A few examples of appraisal values for
MT ST HELENS

• Lot of 8: Mount Saint Helens
  Lot of 8: Mount Saint Helens Press Photos. Condition (Excellent). Size Each: 8" x 10".
• LONG CARVED AND PAINTED CEDAR PLANK
  LONG CARVED AND PAINTED CEDAR PLANK SIGN Northwest Coastal Indian Art created in 1980 by Rex & Ray Losey of Kelso Washington to commemorate the eruption of Mt. St. Helens; the reserve side further carved to commemorate the 18th/19th century Russian north Pacific coast occupation and centering an Imperial Russian double-headed eagle. Dimensions: 13'7''L x 23.5'' H. Front side reads: ''TAH-ONE-LAT-CLAW'' / ''FIRE MOUNTAIN'' / ''MOUNT ST. HELENS.''
• W. FRANKLIN LAWTON OIL ON BOARDW.
  W. FRANKLIN LAWTON OIL ON BOARDW. FRANKLIN LAWTON (Bremerton, Washington, 20th century) oil on board, "Scouting Party," Mt. St. Helens, figures on horseback the mountain in the background. Signed lower right and dated 1947, titled verso. Image measures 16" x 20". In a gilt wood frame; 24.5" x 28.5" overall.
• SCHOOL OF WILLIAM S. PARROTT oil on
  SCHOOL OF WILLIAM S. PARROTT oil on panel. (American 19th/20th century) Mt. Saint Helens at sunset 15'' by 11.50''. Bears Parrott signature lower right. In wood frame.
• (5) Pcs M Wendt Idaho Clay Glaze
  (5) Pcs M Wendt Idaho Clay Glaze pottery, c/o teapot, covered jar, vase, spoon rest, Slipcast vase with Mt Saint Helens Volcanic Ash glaze, tallest 8"
• W. FRANKLIN LAWTON OIL ON BOARDW.
  W. FRANKLIN LAWTON OIL ON BOARDW. FRANKLIN LAWTON (Bremerton, Washington, 20th century) oil on board, "Scouting Party," Mt. St. Helens, figures on horseback the mountain in the background. Signed lower right and dated 1947, titled verso, 16" x 20" (image), 24.5" x 28.5" (frame).
• Large lot of turtle items,
  Large lot of turtle items, including Basil Matthews, Rinconada de Rosa, cloisonne, porcelain, seashell, bronze, clay from Mt St Helens ash, lacquer, glass, composite, brass, rain gauge, largest 8" h
• Large lot of turtle items,
  Large lot of turtle items, including Basil Matthews, Rinconada de Rosa, cloisonne, porcelain, seashell, bronze, clay from Mt St Helens ash, lacquer, glass, composite, brass, rain gauge, largest 8" h
• Early ''Mrs. Tony Shell Fish &
  Early ''Mrs. Tony Shell Fish & Rabbit Dealer St. Helens St. John's Market....''. 14 1/2'' x 52''.
• CAROLYN DEWEY (OREGON, 20TH
  CAROLYN DEWEY (OREGON, 20TH CENTURY) OIL ON CANVASCAROLYN DEWEY (Oregon, 20th century) oil on canvas, "Red Hot Mountain" (St. Helens), abstract composition. Signed lower left, titled verso and dated 1982. Label attached verso from the Rental Sales Gallery, Portland Art Museum. Image measures 34" x 70". In a thin wood frame.
• RICHARD ARTSCHWAGER (b. 1923):
  RICHARD ARTSCHWAGER (b. 1923): "MOUNT SAINT HELENS" Etching on paper 27 1/2 x 25 in. signed dated '81 and numbered 7/20 below image.
• GEORGE JOHANSON ETCHING AND
  GEORGE JOHANSON ETCHING AND WATERCOLOR ON PAPER (SGEORGE JOHANSON ETCHING AND WATERCOLOR ON PAPER (Seattle/Portland, Oregon, born 1928) "Under the Volcano," figures relaxing with Mount St. Helens exploding in the background. Signed lower right and dated 1984, title lower left, edition 7/30. Image measures 18" x 47". In a wood frame; 25" x 55" overall.
• COLLECTION OF TWENTY GLASS
  COLLECTION OF TWENTY GLASS NEGATIVESCOLLECTION OF TWENTY GLASS NEGATIVES, including: Castle Rock, Mt. St Helens, road scene with horse drawn buggy, bridge scenes, fisherman by the river, bridge and camp scene, Mt Rainier (Nisqually Glacier) and forest scenes. All are from the Eugene Terway collection. Most are By "Gifford". All are approximately 8" by 10".
• JENNIFER GUSKE TWO
  JENNIFER GUSKE TWO SERIGRAPHSJENNIFER GUSKE (Oregon, b.1950) two serigraphs: "Mt. Saint Helens Saved City from Menacing Dogs," signed lower right, dated 1982, edition 17/17, 23.5" x 19" (image); "Birds Nest," signed lower right, dated 1990, edition 5/12, 17.5" x 24.5" (image). Both unframed.
• PHOTOGRAPHIC GLASS
  PHOTOGRAPHIC GLASS NEGATIVES/POSITIVESTEN PHOTOGRAPHIC GLASS NEGATIVES/POSITIVES, Northwest mountain landscapes, 8" x 10", eight negatives and two positives, early 20th century, from the Eugene Terway collection. Images include the following: Mt. Jefferson Pinnacle; Mt. Hood and White Salmon; Upper Seracs, Eliot Glacier, Cooper Spur to Summit; Upper Seracs - Eliot Glacier; Frost Mt. Stanton; Seracs on Eliot Glacier; Mazamas on Eliot Glacier; Mt. Adams; Mt. Rainier, Packwood Lake (Positive); and Mt. Shasta (Positive).
• Helen Mother Stotesbury
  Helen Mother Stotesbury watercolor (Virginia, 20th century), titled verso on label "R.F.D. #1", mountain landscape with mailboxes, signed lower left "Helen Stotesbury 1942", watercolor on paper, 15-1/2 x 22-7/8 in.; original painted wood frame. Taped in all edges to verso of mat, tape residue verso edges, 1 in. tear left edge; frame with abrasions.
• FIFTEEN PHOTOGRAPHIC GLASS
  FIFTEEN PHOTOGRAPHIC GLASS NEGATIVESFIFTEEN PHOTOGRAPHIC GLASS NEGATIVES FEATURING NORTHWEST LANDSCAPES, negatives measure 6" x 8" to 8" x 10", early 20th century, from the Eugene Terway collection. Images include: "Fountain Falls"; "Mt. Hood and Columbia River from Table Mountain"; Columbia River Highway tunnel; "Mt. Hood from Larch Mt."; "Mt. Hood from Bull Run Lake," 1907; three negatives of Mt. Shasta; "Middle Sister from Snowline"; "Mt. Washington, Three Finger Jack, Mt. Jefferson from Obsidian Cliffs"; "Broken Top from between Middle and North Sister"; "White Salmon River"; "The Horseshoe," Deschutes River; "North Fork of Santiam River"; and "Mount Hood Loop."
• PAINTING, JAMES EVERETT STUART
  PAINTING, JAMES EVERETT STUART James Everett Stuart (American, 1852-1941), "Mt. Hood, From Near Portland, Oregon," 1923, oil on board, signed and dated lower left, signed, titled, and dated verso, sight: 9.25"h x 13.5"w, overall (with frame): 14.5"h x 19"w
• F. MASON HOLMES
  F. MASON HOLMES (WASHINGTON/CONNECTICUT, 1865-1953F. MASON HOLMES (Washington/Connecticut, 1865-1953) oil on canvas, Mount Rainier. Signed lower left. Image measures 11" x 15.75". In a gilt wood frame; 16" x 20.5" overall.
• TEN PHOTOGRAPHIC GLASS NEGATIVES
  TEN PHOTOGRAPHIC GLASS NEGATIVES AND POSITIVESTEN PHOTOGRAPHIC GLASS NEGATIVES AND POSITIVES, LANDSCAPES. Glass plates measures approximately 8" x 10", early 20th century, from the Eugene Terway collection. Negatives include: four of "Crater Lake"; "Bull Run Lake - Showing Mt. St. Helens, Rainier, and Adams"; Yellowstone; river valley; mountain landscape; two "Olympic Mountains"; "Mt. Hood" (Gifford Studio); Central Oregon cliffs. The three positives are titled "Mt. Hood, Bull Run Lake."
• DAN STOUFFER "TETONS - RISING MIST"
  DAN STOUFFER "TETONS - RISING MIST" WATERCOLORDan Stouffer (American, 20th/21st c). Watercolor on paper titled "Tetons Near Cascade Canyon (Tetons - Rising Mist)," depicting tall mountains rising in the background among aspen trees. Signed along the lower right; further signed along the verso. Provenance: Distinguished corporate collection, Minnesota. Sight; height: 20 in x width: 28 1/2 in. Framed; height: 31 1/2 in x width: 40 1/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• WILLARD M. MITCHELL (1881-1955)
  WILLARD M. MITCHELL (1881-1955) CANADIANWillard Morse Mitchell, two watercolours, both of Montreal subject matter, both signed lower right & set within the artists hand-carved frames, both titled verso, one titled 'St. Helens Island', the other titled 'Chateau de Ramezay', both measuring 4" h x 5" w (sight) with framed dimensions of 8.5" h x 9.5" w.
• AN INUIT FIGURAL SCULPTURE BY
  AN INUIT FIGURAL SCULPTURE BY MOSESIE KOLOLA, LAKE HARBOR An Inuit figural sculpture by Mosesie Kolola, Lake Harbor, titled "Standing Bear," composed of light green serpentine, 11.5"h. Provenance: Estate of Sheila Martin-Stone (Oakdale, California). Ms. Martin-Stone was one of the founders of Triplex Direct Marketing in 1972. The company pioneered the management of computerized mailing lists
• HELENA STURTEVANT REFLECTIVE
  HELENA STURTEVANT REFLECTIVE WOODLAND O/C PAINTING Rhode Island1872-1946Depicts a heavily forested area with tall bare trees and winding river littered with fallen autumnal leaves. Sturtevant studied at the Boston Museum of Fine Arts School with Edmund Tarbell before continuing her studies at the Colarossi Academy in Paris with Blanche and Lucien Simon. She became known for her landscapes and marine paintings, especially of the International Cup Races off Newport, and for a time she served as Director of the School of the Art Association of Newport. Her works can be found in the collections of Newport's City Hall, the Newport Art Museum, and the Redwood Library.
• JOHN SERVAIS: "KULSHAN CABIN
  JOHN SERVAIS: "KULSHAN CABIN TRAIL ON MT. BAKER WASHINGTON " 1968 Together with "Winter Mountaineering on Mt. Shushan in the Cascades " 1970. Color photographs 23 1/2 x 15 1/2 or 16 in. mounted on particle board. Provenance: Chrysler Museum of Art Norfolk Virginia proceeds to benefit the Acquisitions Fund.
• Eliza Barchus (1857-1959 Oregon)
  Eliza Barchus (1857-1959 Oregon) ''Mt. Hood at Noon Day'' Oil on Canvas 12''x18'' Image. Exceptional Northwest landscape. Signed l.r. and titled on verso. Original gilt framing 18''x24''. Scattered craquelure.
• PHOTOGRAPHIC GLASS NEGATIVESTEN
  PHOTOGRAPHIC GLASS NEGATIVESTEN PHOTOGRAPHIC GLASS NEGATIVES, Northwest mountain landscapes, 8" x 10" negatives, early 20th century, from the Eugene Terway collection. Images include: Mystic Lake and Skyscraper, Mt. Rainier Region; Steamboat Prow and Mt. Rainier; Mt. Desolate from Carbon Moraine; Mt. Desolate and Sluisken Mts. from Moraine Park; Mt. Desolate and Mystic Lake; Berschrund above Winthrop Glacier, Mt. Rainier; Mt. Shasta below horse camp; and Ice and Pools - Carbon Glacier, Mt. Rainier.
• WILLIAM LESTER STEVENS,
  WILLIAM LESTER STEVENS, (AMERICAN, 1888-1969), MT. MONADNOCK, OIL ON BOARD, 18 X 22 IN., FRAME: 24 1/2 X 28 1/2 IN.WILLIAM LESTER STEVENS, (American, 1888-1969) Mt. Monadnock, oil on board signed W. Lester Stevens lower right. oil on board Dimensions: 18 x 22 in., frame: 24 1/2 x 28 1/2 in. Provenance: Property of a Gloucester, Massachusetts Collector. Condition: Board somewhat bowed (concave), minor losses from frame rub at extreme right and left edges. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• MT. WASHINGTON ROYAL FLEMISH
  MT. WASHINGTON ROYAL FLEMISH GLASS VASEMt. Washington Royal Flemish Glass Vase, dragon head motif, raised gold decoration, chip on foot, height 11 inches. Provenance: From the Estate of Elwyn W. Lemon, Enfield, Connecticut. Condition: Good condition, chip to bottom rim and minor gilt loss throughout. All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• CLYDE LEON KELLER OIL ON BOARDCLYDE
  CLYDE LEON KELLER OIL ON BOARDCLYDE LEON KELLER (Oregon, 1872-1962) oil on board, "Mt. Hood from Eden Park." Signed lower right and dated 1945, signed again and titled verso, 20" x 24" (image), 22.5" x 26.5" (frame).
• A MONUMENTAL STAN WAMISS, PACIFIC
  A MONUMENTAL STAN WAMISS, PACIFIC NORTHWEST, DRAGON RITUAL MASK A Monumental Stan Wamiss, Pacific Northwest, dragon ritual mask Tsawataineuk, Inuit, British Columbia, Vancouver Island, the articulated mask signed and dated on verso, 1998, 41"h x 68"w Provenance: From the estate of Tony and Madeline Gross a rocket scientist at NASA/Ames, and consultant of NASA respectively, Sunnyvale, CA. Collectors of Pacific Northwest art since 1979; half of the proceeds from the sale will be donated to Inuit charities. Time: November 2021 Place: CLARS AUCTION GALLERY, Oakland, CA, USA Sold for: $3,500.00 Imported successfully Replaced successfully Error: unknown error
• MELVILLE T. WIRE OIL ON CANVAS
  MELVILLE T. WIRE OIL ON CANVAS ''Mount Bachelor from Sparks Lake'' (Oregon) 11'' by 15''. Signed Melville T. Wire lower right. In gilt wood frame.
• BIERSTADT - "STORM IN THE
  BIERSTADT - "STORM IN THE ROCKIES, MT. ROSALIE" (1869)**This is an oversized piece that may require special shipping. Please inquire for a quote prior to bidding. Albert Bierstadt (German-American, 1830-1902). "Storm in the Rocky Mountains, Mt. Rosalie" chromolithograph by H.M. Long, published by Thomas McLean, London, UK, 1869. Signed & dated 1866 (date for the original painting) in plate. A grand chromolithograph of Albert Bierstadt's "Storm in the Rocky Mountains, Mt. Rosalie" presenting a landscape inspired by sketches created during an 1863 expedition to the Colorado Rockies capturing Mt. Rosalie (now Mount Evans). The composition features a Native American hunting scene in the foreground, a waterfall leading to a lake (based on the Upper and Lower Chicago Lakes near Denver) in the middle ground, and Mt. Rosalie (now Mt. Evans) amidst threatening storm clouds but spot lit by a magical break in the clouds at the upper left. A grand landscape of the American West that reflects Bierstadt's understanding of Manifest Destiny as well as his audience's appetite for the dramatic sublime and, somewhat paradoxically, nearly photographic details, set in a custom, museum-quality frame behind glass. Size (sight view): 18" L x 32" W (45.7 cm x 81.3 cm) Size (frame): 32.75" L x 46.75" W (83.2 cm x 118.7 cm) Albert Bierstadt (1830-1902) was born in Germany, near Dusseldorf; however, he grew up in the United States. In his twenties he returned to Germany to study at the reputable Dusseldorf Academy. In addition to this school's tradition of heroic painting, the Hudson River School tradition would greatly impact the young Bierstadt who would go on to be best known for his grand paintings of the American West. Depicting the breathtaking beauty of such awe-inspiring locales as the Rocky Mountains and Yosemite Valley, Bierstadt's art also reflected the notion of Manifest Destiny in support of westward expansion. The original painting "Storm in the Rocky Mountains, Mt. Rosalie" is in the collection of the Brooklyn Museum of Art (accession number 76.79). As noted on their website, "In 1863, Albert Bierstadt made an arduous expedition to Colorado in order to gather studies of the region for this monumental painting, executed three years later in his New York studio. For the final canvas, he exercised artistic license-rearranging some landmarks and exaggerating the scale of others-to maximize the visual interest of this Rocky Mountain landscape. The picture toured the country on a yearlong exhibition and thrilled audiences with its dual effects of sublime grandeur and reportorial detail. Soaring peaks, expansive valleys, and turbulent weather conditions create a dramatic backdrop for the meticulously detailed flora and a Native American hunting scene in the foreground. Mt. Rosalie (now Mt. Evans) appears in spotlight within a ring of dark clouds in the upper left corner of the composition. Bierstadt established his artistic reputation with 'Great Pictures' of the American West that embodied the national agenda of expansionism known as Manifest Destiny." Of note: According to the Brooklyn Museum of Art, "The painting had a personal significance, for 'Mt. Rosalie' (now Mount Evans) was named by the artist in honor of his traveling companion's wife, Rosalie Osborne Ludlow, whom Bierstadt would marry in 1866 following her divorce." An invoice from Selker Fine Art, Cleveland, Ohio dated December 16, 2006 lists the price of this chromolithograph (with a different frame) at $9500. Provenance: private Albuquerque, New Mexico, USA collection; ex-Hugh K. Tirrell estate, representative Priscilla T. Bisher, purchased from Selker Fine Art, Cleveland, Ohio, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #175644 Condition: Signed and dated 1866 in the plate (one boulder at lower right). Mounted in a custom, museum-quality frame with a linen matte behind glass. Chromolithograph has not been examined outside the frame but appears to be in overall excellent condition. Framing is excellent. Professional suspension hardware (Wallbuddies) on verso and ready to display.
• MARIE MARTIN (OREGON/CALIFORNIA,
  MARIE MARTIN (OREGON/CALIFORNIA, BORN 1940) OIL ONMARIE MARTIN (Oregon/California, born 1940) oil on canvas, "Mt. Hood, Oregon." Signed lower right, signed again and titled verso. Image measures 11" x 14". In a wood frame; 20.5" x 23.5" overall.
• ASAHEL CURTIS (WASHINGTON,
  ASAHEL CURTIS (WASHINGTON, 1874-1941) GELATIN SILVASAHEL CURTIS (Washington, 1874-1941) gelatin silver print, "Mount Rainier." Signed on the negative lower right and dated 1911. Image measures 15.5" x 19.5". In a period wood frame; 19.25" x 23.25" overall.
• JAMES EVERETT STUART
  JAMES EVERETT STUART (OREGON/CALIFORNIA/NEW YORK,JAMES EVERETT STUART (Oregon/California/New York, 1852-1941) oil on board, "Sunset Glow, Mt. Hood from Mill Creek, Oregon," painted Nov. 9, 1921. Signed lower left, titled, signed, and dated verso. Image measures 12" x 17.75". In a wood frame; 15.75" x 21.5" overall.