A few examples of appraisal values for
NILOAK MISSION

• Niloak Mission Swirl match holder.
  Niloak Mission Swirl match holder. Marked with original blue paper label. Mint. 1 1/2" tall.
• Niloak Mission Swirl pottery vase
  Niloak Mission Swirl pottery vase reportedly thrown as a demonstration by Niloak potters at Muncie Pottery studios. The piece was exhibited in the Niloak exhibition in Arkansas in the 90's where it sustained extensive damage. 8"H.
• Collector's Encyclopedia of Niloak
  Collector's Encyclopedia of Niloak
• Arts and Crafts Lot. Niloak, Turtle
  Arts and Crafts Lot. Niloak, Turtle Tile, Carved black bowl, Cowan. ---
• Mission oak desk with applied
  Mission oak desk with applied Native American carvings, I.O.R.M. lodge.
• NALENIK TEMELA (1939-2003)
  NALENIK TEMELA (1939-2003) KIMMIRUT, LAKE HARBOURNalenik Temela (1939-2003), male, Kimmirut (Lake Harbour), Narwhal, 1979, dated and signed in syllabics. Nalenik was one of the most important Lake Harbour artists, prolific and represented in numerous exhibitions in Canada and internationally; his works can be found in several collections including the Winnipeg Art Gallery and the TD Bank Collection in Toronto.12" height x 17" width x 4" depth. Bidders living outside of Canada are cautioned to proceed with care before bidding on this lot as it cannot be shipped outside of Canada in most cases. This item contains material that may be protected under CITES (Convention on International Trade in Endangered Species). It is the bidder's sole responsibility to be aware of legal restrictions on export or import of this item before bidding. Inability to ship to desired destination will not be a ground for invalidating a sale.
• Nilo Lanzas (American/New
  Nilo Lanzas (American/New Orleans, 1929-2004) "Kentucky Derby", oil on canvas, 16" x 20", conjoined monogram lower right: "N.L.",. Presented in a giltwood frame with linen liner.
• DWIGHT MILLIGROCK (1911-1994
  DWIGHT MILLIGROCK (1911-1994 INUPIAQ) NULUKATAQDwight Milligrock Sr. (Inupiaq, 1911-1994) Nalukataq Eskimo whaling ceremony trampoline figural group, carved from walrus ivory. Milligrock's tribal affiliation has been listed as Inupiaq or Inuit. Measures 3-1/2" square x 4" x 4". Signed on underside of trampoline. Fine condition.
• Nils Kahler lidded ceramic vessel
  Nils Kahler lidded ceramic vessel (Danish, 1906-1979), compressed spherical form, cream-colored glaze with various blisters and speckled elements, base marked "Nils 14-8-1970 Denmark", 11-1/2 in. Several small rim chips, otherwise excellent condition. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
• William Henry Buck (Norwegian,
  William Henry Buck (Norwegian, 1840-1888; Active New Orleans 1869-1888) "Milne Family Boys Home", oil on canvas, 20-1/4" x 27-1/4", signed lower right "Wm H. Buck". Presented in a fourth quarter 19th-century carved giltwood frame. As art historian George Jordan noted of the World's Industrial and Cotton Centennial held in New Orleans in the winter and spring of 1884 and 1885, "It was a flop. Although it did leave behind some unusual memorabilia and interesting facts concerning the endeavor". Perhaps one of the most significant items to resurface from this time period would be this historic painting of the Milne Boys Home and chapel located at 5420 Franklin Street, the former Milneburg section of the city. Given Buck's contribution to the Centennial it is quite possible that he was commissioned to produce paintings of historic buildings in New Orleans, a theme picked up most successfully by William Woodward. No doubt Buck escaped the heat of New Orleans to enjoy the air in the summer resort on Lake Pontchartrain at Old Lake or Milneburg, founded by Alexander Milne, the New Orleans philanthropist. Alexander Milne, a Scotsman, arrived in New Orleans in 1776, and established himself in the hardware trade, later branching out to brick manufacturing. A shrewd and thrifty businessman, Milne amassed a fortune in money and lands; at the time of his death he owned twenty-two miles of land along the shore of Lake Pontchartrain from the Rigolets to Jefferson Parish. At the time of his death, the newspaper editorial remarked, "It appears almost the whole of Milne's fortune was distributed to relieve human distress." Milne had dictated his will in 1836, "It is my positive will and intention, that an Asylum for Destitute Orphan Boys, and another Asylum for Destitute Orphan Girls, shall be established at Milneburg under the names of the Milne Asylums...". It was not until 1900, however, that the State of Louisiana, through the attorney general, applied for the appointment of a trustee to take charge of the property of the two Milne asylums. In the 20th century, the Milne Boys Home, also known as the Colored Waifs Home for Boys, was operated by the New Orleans Welfare Department and became a home for wayward boys. Its most famous non-resident was Louis Armstrong (1900-1971). In his memoir, Armstrong states, "All in all, I am proud of the days I spent at the Colored Waifs Home for Boys." The Milne Home is a landmark of American Music, "It was at the Colored Waifs Home for Boys that Louis Armstrong was first taught to play horn. He went on to become the voice and heart of American Jazz and to affect the world's trumpeting and music." Recently noted in a New York Times, March 19, 2006 article by Susan Saulny, the Milne Boys Home stands as a "memorial to Armstrong and a reminder of what can happen when a poor child gets a chance at a better life." Provenance: The painting has descended in an old New Orleans family whose forbears were educators, doctors and musicians.
• Milia Pudluq, Kinngait (Cape
  Milia Pudluq, Kinngait (Cape Dorset) NARWHALS signed in syllabics 3.75 x 12 x 16 in — 9.5 x 30.5 x 40.6 cm
• Clarence Millet N.A.
  Clarence Millet N.A. (American/New Orleans 1897-1959) "Live Oak Louisiana Bayou" oil on canvas board faintly signed lower left under frame 12 in. x 13 1/2 in. framed.
• Milford Zornes N.A. (1908-2008
  Milford Zornes N.A. (1908-2008 Claremont CA) The Sheep Camp
• DWIGHT MILLIGROCK WHALING
  DWIGHT MILLIGROCK WHALING CEREMONY INUITVintage 20th C. carved walrus ivory, fur, and twine figural group depicting a blanket toss game at Nalukataq, the spring whaling festival of the Inuapiat of Northern Alaska. Created by Dwight Milligrock (1911-1994), an Inuit Eskimo artist also known for serving in the Alaska Territorial guard and acting as Tribal Chairman of the Village of Little Diomede. Signed on the underside of the blanket. Approx 3-3/4"Sq x 2-5/8"H. See images for details on condition. shipping info This item can be shipped in-house.
• NOO PUDLALIK (1921-1981) NUNAVUTNoo
  NOO PUDLALIK (1921-1981) NUNAVUTNoo Pudlalik (1921-1981), male, Kinngait (Cape Dorset), Nunavut, Hunter and Beluga, c. late 1960s or early 1970s, signed with disc number [E7-956]. 12.5" height x 10.5" width x 4" depth.
• Phil Latimer Dike N.A. (1906-1990
  Phil Latimer Dike N.A. (1906-1990 Claremont CA) The Sunday Boats
• ROBERT NOREIKA, (20TH C.)
  ROBERT NOREIKA, (20TH C.) WATERCOLOR ON PAPER, A SOLITARY MAN IN FISHING GEAR SITS IN A ROWBOAT, WHILE MIST RAISES OFF THE LAKE, FOR...Robert Noreika, (20th C.) watercolor on paper, a solitary man in fishing gear sits in a rowboat, while mist raises off the lake, forest and mountains beyond, signed lower right, framed and matted behind glass, wear consistent with age, not examined out of frame, ss: 16 1/4" h. x 28 1/2" w. [PROVENANCE: Benefits Habitat for Humanity North Central Connecticut Tolland County]
• SAILA KIPANEK (B. 1948 -
  SAILA KIPANEK (B. 1948 - )Swimming narwhal, Frobisher Bay, Iqaluit, polished marbled grey stone, affixed to wooden base, has Plexiglass cover, signed at base, 6 x 20 x 9 inches.
• DAVIDIALUK ESKIMO PRINTMAKER
  DAVIDIALUK ESKIMO PRINTMAKER NUNAVIK ART PORTFOLIO Canada,1910-1976Portfolio of ten black and white prints by Canadian native artist Davidialuk.
• TATALI NAPURRULA: TALI
  TATALI NAPURRULA: TALI (SANDHILLS) AT PINPIRRI ROCKHOLETatali Napurrula, Tali (Sandhills) at Pinpirri Rockhole, acrylic on linen 2007; unstretched, Papunya Tula Artists Pty Ltd., Alice Springs, cat. no. TN0701017; Acquired from the above in 2007, Collection of Richard Kelton and Kerry Smallwood Kelton, Santa Monica acrylic on linen Dimensions: 23 1/2 x 25 1/2 in. (59.7 x 64.8 cm.), Total canvas size: 26 x 30 in. (66 x 76.2 cm.) Condition:
• Nilo Lanzas (American, New Orleans,
  Nilo Lanzas (American, New Orleans, 1929-2004) "Couple Dancing", c. 1990s, oil on canvas, 16" x 20" , conjoined monogram lower right: "NL". Presented in a carved giltwood frame.
• Nellie (Eliza) Foster Nagel
  Nellie (Eliza) Foster Nagel (American 1873 - 1955) oil on artist board shoreline with beached boat signed LL ss: 16'' h. x 19 1/2'' w.
• MILAN, Pablo Antonio, (American,
  MILAN, Pablo Antonio, (American, 1961-2017): Native American Indian Tribe on horseback in a Winter Lakeside Landscape, 30'' x 36'', signed lower right, unframed.
• Milford Zornes N.A (1908-2008
  Milford Zornes N.A (1908-2008 Claremont CA) The Santa Clara Near Saugus
• 1 vol. Loskiel, George Henry.
  1 vol. Loskiel, George Henry. History of The Mission of The United Brethren among The Indians in North America In Three Parts. London: Brethren's Society for The Furtherance of The Gospel, 1794. First edition in English. 8vo, modern full gilt paneled blue morocco, spine gilt. With lg. fold. map (a few minor repairs). Internally generally clean & crisp. This work describes artistic, spiritual, educational and political values of the American Indians. Considered by Sabin the best authority on the Delawares, Nautikokes, Shawnee and other tribes in Pennsylvania & New York. Howes L-474; Field 952; Sabin
• LILIA TUCKERMAN (1882 - 1969):
  LILIA TUCKERMAN (1882 - 1969): NIRVANA, CARPENTERIA CALIFORNIAoil on canvasboard; signed lower left; titled verso; Provenance: National Arts Club, New York Summer Exhibition label verso; 8 x 10 inches; 13 1/2 x 15 1/2 inches frame Condition:
• MILAN, Pablo Antonio, (American,
  MILAN, Pablo Antonio, (American, 1961-2017): Native American Indian Tribe on horseback in a Winter Lakeside Landscape, 30'' x 36'', signed lower right, unframed.
• Davidialuk Alasua Amittu ?????
  Davidialuk Alasua Amittu ????? (1910-1976), Puvirnituq (Povungnituk) HAWK ARRIVES AT CAMP BY KAYAK, 1975 titled, dated and numbered 35/50; artist's name in Roman and syllabics; framed sheet 21 x 26.5 in — 53.3 x 67.3 cm
• NILO SANTIAGO, SURREALIST MAGIC
  NILO SANTIAGO, SURREALIST MAGIC LANDSCAPE, OIL, SIGNED L.R., FRAME: 27 1/2 X 23 IN. (69.9 X 58.4 CM.)Nilo Santiago, Surrealist Magic Landscape, Oil, Signed l.r.,, Dimensions: Frame: 27 1/2 x 23 in. (69.9 x 58.4 cm.)
• Clarence Millet A.N.A.
  Clarence Millet A.N.A. (American/New Orleans 1897-1959) "Playing Catch Audubon Woods Camp West Feliciana Parish Louisiana (unfinished pencil sketch en verso)" prior to 1939 oil on canvas laid down on board signed lower left 12 5/8 in. x 17 7/8 in. attractively framed; accompanied by a photocopy of the 1939-1940 visitors book and two brochures from 1940 and 1941 for the Audubon Woods Camp. Provenance: Estate of Audrey Reinike DeBuys the eldest daughter of Charles Henry and Vera Reinike; found in the Historic Garden District home of the DeBuys family 3131 Coliseum Street. Note: Charles Reinike was an active member of the art community in New Orleans during the first half of the 20th century. Together with his wife the artist Vera Reinike he administered the Reinike Academy of Art from 1934 until 1944. During the summer months the academy operated at "Audubon Woods" in St. Francisville LA. The two paintings by Clarence Millet offered here as lots 362 and 363 (following page) depict scenes at the bucolic Audubon Woods. As the 1940 brochure advertising the camp states: "The Camp is located in one of the most picturesque spots in the South. The rolling landscape plantation homes negro shacks and bayous inspire the artist and student alike. Living quarters are comfortable and uniquely located in the heart of a pine woods where the weather is cool and invigorating on the hottest days." Among the visitors who signed the guest book from 1939 are Clarence Millet Morris Henry Hobbs and Louise Sarrazin. Having descended in the family of Charles Reinike these works were likely gifts from Millet to Reinike in appreciation for time spent at Audubon Woods.
• NALENIK TEMELA (1939-2003, INUIT;
  NALENIK TEMELA (1939-2003, INUIT; LAKE HARBOUR/KIMMIRUT), CARVED SEAL FIGURE, 1980Nalenik Temela, (1939-2003, Inuit; Lake Harbour/Kimmirut) Carved seal figure, 1980, Stone Signed syllabically to underside and dated: 1980 / © Stone Dimensions: 3.875' H x 11.5" W x 4" D Provenance: The Guild Shop, Toronto, Ontario Property from the Rex Gilman Chase Collection, Berkeley, CA, acquired from the above, June 6, 1980
• NILS OBEL (DENMARK/ME, 1937-2018)
  NILS OBEL (DENMARK/ME, 1937-2018) (2) Limited Edition Lithographs, 24 3/4" x 38 3/4", unframed, incl: "Tarpon, Megalops Atlantica", #114/400, pencil signed lower right; and "Atlantic Salmon, Salmo salar", #328/400, pencil signed lower right. Good condition.
• Richard Bosman (b. India 1944)
  Richard Bosman (b. India 1944) "Naviagator". Color woodcut on Rives paper 1993 printed by Andy Rubin at Tandem Press Madison WI The Print Club of Cleveland Publication No. 73 issued in 1995 not framed signed in pencil lower right margin blind stame of The Print Club lower left corner paper size 27-5/8" x 20-3/8" image size 24" x 17-1/2".
• PITALOOSIE SAILA (1942-) E7-1006
  PITALOOSIE SAILA (1942-) E7-1006 Cape Dorset OWL IN ARCTIC MIST framed 1988 7/50 Medium: stonecut 18" (height) 45.7cm (height) 24.3" (width) 61.6cm (width)
• NOSTI Harold (American 20th C.):
  NOSTI Harold (American 20th C.): Owl Glazed and Fired Clay 12'' h. x 20'' w. incised signature. Harold Nosti is a graduate of the University of Tampa and was a professor of art there for many years. He has exhibited at the Polk County Museum of Fine Arts and the Tampa International Airport among others.
• Nellie Augusta Knopf painting
  Nellie Augusta Knopf painting (Illinois/California, 1875-1962), "Sheltered Harbor, Pigeon Cove, Mass" (titled verso), signed lower right "Knopf" and verso "N.A. Knopf", oil on canvas board, 15-7/8 x 20 in.; modern gilt wood frame. Good condition; frame with abrasions. Collectors Gallery, Nashville, Tennessee (lot accompanied by original receipt)