A few examples of appraisal values for
MURRAY GENERAL

• MURRAY. THE SENSATIONAL MURRAY
  MURRAY. THE SENSATIONAL MURRAY AUSTRALIAN ESCAPOLOGIST....Murray. The Sensational Murray Australian Escapologist. London: The Perfecta Press, ca. 1948. Half-sheet (29 _ x 19 _") poster bearing a portrait of Murray against a colorful background. Signed by Murray in the banner. Old creases and chips primarily at borders. Linen-backed. B+.
• MURRAY, GEORGE. FESTIVAL OF MAGIC
  MURRAY, GEORGE. FESTIVAL OF MAGIC FOR 1951. MURRAY.Wombwell, England: Taylors Printers, 1951. Two-color half sheet advertising the 1951 Festival of Magic. Headlining the performance is George Murray; other acts include Vic Leonard and ‘the elastic lady, a real leg pull’. 21 x 30". Fold line visible; A-.
• F. Richardson Murray (NY/SC 20th
  F. Richardson Murray (NY/SC 20th c.) City Streetwatercolor on paper signed and dated ''F. Richardson Murray 1931'' at lower right possibly depicting a street scene in Greenwich Village in NYC matted and framed under glass.SS 9.5 x 13.25 in.; DOA 17 x 21 in.The collection of Barbara Rhoades NC grandniece of Katherine N. Rhoades and granddaughter of Lyman Rhoades Sharon CT and New York NY
• Murray Wentworth (American
  Murray Wentworth (American 1927-2008) watercolor landscape signed lower right 14 1/2" x 21". ?
• Thomas Murray pencil drawing
  Thomas Murray pencil drawing young boy signed and dated 1891 image area 15'' x 11''
• H Murray, English, 19th c, 15" x
  H Murray, English, 19th c, 15" x 19" o/panel, Rocky Mountain Stream Estimate $500-700
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Downeast Haying, gouache on paper, unsigned, in grey painted frame, under tan mat, glazed, OS: 14 1/4" x 16 1/2", SS: 5 3/4" x 8 1/2", good condition.
• Henry Murray (British, 19th-20th
  Henry Murray (British, 19th-20th Century) A pair of fine fine watercolors on paper of hunting scenes, one of The Full Cry and the other of Run To Earth, each signed in the lower left corner, measuring approx. 11-3/4" x 17-3/4" sight size, and each matted and framed alike under glass overall approx. 17-1/2" x 23-1/2". Henry Murray's work was sold by Frost and Reed in the 20th Century and was brought to the United States by their representatives.
• Murray Gaby signed serigraph titled
  Murray Gaby signed serigraph titled ''The Cowboys''. Depicts four people. Signed ''Gaby'' and numbered 4/150 and dated 1979 in pencil lower margin. Framed matted and under glass. Condition: good see images. Frame measures 25'' tall x 21'' wide. Shipping weight 6 lbs.
• RICHARD MURRAY (1948- ), BULL MOOSE
  RICHARD MURRAY (1948- ), BULL MOOSE Fine Art
• MURRAY JONES, MIXED MEDIA ON PAPER,
  MURRAY JONES, MIXED MEDIA ON PAPER, ABSTRACTAbstract cityscape painting on paper by Murray Jones (American, 20th). Signed at lower right corner. Excellent condition framed behind glass to an overall size of 20 1/2" x 27". shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• MURRAY RISS (AMERICAN/TENNESSEE, B.
  MURRAY RISS (AMERICAN/TENNESSEE, B. 1940)Murray Riss (American/Tennessee, b. 1940), "First Shooting Light (Mud Lake, St. Francis County, AR)", 2008, C-print, signed, titled, dated and numbered "1/1" lower margin, titled on backing board, 15 7/8 in. x 23 7/8 in., framed. Condition: Overall good condition. Ext. Frame: 25 in. x 32 5/8 in. x 1 1/4 in.
• C. 1950 Murray child's bicycle with
  C. 1950 Murray child's bicycle with fancy decorations.
• MURRAY THE ENCYCLOPAEDIA OF
  MURRAY THE ENCYCLOPAEDIA OF GEOGRAPHY. Philadelphia: Carey Lea and Blanchard 1838 three volumes in full leather.
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Monhegan Island Meeting House, gouache on paper, unsigned, in blonde cove frame with roping, under tan mat, glazed, OS: 15 1/2" x 17 1/2", SS: 6" x 8 1/2", good condition.
• ROBINSON MURRAY ABSTRACT PATTERNS
  ROBINSON MURRAY ABSTRACT PATTERNS PAINTING Massachusetts,1890-1984Monochromatic gray-green shapes lined in salmon. Murray earned a degree in Studio Art graduating from Harvard University in 1912 to pursue a career in commercial art. He quickly left the commercial art world to enlist in the Army and serve during WWI where he'd become a distinguished soldier while continuing to paint in the field. After the war Murray returned to commercial work until his retirement in 1960 when he turned to focus on modern abstract art. During the period of 1960 to 1980 Murray exhibited at the John F. Kennedy Building, Boston and the Copley Society within Boston City Hall.
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Downeast Island Village gouache on paper, signed lower left, in cream painted frame with gold liner, under tan mat, glazed, OS: 13 3/4" x 16", SS: 5 1/4" x 8", good condition.
• TOM MURRAY O/C, PHOTO REALISM
  TOM MURRAY O/C, PHOTO REALISM WESTERN LANDSCAPE PAINTIN...Tom Murray (B. 1953-*), "The Guardians", oil on canvas photo-realistic western style landscape with trees and red rock buttes, signed lower right "Tom Murray" and verso "Tom Murray / Copyright / 2004". Housed in a giltwood molded frame with seamless corners. Sight: 15-3/4" H x 23-5/8" W. Framed: 23" H x 31" W. Note: The original purchase receipt from James Ratliff Gallery Sedona, AZ is available to the winning bidder. Condition: Very good overall visual condition
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Village Monhegan Island with Great Manan, gouache on paper, unsigned, in blonde cove frame with roping, under pale grey mat, glazed, OS: 15 1/2" x 17 1/2", SS: 5 3/4" x 8", good condition.
• F. Richardson Murray (American,
  F. Richardson Murray (American, Contemporary) "Children Near a Cabin", oil on masonite, 18" x 24", signed lower left "F. Richardson Murray", indistinctly dated lower left "196?". Unframed.
• TWO AMERICAN PORTRAIT MINIATURES,
  TWO AMERICAN PORTRAIT MINIATURES, ONE GRACE H. MURRAY(New York, 19th century) Girl with a Porcelain Basket and Mrs. A, Mrs. A. signed "GHM", watercolor on ivory, girl sight 4-1/2 x 3-1/2 in., Mrs. A sight 2-7/8 x 3-3/4 in.; girl in silver plate frame, Mrs. A in parcel gilt wood frame Note: ?This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn. Condition: not examined out of frame, each in good condition overall, wear to frames
• George Washington Miniature
  George Washington Miniature Portrait After Edward Savage After Edward Savage (American 1761-1817). Miniature portrait on ivory 2 x 1.5 in. placed in a 6 x 5 in. frame. ? Ca 1800s-1830s.? Portrait is backed with trimmed papers including: inked identification Gen'l Washington; printed calling card of Mr. A. Nicholl; and printed calling card of Major Macan inked Stephen's Green W. The frame is backed with: coated wax stock printed Mrs. Thomas Macan / Miss Oldfields / Miss Macan and inked 112 Stephen's Green West; an inked paper reading General Washington / (?) / (M)iniature (?) / General Murray (at?) / Tunbridge Wells; and a printed page of text originally from the Edinburgh Review No. 135 titled "On the Times of George the Third and George the Fourth " by Lieutenant General Herbert Taylor published 1838 but reprinted several times elsewhere during 1838 and 1839.The inscriptions clearly indicate portrait spent a good part of its history in the British Isles and was in the possession of a family with several members who were contemporaries of Washington in the United States but the trail is hard to trace. ?For example the address 112 Stephen's Green West is that of the Dublin Unitarian Church in central Dublin Ireland which still stands and its website's history page states prominently that the site was purchased in the 1850s with a bequest by Thomas Wilson whose father served as aide-de-camp for General George Washington in the American War of Independence.?Since we know the portrait spent some time at this address in Ireland we can move on to the issue of Major Thomas Macan who is mentioned in Irish records of that time was a wealthy man from County Louth.? No record of his military service exists but he is noted in several Irish genealogy texts and a church history or County Louth as having purchased the Craven Estate in 1837 which is near the town of Greenmount just 50 miles from Dublin.? He served as a churchwarden in the Kilsaran Union of Parishes in the years 1839 and 1844 and his only child was a daughter named Anne-Margaret.? As this was the end of the Macan male line they are summarized thusly:The Macans of Drumcashel came from a well-known Armagh family members of which were Mayors or Sovereigns of Armagh from 1759-1797. They also acted as agents for the Primates. The first Macan who settled in this district was Turner Macan High Sheriff 1802 who rented Grennmount which was occupied in 1789 by Turner Camac and in 1790 by Sir George Foster Bart. This information is important as it helps identify the General Murray as Major General James Patrick Murray (1782-1834).? His father James Murray (1721-1794) was appointed a major in the 15 Foot Regiment in 1750 while in Ireland and came to North America in 1757.? He commanded regiments in the French and Indian Wars where Washington held his first commands and served as military and civil governor of Quebec (1759-1768).? During the American Revolution Murray returned to Europe to defend a Mediterranean fort where his wife gave birth to their son.James Patrick Murray was elected an MP from the Isle of Wight in 1802 but vacated his seat in 1803. From there he attended the Royal Military Academy at Woolwich southeast of London.? That means that General Murray and the painting can be independently confirmed to be in West Kent in 1803 as Tunbridge Wells and the Royal Military Academy at Woolwich are separated by only 30 miles perhaps pointing to the acquisition of the painting.Further its path to Ireland can be explained.? In 1804 Murray purchased a majority in the 66th Foot Regiment which was stationed in several parts of Ireland. A few years later they were sent to Portugal where his right arm was destroyed by a musket ball during a gallant fight at Douro for which he was promoted to Lieutenant Colonel and transferred back to Ireland upon regaining his health in 1809. He was in Athlone Ireland (75 miles west of Dublin) from 1811 until his death in 1834 serving as Assistant Adjutant General Colonel and finally Major General (1830). He died trying to save two drowning men in a freezing lake despite lacking his right arm.Several other Murrays served in the Revolution including cousins and nephews of theses generals and some are mentioned in Washington's papers.? Later Murrays ca 1830-90s are connected to Armagh the ancestral home of the Macans and the era of the printed cards bearing the Macan name.
• Attributed to Bernard Downes
  Attributed to Bernard Downes Portrait of General George Morrison Estimate:$5,000-$7,000
• Elizabeth Murray (American,
  Elizabeth Murray (American, 1940–2007) Tybid, 2004 lithograph in colors signed, dated, and numbered 43/150 in pencil 12 1/4 x 9 3/4 inches.
• 19th century English School
  19th century English School portrait, attributed to Joshua W. Faulkner (British, late 18th/early 19th century), George Murray, Bishop of Rochester (1784-1860), seated with landscape beyond, unsigned, oil on canvas, 56-5/8 x 45-1/2 in.; original monumental late 18th/early 19th century gilt wood and composition Louis XIV style frame with inward sloping cushion, acanthus and C scroll decoration on crosshatched ground, corners and top with shell decoration. Lined, crackle, draw crackle, two periods of restoration, retouch affecting 50 percent of surface mostly within draw crackle; extensive losses to C scroll and acanthus decoration, missing frame plate. Estate of the late Judge John Emery Parks, Honolulu, Hawaii.
• THOMAS MURRAY (SCOTTISH
  THOMAS MURRAY (SCOTTISH 1663-1734) PORTRAIT OF A GENTLEMAN IN A BROWN COAT Oil on canvas127cm x 101.5cm (50in x 40in)Note: Murray was born in Scotland and later moved to London, where he studied with a member of the De Critz family before becoming a pupil of eminent portraitist John Riley. In 1703, he painted Queen Anne for the Society of the Middle Temple in London. He had many noble patrons and his work is held in various institutional collections.
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Downeast Monhegan Island Village, gouache on paper, signed lower left, in cream painted frame with gold liner, under tan mat, glazed, OS: 13 3/4" x 16", SS: 5 1/4" x 8", good condition.
• THE H.M.S. MURRAY1915; watercolor
  THE H.M.S. MURRAY1915; watercolor on paper; signed lower right; 7 3/4 x 12 inches sight; 16 1/2 x 20 1/2 inches frame Condition:
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Village Clapboard Commercial Street, gouache on paper, signed upper right, in blonde cove frame with roping, under pale grey mat, glazed, OS: 17 3/4" x 19 1/2", SS: 7 3/4" x 10 3/4", good condition.
• ROBINSON MURRAY PORTRAIT OF AN
  ROBINSON MURRAY PORTRAIT OF AN OLD WOMAN PAINTING Massachusetts1890-1984Titled "Mrs. Annabelle Moseley" depicts a dignified older woman with red lipstick in a red ensemble gazing off to the right. Murray earned a degree in Studio Art graduating from Harvard University in 1912 to pursue a career in commercial art. He quickly left the commercial art world to enlist in the Army and serve during WWI where he'd become a distinguished soldier while continuing to paint in the field. After the war Murray returned to commercial work until his retirement in 1960 when he turned to focus on modern abstract art. During the period of 1960 to 1980 Murray exhibited at the John F. Kennedy Building, Boston and the Copley Society within Boston City Hall.
• Henry Murray (active 1850-1860),
  Henry Murray (active 1850-1860), four framed and matted watercolors of fox hunters. 12" x 17.5" ss / 20" x 26" oa Condition: Good color, not examined out of frame.
• 3 J.B. MURRAY OUTSIDER ART WORKS
  3 J.B. MURRAY OUTSIDER ART WORKS INCL. FRAMED SPIRIT WR...Three (3) John Bunion (J.B.) Murray (Murry) (American, Georgia, 1908-1988) folk art works. 1st item: Abstract painting on masonry or concrete board rendered in soft colors of white, yellow and blue/green in a vertical orientation, resembling figures. Red illegible inscriptions en verso, possibly a date and last name. Unframed. 12" H x 26" W. 2nd item: Framed "spirit script" writing on paper. Sheet: 9" H x 6 1/8" W. Framed: 15" H x 12" W. 3rd item: John Bunion (J.B.) Murray (Murry) (American, Georgia, 1908-1988) folk art "spirit writing" painting on paper towel, water color and marker. 35" W x 11 1/8" H (total surface with writing). Biography: John Bunion Murray was an African American artist who grew up in rural Glascock County, GA where he worked as a tenant farmer. At the age of 50, his wife left him, and his eleven grown children had moved from home, leaving Murray in isolation, where he turned to art. He began creating "yard shows" displaying his works on his front porch and into his home. Using predominately primary colors, he expressed his beliefs and emotions through abstract works, each color having consistent meaning. Though he could not read or write, he created his own cursive writing inscribed in many of his works called "spirit writing" which he was able to read through a glass bottle he called "holy water" while praying. His body of work reveals his experience as an African American in the rural south with a unique faith and a surreal imagination. The Collection of Dr. Joe Newsom Rawlings, Davisboro, Georgia; acquired directly from the artist. Condition: 1st item: Flaking to paint on back of board, front with light wear and some grime, slight scratching along the lower edge, possibly in the medium. 2nd item: Overall toning, fold line to center, and tape burns. 3rd item: As found condition. One end of paper towel roll not used and is crumpled.
• ROBINSON MURRAY ABSTRACT MEDALLIONS
  ROBINSON MURRAY ABSTRACT MEDALLIONS PAINTING Massachusetts,1890-1984Titled "Medallions", a modernist composition of yellow and burgundy geometric forms over green. Murray earned a degree in Studio Art graduating from Harvard University in 1912 to pursue a career in commercial art. He quickly left the commercial art world to enlist in the Army and serve during WWI where he'd become a distinguished soldier while continuing to paint in the field. After the war Murray returned to commercial work until his retirement in 1960 when he turned to focus on modern abstract art. During the period of 1960 to 1980 Murray exhibited at the John F. Kennedy Building, Boston and the Copley Society within Boston City Hall.
• Murray MacDonald (Scottish, fl.
  Murray MacDonald (Scottish, fl. 1889-1910) "Near Loch Ard, Looking West, Perthshire". Oil on canvas, signed and dated 1901 at the lower left corner, titled and signed verso, approx. 12-1/2" x 15-1/2", framed in a decorative gilt frame overall approx. 18-3/4" x 25".
• G. FRANK MULLER (19TH CENTURY,),
  G. FRANK MULLER (19TH CENTURY,), BUST PROFILE PORTRAIT OF GOVERNOR DAVID BRYDIE MITCHELL (1766-1837) OF GEORGIA AND A MATCHING MINIATURE PORTRAIT., OIL ON PANEL, 10.5” X 8.5”, AND WATERCOLOR AND GOUACHE ON PAPER, 4” X 2.G. FRANK MULLER, 19th Century, Bust profile portrait of Governor David Brydie Mitchell (1766-1837) of Georgia and a matching miniature portrait. Larger unframed portrait signed and dated lower left "G. Frank Muller 1898". Framed miniature portrait inscribed verso "Gov. David Brydie Mitchell of Georgia - served terms 1807-1811-1815. Born 4/22/1766 died 10/22/1837". Dimensions: Oil on panel, 10.5" x 8.5", and watercolor and gouache on paper, 4" x 2.5".
• ROBINSON MURRAY ABSTRACT COMPOUND
  ROBINSON MURRAY ABSTRACT COMPOUND CURVES PAINTING Massachusetts1890-1984Titled "Compound Curves", a modernist composition of yellow and black geometric shapes over blue. Murray earned a degree in Studio Art graduating from Harvard University in 1912 to pursue a career in commercial art. He quickly left the commercial art world to enlist in the Army and serve during WWI where he'd become a distinguished soldier while continuing to paint in the field. After the war Murray returned to commercial work until his retirement in 1960 when he turned to focus on modern abstract art. During the period of 1960 to 1980 Murray exhibited at the John F. Kennedy Building, Boston and the Copley Society within Boston City Hall.