- Wight (John) Morning at Bow Street,
Wight (John) Morning at Bow Street, 1824, illustrated by George Cruikshank, 8vo, half 19th Century calf gilt, t.e.g., the plates on India paper, bookplate of HW Bruton
- A 19th Century icon depicting St.
A 19th Century icon depicting St. John and St. James 17.5cm x 13.5cm (6.75" x 5.25")
- David James (Active c.1883-1897)
David James (Active c.1883-1897) British MORNING TIDE WITH CLOUDS LIFTING Oil on canvas; signed and dated ??~99 lower right 25" (height) 63.5cm (height) 50" (width) 127cm (width)
- Dennis James Logsdon
(American,
Dennis James Logsdon
(American, 20th Century)
Early Morning Stretch, 1998
engraving on clay
signed Dennis James Logsdon (lower left)
16 x 36 inches
The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
- James Rome ''Morning Sun'' Artist
James Rome ''Morning Sun'' Artist Proof Embossed Etching Framed 29''x37''
- ORELAND JOE, SR. (1958-), MORNING
ORELAND JOE, SR. (1958-), MORNING PRAYER Title: Oreland Joe, Sr. (1958-), Morning Prayer Medium: alabaster Dimensions: 10 x 11 3/4 x 4 5/8 Frame dimensions: 13 x 11 3/4 x 4 5/8
- DAVID ALLEN (BRITISH, BORN 1945),
DAVID ALLEN (BRITISH, BORN 1945), MORNING SUN, CAMPO MARIA NOVA, VENICE Pastel on tinted paper, completed en plein air May 22, 2013, signed lower right, retains Clark Art Gallery, NC label to verso, matted and framed behind UV glass.
- JAMES E. (JIM) HUGHES (ME/NJ/UK,
JAMES E. (JIM) HUGHES (ME/NJ/UK, 1929 - ) York Minster Cathedral. watercolor on paper, signed lower right, in black stick frame, matted and glazed, OS: 27" x 21", SS: 21" x 14 1/2", good condition.
- JAMES A.M. WHISTLER, THAMES SET
JAMES A.M. WHISTLER, THAMES SET ETCHING #15, 1859 James Abbott McNeill Whistler (American, 1834-1903),"Early Morning, Battersea." (alternately titled "Battersea Dawn (Cadogan Pier)" (Kennedy 75), 15th of sixteen etchings from the Thames Set, on cream laid paper, faintly plate signed "Whistler" lower left, likely second of two states, De Erven D. Blauw (DEDB) watermark, published by Ellis and Green, London, 1871, matted and unframed, 4.5"h x 6"w (plate), 5.5"h x 7"w (sheet)
- David Stirling
(American, 1887-1971)
Morning
David Stirling
(American, 1887-1971)
Morning Haze, 1967
Oil on Board
siigned Stirling lower right,
29 1/2 x 35 1/2 inches.
- SAMUEL MORROW PALMER (PA/CA. 1875-1935)
SAMUEL MORROW PALMER (PA/CA. 1875-1935) "Gloucester, Mass. Morning Effect", oil on canvas board, signed lower right (obscured by frame), titled verso in the artist's hand, housed in a silverleaf stepped frame, OS: 12 1/4" x 16 1/4", SS: 9" x 13", good condition.
- American school (late 19th century)
American school (late 19th century) MORNING GLORY VINE oil on canvas framed unsigned H14'' W20'' Small puncture to upper right quadrant; minor loss of paint to upper left quadrant; frame with losses and wear.
- JOSEPH HAYES (1869-1916) FOR ST.
JOSEPH HAYES (1869-1916) FOR ST. PETER'S CHURCH, MORNINGSIDE
FIGURE OF SAINT JOHN, CIRCA 1907 plaster maquette, later mounted on a carved oak plinthfigure 111cm high, including plinth 139cm highProvenance: St. Peters Church, MorningsideNote: Regarded as amongst Sir Robert Lorimer’s most innovative architectural designs, St Peter’s, Morningside was built in two stages from 1906-7, with the nave completed from 1928-9. The church was designed by Lorimer in an Italianate style and includes stained glass by Morris and Gertrude A. Meredith Williams, Nina Millar Davidson, and Pierre Fourmaintraux, metalwork by Thomas Haddon and a fine Arts & Crafts lead font by G. P Bankart. On the exterior are carved stone sculptures by Joseph Hayes including The Crucifixion with Our Lady and St. John of around 1907. The current lot is the maquette for the figure of St. John. A polychrome carved wood sculpture in the apse of around 1908 uses the same figure. Joseph Hayes worked on several projects with Lorimer from around 1900, including the management of the carving for the Thistle Chapel in St. Giles’ Cathedral, Edinburgh, built from 1909-1911.
- Robert B. Johnston (British, 1840-1914)
Robert B. Johnston (British, 1840-1914) "St. Monan's Old Kirk", watercolor, signed lower right "R. B. Johnston", titled on an old paper label en verso, sight 15" x 21-3/4". Glazed and framed. St. Monan's Parish Church dates back to 875 when St. Monan was buried there and a shrine was established in honor of his memory. In 1346 David II ordered a church built on the site. In the late 1400's, the church was given by James III to form the basis of a Dominican priory.
- GEORGE LORING BROWN (AMERICAN,
GEORGE LORING BROWN (AMERICAN, 1814-1889), EFFET DU MATIN, VENISE (Morning Effect, Venice), oil on canvas, signed and dated at lower right, inscribed on the verso "Effet du Matin, Venise / le Palais ducal et l'Eglise / di St. Maria della Saluta / par Geo. L. Brown. / Paris 1880.," presented in the likely original gilt composition frame.
- JAMES E. (JIM) HUGHES (ME/NJ/UK,
JAMES E. (JIM) HUGHES (ME/NJ/UK, 1929 - ) Cathedral of the Holy and Undivided Trinity, Bristol, England, water color on paper, signed lower right, in black stick frame, matted and glazed, OS: 21" x 27", SS: 14" x 20 1/2", good condition.
- MAKTIMA, MORNING PRAYER, OFFSET
MAKTIMA, MORNING PRAYER, OFFSET COLOR LITHOGRAPH, FRAME: 34-1/2 X 27-3/4 INMaktima, Morning Prayer, Offset Color Lithograph, Frame: 34-1/2 x 27-3/4 in
- Marguerite Armstrong Jackson (British,
Marguerite Armstrong Jackson (British, 20th Century) "Early Morning Summertime View of Two Island Ladies Walking Towards a Cottage on a Hilltop", oil on canvas board, signed lower left "Marguerite Armstrong Jackson", 16" x 20". Handsomely framed.
- A George III engraving under glass
A George III engraving under glass - Going out in the Morning, after T Seymour, hand coloured, 17 x 27cm More Information Slightly stained and a little loose in the frame
- Large Spanish Colonial Carved and
Large Spanish Colonial Carved and Polychromed Wood Figure of St. James the Greater Bearing His Pilgrim's Hat, second quarter 19th century, presented on an integral pedestal base of waisted square form, the polychromy largely worn away to the lightly weathered underlying wood, h. 33".
- ''Morning Surf - 3 Arch Bay'' oil
''Morning Surf - 3 Arch Bay'' oil on canvas. 24'' H x 36'' W.
- MARY IRELAND (1891-C.1980)
‘A
MARY IRELAND (1891-C.1980)
‘A SPRING MORNING’, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, original frame, inscribed verso ‘A SPRING MORNING’. FABRIC PICTURE BY MARY IRELAND32.5cm x 22.5cm
- Clarence Millet (American/New Orleans,
Clarence Millet (American/New Orleans, 1897-1959) "St. Louis Cathedral and Jackson Square", oil on board, 13" x 11", signed lower right "C. Millet", inscribed on the reverse "Sunday Morning in the View Carre, New Orleans, the Old Cathedral and Cabildo, I lived one winter in the 2nd room of one of the old Pontalba buildings and I could see this view from my bedroom window.". Presented in a giltwood frame.
- Thomas Rose Miles painting (British,
Thomas Rose Miles painting (British, active 1869-1910), titled verso canvas "Morning, Galway Bay", seaweed gatherers on a rocky beach, signed lower left "T.R. Miles", oil on canvas, 15 x 27 in.; original 19th century gilt wood and composition frame. Retouch at one point lower left, crackle, cupping, cleavage; frame with abrasions, loss to composition, some resurfacing.
- John Stobart 20th C. limited edition
John Stobart 20th C. limited edition lithographs. Morning Departure 114/500, pencil signed lower right J. Stobart. Image 11" x 17" Overall 19" x 25" Ships in harbor, numbered 243/750, pencil signed lower right, J. Stobart. Image 14" x 22" Overall 22.5" x 30" The Rediscovery of Americas Maritime Heritage, by John Stobart and Robert P. Davis. Condition: lithos are good however not examined out of frame, book has significant wear to the jacket CT Transfer Fee $20
- Spanish Colonial Carved Fruitwood
Spanish Colonial Carved Fruitwood Figure of St. James the Greater with His Pilgrim's Hat, second quarter 19th century, presented on an integral oblong base and in a natural softly waxed finish, the hands lacking, h. 18".
- FRAMED OIL ON COPPER RETABLO, ST
FRAMED OIL ON COPPER RETABLO, ST JAMES THE GREATFramed oil on copper retablo, Saint James the Great (Sanctus Jacobus Major), signed center right JR 1674, depicted holding his pilgrim's staff, sight: approx 8.75"h, 6.25"w, overall: 13.5"h, 10.5"w, 1lbs
- ''Hazy Los Angeles Morning'' oil
''Hazy Los Angeles Morning'' oil on masonite. 18'' H x 24'' W.
- S Middiman & F Jukes, after James
S Middiman & F Jukes, after James Wathen/View of the Ruins of the West Tower and Front of Hereford Cathedral/published April 12 1788/engraving, 28cm x 36cm
- N. Currier colored lithograph titled
N. Currier colored lithograph titled Sunday Morning In The Olden Time after the work of William Collins. ?
- James Abbott McNeill Whistler EARLY
James Abbott McNeill Whistler EARLY MORNING, BATTERSEA Etching
Estimate:$500-$700
- G. RUSSELL CASE, (B. 1966), "MORNING
G. RUSSELL CASE, (B. 1966), "MORNING SUN, ZION," 2009, OIL ON BOARD, 16.25" H X 12" WG. Russell Case, (b. 1966) "Morning Sun, Zion," 2009 Oil on board Signature incised lower left: G. Russell Case; signed again, titled, and dated verso 16.25" H x 12" W Provenance: The Estate of George David Sturges Oil on board Dimensions: 16.25" H x 12" W Provenance: The Estate of George David Sturges
- WINSLOW HOMER, SUNDAY MORNING IN
WINSLOW HOMER, SUNDAY MORNING IN OLD VIRGINIAPhotogravure after Winslow Homer's Sunday Morning in Old Virginia. Engraved by Goupil & Co., Paris and published by D. Appleton & Co, New York, circa 1888-91, matted and framed. Gilt accented period frame measures 17 1/2" x 21 1/2". shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
- ENGLISH SCHOOL, EARLY MORNING DEPARTURE,
ENGLISH SCHOOL, EARLY MORNING DEPARTURE, OIL ON CANVASEnglish School, Early morning departure (woman filling a man's tankard with men unloading a boat), oil on canvas, 17" x 21", frame size: 21" x 25". In good condition, with old relining.
- Gustave Baumann (1881-1971 Santa
Gustave Baumann (1881-1971 Santa Fe NM) Morning Sun
- Maureen Tarazon (born 1934)/Morning
Maureen Tarazon (born 1934)/Morning In Amsterdam/signed and dated verso 1998/oil on board, 24cm x 19cm/Provenance: The Estate of Anthony J Beeson