A few examples of appraisal values for
NYMPHENBURG

• NYMPHENBURG PORCELAIN FIGURE OF A
  NYMPHENBURG PORCELAIN FIGURE OF A GENTLEMAN WITH CLOAK, 'HERR MIT MANTEL' AND THREE PORCELAIN FIGURES OF OVIDIAN PUTTINYMPHENBURG PORCELAIN FIGURE OF A GENTLEMAN WITH CLOAK, 'HERR MIT MANTEL' AND THREE PORCELAIN FIGURES OF OVIDIAN PUTTI, German, circa 1893, impressed Bavarian shield mark, impressed model no. 17 twice, blue painted U., after the models by Joseph Ponhauser and Franz Anton Bustelli of 1755, the Gentleman, depicted standing, a yellow-lined grey cloak draped over his right arm, wearing a dark-purple jacket, floral waistcoat and black breeches, raised on a rocaille-molded plinth; three Nymphenburg models of a putto, 20th Century, impressed Bavarian shield marks, model nos. 95a, 417a and 96, each in the white, the first emblematic of Spring in the guise of Flora gathering flowers, atop a tall square pedestal, the front molded with the Bavarian Royal shield; the second emblematic of Fall as Bacchus celebrating the grape harvest; the third as Juno above clouds with peacock, the tallest (4) - h:9.25in. Provenance: Estate of Ronald Sperling
• NYMPHENBURG PORCELAIN FIGURINE OF A
  NYMPHENBURG PORCELAIN FIGURINE OF A CHINESE MONK Germany circa 1920, painted overglaze with a green robe in a bowing position, factory mark impressed near the foot and also to the underside. Modeled by Franz Anton Bustelli.
• Five Nymphenberg figurines:
  Five Nymphenberg figurines: peasants in various costumes including hunter and flute player, all with impressed Nymphenberg marks, two with black and two with green-printed marks, three with accession numbers and "Morrison", 8-1/2 in. to 9-1/4 in. Hunter with repair chips to bouquet in hat, gun strap off but present, flute player with part of flute off but present. Private Collection, Whispering Pines, North Carolina
• A Nymphenburg Porcelain Figurine of
  A Nymphenburg Porcelain Figurine of a Mushroom Seller Beautifully modeled figurine of a young woman carrying baskets of mushrooms; two in her upraised hand calling out her wares on a naturalistic lawn and stump base with green bocage hand painted polychrome decorations impressed marks and numbers on the underside.
• NYMPHENBURG PORCELAIN FIGURE
  NYMPHENBURG PORCELAIN FIGURE EMBLEMATIC OF FALL, 'HERBST'NYMPHENBURG PORCELAIN FIGURE EMBLEMATIC OF FALL, 'HERBST', circa 1960, printed green and impressed shield marks to base and underside, impressed model no. 982, designed by Johanna Kunzli in 1957, depicted as a young boy in alpine dress with long iron-red cloak, holding a hunting horn, on a flat circular base, h: 9 in. Provenance: Estate of Ronald Sperling Literature: See Alfred Ziffer, Nymphenburger Moderne, p. 429, afb. 622.
• Nymphenburg Stag Figurine German,
  Nymphenburg Stag Figurine German, early- to mid-20th century, printed crown-over-shield mark over "Nymphenburg", marked on side "Th Karner" (artist of the original), 21 in.,
• NYMPHENBURG PORCELAIN FIGURE OF A
  NYMPHENBURG PORCELAIN FIGURE OF A MONGOL SCHOLAR WITH TEABOWL AND A NYMPHENBURG PORCELAIN FIGURE OF A BURMESE MANNYMPHENBURG PORCELAIN FIGURE OF A MONGOL SCHOLAR WITH TEABOWL AND A NYMPHENBURG PORCELAIN FIGURE OF A BURMESE MAN, mid-20th Century, printed green and impressed Bavarian shield marks to bases and undersides, impressed model nos. 965 and 977, Pressnummern 0 and 3, after the models by Maria Delago, the scholar depicted standing and lightly blowing on a cup of tea balanced in his right hand, wearing a knopped blue fez and traditional iron-red undergarment and black-lined blue robes; the Birman, with blue painter's E. 529 LW, depicted standing in deep contemplation, cradling a Buddhist food offering vessel, Hsun Ok, in two hands, wearing a green turban and traditional blue, green and ochre striated robes, both on a circular slab base, h. 8 in. (2) Provenance: Estate of Ronald Sperling
• NYMPHENBURG PORCELAIN FIGURE OF A
  NYMPHENBURG PORCELAIN FIGURE OF A CAVALIER AND A NYMPHENBURG PORCELAIN FIGURE OF A GENTLEMANNYMPHENBURG PORCELAIN FIGURE OF A CAVALIER AND A NYMPHENBURG PORCELAIN FIGURE OF A GENTLEMAN, 20th Century, blue painted and impressed Bavarian shield marks to plinth and to undersides, impressed model nos. 1 and 5, after the models by Joseph Ponhauser and Franz Anton Bustelli, the Cavalier, 'Kavalier am Postament'depicted standing beside a pedestal, his right hand extended offering a posy sprig, a tricorn hat tucked under his arm, wearing a white trimmed blue jacket, yellow waistcoat and puce breeches, on a flat canted rectangular base edged in gilt; the Gentleman, 'Herr mit Mantel' depicted standing, a long iron-red cloak draped over his right arm, a tricorn hat tucked under his left elbow, wearing a yellow-lined mottled-grey jacket, waistcoat and breeches, the flat canted trapezoidal base edged in gilt, h: 7 in.; together with two Nymphenburg style porcelain figures of a gentleman with hat and an elegant lady with yellow manteau, blue bows and dark purple dress, various marks, h: 7.25 in. (5) Provenance: Estate of Ronald Sperling
• TWO NYMPHENBURG PORCELAIN COURT
  TWO NYMPHENBURG PORCELAIN COURT FIGURE GROUPSTWO NYMPHENBURG PORCELAIN COURT FIGURE GROUPS, German, 20th Century, blue crowned CT monogram mark or green printed shield marks, both with impressed Bavarian shield marks, model nos. 165 and 20, the first after the Frankenthal model, 'Musikantan Figur', depicted as two musicians, he playing the flute as she seated reads from an open score and plays the cello; the second with a seated maiden reading an open book, as a suitor on bended knee holds her left hand, w: 9.5 in. (the larger) (2)
• A NYMPHENBURG GROUP OF “THE SLEEPER
  A NYMPHENBURG GROUP OF “THE SLEEPER DISTURBED” circa 1770, after a model by Franz Anton Bustelli, with a farm boy curled up asleep in a series of “C”-scrolls leaning against an obelisk, beside a farm girl playing the xylophone, and a dog, on a shaped shallow grassy mound, the base edged with scrolls enriched in colours, with impressed Bavarian shield mark, 24cm high Provenance: Anonymous sale, Christie’s London, 4th December 1978, lot 117. Christie’s, 11th December 2007, lot 136. Bt. from E & H Manners, 3rd April 2008.
• NYMPHENBURG GERMAN PORCELAIN
  NYMPHENBURG GERMAN PORCELAIN BOWL9 1/2"-diameter
• A Nymphenburg Porcelain Figure of a
  A Nymphenburg Porcelain Figure of a Man in a Tricorne Hat 20th Century bearing a faint impressed Nymphenburg shield and illegible numbers to the underside. Height 8 1/2 inches. Property from the European Family Collection of a Pharmaceutical Executive and Venture Capitalist
• NYMPHENBURG PORCELAIN FIGURAL
  NYMPHENBURG PORCELAIN FIGURAL PERFUME BURNER & COVER, TWO NYMPHENBURG PORCELAIN FIGURES AND A NYMPHENBURG FIGURE GROUPNYMPHENBURG PORCELAIN FIGURAL PERFUME BURNER & COVER, TWO NYMPHENBURG PORCELAIN FIGURES AND A NYMPHENBURG FIGURE GROUP, German, 20th Century, green printed mark to the first, impressed Bavarian shield marks to four, crowned blue CT marks to two, impressed model nos. 230, 45, 56, 1523, all in white, the first as three putti supporting a central urn with pierced cover, the central vessel molded with a portrait medallion flanked by helmeted mask handles, suspended above an elaborate rocaille-molded candle stand; the second as a Frankenthal style figure group of an amorous couple holding roses; the third as a putto drummer, 'Trommler aus dem Puttenorchester', after the Frankenthal model by F.C. Linck; the fourth as a trumpeter, after F.A. Bustelli; together with a Meissen style figure group of an amorous couple, after the model by J.J. Kaendler of circa 1745, incised model no. 103, impressed AB, depicted seated on a raised bank embracing, h: 8.25 in. (6) Franz Conrad Linck (1730-1793); Franz Anton Bustelli (1723-1763); Johann Joachim Kaendler (1706-1775)
• A Nymphenburg Porcelain Clock
  A Nymphenburg Porcelain Clock 20th Century in a giltwood frame. Height 18 inches. Property from the European Family Collection of a Pharmaceutical Executive and Venture Capitalist
• NYMPHENBURG PORCELAIN FIGURE
  NYMPHENBURG PORCELAIN FIGURE GROUP OF A PLAYFUL LESSON, 'DAME IM SPIEL MIT KINDERN'NYMPHENBURG PORCELAIN FIGURE GROUP OF A PLAYFUL LESSON, 'DAME IM SPIEL MIT KINDERN', German, dated 1968, blue painted crowned CT monogram and year mark, impressed Bavarian shield mark, incised 1004, after the Frankenthal group by Johann Peter Melchior of 1784, depicting a young maiden holding two flutes away from two children, on a stepped rocky mound base, together with a Hoechst style figure of a gallant, spurious blue wheel mark, after a model by Johann Peter Melchior of circa 1765, depicted standing in pink jacket, yellow vest and yellow breeches, on a grassy mound base, h: 7.75 in. (2) Johann Peter Melchior (1747-1825) was the Modellmeister at the Hoechst porcelain factory in 1767-1779. He later worked at the factories at Frankenthal (1779-1793) and Nymphenburg (1797-1822).
• NYMPHENBURG PORCELAIN FIGURE
  NYMPHENBURG PORCELAIN FIGURE GROUP AND TWO NYMPHENBURG PORCELAIN FIGURESNYMPHENBURG PORCELAIN FIGURE GROUP AND TWO NYMPHENBURG PORCELAIN FIGURES, mid-19th and early 20th Century, impressed Bavarian shield marks, after the models by Franz Anton Bustelli, incised and impressed model nos. 213, 818 and 58, including a female snuff-taker, 'Ratschkaetl' depicted standing with a basket over her left arm, taking a pinch of snuff from an open box, the impoverished woman wearing a patched top, brown skirt and spotted apron, the square base enriched with a gilt line; a needy mother and two children, 'Bettlerin mit Kindern', depicted as a destitute maiden in tattered clothes carrying a small child in a sash-sling at her back, a needy toddler with outstretched right hand at her side, on a flat scroll-edged base enriched with gilt dentil; a mendicant pilgrim, 'Bettelmonch Klausner', depicted standing and carrying a satchel over his right shoulder, a walking stick in his left, in yellow-lined brown cloak and brown robes, a crucifix suspended at his side, a tree-stump at his back, on a flat scroll-edged base, h: 7 in. (the tallest) (3) Provenance: Estate of Ronald Sperling Literature: For an example of the snuff-taker, see Alfred Ziffer, Nymphenburger Porzellan, Sammlung Baeuml, no. 802. For an example of the figure group, see the Fine Arts Museum Boston, accession no. 1983.115. This model was originally designed as a set of three, including a male beggar, accession no. 1983.116, and a figure group of an elegant couple.
• A Nymphenburg figure of a Chinese
  A Nymphenburg figure of a Chinese priest after the model by Franz Anton Bustelli, circa 1756, this version circa 1900, impressed Bavarian Shield, model no 77 and X marks/Provenance: probably Dorotheum, Vienna, 20 December 2018, Lot 238
• NYMPHENBURG PORCELAIN FIGURE
  NYMPHENBURG PORCELAIN FIGURE GROUP AND A PAIR OF NYMPHENBURG PORCELAIN FIGURES OF MUSICIANSNYMPHENBURG PORCELAIN FIGURE GROUP AND A PAIR OF NYMPHENBURG PORCELAIN FIGURES OF MUSICIANS , late 19th Century, painted blue crowned CT monogram marks, impressed Bavarian shield marks, with incised model no. 64., after a Frankenthal model by Johann Friedrich Luck, in the manner of Francois Boucher, including The Awakened Sleeper, 'Der Geweckte Schlafer' depicted as a gallant seated on a grassy tuft awakening, wearing a tricorn hat, pink jacket, white waistcoat and breeches, attended by two maidens in laced bodices and striated gowns, the rocaille-molded base enriched with gilt, h: 8 x w: 8.25 in.; the pair of pastoral musicians, 20th Century, impressed Bavarian shield marks and model nos. 63. over 0 and 59 and 0, after a model by Franz Anton Bustelli of 1756, the female figure modeled as a singer, her left hand holding an open score, seated on a grassy mound; her companion recumbent playing the lute, wearing tricorn hat, courtly jacket, and purple breeches, the bases applied with flowers and foliage (3) Provenance: Estate of Ronald Sperling Literature: For a pair of musicians modeled circa 1756, see the Ernest F. Blohm Collection, sold Sotheby's London, 14 March 2012, 174.
• Nymphenburg porcelain figure
  Nymphenburg porcelain figure group emblematic of Summer Modeled as a two classical women arranging floral garlands, attended by putti and suitors, on a naturalistic base, impressed marks. H: 7 3/4 in. - restoration to several cherub's feet, one leg - losses to flower petals
• Nymphenberg Figural Group
  Nymphenberg Figural Group Continental 20th century. A porcelain figural group with a standing male offering a seated female figure an apple marked Nymphenberg; ht. 8.75 in. Condition: Broken leaves. Chips.
• A Set of Five Nymphenburg Porcelain
  A Set of Five Nymphenburg Porcelain Musicians 20th Century each bearing a green Nymphenburg stamp, impressed shield and numbered to the underside. Height of tallest 8 1/2 inches. Property from the European Family Collection of a Pharmaceutical Executive and Venture Capitalist
• FIVE NYMPHENBURG PORCELAIN
  FIVE NYMPHENBURG PORCELAIN MYTHOLOGICAL FIGURESFIVE NYMPHENBURG PORCELAIN MYTHOLOGICAL FIGURES, German, 19th and 20th Century, two with green printed shield marks, all with impressed Bavarian shield marks, four with shields on the base, model nos. 292, 28a, 17, III, 2001, the pedestal group after a model by Franz Anton Bustelli (1723-1763), including a winged nymph holding a feather, set on a high rectangular pedestal; a semi-nude nymph emblematic of Spring, holding flowers and a putto playing with marbles above a Rococo pedestal molded with pendant ribbon-tied musical trophies; a figure of Ceres holding wheat and a lamb, on a faux marble square base; Mercury in white, on a square plinth; and a Muse revealing a blank medallion, a painter's palette at her feet, h: 12.5 in. (the tallest) (5)
• NYMPHENBURG TEA SET AND OTHER
  NYMPHENBURG TEA SET AND OTHER PIECESNYMPHENBURG TEA SET AND OTHER PIECES, ten Nymphenburg plates, of various sizes, delicately hand painted with flowers, molded basket border, with a dark brown border, underglaze green mark; Nymphenburg pierced basket with hand painted bunches of flowers; and Nymphenburg teapot, cream jug and sugar bowl, marked Western Germany (15)
• NYMPHENBURG PORCELAIN EQUESTRIAN
  NYMPHENBURG PORCELAIN EQUESTRIAN FIGURE, 'THE RIDER', TWO NYMPHENBURG PORCELAIN MODELS OF HORSES WITH NYMPHENBURG PORCELAIN BUST OF..NYMPHENBURG PORCELAIN EQUESTRIAN FIGURE, 'THE RIDER', TWO NYMPHENBURG PORCELAIN MODELS OF HORSES WITH NYMPHENBURG PORCELAIN BUST OF A LAUGHING CHILD, 'KINDERBUST', 20th Century, printed green and impressed Bavarian shield marks, model nos. 823/l, 733b, 807 and 928, in the white, including: a monumental statue of Jan Wellem, The Elector Of Dusseldorf, designed by sculptor Gabriel de Grupello in 1711, depicted in royal attire, seated on a fine stallion, a scepter in his right hand, the reins held firmly in his left, the stepped square base with the raised inscription 'JAN WELLEM' and 'DUSSELDORF' and 'AG' monogram; a rearing stallion, 'Aufsteigendes Pferd', signed in the mold A.(ugust) Gohring, designed in 1930; a trotting stallion, 'Pferd in Trab', after the model by Entwurf Hanns Goebl, depicted whinnying mid-trot; and a 'Kinderbust', after a model by Franz Anton Bustelli of 1761, depicted with his hair tied-back at the nape of his neck with a bow, wearing a loose ruffled shirt, on a waisted quatrefoil rocaille-molded socle base pierced with three apertures - h: 10 in. (the tallest) (4) Provenance: Estate of Ronald Sperling Literature: The monument by Grupello can still be found in the central square in front of the Old Town Hall in Dusseldorf. The sculpture, known as "The Rider", is the oldest statue in Dusseldorf and considered one of the most relevant Baroque statues in Europe. For an 18th century Nymphenburg example of the bust, see the Metropolitan Museum of Art, New York, accession no. 1974.356.515.
• NYMPHENBURG PORCELAIN (1632)
  NYMPHENBURG PORCELAIN (1632) 'GERIPPT' SHAPE TWENTY-ONE PIECE COFFEE SETNymphenburg Porcelain (1632) 'Gerippt' Shape Twenty-One Piece Coffee Set,, Consisting of: 7-3/4" H Pot 4-1/8" H Creamer 4" H Covered sugar 6 x 2" H Cups 6 x 5-3/8" D Saucers 6 x 7-5/8" D Plates
• 11 Nymphenberg figures: all with
  11 Nymphenberg figures: all with impressed Nymphenberg mark, some with U.S. Zone mark, some with green or black printed marks: Asian style, cupids, colonial figures; see detailed listing. Private Collection, Whispering Pines, North Carolina
• Nymphenburg Figure Group of a
  Nymphenburg Figure Group of a Mother and Children, late 19th century height 6.5 in — 16.5 cm
• Five Nymphenberg figures: all
  Five Nymphenberg figures: all with impressed shield marks, 20th century, 5 in. to 7 in. Woman holding book lacking one finger, seated woman holding basket with several chips and losses, other minor petal losses.
• NYMPHENBURG PORCELAIN FOX Germany,
  NYMPHENBURG PORCELAIN FOX Germany, first quarter 20th century, hand-painted underglaze, modeled in a curled sleeping position yet fully alert, designed by Theodor Kaemer. Underside impressed with somewhat indistinct Nymphenburg shield mark.
• FOUR NYMPHENBURG PORCELAIN
  FOUR NYMPHENBURG PORCELAIN FIGURESFOUR NYMPHENBURG PORCELAIN FIGURES, German, late 19th/20th Century, three with blue crown CT monogram marks and dated either 1923 or 1971, impressed Bavarian shield marks to all, incised model no. 244 and impressed nos. 1500, 1324, 1316, the male figure, after the Frankenthal model by Johann Friedrich Lueck of 1760, each depicted standing mid-step, including a male dancer with both hands raised, a cherry in his hand, his jacket and breeches trimmed with blue dentil scallops, a female dancer with arms wide holding the hem of her apron and skirt, a miniature male figure holding his hat and wearing a slapstick and a female figure with her left hand on her hip, all on rocaille-molded bases, three enriched in green or turquoise-green, h: 7 in. (the tallest) (4)
• 4 KPM PORCELAIN VASES & NYMPHENBURG
  4 KPM PORCELAIN VASES & NYMPHENBURG VASE4 KPM Porcelain Vases and 1 Nymphenburg Vase NOTE: This lot is being re-offered due to nonpaying bidder Ryan Nixon of Los Angeles, CA. (NJWA187/5)(MS) Dimensions: The largest 16 1/4" H Property from the Estate of an Important New York Modernism Dealer. Condition: Good.
• Lot of three 19th Century
  Lot of three 19th Century Nymphenburg Bavarian glazed porcelain Chinese figures after the model by F.A.Bustelli. Impressed shield mark on all with 67 on both boy children, and 154 on man. 6"H and 4"H.
• NYMPHENBURG TUREEN. Germany early
  NYMPHENBURG TUREEN. Germany early 20th century porcelain. Rococo-style tureen with gilt accents and a hand brushed rose in magenta. Sliced lemon finial. Green transfer marks. 10''h. 14 1/2''l.
• Two Nymphenburg Porcelain Figural
  Two Nymphenburg Porcelain Figural Groups 20th Century each bearing a green Nymphenburg stamp to the underside with impressed shield and respectively numbered 712/ 28 and 276/ 9. Height of taller 6 1/2 inches. Property from the European Family Collection of a Pharmaceutical Executive and Venture Capitalist
• A Set of Four Large Nymphenberg
  A Set of Four Large Nymphenberg White Glazed Porcelain Figures Allegorical of the Seasons 20th Century Height 28 inches. Property from the European Family Collection of a Pharmaceutical Executive and Venture Capitalist
• NYMPHENBURG PORCELAIN FIGURE
  NYMPHENBURG PORCELAIN FIGURE GROUP OF A COUPLE AND THREE NYMPHENBURG PORCELAIN FIGURESNYMPHENBURG PORCELAIN FIGURE GROUP OF A COUPLE AND THREE NYMPHENBURG PORCELAIN FIGURES, German, late 19th/20th Century, the hunter with blue rampant lion mark, Bavarian shield marks to all, impressed model nos. 43, 1602, incised model nos. 207 and 215, the figure group composed of a seated maiden attending a small spotted dog and an approaching suitor holding a flower, his hat tucked at his side, the rocaille-molded base enriched in puce, the figures including a hunter in green, a woman holding a Bible in her right hand and a Dachauerin maiden in traditional dress, h: 8.25 in. (the tallest) (4)