A few examples of appraisal values for
NEW FRIENDS

• GOEBEL HUMMEL FIGURINE, MAKE NEW
  GOEBEL HUMMEL FIGURINE, MAKE NEW FRIENDSHand painted modeled as a young boy making a large snowman. M. I. Hummel impressed backstamp. Goebel backstamp. Dimensions: 6"L x 4.5"W x 7"H Manufacturer: Goebel Hummel Country of Origin: Germany Condition: Age related wear.
• GIUSEPPE ARMANI "NEW FRIENDS"
  GIUSEPPE ARMANI "NEW FRIENDS" 1653CGIUSEPPE ARMANI NEW FRIENDS 1653C Giuseppe Armani ( Italian, 1935 - 2006 ). Titled New Friends #1653C. Depicts a woman with a wide brim hat cradling 3 puppies. Mounted atop a dark wood square base. Measures 10 1/2". Signed ~ impressed signature, oval gold plaque, blue crown over the ltter N. painted name. F.Tami ? and oval 2003 figurine of the year stamp. Box Included.
• HUMMEL MAKING NEW FRIENDS 2002
  HUMMEL MAKING NEW FRIENDS 2002 TMK7Hummel, Making New Friends. Backstamp reads "First Issue 1996 1871-1996 125". Hummel measures approx. 6 1/2" tall. Hum 2002, TMK-7. No cracks, chips, crazing or repairs. Box included with age appropriate wear. See our other auction lots for more shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• ELIZABETH "LIZ" MUMFORD
  ELIZABETH "LIZ" MUMFORD (MASSACHUSETTS, 1950-2020), "MAKE NEW FRIENDS BUT KEEP THE OLD ..."., OIL ON MASONITE, 20" X 28". FRAMED 22.5" X 30.5".ELIZABETH "LIZ" MUMFORD, Massachusetts, 1950-2020, "Make New Friends but Keep the Old ...". Signed lower left "Elizabeth Mumford". Dimensions: Oil on masonite, 20" x 28". Framed 22.5" x 30.5".
• MARSHA WINBORN, AMERICAN
  MARSHA WINBORN, AMERICAN 20TH/21ST CENTURY, AMERICA'S PROMISE, WATERCOLOR ON PAPER, SIGHT: 12 X 10 IN. (30.48 X 25.40 CM.), FRAME: 18 1/4 X 16 1/8 IN. (46.36 X 40.96 CM.)MARSHA WINBORN, AMERICAN, 20TH/21ST CENTURY AMERICA'S PROMISE, Watercolor on paper Lower left titled: America's Promise; lower right signed: Marsha Winborn; This will be sold along with copy of the book (2) Catalogue note: This image appears in printed form on page 9 of America's Promise, the debut children's book by Alma Powell, published in 2001. It tells the story of bear siblings Honey and Benji moving to a new neighborhood, making new friends and participating in their community. The book was illustrated by Marsha Winborn, a Santa Fe-based illustrator who has illustrated over 35 children's books. Powell followed up America's Promise with her second children's book, My Little Wagon, also illustrated by Winborn, in 2003. The book shares a name with the America's Promise Alliance, which is the largest cross-sector of nonprofits and organizations in the United States dedicated to improving the lives of young people. General Colin L. Powell served as the founding chair of the organization and remained board chair until 2001, when he stepped down to become Secretary of State. Alma, General Powell's wife, became board chair in 2004, a position she still holds today. Watercolor on paper Dimensions: Sight: 12 x 10 in. (30.48 x 25.40 cm.), Frame: 18 1/4 x 16 1/8 in. (46.36 x 40.96 cm.) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
• PAUL ALLEN REED, AMERICAN,
  PAUL ALLEN REED, AMERICAN, WASHINGTON, D.C. 1919-2015, UNTITLED, 1987, MIXED MEDIA ON PAPER, 11 7/8 X 8 3/4 IN. (30.2 X 22.2 CM.), FRAME: 19 1/2 X 16 IN. (49.5 X 40.6 CM.)PAUL ALLEN REED, AMERICAN, WASHINGTON, D.C., 1919-2015 UNTITLED, 1987, Mixed media on paper Lower left numbered: 968713; lower right signed and dated: Paul Reed 1987 Catalogue note: A native of Washington D.C., Paul Reed was one of the founding artists of the Washington Color School. After attending San Diego State College and the Corcoran School of Art, Reed moved to New York and worked as a magazine illustrator and graphic designer (1942-1950). Reed returned to Washington in 1950, and opened his own graphic design firm. He rekindled his childhood friendship with Gene Davis and formed new friendships with fellow D.C. artists - notably Jacob Kainen. It was upon his return to D.C. that Reed began to stain colors on unprimed cotton duck, a technique pioneered by Morris Louis and Kenneth Noland, and inspired by Helen Frankenthaler. Reed had his first solo show in January 1963 at the Adams-Morgan Gallery in D.C., followed by a solo Show in New York. In 1965 he was invited, along with Kenneth Noland, Morris Louis, Gene Davis, Thomas Downing and Howard Mehring, to join the now famous exhibition at the Washington Gallery of Modern Art "The Washington Color Painters." Reviewers of the exhibition referred to the ""singing beauty" of the paintings, recalling the paper cutouts of Matisse"" THE ART OF PAUL REED: Color, Creativity, Curiosity David Gariff This particular work is from his oeuvre of the late 70s and 80s. "These complex works are created through a combination of painting and offset printing using opaque watercolors and inks. The resultant forms spread across the surface in a dialogue between scraped and free-flowing color." THE ART OF PAUL REED: Color, Creativity, Curiosity David Gariff Mixed media on paper Dimensions: 11 7/8 x 8 3/4 in. (30.2 x 22.2 cm.), Frame: 19 1/2 x 16 in. (49.5 x 40.6 cm.)
• JOHN WEISS (MAINE/OHIO, 29TH
  JOHN WEISS (MAINE/OHIO, 29TH CENTURY) FIVE OFFSETJOHN WEISS (Maine/Ohio, 29th century) five offset lithographs, depicting dogs: "Forever Friends," "Double Trouble," "New Friends," "I Didn't Do It," and "No Swimming Lessons Today." Each pencil signed and numbered. Includes certificates of authenticity. Images measure from 8.75" x 11.75" to 13.75" x 18". In original folios, unframed.
• Mary Ellen Mark (American,
  Mary Ellen Mark (American, 1940-2015) Husband and Wife, Harlan County, KY, 1971 Photograph inscribed on the bottom of the paper "To Nancy and Jerry two wonderful new friends with love from Mary Ellen Mark Jan. 1974" Image area 10 x 6 3/4 inches.
• Louis Icart (French, 1888-1950),
  Louis Icart (French, 1888-1950), "New Friends", a young lady adoringly holds three kittens; drypoint etching and aquatint; 17" x 14"; pencil signed and numbered 256 in the margin, copyright 1925 by Les Graveurs Modernes, Paris.