A few examples of appraisal values for
NAPLES

• NEAPOLITAN SCHOOL, THE BAY OF NAPLESNeapolitan
  NEAPOLITAN SCHOOL, THE BAY OF NAPLESNeapolitan School(19th century)The Bay of Naples with Vesuvius in the background (2)gouache on paper6 1/2 x 9in (16.5 x 23cm)
• NEAPOLITAN SCHOOL, NAPOLI DAL CARMINENeapolitan
  NEAPOLITAN SCHOOL, NAPOLI DAL CARMINENeapolitan School(19th century)Napoli dal Carmine (View of the bay of Naples)gouache on papertitled lower centerimage 11 3/4 x 16 1/2in (30 x 42cm)
• NEOPOLITAN SCHOOL, THE BAY OF NAPLESNeopolitan
  NEOPOLITAN SCHOOL, THE BAY OF NAPLESNeopolitan School(19th century)The Bay of Naples with Vesuvius in the background (2)gouache on paper6 1/2 x 9in (16.5 x 23cm)
• ITALIAN SCHOOL, ERUZIONE DI CENERE DEL
  ITALIAN SCHOOL, ERUZIONE DI CENERE DEL 1810Italian School(19th century)Eruzione di Cenere del 1810 (Daytime view of the Bay of Naples with Vesuvius erupting and fishing boat)gouache on papersigned lower left Camilio da Vita, titled lower cente
• ITALIAN SCHOOL, ERUZIONE 1822 BAY NAPLES
  ITALIAN SCHOOL, ERUZIONE 1822 BAY NAPLES VESUVIUSItalian School(19th century)Eruzione 1822 (Daytime view of the Bay of Naples with Vesuvius erupting and fishing boat and figures in foreground)gouache on paperindistinctly signed lower left24 1/2 x 16
• NEAPOLITAN SCHOOL, VIEWS OF THE BAY
  NEAPOLITAN SCHOOL, VIEWS OF THE BAY OF NAPLESNeapolitan School(19th century)Views of the Bay of Naples (2)gouache on paper6 x 9in (15 x 23cm)
• A LARGE ITALIAN GRAND TOUR BRONZE NARCISSUSA
  A LARGE ITALIAN GRAND TOUR BRONZE NARCISSUSA large Italian Grand Tour patinated bronze model of NarcissusChiurazzi foundry, Napleslate 19th/early 20th centuryAfter the Antique, base inscribed Chiurazzi / Napoli.height 24 1/2in (62cm); width 11
• NEAPOLITAN SCHOOL, TWO VIEWS OF NAPLESNeapolitan
  NEAPOLITAN SCHOOL, TWO VIEWS OF NAPLESNeapolitan School(19th century)Two Views of Naplesgouache on papercomprising Villa Real and Largo del Palazzo, both unsignedsight: 15 1/2 x 24 1/2in (39.4 x 62.2cm)
• AN ITALIAN NEOCLASSICAL MIXED WOOD TABLE,
  AN ITALIAN NEOCLASSICAL MIXED WOOD TABLE, NAPLESAn Italian Neoclassical specimen marble, fruitwood, kingwood, amaranth, walnut and marquetry inlaid two tier tableNapleslate 18th century, the marble top of a later dateTop with green porphyry, red po
• Four 'Naples' Armorial Plates, 20th
  Four 'Naples' Armorial Plates, 20th century largest diameter 11.4 in — 29 cm
• 'Naples' Small Triptych, early 20th
  'Naples' Small Triptych, early 20th century height 5 in — 12.7 cm
• Meissen 'Schneeballen' Bowl, 'Naples'
  Meissen 'Schneeballen' Bowl, 'Naples' Cup, and Herend Reticulated Covered Potpourri, late 19th/20th century largest height 3 in — 7.5 cm
• 'Naples' Porcelain Rectangular Box,
  'Naples' Porcelain Rectangular Box, early 20th century length 5.7 in — 14.5 cm
• 'Naples' Porcelain Rectangular Casket,
  'Naples' Porcelain Rectangular Casket, late 19th/early 20th century length 6.9 in — 17.5 cm
• 'Naples' Porcelain Large Tankard, late
  'Naples' Porcelain Large Tankard, late 19th/early 20th century height 12.6 in — 32 cm
• Pair of 'Naples' Porcelain Covered Urns,
  Pair of 'Naples' Porcelain Covered Urns, early 20th century height 13 in — 33 cm
• Italian School, 19th c -The Bay of Naples,
  Italian School, 19th c -The Bay of Naples, indistinctly signed, oil on board, 26 x 34cm More Information The surface with some ingrained dirt and slight discolouration to varnish. Frame with some light wear.
• Francesco Di Marino (Italian Impressionist,
  Francesco Di Marino (Italian Impressionist, 1892-1954) - The Bay of Naples, signed, oil, 26.5 x 34cm More Information Good condition.
• A folio of Old Master and other prints,
  A folio of Old Master and other prints, 18th c and later, including George Vertue FSA (1684-1756) after Lucas de Heere (1534-1584), Frances, Duchess of Suffolk and her Husband Adrian Stokes Esq:r, double-portrait, London, 1748, etching and engraving, 48 x 55cm, Thomas Watson (1750-1781) after Sir Peter Lely (1618-1680), [Barbara Palmer, Duchess of Cleveland, as Minerva], proof before title, London, 1779, mezzotint, 47 x 34cm, six further portrait mezzotints, 18th and 19th c, after Piranesi, Outside View of the Colosseum, s.l. [London], n.d. [c. 1775], engraving, 28 x 41cm, [satire/caricature] Anon, The Monkey's Downfall or Cat's-Paw Rescu'd, s.l. [?London], n.d. [c. 1767], etching, later laid on card, 28 x 40cm, Plate No. 117 from Sir William Hamilton's Collection of Antiquities and Vases, s.l. [Naples], n.d. [c. 1767], copperplate engraving, contemporary hand-colouring, 29.5 x 26cm, Giovanni Girolamo Frezza (1659–1730) after Carlo Maratta (1625-1713), Pan Foiled by Diana, s.l. [Rome?], n.d. [c. 1680-1720], engraving, trimmed with loss of some lettering, 36 x 25.5cm, pasted watercolour frieze mount, various other prints with conforming mounts, Francesco Bartolozzi RA (1727-1815) after Richard Cosway RA (1742-1821), Princess of Charlotte of Wales as Baby, [London], [1797], stipple engraving and etching, trimmed with loss of all lettering, 35 x 27cm, etc., others, mixed media and sizes, (approx. 40) More Information Mixed condition.
• WARREN W. SHEPPARD (AMERICAN, 1858-1937)
  WARREN W. SHEPPARD (AMERICAN, 1858-1937) CLIPPER SHIP AT SEA Oil on canvas. Signed 'Warren Sheppard' (lower left). Warren W. Sheppard (American, 1858-1937) Warren W. Sheppard was a marine painter born in Greenwich, New Jersey to a ship captain father who instilled in his son a love and respect for the sea. He studied privately with Mauritz F. H. De Haas and took courses in drawing at Cooper Union in New York City. Sheppard traveled along the Mediterranean coast in 1879, sketching the ports of Naples, Gibraltar, Geneo, and Messina. His foreign tours continued between 1888 and 1893, with stays in Paris and Venice, where he captured the architecture and busy canals of the Floating City. This fondness for travel also translated to his home country. He sailed along the East Coast from New Jersey to Main in search of subjects and was an expert navigator, eventually writing the book “Practical Navigation”.
• RARE CAPODIMONTE PORCELAIN LIDDED BOWLItaly
  RARE CAPODIMONTE PORCELAIN LIDDED BOWLItaly circa 1760, the moulded creamware body illustrating various classical figures, fitted with its conforming lid featuring a bacchanal figure of a putto holding a wine goblet, covered overall with a subtle lustrous glaze. Underglaze Naples Factory mark on underside. Handles missing, minor associated damage. Measuring 6" high x 5.75" diameter.
• LARGE ITALIAN MODEL OF THE ARCHANGEL
  LARGE ITALIAN MODEL OF THE ARCHANGEL RAPHAEL Late 18th c., Naples, in the manner of Giuseppe Gore, carved and polychrome painted wood with brass staff, faux jewels at belt, metal spike underneath for positioning, mounted on carved giltwood stand, approx. 21"h x 11"w x 10.5"d, 26.25"h x 16"w x 15"d (incl. stand), 22.5"l (staff)
• DAVID ROBERTS, LEATHER BOUND SKETCHBOOK,
  DAVID ROBERTS, LEATHER BOUND SKETCHBOOK, 1800S Sketchbook of David Roberts (Scotland 1796-1864), a Scottish painter. Book with five sketches, three of which are signed D. Roberts. First is a one page showing two boats with a background of a large mountain, was drawn from a boat. Second is a two page pencil drawing of Naples Italy, taken aboard the Harriet in 1844. Third is a study of cows and a donkey signed. Fourth is a two page pencil drawing of Florence, Italy as seen from the countryside and is signed. The fifth and final sketch shows unknown buildings on one page. Sketchbook is fully leather bound with ornate gilt titling on the front, back and spine. Latch present. Key not present.
• A GRAND TOUR BRONZE STATUETTE OF A ROMAN
  A GRAND TOUR BRONZE STATUETTE OF A ROMAN GODDESS Circa 1900, patinated bronze, unmarked, depicting Fortuna or Victory (Nike) standing on a globe raised on winged paw feet, after the antique found in the Herculaneum now archived in the Museo Archeologico Nazionale di Napoli, Naples, Italy.
• JOSEPH BEUYS (1921-1986): UNTITLEDPencil
  JOSEPH BEUYS (1921-1986): UNTITLEDPencil on paper, 1972, signed and dated on reverse, with label from Lucio Amelio, Naples. 9 x 12 3/4 in. (sheet, unfolded), 30 x 22 1/4 in. (frame). Condition A vertical crease at center where previously folded. Some unobtrusive surface soiling. Otherwise in good condition. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• LUIGI ONTANI (B. 1943): UNTITLEDHand-tinted
  LUIGI ONTANI (B. 1943): UNTITLEDHand-tinted photograph, 1978, signed on the reverse, with label from Galleria LP220, Torino and Lucio Amelio, Naples. 11 3/4 x 9 in. (sheet), 12 3/8 x 9 1/2 in. (frame). Condition In very good condition. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• OIL ON CANVAS, DATED 1867Oil on canvas,
  OIL ON CANVAS, DATED 1867Oil on canvas, dated 1867 , of an American sidewheeler off the coast of Naples, signed indistinctly, 13" x 20". Competitive in-house shipping is available for this lot. Condition: Good condition with light craquelure. Surface dirt.
• Thomas Wright of Newark (1773-1839)
  Thomas Wright of Newark (1773-1839) - Mountainous Landscape with Figures, inscribed upper left "St Agata between Rome & Naples (NB. This is not a faithful view - mountain too high)", signed again and dated verso St Agada - Mountains near Cap... Jny 30th, watercolour, 42 x 59.5cm, unframed  Provenance: The Rev. J B Wright, Shelford Hall, Nottinghamshire More Information Minor tears and edge loss extreme left and one or two small spots of foxing but in otherwise very good overall condition
• ITALIAN CREAMWARE NEOCLASSICAL FIGURAL
  ITALIAN CREAMWARE NEOCLASSICAL FIGURAL RETICULATED CRUET SET, CIRCA 1790-1810, NAPLES OR VENICE HEIGHT: 10 3/4 IN. (27.3 CM.)ITALIAN CREAMWARE NEOCLASSICAL FIGURAL RETICULATED CRUET SET, CIRCA 1790-1810, NAPLES OR VENICE, enameled blue crowned triangle and c mark to stand, consisting of a quatrefoil acanthus footed stand, fitted with two pierced casters for salt and pepper and two bottles for oil (oleo) and vinegar (aceto), the shoulders applied with a relief key-pattern band, the central spindle modeled as a classically draped female figure holding a large floral bouquet Dimensions: Height: 10 3/4 in. (27.3 cm.) Provenance: With Sean O'Criadain Antiques, Dublin, March 1986 (who purchased it in Rome), 475 IR pounds ($641) From the Collection of Diana Edwards Murnaghan, No. 158
• ITALIAN CREAMWARE FIGURE OF 'THE CROUCHING
  ITALIAN CREAMWARE FIGURE OF 'THE CROUCHING VENUS', LATE 18TH/EARLY 19TH CENTURY HEIGHT: 6 1/8 IN. (15.6 CM.)ITALIAN CREAMWARE FIGURE OF 'THE CROUCHING VENUS', LATE 18TH/EARLY 19TH CENTURY, after the Antique Hellenistic sculpture, impressed crowned N mark, possibly for Naples, the nude goddess of beauty depicted surprised at her bath, wearing only an arm band, the stepped circular base exterior impressed "V. FIRENSE" Dimensions: Height: 6 1/8 in. (15.6 cm.) Provenance: With an antique shop in Wells, Maine, 1986, ($85) From the Collection of Diana Edwards Murnaghan, No. 156 Catalogue note: See the Crouching Venus prototype, Haskell and Penny, "Taste and the Antique", (1981), no. 86; There is also a version of The Crouching Venus in the Vatican.
• WEDGWOOD LACQUER SNUFF-BOX AND COVER
  WEDGWOOD LACQUER SNUFF-BOX AND COVER WITH TRI-COLOR JASPERWARE MEDALLION, CIRCA 1790 DIAMETER: 2 7/8 IN. (7.3 CM.)WEDGWOOD LACQUER SNUFF-BOX AND COVER WITH TRI-COLOR JASPERWARE MEDALLION, CIRCA 1790, the mounts perhaps Matthew Boulton, Soho Birmingham, cylindrical, the central lavender medallion sprigged with Neptune (Poseidon) and Minerva (Athena) disputing the naming of Athens, the blue and white border with a laurel Vitruvian scroll Dimensions: Diameter: 2 7/8 in. (7.3 cm.) Provenance: Gift of J.V.G. Mallet, October 2017, 800 pounds From the Collection of Diana Edwards Murnaghan, No. 488 Catalogue note: For a blue and white medallion of the same subject, see The British Museum, London, accession no.1887,0307,I.671. The 'Cameo' source, once owned by the King of Naples, appears in the 'Tassie and Raspe catalogue' of 1791, as no. 1768.
• AFTER LAVINIA FONTANA OIL, CHRIST &
  AFTER LAVINIA FONTANA OIL, CHRIST & WOMAN AT WELL "Christ and the Samaritan woman at the well," oil on canvas, after the original by Lavinia Fontana (Italian, 1552?1614). Image: 30" H x 24.75" W; frame: 36" H x 30.75" W x 2.5" D. Note: The original composition by Lavinia Fontana is in the Capodimonte Museum, Naples.
• RUSSIAN SCHOOL PORTRAIT ORDER OF ST
  RUSSIAN SCHOOL PORTRAIT ORDER OF ST ANDREW, 18TH C 18th century Russian or Continental School oil on canvas, the portrait depicting a gentleman recipient of the Order of St Andrew with white dog, perhaps Ferdinand I (12 January 1751 - 4 January 1825), known as Ferdinand IV of the Kingdom of Naples and Ferdinand III of the Kingdom of Sicily; later known as Ferdinand I of the Two Sicilies. Image: 31.75" H x 25.25" W; frame: 39" H x 32.5" W x 2.5" D. Craquelure, minor restorations including patch repair visible from reverse.
• SCHEIBE-ALSBACH GERMAN PORCELAIN MILITARY
  SCHEIBE-ALSBACH GERMAN PORCELAIN MILITARY FIGURES Two Scheibe-Alsbach German porcelain model of Prince Joachim Murat (French 1767-1815) & Louis Lepic, Count Lepic (French 1765-1827), both in military uniform, inscribed to bases and with blue mark and further inscriptions under bases. 9.5" H x 3" W x 2.75" D. Royal and Military interest. Note: Joachim Murat was brother-in-law to Napoleon I and granted titles of Marshal of the Empire and Admiral of France, 1st Prince Murat, Grand Duke of Berg, and later King of Naples & Lepic was General of Division under Napoleon I
• GRAND TOUR STYLE BRONZE DOUBLE OIL LAMP
  GRAND TOUR STYLE BRONZE DOUBLE OIL LAMP Grand Tour style bronze double oil lamp, after the antique, the scrolling handle with foliate palmette motif, the lid with cherub and swan detail. 6.25" H x 9.5" diameter. Provenance: Removed from a 983 Park Avenue estate. Note: Wealthy Roman families used and displayed lamps and examples with multiple nozzles that burned more fuel was a display of social standing and financial success. The form of this is beautiful; there is a similar piece held by the National Archaeological Museum in Naples.
• GROUP OF LEATHER BOOKS AND BINDINGS,
  GROUP OF LEATHER BOOKS AND BINDINGS, 5 Five 19th century bindings Memoires du Joseph (Joseph-Napol?on Bonaparte, King of Naples) volumes 4, 5, 6, 8, and 10 (in French, with ex-libris label "William Johnston", missing volumes 1, 2, 3, 7, and 9), bound in gilt-heightened tan leather with marbled endpages and edges. Octavo 8vo. Largest 8.5" H x 5.75" W. Wear, toning, pencil, foxing, stains, losses, one front cover missing