A few examples of appraisal values for
NEW ERA

• LANCASTER IMPRINT WITH BOOKPLATE
  LANCASTER IMPRINT WITH BOOKPLATE ATTRIBUTED TO BARca. 1913; Ebersol traditional double spiderweb rose pattern illustration and trailing leaf, egg tempura accented watercolor design bookplate with ownership record of Benjamin G. Lantz, the bookplate mounted to inside of front cover of 1913 "Gesang Buch" printed by New Era Printing Co., Lancaster with brown cloth cover, 5"x 7"x 1 1/2" book; [Provenance: One of Barbara Ebersol's last recorded bookplates]; Condition: minor foxing to paper
• SET OF 4 MINIATURE WROUGHT IRON
  SET OF 4 MINIATURE WROUGHT IRON UTENSILS BY ROBERTca. 1980s; group with similar wrought iron rattail handles with simple flatwork grips including: brass bowl tasting ladle, copper bowl tasting ladle, two prong fork and tulip blade spatula, each marked "R.B." (Robert Brooks, demonstrated at Haldeman Mansion in Bainbridge, Lancaster Co., PA), 8"-10"l; Condition: primitive construction with little finish, a 1984 article from "Lancaster New Era" on Brooks is included
• Pocket and gold jewelry lot, c/o:
  Pocket and gold jewelry lot, c/o: (1) New Era pocket watch, 18S huntcase, silveroid case, two-tone pink and white dial, runs when wound, missing crystal, Philadelphia watch company case. (1) gold-tone nugget stick pin on a 14K needle, (1) art deco small lapel pin high school pin "WHS" (1) 14K soccer ball pendant, "MA" and (1) GF garnet necklace.
• (3) Pocket watches to include New
  (3) Pocket watches to include New Era Lancaster Watch Co. OF silverode 18S 7j pocket watch, with etched steam engine at case back and dial center, not currently running, American Waltham AT& Co. 1888-1889 18S 15J HC pocket watch SN 3657267, base metal case with steam engine etched at back, double sunk dial with lite hairlines, wound tight and Elgin National Watch Co. OF ore silver grade 73 18S 7j pocket watch circa 1894, sn 5259407, clean porcelain dial with sunken seconds track, chips to crystal, not currently running.
• (LOT OF 2) OAKLAND A'S VINTAGE
  (LOT OF 2) OAKLAND A'S VINTAGE BASEBALL CAPS BEARING SIGNATURES (lot of 2) Oakland A's vintage baseball caps bearing signatures, one likely from 1971 including Joe Rudy, Bert Campaneris, William Horton, and Bob Locker, labeled New Era Dupot Visor
• Rashaad Newsome. Fitted Crown.
  Rashaad Newsome. Fitted Crown. 2011, 59Fifty hat, leather, chain, jewelry. 8 h × 9¾ w × 11¼ d in. estimate: $3,000–5,000. This work is from an edition of 45. Illegible signature and number to interior panel. Decal manufacturer's label under brim ‘New Era 59Fifty 7 1/2’. Decal label under brim ‘Official Major League Baseball LR177149040’. Provenance: Collection of Pavel Zoubok and Paul A. Baglio Jr.
• EXPLORERS SET - TINY - ROYAL
  EXPLORERS SET - TINY - ROYAL DOULTON CHARACTER JUG WITH...Royal Doulton Character Jug, Explorers Set (Columbus - red, grey, blue and tan coloration; Scott - browns; DaGama - green, grey and brown; Marco Polo - red, brown, green and grey; Dr. Livingstone - yellow, brown, and green; Cook - dark blue, yellow, white and tan). Designed by Stanley J. Taylor, issued 1997 in limited edition of 2,500. Size: 1.5"H (Tiny)The Explorers collection presents six tiny character jugs modeled after the great explorers who ushered in a new era in world history. Each set, issued in a limited edition of 2,500, comes complete with a wooden wall mount display stand. Edition Number: 198 Edition Size: 2500 Manufacturer: Royal Doulton Country of Origin: England
• EXPLORERS SET - TINY - ROYAL
  EXPLORERS SET - TINY - ROYAL DOULTON CHARACTER JUGRoyal Doulton Character Jug, Explorers Set (Columbus - red, grey, blue and tan coloration; Scott - browns; DaGama - green, grey and brown; Marco Polo - red, brown, green and grey; Dr. Livingstone - yellow, brown, and green; Cook - dark blue, yellow, white and tan). Designed by Stanley J. Taylor, issued 1997 in limited edition of 2,500. Size: 1.5"H (Tiny) The Explorers collection presents six tiny character jugs modeled after the great explorers who ushered in a new era in world history. Each set, issued in a limited edition of 2,500, comes complete with a wooden wall mount display stand. Edition Number: 205 Edition Size: 2500 Manufacturer: Royal Doulton Country of Origin: England
• EXPLORERS SET - TINY - ROYAL
  EXPLORERS SET - TINY - ROYAL DOULTON CHARACTER JUGSet includes: Columbus, Scott, DaGama, Marco Polo, Dr. Livingstone, and Cook. Includes Certificate of Authenticity. Includes wooden base. The Explorers collection presents six tiny character jugs modelled after the great explorers who ushered in a new era in world history. Each jug in this set was issued in a limited edition of 2,500. Royal Doulton backstamp. Artist: Stanley J. Taylor Issued: 1997 Dimensions: 1.5"H Edition Number: 1224 Manufacturer: Royal Doulton Country of Origin: England Condition: Good
• SPACE SHUTTLE CREW PATCHES AND
  SPACE SHUTTLE CREW PATCHES AND FLAGS, STS-1 AND STS-932 Framed Space Shuttle Columbia Crew Patches and Flags, with astronaut autographs. 1st item: Space Shuttle Columbia Crew Patch with embroidered insignia, and 12" x 7" Flag, flown on the first flight of the Space Shuttle, April 12-14, 1981, adhered to board with printed presentation inscription "to the Committee on Science and Technology, whose steadfast support of the Space Shuttle Program made the flight of the Columbia a reality." Autographed by John Young and Bob Crippen, with photographs of the shuttle taking off and landing and a NASA badge. Overall - 29" H x 24" W. 2nd item: Space Shuttle Columbia Crew Patch and 4 1/2" x 5 1/2" Flag, flown on the shuttle's mission to deploy the Chandra X-Ray Observatory, STS-93, July 23-27, 1999. Photograph of the Shuttle Crew, with autographs of Commander Eileen Collins and specialist Michael Tognini, along with printed versions of autographs by five crew members and three related photographs. Overall - 17 1/2" H x 21 1/2" W. History: "A new era in space flight began on April 12, 1981, when Space Shuttle Columbia, or STS-1, soared into orbit from NASA's Kennedy Space Center in Florida. Astronaut John Young, a veteran of four previous spaceflights including a walk on the moon in 1972, commanded the mission. Navy test pilot Bob Crippen piloted the mission and would go on to command three future shuttle missions. The shuttle was humankind's first reusable spacecraft. Named after the first American ocean vessel to circle the globe and the command module for the Apollo 11 Moon landing, Columbia continued this heritage of intrepid exploration. Perhaps Columbia's crowning achievement was the deployment of the gleaming Chandra X-ray Observatory in July 1999. Carried into space inside the orbiter's payload bay, the slender and elegant Chandra telescope was released on July 23. Still in flight today, the X-ray telescope specializes in viewing deep space objects and finding the answers to astronomy's most fundamental questions. Columbia and its crew were tragically lost during STS-107. As the Space Shuttle lifted off from Kennedy Space Center in Florida on January 16, 2003, a small portion of foam broke away from the orange external fuel tank and struck the orbiter's left wing. The resulting damage created a hole in the wing's leading edge, which caused the vehicle to break apart during reentry to Earth's atmosphere on February 1, 2003." - source: excerpted from NASA.gov. Provenance: collection of a US Naval Officer, given to him as a gift. (Higher-resolution photos are available at www.caseantiques.com) Condition: Light toning/fading to photographs, overall very good condition.
• HENNING, DOUG. THE MAGIC
  HENNING, DOUG. THE MAGIC SHOW.[New York], 1974. Henning, in a top hat, is depicted at the center of the poster with a magic wand in one hand, and singing showgirls and a growling tiger beside him. Designed by DEB. 41 x 58". Repaired closed tears; B. Tony-nominated musical The Magic Show ushered in a new era of modern stage magic. Doug Henning, its star, dressed and acted without pretense or stiffness. He had a flower child-like innocence and wonder (and style of dress) that was at once relatable and endearing. It was this personal charm, combined with a strong choice of material, that helped catapult Henning to worldwide fame. The Magic Show ran for four and a half years on Broadway at the Cort Theatre.
• SCARNE, JOHN. 13 BOOKS ON
  SCARNE, JOHN. 13 BOOKS ON GAMBLING.Scarne, John. 13 Books on Gambling. Including The Amazing World of Gambling (1956, front cover loose from spine), Scarne on Cards (1961), Scarne’s Complete Guide to Gambling (1961; title page cut in corner), The Odds Against Me (1966) The Woman’s Guide to Gambling (1967), Skarney: A New Era in Card Games (1969, pictorial cover with ring binding) Scarne’s Encyclopedia of Games (1973, including 1983 softcover reprint), Scarne’s New Complete Guide to Gambling (1974), Scarne’s Guide to Casino Gambling (1978), Scarne’s Guide to Modern Poker (1979), and Scarne on Dice (two editions, 1974/1980). All generally good condition, hardcovers with dustjackets, except where noted.
• FIFTEEN VINTAGE PACKS OF PLAYING
  FIFTEEN VINTAGE PACKS OF PLAYING CARDS.Fifteen Vintage Packs of Playing Cards. Including Congress 606 Toboggan, INA Insurance Company of North America, Two ANMA, Pep Boys, New Era 655 Concave Sides, Shuffle Graphic, Fact & Fancy, Time magazine, Washington Playing Cards, Little Duke double deck in tin case, Bicycle 1996 double deck Olympic Games gift set, The Jesus deck, Artists Cards 1997 double deck and “Classic” double deck designed by Paul Mathison for the Lanselle Co. in L.A.
• UNITED STATES PLAYING CARD CO. “NEW
  UNITED STATES PLAYING CARD CO. “NEW ERA NO. 46X” PLAYIN...United States Playing Card Co. “New Era No. 46x” Playing Cards. Cincinnati, 1896. 52 + J + OB. Near mint. Made for the new era of USPC. Courts are artistically done in European design and Art Nouveau styling. As the “x” next to the number 46 indicates the deck has gilt edges. Number cards have gold bordered rectangles. Hoch. US20.
• ROTERBERG, AUGUSTUS. NEW ERA CARD
  ROTERBERG, AUGUSTUS. NEW ERA CARD TRICKS.Roterberg, Augustus. New Era Card Tricks. London: W. & F. Hamley, 1897. Uncommon first British edition. Red cloth, stamped in gilt. Frontispiece with pre-print signature of the author. Illustrated with drawings by Gossett. Corners of covers well rubbed, some fraying, rear gutter paper splitting.
• FIVE VINTAGE BOOKS ON CARD MAGIC
  FIVE VINTAGE BOOKS ON CARD MAGIC AND CONJURING.Five Vintage Books on Card Magic and Conjuring. Including New Era Card Tricks (London, 1897; fair copy with shaken binding, worn cloth) and Card Tricks and How to Do Them (Chicago, 1902) by Roterberg; Magic (Philadelphia, 1902) and Conjuring for Amateurs (London, n.d.) by Stanyon; and Coin Tricks (Baltimore, ca. 1910) by Svengarro. Four of five vols. re-bound in library buckram, three retaining original color wraps. Illustrated. 8vo.
• CIVIL WAR SOUVENIR BRONZE
  CIVIL WAR SOUVENIR BRONZE INKWELL, MULLER'S SONSfor the original Broadway play "Shenandoah" at Proctor's Theater NY. Marked " N. Muller's Sons NY" dated 1890. The base with quote from Gen. Grant " I feel that we are on the eve of a new era". 9" high, 8" wide, 6" deep. Oxidation.Provenance: Property of a Litchfield County Collector.
• THOMAS BRIGG & SONS WHANGEE
  THOMAS BRIGG & SONS WHANGEE UMBRELLA-Ca. 1960 -Classic English umbrella with a sizeable whangee crook handle, a wood pole shaft, metal ferrule, U-shaped steel ribs and stretchers and a blackened brass, sliding runner. The probably refurbished canopy of the umbrella is made up of eight grayish-blue squared pattern silk with matching tie wrap and black steel popper and turned black steel rib tips. -All Brigg umbrellas were things of beauty, but this one is sleeker and more covetable than all the others that had gone before it. Any stylish gentleman was bound to want one, even if he had several Briggs already. -Anyhow, best British quality and repeatedly winners of coveted Design Council Awards, this umbrella obeys to long gone rigorous standards of production and also proves to that it was made to last. -H. 5 ¾” x 7”, O.L. 36” -$100-$200 -Published in the book “In Good Hands, 250 years of craftsmanship at, Swaine Adeny Brigg” by Katherine Prior, pages 120-121, this Brigg umbrella related story is worth two minutes reading. -“One gentleman’s umbrella in particular achieved world fame - this was Neville Chamberlain’s black silk which he took with him to talks with Adolf Hitler at Munich in September 1938. The world, holding its breath in hope of peace, looked on in amazement as photographs emerged of Chamberlain’s immaculately furled umbrella claiming a starring role in the proceedings. A few months later, in January 1939, the same umbrella twirled its way to Rome, when Chamberlain paid a visit to Benito Mussolini. Newspapers devoted column inches to this unlikely symbol of hope, with one or two of Brigg’s salesmen providing discreet insights into the great man’s brolly behaviour. Every few years, they reported, Chamberlain personally brought his umbrella into the St James’s shop to be recovered. While it was being examined, he would while away the minutes admiring and fondling the more flamboyant styles on display, but he was never tempted to buy another, and always ordered simply that his old one be recovered. According to Viscountess Elibank, his wife had given it to him in 1899 and he refused therefore to countenance its replacement. It was a heavy black silk affair, with a Malacca cane handle, seven-eighths of an inch thick, spliced onto a Tonkin cane shaft, with a gilt collar. One of Brigg’s insiders reported that it had originally cost £2 17s 6d, but that if the collar had been of solid gold the price would have been six guineas. It was smart but not showy. `It’s what one might call a Rolls-Royce of an umbrella,’ the insider added. ‘Natty but quiet; solid, but lighter, the sort of umbrella which becomes part of a man, if I may say so.’ The repair men recovered it each time, but they could not help but notice that it had not been opened since they had last ironed its hand-stitched gores into pristine pleats. Chamberlain had most recently brought it in just before he flew to Munich. This press reportage seemed to confirm Chamberlain’s reputation as a sober and restrained politician, not given to rash decisions. In the United States the fascination with Chamberlain’s prop prompted articles on the style and deportment of a true gentleman and kicked off a local revival in umbrellas and parasols. In July 1939 Life magazine devoted an article to the ‘umbrella of appeasement’, which was not yet a derogatory term for most people. For a few short months, umbrellas were no longer associated with soggy gloom, but were wielded in a spirit of hope and optimism. For his part, Hitler, who had resented being forced into a diplomatic conference of `equals’ at Munich, could barely contain his scorn for `umbrella politicians’. At the time all this fuss must have seemed like magnificent publicity for Brigg. Indeed, the shop men could not have spoken to the press without the blessing of Brigg’s management. But ultimately, of course, it was an ironic prelude to the ending of the company’s independence. A few months later, the war that Chamberlain had tried to avert erupted, and soon afterwards Brigg lost their Paris showroom. The merger of Thomas Brigg & Sons with Swaine & Adeney followed in February 1943. When the war was over, a new era of economic austerity and political levelling ensured that the art of making and selling quality umbrellas would never again be quite the same.”
• JOHN SWATSLEY (B. 1937) "CHINA
  JOHN SWATSLEY (B. 1937) "CHINA CLIPPER SEAPLANE"John Swatsley (American, B. 1937) "China Clipper Ship - Seaplane" Signed lower left. Original Oil painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which originally appeared on the Fleetwood First Day of Issue Maximum Card for the U.S. (25cc) E Earth Rate Change booklet stamp issued March 22, 1988. In 1935, one hundred years to the day after the first clipper ship had sailed into San Francisco Harbor, a new "China Clipper" marked a milestone in the delivery of U.S. mail. As thousands watched in awe, she headed west from San Francisco, flying just above the unfinished Golden Gate Bridge. A cheer went up as she set off on the first transpacific airmail flight with a cargo of 110,000 letters. The Martin M-130, christened "China Clipper," was a seaplane designed specifically for long-distance passenger and mail transport. Her body was made almost entirely of aluminum and her wings were high. Her journey would be eight thousand miles long, and special island bases had to be prepared to accommodate her landing needs. But, the task complete, the "China Clipper" opened a new era in mail transport and joined the ranks in an exciting new century of improved communications. Image Size: 8.75 x 12.25 in. Overall Size: 15 x 18 in. Unframed. (B11375) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• JOHN SWATSLEY (B 1937)
  JOHN SWATSLEY (B 1937) "DORCHESTER LOCOMOTIVE" OILJohn Swatsley (American, B. 1937) "The Dorchester Locomotive" Signed lower left. Original Oil painting on Illustration Board painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was on the Fleetwood First Day Cover for the Canada 32c Dorchester stamp issued March 10, 1983. The rugged Canadian Rockies ... and the vast, unexplored wilderness blanketed with thick forests and deep ravines ... were once cut only by wild tumbling rivers and an occasional town. Traveling across the untamed Canadian wilderness on horseback or on foot was a difficult ... and often dangerous journey. Many towns were isolated, and trade and communications were poor. However, in 1836, the beginning of a new era was born when a small stretch of track was carved into the land between Montreal and the Richelieu River -- saving ninety miles of river travel. The first railway in Canada -- the Champlain and St. Lawrence -- opened for business on July 21, 1836. Traveling along the stretch of tracks was the first steam locomotive in Canada ... the Dorchester ... built in England by Robert Stephanson & Company. Nicknamed the "Kitten," this magnificent steam engine was equipped with a long, thin smoke stack and an open cab where the engineers fed chopped wood into the glowing furnace. Several years later, the Dorchester was sold to the St. Lawrence & Industrie Railroad where she remained in service until 1864. A derailment and fiery boiler explosion caused irreparable damage, and Canada's first steam locomotive was destroyed. All that is left today of the famous Dorchester is her brass nameplate which was found by a farmer while plowing his field. He gave it to the College Museum of Joliette, Quebec, where it is now preserved and on display. Image Size: 14 x 12 in. Overall Size: 20 x 18 in. Unframed. (B08330) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• CAST IRON JOHN DEERE PAPERWEIGHT
  CAST IRON JOHN DEERE PAPERWEIGHT "DAWN OF A NEW ERA JOHN DEERE DUBUQUE WORKS," 4 in. H., 6 in. W.
• TWO ARCHED YACHT SIGNS 20TH CENTURY
  TWO ARCHED YACHT SIGNS 20TH CENTURY LENGTHS 30.5” AND 37”.TWO ARCHED YACHT SIGNS, 20th Century, "Shufti III Camden" and "New Era", one with green lettering and one with black. Dimensions: Lengths 30.5" and 37".
• AMERICAN SCHOOL, 19TH CAmerican
  AMERICAN SCHOOL, 19TH CAmerican School, 19th c ., "The Delta Queen", oil on canvas, unsigned, titled and inscribed en verso, 14 1/8 in. x 36 1/8 in., framed ?A stranger to this mode of travelling would find it difficult to describe his impressions upon descending the Mississippi for the first time in one of these steam boats?the fare is sumptuous and everything is in style of splendor, order, and regularity, far exceeding that of most city taverns.? -Timothy Flint, History and Geography of the Mississippi Valley, 1832/ An exciting body of work by a previously undocumented 19th century maritime artist specializing in the portraiture of paddlewheelers has recently been identified. These steamboats hold a special place in the history and culture of the South. Historically, they were the main commercial and transportation portal of the South via the Mississippi River, allowing people and goods to be connected with neighboring states previously isolated. Culturally, they embodied a new era of progress and luxury transportation prior to the interstate highway and rail systems. Powered by a steam engine and propelled with stern or side wheels, paddlewheelers were sometimes deemed ?floating palaces,? often drawing a crowd to the dock with their luxurious design and entertainment. Six paintings of paddllewheelers have been identified by the hand of this artist: the ?Eclipse,? ?Eleanora,? ?Fuegla,? ?New Orleans River Company Express,? ?Challenge,? and the ?Bayou Belle.? With the ?Delta Queen? and the aforementioned portraits, the artist works in a meticulous fashion with extreme attention to the details of the figures, railings, and ship accessories. The stylized renderings make this artist?s hand easy to identify, and the materials used and style of ship depicted dates this artist to roughly the 1870s. Ref.: Busch, Jason T., et al. Currents of Change: Art and Life Along the Mississippi River 1850-1861. Minneapolis, MN: The Minneapolis Institute of Arts in collaboration with the University of Minnesota Press, 2004
• LOT OF 10 19TH / EARLY 20TH CENTURY
  LOT OF 10 19TH / EARLY 20TH CENTURY BOOKSRELATING TO CUBA. TO INCLUDE: NOTES ON CUBA, BY "A PHYSICIAN", OCTAVO, CLOTH BOUND, COPYRIGHT 1844, BOSTON, JAMES MUNROE AND CO., SHOWS STAINING AND FOXING, BUT BINDING IS TIGHT AND OTHERWISE CLEAN. UNITED STATES, CANADA, AND CUBA, BY THE HON. AMELIA M. MURRAY, 1856, NEW YORK, SHOWS FOXING, MINOR DAMAGE TO SPINE, OCTAVO. THE REAL CONDITION OF CUBA TO-DAY, BY STEPHEN BONSAL, 1897, NEW YORK, CLOTH BOUND, OCTAVO, IN EXCELLENT CONDITION. CUBAN SKETCHES, BY JAMES W. STEELE, NEW YORK AND LONDON, 1886, OCTAVO, CLOTH BOUND, GOOD CONDITION. FLORA, DE CUBA, BY MANUEL GOMEZ DE LA MAZA Y JIMENEZ, PRINTED IN HABANA, 1914, OCTAVO, VERY GOOD CONDITION. THE ADVANCE IN THE ANTILLES: THE NEW ERA IN CUBA AND PUERTO RICO, BY HOWARD B. GROSE, OCTAVO, NUMEROUS PHOTOGRAPHIC ILLUSTRATIONS, EXCELLENT CONDITION. THE MAMBI-LAND, OR ADVENTURES OF A HERALD CORRESPONDENT IN CUBA, BY JAMES J. KELLY, PHILADELPHIA, 1874, SOME CHIPPING TO SPINE, OTHERWISE GOOD CONDITION, OCTAVO. ORNITOLOGÍA CUBANA Ó CATÁLOGO DESCRIPTIVO DE TODAS LAS ESPECIES DE AVES TANT INDÍGENAS, BY DR. JUAN GUNDLACH, PUBLISHED FOR THE "ARCHIVOS DE LA POLICLINICA", HAVANA, 1893, LEATHER SPINE IS SPLITTING, MARBLEIZED BOARD, HAS NUMEROUS PLATES AT THE BACK, PAGES SHOW TANNING. TWO VOLUME SET REPERTORIO: FISICO-NATURAL DE LA ISLA DE CUBA, EDITED BY FELIPE POEY, HAVANA, 1865-66, LEATHER BOUND, MARBLEIZED BOARDS, VOLUME I IS IN GOOD CONDITION, VOLUME II SHOWS SLIGHT SPLITTING TO THE SPINE AT THE TOP, OTHERWISE GOOD CONDITION.
• THREE PIECE BALTIMORE ORIOLE
  THREE PIECE BALTIMORE ORIOLE AUTOGRAPHED LOT: 1) Signed Jim Palmer New Era 5950 Pro Model autographed hat, size 7.25; 2) Cooperstown Collection Baltimore Orioles Bill Weaver signed hat; 3) Wilson Collector's Edition Cal Ripken Jr. autographed glove, numbered 256/500.
• THREE MAJOR LEAGUE BASEBALL
  THREE MAJOR LEAGUE BASEBALL SIGNED HATS: 1) Dwight ''Doc'' Gooden, New York Mets, possibly game-used, New Era Pro Model size 7.625; 2) Jeff Bagwell, Houston Astros, fitted 5950 Pro Model, size 7.5; 3) Ron Santo, Chicago White Sox, fitted, size 7.25.
• TWO PIECE SAMMY SOSA SIGNED
  TWO PIECE SAMMY SOSA SIGNED MEMEROBILIA LOT: 1) Chicago Cubs New Era 5950 Pro Model Hat, size 6.75; 2) Russell Athletics Size 44 Chicago Cubs jersey.
• TWO PIECE TONY GWYNN AUTOGRAPH LOT:
  TWO PIECE TONY GWYNN AUTOGRAPH LOT: Signed San Diego Padres New Era Pro Model size 7.375 hat with Gwynn's signature, the number 3000, and dated 8/6/99, and size 48 jersey.
• STEELCRAFT MACK U.S. MAIL VAN
  STEELCRAFT MACK U.S. MAIL VAN HUMP ROOF MODEL Done in red open seat cab green enclosed body rubber tires disc wheels black fenders side decals read ''US Mail '' professional restoration by New Era to an original toy. 24'' l. Restored. Inv# 200-13
• STEELCRAFT MACK HAND RAIL DUMP
  STEELCRAFT MACK HAND RAIL DUMP TRUCK Mack 'C' cab painted in red dual rear wheels deluxe headlight and nickel bumper professional restoration by New Era a great look overall. 26'' l. Restored. Inv# 203-39
• STEELCRAFT MACK DUMP TRUCK
  STEELCRAFT MACK DUMP TRUCK Painted in red overall side crank activates tilt motion black fenders and chassis rubber tires red painted disc wheels New Era restoration to an original toy. 25 1/2'' l. Inv# 200-14
• NEW ERA AHRENS FOX FIRE SERVICE
  NEW ERA AHRENS FOX FIRE SERVICE TRUCK Contemporary crafted from original and remanufactured parts stunning example of a desirable fire toy extensive nickel appointments search lite on running boards has an Ahrens Fox body style. 25 1/2'' l. Inv# 193-34
• CONTEMPORARY NEW ERA SCHOOL BUS
  CONTEMPORARY NEW ERA SCHOOL BUS Designed 1992 great detail reads ''Toy Town District East'' on sides a classic yellow and black school bus very creative molding effects mottling spared to tooling design spoke wheels rubber tires opening hinged entry door. 24 1/2'' l. (Near Mint Cond.) Inv# 233-24
• SAMPSON DUMP TRUCK Gendron Wheel
  SAMPSON DUMP TRUCK Gendron Wheel Co. front has crank operation professional restoration by New Era to a complete original truck great color scheme blue and red red striping matching disc wheels rubber tires windshield insert. 26'' l. Restored. Inv# 235-24
• COR COR GRAHAM Washington Indiana
  COR COR GRAHAM Washington Indiana professional restoration by New Era to an original toy with replacement trim classic sedan painted in red overall styling of auto design is pure luxury rubber tires deco nickel grille low profile roof front and rear bumpers. 20'' l. Inv# 257-19
• LOT OF TWO RESTORED METALCRAFT
  LOT OF TWO RESTORED METALCRAFT TRUCKS Both restored using original and remanufactured parts includes a New Era made Pure Oil truck creation and a ''Donald's Toys'' custom painted van truck. 11'' to 11 1/2'' l. Restored.