A few examples of appraisal values for
NEGRO

• MAJOLICA BLACKAMOORMajolica
  MAJOLICA BLACKAMOORMajolica Blackamoor
• BLACK & WHITE PHOTO OF A ZULU
  BLACK & WHITE PHOTO OF A ZULU WARRIOR h:53 w:42 in. Other Notes: DHS
• Ceramic blackamoor, in two
  Ceramic blackamoor, in two sections, wearing turban and holding pillow, mid 20th century, 43 in. Repairs to pillow mounts, some abrasions, retouch, tape residue. The Estate of the Late John R. Jones, Hickory, North Carolina.
• Black For
  Black For
• Rare, Large American "Cigar
  Rare, Large American "Cigar Store" Blackamoor, first quarter 20th century, the carved and polychromed wooden figure of a youth wearing a black cap, a black waistcoat, a plaid shirt and boldly red- and white-striped pants, h. 48-1/2", w. 15", d. 10-1/2".
• BLACK AMERICANA TINTYPE, AFRICAN
  BLACK AMERICANA TINTYPE, AFRICAN AMERICAN MANTintype sixth plate photograph, depicting a young black man, elegantly dressed, with hand-colored foliage, as well as gold-accented ring and watch chain. Measures 2-1/8" x 3-3/8". shipping info This item can be shipped in-house.
• Italian Polychromed Blackamoor,
  Italian Polychromed Blackamoor, mid-19th century, the figure holding a pillow atop his head, the face inset with glass eyes, raised on an ebonized square pedestal, h. 46", w. 16", d. 14".
• RUFINO TAMAYO 'LA NEGRESSE' COLOR
  RUFINO TAMAYO 'LA NEGRESSE' COLOR LITHOGRAPHRufino Tamayo, Mexican (1899-1991). 'La Negresse' color lithograph on paper. Signed and numbered in pencil #76/150. Paper visible 29" H x 22" W, framed 37.5" H x 27.5" W.
• 1 piece. (African-American
  1 piece. (African-American Subject.) Color Poster. "Slick Black Colors Gray Hair Black in 1 Minute, Straightens Temporarily." N.p., n.d. [ca. 1940]. 16 x 11 inches (406 x 279 mm). Printed in orange, black & yellow on board. Condition B+/A-: minor edge wear.
• A Carved and Polychrome Decorated
  A Carved and Polychrome Decorated Blackamoor Figure depicted in a turquoise robe and turban standing with both arms raised set on a square base with canted corners. Height 63 inches.
• 19TH C. BLACK AMERICANA
  19TH C. BLACK AMERICANA PHOTOGRAPHPost Civil War period, Jim Crow era, sepia toned albumen silver print cabinet card titled " I Specs Ise Born Tired" marked into the negative. A rare post Restoration view of a young African American boy leaning against a tree. Printed on paper mounted on a card with gold gilt edges. Taken by Hauery Artistic Studies of Jacksonville, Florida. A copy of this photograph is held and documented by the International Center of Photography. Approx. 5" L x 8-3/8" H. Some discoloration and wear. See images for detail. This item can be shipped in-house.
• The History of the Negro Race in
  The History of the Negro Race in America from 1619 to 1880. Negroes as Slaves Soldiers and as Citizens by George W. Williams New York & London: G. P. Putnam's Sons 1883. Two volumes in one hardbound in green cloth with gilt banding on cover and black printed text on cover spine with gilt lettering. Engraved portrait frontispiece of the author with tissue guard. vol one 481 pp second volume 611 pp. George Washington Williams was a soldier a minister a journalist a politician and a historian. He is best known for his political and historical writings. His most famous work was History of the Negro Race in America 1618-1880. Most of his works focused on race politics or war tactics. Williams was also the first African-American to be appointed to the Ohio State Legislature.
• African American female portrait,
  African American female portrait, pencil on paper; 4 1/2" x 6"; initialed "CW" lower left, possibly Charles Wilbert White (American, 1918-1979).
• (AFRICAN AMERICANA) A group of
  (AFRICAN AMERICANA) A group of seven books pertaining to African American history in slipcases. Music and Some Highly Musical People... By James M. Trotter. Boston: Lee and Shepard 1881. A Scriptural Ecclesiastical and Historical View of Slavery. By John Henry Hopkins. New York: W.I. Pooley (1864). Whether White or Black A Man. By Edith Smith Davis. Chicago: Fleming H. Revell 1898. John Brown. By Dr. Hermann Von Holst. Boston: Cupples and Hurd 1889. Portraits in Color. By Mary White Ovington. New York: Viking 1927. Race Adjustment: Essays on the Negro in America. By Kelly Miller. New York: Neale 1908. The Negro American Family. Atlanta: Atlanta University Press 1908.
• 19th Century Italian polychrome
  19th Century Italian polychrome blackamoor finely carved wearing an ostrich feather costume and turban with outstretched hands resting on a faux stone base. 62''H x 25.75''W
• African-American genre painting,
  African-American genre painting, fiddle player and family in cabin yard, unsigned, oil on canvas, canvas stencil verso "Williams…New York", American School, 19th century, 12 x 16 in.; original 19th century gilt wood cove molding frame with stenciled pebble panel, label verso "O.J. Copeland…Picture Frames". Original stretcher and tacking edge, craquelure, light grime, retouch at center; frame with abrasions, portions resurfaced. Private Collection, Charleston, South Carolina
• Grouping of African American dolls,
  Grouping of African American dolls, porcelain and plastic
• A Pair of Ceramic Blackamoor
  A Pair of Ceramic Blackamoor Figures depicting a male and female each in traditional outfit and playing a musical instrument. Height 18 1/2 inches.
• A Venetian Style Parcel Gilt and
  A Venetian Style Parcel Gilt and Polychrome Decorated Blackamoor the standing figure depicted upon a cushion and bearing a circular tray. Height 35 inches.
• Victor Émile Prouvé (French
  Victor Émile Prouvé (French 1858-1943) "Seated Black Man" c. 1880 black chalk on paper initialed lower right sheet 25 in. x 16 1/4 in. unframed.
• AFRICAN MASK.
  AFRICAN MASK.
• O. P. SUSMEYAN AFRICAN AMERICAN
  O. P. SUSMEYAN AFRICAN AMERICAN NUDE PHOTOGRAPH Massachusetts,20th CenturyDepicts a nude African American woman seated on a stool with knees drawn up to her chest engulfed by soft light giving the image a luminous quality.
• BLACK & WHITE PHOTO BABYLON BY
  BLACK & WHITE PHOTO BABYLON BY DARRYL SAVAGE h:51.50 w:43 in. Other Notes: DHS
• Anglo-Indian Carved and Ebonized
  Anglo-Indian Carved and Ebonized Thorn and Macassar Ebony "Blackamoor's Head" Walking Stick, the eyes of inlaid white opaline and black glass, the teeth inlaid bone, h. 35-1/4".
• NICOLAS AFRICANO / BLACK GOOSE
  NICOLAS AFRICANO / BLACK GOOSE (1971 CHARCOAL)Nicolas Africano (Illinois, b. 1948) Black Goose , 1971 Charcoal on paper 5 1/4" x 3 3/4" (sight) Of this work and the two accompanying works ( The Serpent and Elemental Forces ), Bill Morgan offered the following commentary: "In this period of his life (early 20s), Nicolas sometimes felt he was being pursued by sinister forces he tried to confront through his art." Presented behind glass in a wooden frame that measures 16" x 13". Provenance : From the Bill & Ellen Morgan collection. Bill Morgan is a professor emeritus of English at Illinois State University in Normal, Illinois. It was there that he befriended Nicolas Africano, and he quickly became a patron and collector of the Africano's work as well; for a time Morgan rented Africano a room, occasionally accepting artwork in lieu of payment. This far-reaching collection from an early adopter gives a unique opportunity to access rare early works and get an expansive view of the artist during several pivotal moments in his journey. Alternate spelling : Nicholas Africano Condition Very good condition, noting mild toning to the mat.
• AFRICAN AMERICAN OIL
  AFRICAN AMERICAN OIL PAINTINGAFRICAN AMERICAN OIL PAINTING, A MID 19TH CENTURY OIL PAINTING OF A "BLACK MAMMY" STYLE CHARACTER WHICH APPEARS TO BE HEADED TO CHURCH, UNSIGNED, NICE VIBRANT COLORS, PROFESSIONALLY RESTORED PAINTING, WICH HAS BEEN WAXED AND VARNISHED WITH A SILVER DOLLAR SIZED HOLE TO THE RIGHT OF HER BACK, WHICH HAS BEEN REPAIRED 15"X21 1/2" WITH A 2" FRAME
• (AFRICAN AMERICANA) THE NEGRO
  (AFRICAN AMERICANA) THE NEGRO HANDBOOK New York: Current Reference Publications 1942-1949. 6 vols. 8vo uniformly bound in full red cloth gilt-lettered spines. Cloth worn and faded; heads and tails chipped; ex-library stickers to spines and stamps to front pastedowns; hinges tender. [Together with:] The Negro Year Book. Tuskegee Institute Alabama: Negro Year Book Publishing 1921-1932. 3 vols. 8vo rebound in red morocco titles in gilt to spines ex-library copies with stamps to titles.
• Northern Italian Carved and
  Northern Italian Carved and Ebonized Wood Blackamoor Figure Presenting a Tray, second quarter 20th century, the half-nude figure with inlaid glass eyes and carved, tinted bone teeth, and adorned with brass hoop earrings and an Arabic gilt-brass circular pendant, the oblong brass-handled tray lacquered and japanned, h. 18", w. 11".
• Continental blackamoor figure
  Continental blackamoor figure late 19th/ early 20th century Modeled standing on the front of a gondola wearing a red and gilt suit, holding a spear in one hand and a torchere stand in the other. H: 28 1/2 in. ,000
• BLACK & WHITE PHOTO BABYLON BY
  BLACK & WHITE PHOTO BABYLON BY DARRYL SAVAGE h:51.50 w:43 in. Other Notes: DHS
• Black Americana. A cast iron figure
  Black Americana. A cast iron figure of a boy eating a watermelon. 6 x 4 x 6 cm.
• Majolica Black Americana Head
  Majolica Black Americana Head Tobacco Jar Ceramic head of black boy with cap and collared shirt high gloss glaze with matte finish face bottom incised 2647.
• Carved stone head of black man,
  Carved stone head of black man, 15 in. Traces old black and red paint, surface wear, abrasions and tool marks, base with some chips.
• African-American Nursemaid
  African-American Nursemaid Ambrotype, 19th century, unsigned sixth-plate ambrotype, seated African-American woman with head lowered and holding sleeping Caucasian infant, in pressed-paper case, 3-1/4 x 2-3/4 in. (plate),
• AFRICAN EBONY CARVING OF A MAN
  AFRICAN EBONY CARVING OF A MAN African ebony carving of a man, the squatting figure depicted defecating, 10.35"h.
• Pastel study, possibly for an
  Pastel study, possibly for an illustration, depicting three poses of an African American woman and two young African American boys in full stride; 25" x 19 3/4"; signed "Hurtt" lower center.