A few examples of appraisal values for
NATALIE

• NATALIE A. WRIGGINS, PASTEL ON
  NATALIE A. WRIGGINS, PASTEL ON PAPERNatalie A. Wriggins (American 1935-2006), pastel on paper of a Maine landscape Noon Haze/ 2006 , unsigned, with estate label verso, sight - - 16" x 21 3/4", frame - 25 5/8" x 31". Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• NAT CLINTON UNTITLED 2018
  NAT CLINTON UNTITLED 2018 ACRYLICNatalie Walker (Nat Clinton) (Missouri, contemporary) Untitled, 2018 Acrylic on canvas 30" x 40" Signed and dated to the reverse. Condition Excellent condition.
• NAT CLINTON UNTITLED 2017
  NAT CLINTON UNTITLED 2017 ACRYLICNatalie Walker (Nat Clinton) (Missouri, contemporary) Untitled, 2017 Acrylic on canvas 30" x 24" Signed and dated to the reverse. Condition Excellent condition.
• NAT CLINTON UNTITLED 2017
  NAT CLINTON UNTITLED 2017 ACRYLICNatalie Walker (Nat Clinton) (Missouri, contemporary) Untitled, 2017 Acrylic on canvas 48" x 36" Signed and dated to the reverse. Condition Excellent condition.
• VERY RARE PAIR OF GRAEME PARK
  VERY RARE PAIR OF GRAEME PARK PHILADELPHIA QUEEN ANNE C...1740-1760, each with scrolled and shell carved crest over a figured splat with four scrolled volutes, set on shell carved legs with trifid feet, upholstered compass seats, one retaining early and probably original needlework upholstery and under upholstery marked with "IV" and matching slip seat marked "IV", 42-1/2 x 21 x 22-1/2 in. Provenance: Probable line of descent, needlework upholstered example: Dr. Thomas Graeme (1688-1772), Graeme Park, Horsham, Pennsylvania; Elizabeth Graeme Fergusson (1737-1801), Graeme Park, daughter; Dr. William Smith (1746-1822), Graeme Park, by transfer from above, husband of niece; Samuel Penrose (1748-1833), Graeme Park, by purchase from above; William Penrose (1782-1863), Graeme Park, by purchase from above in 1821, son; Ann (Penrose) Iredell (1811-c.1881), Graeme Park and Davis Grove Road, Horsham, daughter; Hannah (Iredell) Twining (b. 1839), Davis Grove Road, Horsham, Pennsylvania, daughter; Ida (Twining) Jones (c.1873-1968), Green Meadows Farm, Warrington, Pennsylvania, daughter; Thence by descent; Sold, Sotheby's, New York, 22 October 1983, lot 254; Private Collection, purchased from above; Sold, Sotheby's, New York, 17 and 19 January, 1997, lot 778 for $118,000; Leigh Keno, Inc., New York; Property of Eric Martin Wunsch; Sold Christie's New York, September 25, 2013 lot 8 for $40,000 hammer Pink upholstered example: Probably made for Dr. Thomas Graeme (1688-1772), Graeme Park, Horsham, Pennsylvania Mrs. J. Insley Blair (Natalie Knowlton) (1883-1951), Manhattan and Tuxedo Park, New York Natica (Blair) Lorillard (1913-1955), daughter Screven Lorillard (1909-1979), husband Alice (Whitney) Lorillard (1919-2015), wife Thence by descent in the family Collection of Mrs. J. Insley Blair, sold Christie's, New York, January 20, 2017, lot 542 for $50,000 Important Private Virginia Estate Note: The Christie's catalog entry for the needlework upholstered example records that "With its original needlework upholstery cover and a notable provenance, this side chair is an important and rare survival from mid-eighteenth century Philadelphia. As indicated by the Roman numerals on its frame and slip-seat, the chair was originally part of a larger set of at least nine chairs of which two or three others are known. These comprise a chair at Colonial Williamsburg, a single example advertised in 1956, and a third, which may or may not duplicate the previous example, published in 1960 and sold in 1998 (David Stockwell, advertisement, The Magazine Antiques (September 1956), p. 173; Barbara Snow, "Living with Antiques: The Home of Mr. and Mrs. J. Stanley Lee, Newtown, Pennsylvania," The Magazine Antiques (September 1960), p. 240; Wechsler's Auction House, Washington D.C., 17 January 1998, lot 185). The first three are illustrated with needlework seat covers that are virtually identical to that made for the chair offered here. With green grounds and stylized leaves and flowers worked in shades of red, yellow, blue and green threads, these covers represent the original coverings. As discussed by Morrison H. Heckscher, this set is distinguished by the broad width of its splats. A side chair now at the Metropolitan Museum of Art with slightly variant shell carving but an identical splat was most likely made in the same shop and, with a similar historical association as the set represented by the chair offered here, may have furnished the same eighteenth-century household (Morrison H. Heckscher, American Furniture: The Queen Anne and Chippendale Styles (New York, 1985), pp. 82-83, cat. 38). This chair descended to the twentieth century with a history of being part of the furnishings of Graeme Park in Horsham, Pennsylvania, a provenance that is supported by the other known chairs from the same set, all of which were also associated with the historic house by their later owners. Originally called Fountain Low and probably constructed for utilitarian purposes, Graeme Park was built in 1722 for Lieutenant-Governor Sir William Keith (1669-1749) on his 1,735 acre estate about twenty five miles north of Philadelphia. Keith returned to England in 1728 and, while the chairs were later thought to have been owned by Keith himself, they date to the period following the house's purchase by Keith's son-in-law, Dr. Thomas Graeme (1688-1772) in 1739. Graeme had accompanied Keith to Philadelphia in 1717 and two years later married Keith's step-daughter, Ann Diggs (d. 1765). After purchasing the house, Graeme re-named the estate and began its transformation into a Georgian summer mansion by re-planting the gardens and retrofitting the house with interior panelling. For almost a hundred years after Dr. Graeme's death in 1772, this set of chairs appears to have remained intact on the estate and owned by successive proprietors of Graeme Park. Graeme bequeathed the estate to his daughter, Elizabeth Graeme Fergusson (1737-1801), a respected poet and scholar who hosted America's first salon, attended by Philadelphia's leading intellectual figures such as Dr. Benjamin Rush and Francis Hopkinson. Elizabeth has been credited with working the floral needlework covers on the chairs, but it is also possible that they were stitched by her mother, Ann Diggs Graeme, especially if the chairs were made closer to 1740 than 1760. Evidence of the latter's proficiency in the needlework arts is suggested by "the Crocadile [sic] in Needle Work by Mrs. Graeme," which was in a bed chamber in 1778; interestingly, the same room had "6 chairs with the old Arm chair," possibly a reference to some of the set represented by this chair. During the Revolutionary War, Elizabeth's husband, Hugh Fergusson, was a Loyalist and deserted not only the country, but his wife. In 1791, Elizabeth transferred ownership of the estate to Dr. William Smith (1746-1822), her niece's husband, and in exhchange, he managed her finances. In 1801, Smith sold the parcel of land that contained the mansion house to Samuel Penrose (1748-1833), a prominent local Quaker farmer, and, in 1821 Samuel sold it to his son, William Penrose (1782-1863), who had been living on the estate with his wife in a separate house since their marriage in 1810. For much of the nineteenth century, Graeme Park was largely uninhabited and looked after by the Penrose family, a circumstance that probably contributed to the survival of the chairs' needlework seat covers ("Addendum to Graeme Park," Historic American Buildings Survey , HABS no. PA-579, pp. 1-29; Thomas Allen Glenn, Some Colonial Mansions and Those Who Lived in Them (Philadelphia, 1899), pp. 367-398; Theodore Webber Bean, History of Montgomery County, Pennsylvania (Philadelphia, 1884), pp. 880-883, 888-896; Simon Gratz, "Some Material for a Biography of Mrs. Fergusson, nee Graeme," Pennsylvania Magazine of History and Biography , vol. 39, no. 3 (1915), p. 295; "People" [biographies], www.graemepark.org ). The set of chairs appears to have been separated upon the settlement of William Penrose's estate in 1865. This chair and the example now at Colonial Williamsburg descended through William's daughter, Ann J. (Penrose) Iredell (1811-c.1881) and remained in the Horsham area until sold out of the family. Colonial Williamsburg purchased their chair from Iredell Twining (1879-1971); his sister, Ida (Twining) Jones (c.1873-1968), was the last family owner identified at the time of this chair's sale at auction in 1983. The chair illustrated in The Magazine Antiques in 1960 (see above) descended to William Penrose's younger daughter, Hannah (1820-1894), who at Graeme Park in 1857, married Isaac Worstall Hicks (1809-1898), son of the celebrated artist, Edward Hicks (1780-1849)." (see https://www.christies.com/lot/lot-5717013) Condition: needlework upholstered example with minor patch at one crest volute, minor brakes and repairs at joint of crest rail to rear stiles and at joint of splat to crest rail (strip patch), old crack/checking at one rear leg, some finish distress at splat, small patch at top of one crest volute, very minor chip at one splat volute, rich color with dry varnished surface with some minor finish distress Needlework example: Christie's catalog entry notes "Retains the original needlework slip seat marked VIIII. Seat frame marked VIII. Crack, repair and surface patch to base of crest just above splat. Crack repairs and minor patches to back of crest at juncture with stiles. Patch to portion of left scrolled volute on crest. Some scratches bruising and wear to legs and feet. Chip to inside of left front leg near ankle. Comes with replaced slip seat. Minor chip to lower scrolled volute on left side of splat. Otherwise good condition." Pink upholstered example: Christie's notes "Underside of front seat rail bears pencil inscription "M Davis". Majority of knee returns appear to be original Crack to left front and right side returns. right returns. Right rear side return possibly replaced. Surface patch to left scrolled volute of crest. Inside of right seat rail bears sticker numbered "25". Some imperfections to dry surface, primarily on backside of chair. Crest re-pinned. Some shrinkage cracks to left front leg. Minor wear and abrasions to legs and feet. Otherwise good condition."
• NATALIE B. BAKER (AMERICAN,
  NATALIE B. BAKER (AMERICAN, 1913-1998). Oil on canvas. Portrait. Exercise in Soyer Class c.1935. Inscribed Baker / Soyer on the reverse in paint and Natalie Baker in pencil. Further inscribed, used in Arts Students League Catalogue as best Soyer class painting. From a Nyack, NY collection. Dimensions: 24" h x 18" w. Condition: Repair lower right. Minor craquelure.
• PETER MAX (NY/GERMANY, 1937 - )
  PETER MAX (NY/GERMANY, 1937 - ) "Valentine", Photolitho Poster with lower caption removed. Signed and incsribed: "To Natalie & Jeff, Love, Peter Max". Sold with signature and dedication only, for $355 on Max's website. From that site: "Peter Max began painting his 'Heart Series' in the 1990s to celebrate the 'Decade of the Heart.' The artist wanted to honor Americans sharing and giving in the arts - celebrating a country with a heart. The artist renders his full heart in voluptuous and curvaceous brushstrokes with a golden, glowing halo and exuberant, swirls of color surrounding it. The poster is gorgeously reproduced capturing the vibrant, joyful color and form of Max's imagining of the universal symbol of love." In glossy black bullnose frame, 24" x 33".
• NATALIE WOOD GYPSY MOVIE POSTER1962
  NATALIE WOOD GYPSY MOVIE POSTER1962 "GYPSY", a Warner Brothers presentation, original movie theater poster starring Natalie Wood, Rosalind Russel, and Karl Malden. #62/399, #62-2242. Frame measures approx. 27 1/4" x 41 1/4". Bottom two corners have small holes, small tear to top right corner. Folding creases present. Not examined out of the frame. See images for more details on condition. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• 18 KARAT YELLOW GOLD PENDANT WITH
  18 KARAT YELLOW GOLD PENDANT WITH MINIATURE PORTRAIT18 Karat Yellow Gold Pendant with Miniature Portrait, gold pendant with glass top, set with an oval shape hand-painted miniature portrait, 55.00 x 41.00 mm. in diameter, 36.1 grams, 67.00 x 41.00 mm. in diameter; Condition: The back hand engraved "Natalie Barleigh Conkling" and "1895"
• SARABELLA CREATIONS TWELVE DAYS
  SARABELLA CREATIONS TWELVE DAYS OF CHRISTMAS CASED ORNAMENT SET Circa 1995, New York, hand-painted mouth-blown gold-toned glass spheres, each from the studio of Natalie Sarabella, made with Swarovski crystallized elements and ribbons, signed and with studio card.
• Natalie Corby Nungarrayi (b.1969
  Natalie Corby Nungarrayi (b.1969 Australian) Aboriginal Oil on Canvas 26.5''x24.5''
• ROYAL DOULTON FIGURINES, NATALIE,
  ROYAL DOULTON FIGURINES, NATALIE, HAPPY BIRTHDAYHN3498, HN3095, stamped Royal Doulton on bottom. Charlton Standard Catalogue 12th Ed. Estimate $500.00. Issued: 20th c. Dimensions: 8"H, tallest Manufacturer: Royal Doulton Country of Origin: England Condition: Overall good
• NATALIE COLORWAY - ROYAL DOULTON
  NATALIE COLORWAY - ROYAL DOULTON FIGURINEPrototype colorway; HN4048; Style 2. Pale yellow and white coloration. Doulton backstamp. #figurine Issued: 20th c. Dimensions: 8.75"H Manufacturer: Royal Doulton Country of Origin: England
• NATALIE - COALPORT PORCELAIN
  NATALIE - COALPORT PORCELAIN FIGURINELadies Of Fashion Collection. Limited edition 716 of 5000. Hand decorated; glazed. Coalport backstamp. #fashion #fashionista Issued: 2005 Dimensions: 9"H Manufacturer: Coalport Country of Origin: England
• NATALIE HN3173 COLOR TRIAL -
  NATALIE HN3173 COLOR TRIAL - ROYAL DOULTON FIGURINERare color trial; hand-painted pink rose pattern skirt with blue top. "TRIAL" stamped on bottom. Royal Doulton backstamp. #Doulton Artist: Peggy Davies Issued: 20th c. Dimensions: 8"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• NATALIE HN3498 - ROYAL DOULTON
  NATALIE HN3498 - ROYAL DOULTON FIGURINEPeggy Davies Classic. Royal Doulton backstamp. Artist: Peggy Davies Issued: 1993-1999 Dimensions: 8"H Manufacturer: Royal Doulton Country of Origin: England
• NATALIE - COALPORT
  NATALIE - COALPORT FIGURINELimited edition bone china that is part of the Ladies Of Fashion Collection. Depicts lady in a mint green dress with sky blue and silver shawl ; silver earrings and necklace. Coalport backstamp. This item has no reserve. Artist: Jack Glynn Issued: 2005 Dimensions: 6.25"L x 7"W x 9"H Edition Size: 1040 of 5000 Manufacturer: Coalport Country of Origin: England Condition: Age related wear.
• NATALIE - COALPORT
  NATALIE - COALPORT FIGURINELimited edition bone china that is part of the Ladies Of Fashion Collection. Depicts lady in a mint green dress with sky blue and silver shawl ; silver earrings and necklace. Coalport backstamp. Artist: Jack Glynn Issued: 2005 Dimensions: 6.25"L x 7"W x 9"H Edition Size: 1040 of 5000 Manufacturer: Coalport Country of Origin: England Condition: Age related wear.
• REBEL WITHOUT A CAUSE.Rebel Without
  REBEL WITHOUT A CAUSE.Rebel Without a Cause. Warner Bros., 1955. One sheet (41 x 27"). James Dean, as Jim Stark, depicted with a cigarette in hand, leaning against a brick wall, in the poster for the classic film directed by Nicholas Ray, co-starring Natalie Wood. A beautifully restored copy, linen-backed, with multiple tears and losses restored, and discolorations enhanced across the image. B+.
• NATALIE VENTIMIGLIA,ENTERING THE
  NATALIE VENTIMIGLIA,ENTERING THE GAME: HUNGARYSigned,2017,Fused and flame worked glass,16h x 19w x 3.5d. Image shows two views, with door closed, and door open. · US based glass artist, Natalie Ventimiglia, explores the inner-world through a spiritual lens. Utilizing flameworking and kiln formed techniques; Ventimiglia creates colorful, expressionistic, conceptually self-reflective compositions. Her glass artwork is both, whimsical and systematic; mirroring two worlds in opposition. · Ventimiglia received her Bachelors Degree in Biochemistry from Michigan State University. She has since studied Energy, Vibration, and Feng Shui in order to create site specific art that intentionally raises the vibration of the space it occupies. · Ventimiglia was also named one of the Top 25 Artists of 2019 by DESTIG Magazine and has been featured in other publications such as House & Garden Magazine, British GQ, Glass Craftsman Magazine, and many more. Condition: Excellent
• FOUR OILS TO INCLUDE: NATALIE B.
  FOUR OILS TO INCLUDE: NATALIE B. BAKER (1913-1998), OIL...Four oils to include: Natalie B. Baker (1913-1998), oil on canvas, young girl with long hair, signed lower right N. Baker, in painted and gilt frame; oil on canvas, young child playing in water, unsigned, in painted frame; oil on board, two young children in field, unsigned, in gilt frame; and oil on board, children in field, unsigned, in gilt frame, largest 14" x 10". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• MINIATURE ROMAN / HOLYLAND VESSELS,
  MINIATURE ROMAN / HOLYLAND VESSELS, POTTERY & GLASSNear East, Holy Land, ca. 3rd BCE to 3rd century CE; Roman, Imperial Period, ca. 1st to 3rd century CE. A collection of 3 miniature pottery jars or vases, a Roman glass flask, a mold formed pottery head fragment, and a pottery oil lamp. The head is of a young woman, perhaps a goddess, and the flattened verso suggests she was once an applique or lug on a vessel. Each of the pottery jars have a slender neck and slightly flared spout, and the glass flask is similar in shape and size, is likely these stored sweet and floral oils and perfumes. Size of largest pottery jar: 2" Diameter x 5" H (5.1 cm x 12.7 cm) Please note these were part of the Leavitt Hunt collection. Hunt (1831 to 1907) was a lawyer, world traveler, and photographer and the first American, if not the first person, to make a photographic record of the Near East and Mediterranean, during his "Grand Tour" from 1851 to 1852, alongside his friend, Nathan Flint Baker (1820-1891). Hunt and Baker captured calotype images of some of the greatest ancient ruins of the Classical World, and these prints are invaluable early artistic photographs as well as historical records of the sites, and several were donated by Hunt's family to the Library of Congress as part of the permanent collection, as well as other institutions. Besides taking photos, artifacts were personally collected by Hunt in the various countries he visited, including these items! Provenance: ex-Natalie Capron, Vermont, USA, 1972 to 2008, now by her heirs; ex-Maurice Crandall, Vermont, 1941 to 1972; ex-Clyde du Vernet Hunt, Vermont, 1916 to 1941; ex-Katherine Jarvis Hunt, Vermont, 1907 to 1916; ex-Leavitt Hunt, Vermont, collected 1851 to 1852 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #174411 Condition: Chips and abrasions to pottery jars and earthen deposits. Pottery head is a fragment from as larger vessel as shown, with softening to features. Loss to rim of glass vial. Heavy mineral / earthen encrustations on oil lamp.
• 19TH C. TURKISH CHIBOUK PIPE
  19TH C. TURKISH CHIBOUK PIPE STEMSNear East, Ottoman Empire / Turkey, ca. late 19th century CE. A collection of 4 wood chibouk pipe stems; three are adorned with glass beading and tassels, and one with a walrus ivory mouthpiece. The polished ivory mouthpiece is mounted to a wood stem, and an enameled copper ring encircles the ivory. The other stems are covered with cloth and threads strung with clusters of glass seed beads arranged into fours are wrapped around the midsection. Additional brass wires are then coiled and diagonally laced around the beads. Size of longest: 13.25" L x 0.75" W (33.7 cm x 1.9 cm) This is an ESA antique exempt piece of ivory and cannot be sold internationally to several countries or to anyone residing in the states of California, Hawaii, Illinois, Nevada, New Hampshire, New Jersey, New York, Vermont, Oregon, and Washington DC. Please check your country’s laws before bidding on this piece. Please note this was part of the Leavitt Hunt collection. Hunt (1831 to 1907) was a lawyer, world traveler, and photographer and the first American, if not the first person, to make a photographic record of the Near East and Mediterranean, during his "Grand Tour" from 1851 to 1852, alongside his friend, Nathan Flint Baker (1820-1891). Hunt and Baker captured calotype images of some of the greatest ancient ruins of the Classical World, and these prints are invaluable early artistic photographs as well as historical records of the sites, and several were donated by Hunt's family to the Library of Congress as part of the permanent collection, as well as other institutions. Besides taking photos, artifacts were personally collected by Hunt in the various countries he visited, including this piece. Provenance: ex-Natalie Capron, Vermont, USA, 1972 to 2008, now by her heirs; ex-Maurice Crandall, Vermont, 1941 to 1972; ex-Clyde du Vernet Hunt, Vermont, 1916 to 1941; ex-Katherine Jarvis Hunt, Vermont, 1907 to 1916; ex-Leavitt Hunt, Vermont, collected 1851 to 1852 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #174407 Condition: Stems of pipes only, missing bowls. Stable fissures and abrasions. Losses to wood tips. Fraying to silk tassels. Enameled copper ring is reattached to the ivory in modern times with adhesive.
• EGYPTIAN FAIENCE THOTH AMULET +
  EGYPTIAN FAIENCE THOTH AMULET + BRONZE SUN DISKEgypt, Late Dynastic Period, 26th to 31st Dynasty, ca. 664 to 332 BCE. A lovely pair of artifacts from Ancient Egypt: a faience amulet of the god Thoth and a bronze sun disk. Enveloped in turquoise glaze, the ibis-headed deity is shown in stride, wearing a pleated skirt with arms at sides. Conversely, the bronze sun disk is flanked by a pair of cow horns meant to represent the goddess Hathor. Size of larger (Thoth pendant): 0.5" W x 2" H (1.3 cm x 5.1 cm) Please note this was part of the Leavitt Hunt collection. Hunt (1831 to 1907) was a lawyer, world traveler, and photographer and the first American, if not the first person, to make a photographic record of the Near East and Mediterranean, during his "Grand Tour" from 1851 to 1852, alongside his friend, Nathan Flint Baker (1820-1891). Hunt and Baker captured calotype images of some of the greatest ancient ruins of the Classical World, and these prints are invaluable early artistic photographs as well as historical records of the sites, and several were donated by Hunt's family to the Library of Congress as part of the permanent collection, as well as other institutions. Besides taking photos, artifacts were personally collected by Hunt in the various countries he visited, including this piece. Provenance: ex-Natalie Capron, Vermont, USA, 1972 to 2008, now by her heirs; ex-Maurice Crandall, Vermont, 1941 to 1972; ex-Clyde du Vernet Hunt, Vermont, 1916 to 1941; ex-Katherine Jarvis Hunt, Vermont, 1907 to 1916; ex-Leavitt Hunt, Vermont, collected 1851 to 1852 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #174390 Condition: Losses to Thoth's feet and plinth. Both have expected surface wear with nick, abrasions, and softening of detail, commensurate with age. Great remaining glaze on faience and rich patina throughout both.
• Natalie Toplass
  Natalie Toplass (Contemporary)/Thistle/signed verso/oil on canvas, 153.5cm x 51cm, unframed/Provenance: Montpellier Art Gallery, Cheltenham
• NATALIE ABRAMS. "UNTITLED 12.20,"
  NATALIE ABRAMS. "UNTITLED 12.20," ENCAUSTIC (American, 20th century). Three dimensional encaustic wall mount sculpture on board, signed, 30 x 30 inches. Piece was recently exhibited in "Renewal" a group show at the Luther W. Brady Art Gallery, Corcoran Flagg Building, Washington, DC, featuring Robert Stackhouse and 23 members of the Washington Sculptor Group.
• Natalie Goncharova Abstract
  Natalie Goncharova Abstract Lithograph Print. Grand Bal du Nuit Modernist Puzzle Pieces. Imp Joseph-Charles. Paris. Natalia Goncharova designed this poster for the Grand Bal des Artistes held at the Salle Bullier, Paris, on February 23, 1923. This is a rare version of this poster before lettering Dimensions: Image Size: H: 47 inches: W: 29.5 inches: Frame Height: 51 inches: Frame Width: 33 inches --- Condition: Light rippling to paper.
• MARQUIS DE LAFAYETTE, AUTOGRAPH
  MARQUIS DE LAFAYETTE, AUTOGRAPH LETTER, SIGNED Gilbert du Motier, Marquis de La Fayette ( 1757-1834), ALS signed "Lafayettye", one page, dated 1829, addressed to "Madame (?) de Berry", text begins "I want to thank you for a good and kind letter" and seems to concern a visit to Paris and family news, mentioning "Natalie", possibly Lafayette's granddaughter, with wax seal and portrait engraving, 8.5"h x 14.25"w (letter), 32"h x 25.5"w (frame)
• NATALIE GONTCHAROVA, UNCUT SHEET OF
  NATALIE GONTCHAROVA, UNCUT SHEET OF LITHOGRAPHS Natalie Gontcharova (Russian, 1881-1962), (8) illustrations for "La Cite", 1920, each initialed in the plate, loose and unframed, 7.5"h x 4.25"w (each image), 17.5"h x 22"w (sheet)
• THREE NATIVE AMERICAN JEMEZ RED &
  THREE NATIVE AMERICAN JEMEZ RED & BLACK VASES American, late 20th century. Three Jemez redware pottery vases with pueblo motif by Natalie Sandia, Caroline Loretto, and Mary H. Loretto. All signed to underside. Approx. h. 7", w. 7.5" (largest), h. 2", w. 3" (smallest)
• KEITH HARING, AMERICAN (1958 -
  KEITH HARING, AMERICAN (1958 - 1990), PARADISE GARAGE PARTY INVITATION, MAY 16, 1984, SCREEN PRINT ON HANDKERCHIEF, 15 1/4"H X 15 1/4"WKeith Haring, American, (1958 - 1990) Paradise Garage party invitation, May 16, 1984, screen print on handkerchief signed and dated in the print. From AskArt: Born in Kutztown, Pennsylvania, Keith Haring became known for graffiti art and cartoon art and became a leading figure in the New York contemporary art world of the second half of the 20th century. He was raised in Kutztown and then after high school, moved to Pittsburgh and began to study commercial art. In 1978, he moved to New York City and studied at the School of Visual Arts where he and artist Kenny Scharf became companions. Haring began to experiment with graffiti, painting first on subway walls. He became known for his complex, pandemonic, jigsaw -puzzle like paintings, intended to be iconography of American life. Usually he would begin by making the border around the work and then would go inside the space. He said "the whole painting is the cartoon of a cartoon." In 1982, he had his first exhibition, which was held at the Tony Shafrazi Gallery in New York. Whitney Museum curators organized a major retrospective of his work in 1997. He died of AIDS in 1990. His work is subject of numerous magazine articles including by Natalie E. Phillips."The Radiant (Christ) Child: Keith Haring and the Jesus Movement." American Art, Fall 2007 screen print on handkerchief Dimensions: 15 1/4"H x 15 1/4"W
• PAUL BURLIN, NEW YORK
  PAUL BURLIN, NEW YORK (1886-1969), STAIRWAY OF SURPRISE, 1961, OIL ON CANVAS, 10"H X 13 3/4"W, 11"H X 14 1/2"W (FRAME)Paul Burlin, New York, (1886-1969) Stairway of Surprise, 1961, oil on canvas Signed and dated lower right. Signed and titled verso. Biography from the Archives of askART: Born in New York City, Paul Berlin was a semi-abstract painter who achieved early success as a landscape, portrait, and mural painter in New York. His early art education was at the National Academy of Design, and he also studied art in England. In the 1920s, 30s and 40s, he exhibited and lectured widely and was well known nationally. Inspired by a 1913 visit to the Southwest, he became an early member of the Santa Fe school of western painting and did Indian portraits and landscapes including the Grand Canyon. In the 1912 Armory Show exhibition, he was one of the youngest members in the exhibition and the only painter who had visited the Southwest. However, his abstract, expressionistic style was viewed suspiciously by other painters in the West. Burlin continued to visit the Southwest, and in 1917 married Natalie Curtis, a woman from New York who had studied in Europe and who subsequently lived in New Mexico and Arizona and devoted herself to preserving the culture, language and traditions of Native Americans. She was especially focused on the songs and chants of the Hopi Indians. Curtis and Burlin lived in Santa Fe, but in 1921, Curtis, age 46, was killed in Paris by an automobile when she and her husband were in Paris attending an International Congress on the History of Art. Burlin taught at the Art Students League summer school in Woodstock, New York after it was re-established, following World War II, in 1947. He was a member of the American Congress of Artists and was active in the Provincetown Art Colony. He taught at the Colorado Springs Fine Art Center, the University of Wyoming, and Washington University in St. Louis. A fellow of the MacDowell Colony, in Peterborough, New Hampshire, Burlin was represented in an exhibition in 1997, "Community of Creativity: A Century of MacDowell Colony Artists," that traveled from the National Academy of Design, New York City, to the Wichita Art Museum, Kansas. In 1962, the Whitney Museum of American Art, New York City, held a retrospective exhibition of Burlin's work. Collections include the Museum of Modern Art, New York City; Whitney Museum of American Art; Provincetown Art Association and Museum, Massachusetts; and the Museum of New Mexico, Santa Fe. oil on canvas Dimensions: 10"H x 13 3/4"W, 11"H x 14 1/2"W (frame)
• THREE SOUTHWEST NATIVE AMERICAN
  THREE SOUTHWEST NATIVE AMERICAN POTTERY VESSELS INTHREE SOUTHWEST NATIVE AMERICAN POTTERY VESSELS Including: a bowl by Teresita Tafoya, hand decorated with geometric figures signed on base "Terecita Tafoya Jemez Pueblo N.M.ex D.T." Height 6"; Natalie Sandia small seed pot, decorated with orange, white and gray, 5 1/2" diameter signed on base; Mida Tafoya blackware bowl with carved design, signed on base, 4 1/2" tall.
• PAIR OF GRETA HOLLYWOOD REGENCY
  PAIR OF GRETA HOLLYWOOD REGENCY LIMED OAK MIRRORED DRESSERS 34 1/4 X 45 X 20 IN. (87 X 114.30 X 50.80 CM.)PAIR OF GRETA HOLLYWOOD REGENCY LIMED OAK MIRRORED DRESSERS, three drawers with round glass pulls, beveled mirror insert to top, label to underside: Model, Natalie Lio, 2014 (2) Dimensions: 34 1/4 x 45 x 20 in. (87 x 114.30 x 50.80 cm.)
• GOLD OVER SILVER ENAMEL SNUFF
  GOLD OVER SILVER ENAMEL SNUFF BOXGOLD OVER SILVER ENAMEL SNUFF BOX, cut corner rectangular snuff box approx. h: 3 1/8 x w: 1.75 x d .5 in., hallmark ET in rectangular box indicates Edward Thomason Birmingham 1817, white and green enamel in floral motif on all sides, top and bottom, round image of Cupid in center of chased square frame, inside hinged lid engraved NATALIE J. VANN VLECK
• NATALIE CRAWFORD, NEAR ADAM'S CREEK
  NATALIE CRAWFORD, NEAR ADAM'S CREEK AND SUNFLOWER FENCE, TWO COLLOGRAPHS IN COLOR, LARGER FRAME: 22 X 16 IN. (55.9 X 40.6 CM.)Natalie Crawford, Near Adam's Creek and Sunflower Fence, Two Collographs in Color,, Dimensions: Larger Frame: 22 x 16 in. (55.9 x 40.6 cm.)