 17"w, overall: approx 26"h, 20"w, 4.75lbs
MODIGLIANI (AFTER). Pair of Etchings.MODIGLIANI (AFTER). Pair of Etchings. To include: "Head", signed in plate, spotting, framed behind glass, not examined out of frame, sight: 6.5" high x 5" wide;"Femme Nue Couche", signed in plate, spotting, framed behind glass, not examined out of frame, sight: 4.25" high x 6.25" wide.
AMEDEO MODIGLIANI (ITALY, 1884-1920)AMEDEO MODIGLIANI (ITALY, 1884-1920) (AFTER) "Jeune Elegant", 1959 (Portrait of Bernard); lthograph (heliograph) on thick paper, issued from the portfolio "Forty-Five drawings": Plate #31. Edition size: 250.
Signed and dedicated on the plate, with Einaudi's blind stamp bottom right. Printed for Grove Press Inc., New York. Edited by Guilio Einardi Editore, Turin.
The plates were made by Arti Grafice Pezzini, Milan.
PRINT, AMEDEO MODIGLIANI After AmedeoPRINT, AMEDEO MODIGLIANI After Amedeo Modigliani (Italian, 1884-1920), "L'Italienne," 1926/27, etching and aquatint in colors, etched by Jacques Villon, published by the Chalcographie du Louvre, Paris, sight: 19.75"h x 12.25"w, overall (with frame): 27"h x 19.5"w
ASSEMBLED GROUP INCLUDING CANDLE HOLDERS,ASSEMBLED GROUP INCLUDING CANDLE HOLDERS, STAINLESS FLATWARE & ITALIAN POTTERY Assembled group, including Modigliani Lazzoro pottery plate, 8.5"dia; suite of wooden candle holders; Villery & Boch stainless flatware and Italian pottery lemonade set
Jeanne Modigliani 1918–1984. Untitled.Jeanne Modigliani 1918–1984. Untitled. 1962, watercolor on paper laid to canvas. 25¼ h × 19¾ w in. result: $715. estimate: $300–500. Signed to left edge ‘J Modigliani' and dated to right edge '1962'. Provenance: Private Collection, France | Leighton Fine Arts, London | Private Collection
AMEDEO MODIGLIANI (1884 - 1920): PORTRAITetching;AMEDEO MODIGLIANI (1884 - 1920): PORTRAITetching; signed in plate lower left; Condition: Heavy toning to paper. Frame with chips and slight joint separation; 9 1/4 x 7 1/4 inches sight; 16 1/2 x 14 1/2 inches frame
(4 PC) JUBILANT BRUSSELS PORCELAIN PLATESDESCRIPTION:(4 PC) JUBILANT BRUSSELS PORCELAIN PLATESDESCRIPTION: (4 Pc) A Jubilant Brussels Set of four Porcelain Plates. Set includes: (1) A Jubilant Vestal limited edition plate, specially made of the occasion of Isarel Jubilee depicting a scene from a Vincent Van Gogh painting. Numbered 40/1000. (W: 12 1/2"). (1) A Jubilant Bizzirri limited edition plate, specially made of the occasion of Isarel Jubilee depicting a scene from a Toulouse Lautrec painting. Numbered 144/1000. (W: 13"). (1) A Jubilart Royal Boch limited edition plate, specially made of the occasion of Isarel Jubilee depicting a scene from a Paul Cezanne painting. Numbered 241/1000. (W: 12 5/8"). (1) A Jubilart Vestal limited edition plate, specially made of the occasion of Isarel Jubilee depicting a scene from a Modigliani painting. Numbered 25/1000. CIRCA: 1998. ORIGIN: Europe. DIMENSIONS: See lot description for details. CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
J. VILLON AQUATINT ETCHING AFTER PICASSO.J. VILLON AQUATINT ETCHING AFTER PICASSO. MOTHER AND CH...Jacques de Villon (French, 1875-1963) aquatint etching after a painting by Pablo Picasso (Spain/France, 1881-1973) titled "Mother and Child," originally painted in 1901, Chalcographie de Louvre edition. Depicts a seated woman in a blue robe, kissing the forehead of a child in a white nightshirt. Signed "Picasso" center-left in the plate. Chalcographie de Louvre blindstamp, lower center below plate. Housed in a contemporary wormy wood frame under glass. Plate: 25 3/4" H x 16 3/4" W. Sight: 33 1/2" H x 23 1/2" W. Framed: 35 3/4" H x 25 1/2" W. Note: In 1920, the artist Jacques de Villon was commissioned by the Galerie Bernheim-Jeune to create aquatint engravings based on the canvases of several important painters including Matisse, Modigliani, Picasso, and even Villon himself. Villon employed a painstaking and time-consuming 18th-century color engraving method using three and sometimes four plates to complete the final proof, in an effort to create a final print as true as possible to the original painting. After the original run of about 200 prints (plus several artist proofs) for the Galerie Bernheim-Jeune, these plates were acquired by the Chalcographie du Louvre, which reissued an unknown number of the Villon prints in the mid-20th century, prior to Villon's death. For an excellent explanation of Villon's process as well as a detailed catalog of his prints, refer to Miguel Orozco, "The Prints of Jacques Villon Vol. 1" https://www.academia.edu/42703372/The_prints_of_Jacques_Villon_Vol_1_Interpretation_works
Condition:
With slight toning, minor areas of creasing above and below plate, very slight waviness to paper.
CERAMIC PORTRAIT BOWL, PETER VANDENCERAMIC PORTRAIT BOWL, PETER VANDEN BERGE (B.1935)Polychrome glazed ceramic bowl with figural portrait bust in center. Figure is wearing a hat with a plume. Signed verso, "P. Vandenberge 1982". Dimensions: 3.25"h x 16.5" diameter. Peter Vanden Berge was born in The Hague but moved to California in the 1950s. He studied at California State University at Sacramento and received his M.A. from UC Davis. He taught in both San Francisco and Sacramento. His work is inspired by Modigliani. Processing and shipping within the continental U.S. $70.00 plus 1.5% replacement cost insurance.
Condition:
Very good. Witherells strives to provide as much information and photographs as possible but encourages in-person inspection by bidders. Condition: statements are only for general guidance and should not be relied upon as complete statements of fact and do not constitute a representation, warranty or assumption of liability by Witherells. All lots are sold "AS IS" under the Terms & Condition: s.
FRANCOIS-YVES LUTHIER MODIGLIANI FOUNTAINFRANCOIS-YVES LUTHIER MODIGLIANI FOUNTAIN PENFrancois-Yves Luthier Amedeo Modigliani limited edition fountain pen. Galalith body and cap, with a clip designed to look like one of Modigliani's heads. Outer sleeve, display box, booklet. Limited edition: 0611/2300.
SKU: 03956
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Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
LEOPOLD SURVAGE (FRENCH 1879-1968)LEOPOLDLEOPOLD SURVAGE (FRENCH 1879-1968)LEOPOLD SURVAGE (FRENCH 1879-1968)
Porteuse de Collioure , 1927
oil on canvas
65 x 53.7 cm (25 1/2 x 21 1/8 in.)
signed and dated lower right; with several exhibition labels and illegible stamps on verso
EXHIBITED
Galerie Lucie Weill, Paris, May, 1965 (label on verso)
Survage: exposition retrospective , 6 April - 2 Mai, 1966, Musee Galliera, Paris, as no. 49 (label missing but referenced in Brosset certificate)
EXPERTISE
Accompanied by a copy of a photo-certificate of authenticity issued by Eric Brosset, Paris, 2011, confirming that the painting will be included in the Survage catalogue raisonne in preparation
A stylistic analysis report by Mikhail German, Saint Petersburg, 2012
n.b. Copies of all above expertises available upon request.
LOT NOTES
Moving to Nice after sharing a studio with Modigliani in Paris after 1917, Leopold Survage's style changed dramatically from his more cubist and geometric compositions, to neo-classical forms and natural subjects, especially after 1922. The current lot is a pristine example of Survage's neo-classical period, with bold lines and forms, depicting a simple Catalan village woman with a stately primitivism.
LEOPOLD SURVAGE (FRENCH 1879-1968)LEOPOLDLEOPOLD SURVAGE (FRENCH 1879-1968)LEOPOLD SURVAGE (FRENCH 1879-1968)
Porteuse de Collioure , 1927
oil on canvas
65 x 53.7 cm (25 1/2 x 21 1/8 in.)
signed and dated lower right; with several exhibition labels and illegible stamps on verso
EXHIBITED
Galerie Lucie Weill, Paris, May, 1965 (label on verso)
Musee Galliera, Paris, Survage: exposition retrospective , April 6-May 2, 1966, no. 49 (label missing but referenced in Brosset certificate)
EXPERTISE
Accompanied by a copy of a photo-certificate of authenticity issued by Eric Brosset, Paris, 2011, confirming that the painting will be included in the Survage catalogue raisonne in preparation. (Copy available upon request)
A stylistic analysis report by Mikhail German, Saint Petersburg, 2012. (Copy available upon request)
LOT NOTES
Moving to Nice after sharing a studio with Modigliani in Paris after 1917, Leopold Survage's style changed dramatically from his more cubist and geometric compositions, to neo-classical forms and natural subjects, especially after 1922. The current lot is a pristine example of Survage's neo-classical period, with bold lines and forms, depicting a simple Catalan village woman with a stately primitivism.
CONDITION
Observed in frame, the work is in overall very good condition. Overall surface dirt; would benefit from a light cleaning. Fine, stable and age-appropriate craquelure apparent overall. Inspection under UV light shows retouching to perhaps 15% of the overall painting surface, mainly around the head, with some to the cheek.
N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
MODIGLIANI FEMALE HEAD ETCHINGAmedeoMODIGLIANI FEMALE HEAD ETCHINGAmedeo Modigliani (Italian, 1884-1920). One etching on paper depicting a woman's head with a serene expression, looking upward. Signed along the lower left.
Sight; height: 6 1/2 in x width: 5 in. Framed; height: 10 5/8 in x width: 9 5/8 in.
Condition:
Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
FINE SOUTH ARABIAN ALABASTER MALE HEADAncientFINE SOUTH ARABIAN ALABASTER MALE HEADAncient Middle East, South Arabia, modern-day Yemen, Qatabanian culture, ca. 3rd century BCE to 3rd century CE. A hand-carved alabaster head boasting soft honey-yellow and white hues, perhaps once part of a funerary stele meant to honor the dead. The poignant face bears masculine features line a rounded chin, tapered cheeks with protruding cheek bones, a slender nose, and huge eyes with drilled pupils. A pair of semicircular ears flanks the temples and rests below a low forehead and a backswept coiffure with finely incised striations indicative of hair. The stylized expression as well as the elongated face and neck of this ancient work call to mind the modernist faces of Amadeo Modigliani's highly stylized, almost mask-like portraits - making for fascinating parallels between ancient and modern visual culture. Size: 5" W x 7.3" H (12.7 cm x 18.5 cm); 9.4" H (23.9 cm) on included custom stand.
During the first millennium BCE, this part of the world saw several kingdoms - Qataban, Saba (Sheba), and Himyar - emerge that had built their wealth upon desert trade and in particular frankincense and myrrh. The people of these kingdoms created figural representations from alabaster and other stones, including stele with high relief faces honoring the deceased like this one.
Cf. The British Museum, museum number 141577
Another example of an alabaster head hammered for $7,500 at Christie's, New York "Antiquities" auction (sale 2709, June 6, 2013, lot 694)
Provenance: East Coast collection, New York Gallery, New York City, New York, USA, acquired before 2010
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#172725
Condition:
Repair to proper bottom right corner as well as top of head across brow, both with light adhesive residue along break lines. Abrasions, nicks, and softening to some finer details commensurate with age, with a few petite spalls, and chipping along peripheries. Nice preservation to protruding face. Drilled through verso and lined with modern metal tube for mounting and display purposes.
MOISE KISLING PAINTING - "PORT OF MARSEILLE"**FirstMOISE KISLING PAINTING - "PORT OF MARSEILLE"**First Time At Auction**
Moise Kisling (Polish-French, 1891-1953). "Port of Marseille" oil on wood panel, n.d. Signed at lower right. A beautiful maritime painting by Moise Kisling, likely painted when Kisling lived in the artist community of Montparnasse in the south of Paris on the left bank of the river Seine. In this composition, Kisling featured two vessels - one flying a French flag - in the Port of Marseille, with a bustling metropolitan skyline in the distance. Ports and harbors along the coasts of France and Italy were among Kisling's favorite subjects, and he returned to them often as they offered a peaceful alternative to urban life. The inclusion of the French flag is interesting, because Kisling served in the French Foreign Legion during World War I and also joined the French Army in 1940. All is delineated in a rich color palette and an expressionist style that appeals to the senses. Along with luminaries such as Chaime Soutine and Marc Chagall, Kisling was part of the Jewish School of Paris or the School of Montparnasse, a group of artists known for employing an expressionist manner to convey palpable emotion and mood in their paintings. Size: 7.75" L x 9.875" W (19.7 cm x 25.1 cm) Size: 12.25" L x 14.25" W (31.1 cm x 36.2 cm)
Born in Krakow, Austria-Hungary, Moise Kisling studied at the School of Fine Arts in Krakow. His mentors encouraged him to travel to Paris, the art capital of the world in the early 20th century. Kisling took their advice and moved to Montmartre in 1910 followed by Montparnasse. During World War I Kisling served in the French Foreign Legion, and suffered serious wounds in the Battle of the Somme in 1915, for which the French government awarded him citizenship. Kisling became a member of Montparnasse's artistic community where he established a studio in the same building as Amedeo Modigliani and Jules Pascin in 1913, living and working there for 27 years. Modigliani became a close friend and part of the same Bohemian circle; the two even shared a studio space together, and Modigliani painted a portrait of Kisling in 1915 (Pinacoteca di Brera, accession no. 5037). In 1940, Kisling served in the French Army, but after their surrender to the Germans, Kisling, who was Jewish, emigrated to the United States. He had exhibitions in New York as well as Washington, and lived in California until 1946. Kisling passed away in Sanary-sur-Mer, Var, Provence-Alpes-Cote d'Azur, France on April 29,1953.
Provenance: private Delray Beach collection, Florida, USA, acquired 2017; ex-private R. Stone collection, Palm Beach Florida, USA
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
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#176295
Condition:
Signed at lower right. Vivid imagery and nice coloration. Panel shows normal age wear with scuffs on the verso of the wood panel and nicks to the peripheries. Frame shows expected age wear with abrasions and losses as shown. Fit with suspension wire.
AFTER AMEDEO MODIGLIANIAFTER AMEDEOAFTER AMEDEO MODIGLIANIAFTER AMEDEO MODIGLIANI
American, second half 20th century, composition. By Austin Productions, the male bust with elongated neck, marked near the ebonized base.
14 3/4 in. (37.5 cm.)
Condition:
Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
MODIGLIANI, Amedo, (Italian, 1884-1920):MODIGLIANI, Amedo, (Italian, 1884-1920): Reclining Nude, Etching, sight size 4.50'' x 6.25'', signed in the plate lower right, framed 16.50'' x 18.50''.
AMEDEO MODIGLIANI (MANNER), STONE SCULPTUREAMEDEO MODIGLIANI (MANNER), STONE SCULPTURE Amedeo Modigliani (manner), Female bust), Female bust, carved black stone, possibly signed 'J Tak' verso for John Takawira (Zimbabwe,1938-1989), 9"h x 11"w x 7"d
AMEDEO MODIGLIANI, ETCHING Amedeo ModiglianiAMEDEO MODIGLIANI, ETCHING Amedeo Modigliani (Italian, 1884-1920), "Femme nue" (Reclining nude), signed in reverse in the plate, matted and framed under glass, Rizzoli gallery label verso, 4"h x 6"w (plate), 12.5"h x 14.5"w (frame)
MANNER, AMEDEO MODIGLIANI, 20TH CENTURY,MANNER, AMEDEO MODIGLIANI, 20TH CENTURY, PORTRAIT OF A WOMAN, UNSIGNED, PENCIL ON PAPER, 16 BY 11.5 IN., MATTED, FRAMED 22.5 BY 18 IN.MANNER, AMEDEO MODIGLIANI, 20th Century Portrait of a Woman, unsigned, pencil on paper, 16 by 11.5 in., matted, framed 22.5 by 18 in.
After Amedeo Modigliani, 20th Century
TeteAfter Amedeo Modigliani, 20th Century
Tete de Femme
screenprint or serigraph
Frame: 30 x 20 inches.
Property from the Collection of Mavis Staples, Chicago, Illinois
AMEDEO MODIGLIANI (1884 - 1920): PORTRAITetching;AMEDEO MODIGLIANI (1884 - 1920): PORTRAITetching; signed in plate lower left; Condition: Heavy toning to paper. Frame with chips and slight joint separation; 9 1/4 x 7 1/4 inches sight; 16 1/2 x 14 1/2 inches frame Condition:
AFTER MODIGLIANI: NUDEprinted on paper,AFTER MODIGLIANI: NUDEprinted on paper, matted and framed under acrylic; signed "Modigliani" lower left; 9 x 16 inches sight; 27 1/4 x 34 1/4 inches frame Condition:
AFTER AMEDEO MODIGLIANI (ITALIAN/FRENCHAFTER AMEDEO MODIGLIANI (ITALIAN/FRENCH 1884-1920), FEMALE NUDE, COLOR LITHOGRAPH, SIGNED IN PLATE L.R., AND NUMBERED 74/300 L.R., FRAME: 21 X 18 1/4 IN. (53.34 X 46.36 CM.)After Amedeo Modigliani (Italian/French 1884-1920), Female Nude, Color Lithograph, Signed in plate l.r., and numbered 74/300 l.r.,, Dimensions: Frame: 21 x 18 1/4 in. (53.34 x 46.36 cm.)
EIGHT OFFSET PORTRAIT PRINTS AFTER ARTISTSEIGHT OFFSET PORTRAIT PRINTS AFTER ARTISTS INCLUDING PICASSO AND MODIGLIANI, PLEXIGLASS HANGERS: 15 1/4 X 11 IN. (38.74 X 27.94 CM.)Eight Offset Portrait Prints After Artists Including Picasso and Modigliani,, Dimensions: Plexiglass hangers: 15 1/4 x 11 in. (38.74 x 27.94 cm.)
IN THE MANNER OF MODIGLIANI, TILE PLAQUEIN THE MANNER OF MODIGLIANI, TILE PLAQUE OF SEATED WOMAN, 14 X 11 INIn The Manner of Modigliani, Tile Plaque of Seated Woman, 14 x 11 in
STYLE OF AMEDEO MODIGLIANI: YOUNG WOMANbrownSTYLE OF AMEDEO MODIGLIANI: YOUNG WOMANbrown crayon on Arches paper; signed lower right "Modigliani"; Provenance: The Charles King Estate, Beverly Hills, CA; 30 x 22 inches sheet; 38 1/2 x 30 1/2 inches frame Condition:
Framed Amedeo Modigliani print, approxFramed Amedeo Modigliani print, approx 98cm x 65cm
MODIGLIANI, (15) JACOMET LITHOGRAPHS,MODIGLIANI, (15) JACOMET LITHOGRAPHS, 1960 Modigliani: Quinze Dessins et Aquarelles. Editions Leda, Paris / Boston Book & Art Shop, # 214 of 300 copies, on Arches paper, with portrait drawing by Jean Cocteau, loose text signature and plates in blue portfolio case and original corrugated box
AFTER AMEDEO MODIGLIANI: FOUR PRINTSAfterAFTER AMEDEO MODIGLIANI: FOUR PRINTSAfter Amedeo Modigliani 1884-1920 Four Prints, each with Einaudi blindstamp Dimensions: Each frame: 21 1/2 x 18 1/2 in. (54.6 x 47 cm.) Condition: