A few examples of appraisal values for
MOE BRIDGES

• THOMAS MOLESWORTH (1890–1977),
  THOMAS MOLESWORTH (1890–1977), BRIDGE LAMP CA. 1945 Fine Art
• MOE BRIDGES OBVERSE PAINTED
  MOE BRIDGES OBVERSE PAINTED LANDSCAPE CHIPED ICE SHADEMoe Bridges Obverse Painted Landscape Chiped Ice Shade. Packaging, Insurance, Handling And Shipping Are Done In House And Is 165.00 For This Item In The Continental U.S. Or You Are Welcome To Pick Up In Person Or Make Your Own Shipping Arrangements. Condition: Excellent condition with no damage or repairs. Please Email or call for a detailed condition report. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, repairs, restorations or the effects of aging.
• ANNA MARY ROBERTSON 'GRANDMA'
  ANNA MARY ROBERTSON 'GRANDMA' MOSES, (AMERICAN, 1860-1961), LONG BRIDGE, 1954, OIL ON MASONITE, 6 1/2 X 10 IN., FRAME: 12 5/8 X 16 1/4 IN.ANNA MARY ROBERTSON 'GRANDMA' MOSES, (American, 1860-1961) Long Bridge, 1954, oil on masonite signed Moses lower right 1954, oil on masonite Dimensions: 6 1/2 x 10 in., frame: 12 5/8 x 16 1/4 in. Provenance: Parke-Bernet, New York, April 15, 1970, Sale 3025, Lot 212; by descent within an Illinois family; Grogan & Company, Boston, November 7, 2021, Lot 150; The Collection of a New York Lady. Condition: Some surface dust, but otherwise in fine condition. Clear under UV. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• Maud Lewis Canadian, 1903-1970 "The
  Maud Lewis Canadian, 1903-1970 "The Covered Bridge" gouache on paper signed "Lewis" lr 4 1/2 x 6 1/2 in., framed
• BENTON MURDOCH SPRUANCE
  BENTON MURDOCH SPRUANCE (american 1904-1967) "SCHUYLKILL BRIDGES" 1934, pencil signed, titled and numbered 8/36 in the margin. Lithograph. 9 1/16 x 14 5/8 in. (image) 13 x20 in. (sheet) [Fine/Looney 100]. Framed and matted behind glass. With full margins. With tape residue verso. Affixed to mat on all four corners with Scotch tape. Foxing which is visible through image. Abrasion from unknown source front bottom center which extends from margin into lower two inches of image.
• ANNA MARY ROBERTSON 'GRANDMA'
  ANNA MARY ROBERTSON 'GRANDMA' MOSES, (AMERICAN, 1860-1961), LONG BRIDGE, 1954, OIL ON MASONITE, 6 1/2 X 10 IN., FRAME: 12 5/8 X 16 1/4 IN.ANNA MARY ROBERTSON 'GRANDMA' MOSES, (American, 1860-1961) Long Bridge, 1954, oil on masonite signed Moses lower right 1954, oil on masonite Dimensions: 6 1/2 x 10 in., frame: 12 5/8 x 16 1/4 in. Provenance: Parke-Bernet, New York, April 15, 1970, Sale 3025, Lot 212; by descent within an Illinois family. Condition: Some surface dust, but otherwise in fine condition. Clear under UV. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• Benson Bond Moore (American
  Benson Bond Moore (American 1882-1974) Park bridge. Oil on canvas signed at the lower left corner apprx. 15-3/4" x 19-3/4" framed in a gilt finish frame overall apprx. 19-1/2" x 23-1/2". Prov: from the collection of Frederick Hale McDuff.
• MOE BROOKER (AMERICAN, 1940 - 2022)
  MOE BROOKER (AMERICAN, 1940 - 2022) 16 ¼" x 20" paper size Untitled, 2011. Mixed media on handmade paper, signed and dated lower right corner, floating under glass in painted wood frame, overall 22 ¼" x 25 ¾".
• Bernice Sims (American/Alabama,
  Bernice Sims (American/Alabama, b. 1926) "Selma to Montgomery, Alabama March, Edmund Pettus Bridge", oil on wood panel, signed lower left "B. Sims", 16" x 32". Interestingly custom framed in a vintage single window sash with original metal pulls.
• MOSE TOLLIVER, ALABAMA / AMERICAN
  MOSE TOLLIVER, ALABAMA / AMERICAN (1920/25 - 2006), THE FREEDOM BUS, OIL ON BARN BOARD, 12"H X 24 3/4"WMose Tolliver, Alabama / American, (1920/25 - 2006) The Freedom Bus, oil on barn board From the Smithsonian American Art Museum: In the late 1960s, Mose Tolliver was forced to retire from his job in a Montgomery, Alabama, furniture factory after a thousand-pound crate of marble fell from a forklift and crushed his legs. His former employer encouraged him to start painting, and Tolliver began to create images with house paint on pieces of plywood, Masonite, or old furniture. Unable to stand without crutches, he used to sit on his bed to paint, balancing the board on his knees. Recognition came in the 1980s with a solo show at the Montgomery Museum of Fine Arts, and a folk art exhibition at the Corcoran Gallery, in Washington, D.C. Tolliver is known for his vibrant images of women, fantasy animals, and religious subjects, and he could paint up to ten pictures in one day. oil on barn board Dimensions: 12"H x 24 3/4"W
• Soile Yli Mayry (Finnish, b.
  Soile Yli Mayry (Finnish, b. 1950) Dream Bridge, 2005 oil on canvas signed (lower left) 32 3/4 x 26 3/4 inches. Property from the Estate of Leslie "Mitzi" S. Magin sold to Benefit the Following Four Naples, Florida Charities: Ave Maria School of Law, NCH Healthcare System, Saint Ann School Foundation, and St. John Neumann Catholic High School
• JOSEPH MARGULIES (AMERICAN.
  JOSEPH MARGULIES (AMERICAN. 1896-1984) ETCHINGBridges, 1976. Signed and numbered 9/250 in pencil. Etching and Aquatint. Image size 8 by 12 in., sheet 13 by 16.75 in. (Cond: unframed, good) Accompanied by an Associated American Artists
• MOSE TOLLIVER, ALABAMA / AMERICAN
  MOSE TOLLIVER, ALABAMA / AMERICAN (1920/25 - 2006), THE FREEDOM BUS, OIL ON BARN BOARD, 12"H X 24 3/4"WMose Tolliver, Alabama / American, (1920/25 - 2006) The Freedom Bus, oil on barn board unsigned. Biography the Smithsonian American Art Museum: In the late 1960s, Mose Tolliver was forced to retire from his job in a Montgomery, Alabama, furniture factory after a thousand-pound crate of marble fell from a forklift and crushed his legs. His former employer encouraged him to start painting, and Tolliver began to create images with house paint on pieces of plywood, Masonite, or old furniture. Unable to stand without crutches, he used to sit on his bed to paint, balancing the board on his knees. Recognition came in the 1980s with a solo show at the Montgomery Museum of Fine Arts, and a folk art exhibition at the Corcoran Gallery, in Washington, D.C. Tolliver is known for his vibrant images of women, fantasy animals, and religious subjects, and he could paint up to ten pictures in one day. oil on barn board Dimensions: 12"H x 24 3/4"W
• MOSE TOLLIVER(American/Alabama,
  MOSE TOLLIVER(American/Alabama, 1918/20-2006) Freedom Bus After the Boycott (Montgomery Bus), 1985, signed lower right "MoseT", paint on board, 16-1/2 x 32 in.; unframed Provenance: Property from a Southern Collection Condition: some surface abrasion
• MOSES (MOE) MARTIN REINBLATT
  MOSES (MOE) MARTIN REINBLATT (CANADIAN 1917-1979) HORSEMEN AND BIRD; NOVEMBER GRASS; GIRLS SKIPPING THREE ETCHINGS; EACH SIGNED TITLED AND NUMBERED; FORMER UNFRAMED AND DATED 19~55 (Cond. noted) - Each plate (14.819? x 8.819?) (17.319? x 11.519?) (919? x 1619?) Provenance Estate of John Bohm Montreal
• MOSE TOLLIVER(American/Alabama,
  MOSE TOLLIVER(American/Alabama, 1918/20-2006) Jim Jack Moose Man, signed bottom center "Moset", oil on board, 18 x 14-1/4 in.; unframed Provenance: Feigenson Gallery, Detroit, Michigan; Property sold to benefit the American Folk Art Museum Condition: some surface dirt and wear at corners
• Martin Lewis (American,
  Martin Lewis (American, 1880-1962) The Bridge Near Nikko drypoint signed in pencil (lower right) 7 7/8 x 9 3/4 inches. Property from the Collection of Samuel Stern, Alexandria, Virginia
• MOSS, Patricia Buckley, (1933-):
  MOSS, Patricia Buckley, (1933-): Six Canadian Geese in a Snowy Winter Landscape with Red Covered Bridge, Watercolor, sight size 6.25'' x 17.75'', signed lower right, dated '82, framed, 14.5'' x 26.25''. CONDITION: Several small spots of foxing in the upper margin.
• Jean Mannheim (1863-1945 Pasadena
  Jean Mannheim (1863-1945 Pasadena CA) Car on an Arroyo Bridge
• Andrew Moore b.1957.
  Andrew Moore b.1957. Underbridges. 1992, c-print. 39¾ h × 51½ w in. result: $875. estimate: $1,000–2,000. Signed and dated to lower right ‘Andrew Moore 1992’. Signed, titled, dated and numbered to verso ‘Underbridges 2/4 Andrew Moore 1992’. This work is number 2 from the edition of 4.
• MOSE TOLLIVER(Alabama, 1918/20-2006
  MOSE TOLLIVER(Alabama, 1918/20-2006 ) Self Portrait with Crutches, signed "MOSET", inscribed verso "MBS 5/12/91", oil on wood with hair, 32 x 16 in.; unframed Provenance: Property from a Southern Collection Condition: surface crackle, light surface dirt
• Thomas Moran (American 1837-1926)
  Thomas Moran (American 1837-1926) "Bridge in the Pass of Glencoe - Scotland". Etching on paper 1882-88 signed in the plate with thistle remarque the plate size apprx. 9-1/4" x 11-5/8" paper size apprx. 9-7/8" x 14-3/8" matted and framed under plexiglass overall apprx. 14-1/4" x 17-1/4". Catalog raisonne: Morand/Friese no. 39.
• GEORGE MOCK, INDIANA (1886 - 1958),
  GEORGE MOCK, INDIANA (1886 - 1958), THE BRIDGE, OIL ON BOARD, 19 1/2"H X 23 1/2"W, 23 5/8"H X 27 5/8"W (FRAME)George Mock, Indiana, (1886 - 1958) The Bridge, oil on board signed lower left. Biography from the Archives of AskArt: George Andrew Mock was born in Muncie, IN and after years of being a marginal student in elementary and secondary school, enrolled in Muncie Normal so as to take drawing classes. He lasted a year before he decamped to Chicago, where he studied at the Art Institute for four years. He remained in Chicago after concluding his studies and practiced commercial art. Mock made an early trip to Brown County around 1910 and was surprised to find a relatively thriving artists colony there. He returned again ten years later at which point he made regular painting trips, often hanging out with his friend, photographer Frank Hohenberger. Mock was a frequent Hoosier Salon exhibitor. oil on board Dimensions: 19 1/2"H x 23 1/2"W, 23 5/8"H x 27 5/8"W (frame)
• BILL MCGLAUN (AMERICAN/TEXAS
  BILL MCGLAUN (AMERICAN/TEXAS 1949-2015) A PAINTING, "MO...BILL MCGLAUN (American/Texas 1949-2015) A PAINTING, "Moose River Crossing," 1979, oil on canvas, signed and dated L/L, "McGlaun '79," framed, 33" x 44 3/4". Condition: In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• OOB- 'Rexford Bridge Mohawk
  OOB- 'Rexford Bridge Mohawk River' by F.R. Pope signed ll depicts bright open valley with six arch bridge tugboat approaching label on back originally $125 unframed SS: 20'' x 24'' good condition.
• ARTHUR MORRIS COHEN (AMERICAN, 1928
  ARTHUR MORRIS COHEN (AMERICAN, 1928 - 2012), "BROOKLYN BRIDGE, PLATE 2", 1982, ETCHING, FRAMED, DEPICTS AN UNDER-BRIDGE VIEWPOINT OF...Arthur Morris Cohen (American, 1928 - 2012), "Brooklyn Bridge, Plate 2", 1982, etching, framed, depicts an under-bridge viewpoint of the city shorefront, pencil signed, titled and numbered 13/50 in lower margin, initialed and dated in block "AC 82", nicely matted and framed behind glass, not examined out of frame, wear consistent with age including slight waving of paper, image size: 8 1/2" h. x 11 5/8" w.
• M. Cott (19th century) A View of
  M. Cott (19th century) A View of Wisbech Bridge 1855 watercolor on paper signed M. Cott (lower right) 19 1/2 x 24 inches.
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 8'' x 10'', signed, titled and numbered 790 verso, fine contemporary gilt frame, 13.5'' x 15.5''.
• ATTRIBUTED MOSE TOLLIVER
  ATTRIBUTED MOSE TOLLIVER (ALABAMA, 1920S-2006), SELF-PORTRAIT 1980s, paint on plywood, self inspired image with crutches, not signed.
• ATTRIBUTED MOSE TOLLIVER
  ATTRIBUTED MOSE TOLLIVER (ALABAMA, 1920S-2006), SELF-PORTRAIT 1980s, paint on plywood, self inspired image with crutches, not signed.
• Mose Tolliver (American 1919-2006)
  Mose Tolliver (American 1919-2006) acrylic on wood untitled (Blk bird) abstract black bird in flight 9'' h. x 9'' w. [Sold to benefit a New England Museum/Institution]
• MOSE TOLLIVER PAINTING(Alabama,
  MOSE TOLLIVER PAINTING(Alabama, 1918/20-2006) Fish, signed at bottom, MOSET, paint on board, 23 x 11-1/2 in. Provenance: Ames Gallery, Berkley, California; The Collection of Robert Bishop, purchased from the artist circa 1978; Property from a Southern Collection Condition: some abrasions, surface dirt, losses to board (as made)
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 7'' x 9'', signed, titled and numbered 892 verso, fine contemporary gilt frame, 12.25'' x 13.25''.
• MOSE TOLLIVER (AL, 1925-2006), FOLK
  MOSE TOLLIVER (AL, 1925-2006), FOLK ART PAINTING (SELF-PORTRAIT) Paint on plywood, signed.
• Tim Solliday (1952-* Alhambra CA)
  Tim Solliday (1952-* Alhambra CA) Colorado Bridge Pasadena
• MOSE TOLLIVER(American/Alabama,
  MOSE TOLLIVER(American/Alabama, 1918-2006) Cruciform Portrait, signed "MOSET", paint on board, 24 x 15 in.; unframed Provenance: Private Collection, Atlanta, Georgia Condition: surface dirt and minor losses at edges