A few examples of appraisal values for
OLD ABBEY

• THE RUINS OF THE ABBEY BY N.
  THE RUINS OF THE ABBEY BY N. CURRIER. Handcolored lithograph on paper. Medium folio of distant ruins C# 5251. Some imperfections. In a gilt frame 21 3/4''h. 27 3/4''w. Overall stains and toning. Margins. t. 1 3/8'' b & s. 1 5/8
• British School (18th Century)
  British School (18th Century) "Ancient European Abbeys, Churches and Nunneries", suite of eight hand-colored copper engravings, by Nathaniel Buck, sight 8" x 15". Glazed, handsomely matted and framed en suite.
• Allan/Tewkesbury Abbey/oil on
  Allan/Tewkesbury Abbey/oil on canvas, 49.5cm x 75cm
• Dugdale, Sir William. Monasticon
  Dugdale, Sir William. Monasticon Anglicanum, 1718; Stevens, John. The History of The Ancient Abbeys…Being Two Additional Volumes, 2 vols., 1722 - 23; Monastici Anglicani, volumen tertium…, 1673. Folio, uniformly bound in cont. red diced calf gilt (some wear to spines). Engraved plates (4)/Provenance: Spetchley Park
• An early 18th Century engraving -
  An early 18th Century engraving - ''The Prospect of Ye Reliques of the Abbey of St. Austin Canterbury from the High Tower of Christ Church'' 6.5ins x 11ins with key in Latin and an 18th Century coloured engraving - ''East View of the Abbey of St. Augustine near the City of Canterbury'' 7.5ins x 12.25ins both framed and glazed
• WESTERN Charles (English 19/20th
  WESTERN Charles (English 19/20th C.): View of the Abbey From the Pond Oil/Canvas 6'' x 10 5/8'' signed lower right encased in period and gilded gesso frame 12 1/4'' x 17''.CONDITION: Patch visible verso needs cleaning scattered cracklure several visible areas of in-paint and minor repair.
• Francis Hewlett (1930-2012)/Abbey
  Francis Hewlett (1930-2012)/Abbey (Glastonbury)/inscribed and signed verso/oil on panel, 10cm x 14cm
• ABBEY GLASS SHIP IN A BOTTLE ART
  ABBEY GLASS SHIP IN A BOTTLE ART GLASS SCULPTURE England,20th CenturyClear glass decanter on wood base with glass ship model of Gipsy Moth IV, a boat commissioned by Sir Francis Chichester to sail around the globe.
• ENGLISH SCHOOL (19TH CENTURY),
  ENGLISH SCHOOL (19TH CENTURY), WATERCOLOR LANDSCAPE WITH ABBEY RUINS AND CEMETERY Watercolor and gouache, monogrammed and dated "J.J.L. 1867" at lower right, matted and framed.
• GEORGE KENNEDY BRANDRIFF: "ABBEY,
  GEORGE KENNEDY BRANDRIFF: "ABBEY, ARBROATH, SCOTLAND"circa 1929 oill on panel inscribed verso "Painted in 1929 by / George K. Brandriff / Mrs. George K. Brandriff (widow) / Abbey-Arbroath - Scotland. / Gift to Captain Dan P. Brooks. / March 1, 1979 - Mrs. Frances C. Brooks" panel size: 10 x 13 1/2 inches; frame size: 16 x 19 inches Condition:
• LORD FREDERIC LEIGHTON P.R.A.,
  LORD FREDERIC LEIGHTON P.R.A., R.W.S. (BRITISH 1830-1896) AN ABBEY IN THE MOUNTAINS Oil on canvas39.5cm x 25cm (15.5in x 9.75in)Note: While the exact location of this study remains unidentified, it was perhaps exhibited at the Royal Society of British Artists in 1895 as Convent on Capri (no. 32). If so, it would most likely represent the charterhouse of San Giacomo, with the characteristic white cloisters surrounded by barrel vaulted buildings on the left and a church seen to the right. From the hill where the abbey is located Leighton painted also an untraced study of the famous Faraglioni Rocks in 1875, in the company of Giovanni Costa. On the other hand, the vantage point in Leighton’s painting seems improbable unless he applied an artificially foreshortened perspective, given that the abbey is situated very close to the plunging cliffside. Alternative locations could perhaps include Greece or Spain. The emphatically upright format and the extremely high horizon seem to be an extension of Leighton’s experiments at the mountainous Cervara di Roma in the 1850s, and the treatment of architecture and the flowing brushwork of the landscape are typical of his open-air work.Discover more about the landscapes of Leighton and Corbet by clicking below to read a fascinating introduction by art historian Pola Durajska. Read More
• PRINT AFTER EDWIN A. ABBEY
  PRINT AFTER EDWIN A. ABBEY (UNITED STATES/ENGLANDPRINT AFTER EDWIN A. ABBEY (United States/England, 1852-1911) "The Departure," knights leaving for the Crusades. Brass plaque on frame with title and inscribed "Class of June 1923." Image measures 24.75" x 58". In a wood frame; 33.5" x 66" overall.
• Victorian photograph. Fountains
  Victorian photograph. Fountains Abbey, Gate to Fountains Hall, albumen print from P H Dellamott and Joseph Cundall, 1856, 28.5 x 23.5cm, framed More Information Good condition, unexamined out of frame
• AFTER EDWIN AUSTIN ABBEY (AMERICAN,
  AFTER EDWIN AUSTIN ABBEY (AMERICAN, 1852-1911), OATH OF KNIGHTHOOD Hand-embellished photograph, circa 1900, printed by Curtis and Cameron Inc., copyright 1895 and marked as such lower right, retains John Wanamaker, Philadelphia, Pennsylvania label to verso, framed.
• ALBANY EDMOND HOWARD (ENGLISH
  ALBANY EDMOND HOWARD (ENGLISH 1872-1936), 'WESTMINSTER ABBEY', CIRCA 1916, ETCHING, FRAME: 33 X 20 IN. (83.82 X 50.80 CM.)Albany Edmond Howard (English 1872-1936), 'Westminster Abbey', Circa 1916, Etching,, Dimensions: Frame: 33 x 20 in. (83.82 x 50.80 cm.)
• Some Account of the Abbey Church of
  Some Account of the Abbey Church of St Alban, illustrative of the Elevations and Sections of that Building, pub. Nicholas, Son and Bentley, London 1813, unbound
• WESTMINSTER ABBEY STILL BANK
  WESTMINSTER ABBEY STILL BANK Sydenham & McOustra England cast iron japanned finish facade is well detailed features two cast clock towers. 6 1/4'' h.
• Robert Hills OWS (British
  Robert Hills OWS (British 1769-1844)/Bradsole or St Radegund's Abbey, near Dover/signed and dated 1799/watercolour, 17cm x 25cm
• ENGLISH SCHOOL, THE LONG BORDER
  ENGLISH SCHOOL, THE LONG BORDER AT WELBECK ABBEY, NOTTINGHAMSHIRE, OIL ON CANVAS, 34 X 42 INEnglish School, The Long Border at Welbeck Abbey, Nottinghamshire, Oil on Canvas, 34 x 42 in
• 19th C. Continental School pair
  19th C. Continental School pair oils on board Abbey ruins and Watermill ovals 7.5 x 9.75in. Estimate ?150-250 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?220
• 19th Century English
  19th Century English School/Fonthill Abbey/with trees and Fontwell brook in the foreground/watercolour, 6cm x 9cm, in a gilded surround
• EDWIN AUSTIN ABBEY (AMERICAN,
  EDWIN AUSTIN ABBEY (AMERICAN, 1852 - 1911)Edwin Austin Abbey (American, 1852 - 1911), pen and ink, man holding torch, signed Abbey lower left, 7 1/2" x 3 3/4". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• EDWIN AUSTIN ABBEY
  EDWIN AUSTIN ABBEY (PENNSYLVANIA/NEW YORK/ENGLAND, 1852-1911), "MR. LOFTY AND DUBARDIEU"., PASTEL ON PAPER, 24" X 16.25" SIGHT. FRAMED 27" X 19.25".EDWIN AUSTIN ABBEY, Pennsylvania/New York/England, 1852-1911, "Mr. Lofty and Dubardieu". Scene from Oliver Goldsmith's "Good-Natur'd Man". Dimensions: Pastel on paper, 24" x 16.25" sight. Framed 27" x 19.25".
• ABBEY, Edwin Austin, (American,
  ABBEY, Edwin Austin, (American, 1852-1911): 1) ''Saxon Army'', sight size 7.5'' x 14.5'', signed lower right, framed, 15.25'' x 22.5''; 2) Depicts a Battle Scene, sight size 8.5'' x 13'', signed lower right, framed, 17.5'' x 21.75''.
• BRITISH SCHOOL (19TH CENTURY)
  BRITISH SCHOOL (19TH CENTURY) LANDSCAPE WITH ABBEY IN THE FOREGROUND WATERCOLOR AND GRAPHITE: 9 3/4 X 14 1/2 IN. (SIGHT), 16 X 20 1/...BRITISH SCHOOL, (19TH CENTURY) LANDSCAPE WITH ABBEY IN THE FOREGROUND, Watercolor and graphite: 9 3/4 x 14 1/2 in. (sight), 16 x 20 1/4 in. Framed; verso gallery label Watercolor and graphite: 9 3/4 x 14 1/2 in. (sight), 16 x 20 1/4 in.
• ABBY (ABIGAIL) TAYLOR OAKES
  ABBY (ABIGAIL) TAYLOR OAKES (NY/CA/MA, 1829-1898) Two Miniature Northeastern Landscapes, oil on cardstock, only one signed, but provenance from Robert G. Hooker of Newagen, Maine and Childs Gallery of Boston label verso gives history from Oakes to mid-1950's. The first depicts two figures in a gathering storm, the second depicts a figure with cows in a landscape. In matching silver stick frames, matted and glazed, OS: 10 1/4" x 11 1/2", SS: 4" x 5 1/" each, discoloration to mats, paintings are fine.
• James W Ferguson/Abbey/Castle
  James W Ferguson/Abbey/Castle Ruins/a pair/watercolour, 15cm x 26cm
• Egan John J. [American/Pennsylvania
  Egan John J. [American/Pennsylvania mid-19th century] oil on canvas landscape painting of the ruins of an Irish abbey signed and titled verso "Muckruss Abbey Killarney Ireland 1858 J.J. Egan". 6.5"x9"
• English School, circa 1780/Portrait
  English School, circa 1780/Portrait Miniature of Mrs Abbott/wearing a black shawl, white dress and with an elaborate lace bonnet/watercolour on ivory, 58mm x 46mm/in an ebonised frame/Ivory registration reference: HZPBEJTU/Provenance: The Estate of Anthony J Beeson
• W H Gill/Ruined
  W H Gill/Ruined Abbey/watercolour, 31cm x 51cm/and another inscribed David Cox
• OOB - Old Quarry in the Mountains
  OOB - Old Quarry in the Mountains unsigned American circa 1870 initialed 'EGK' in pencil on back label verso from John P. Ridener Gallery in New York in vintage lemon gold mitered frame SS: 11 1/2'' x 17 1/2'' OS: 17 1/2'' x 23 1/2'' good condition.
• VIEW OF WESTMINSTER ABBEY.
  VIEW OF WESTMINSTER ABBEY. Etching signed illegibly in pencil lower right; Frame: 35.25'' x 29'' 31'' x 24.75'' (sight) Condition: No Specific Condition Recorded - Sold As Is
• ALBERT BREDOW (1828 - 1899):
  ALBERT BREDOW (1828 - 1899): MONASTERY COURTYARD SCENEoil on canvas laid to canvas; signed lower right; Condition: five patches verso; 41 1/2 x 58 inches; 52 x 69 inches frame (4 inches deep) Condition:
• Bernard Evans/Whitby
  Bernard Evans/Whitby Abbey/watercolour, 39cm x 74cm/Provenance: The Mayor's Picture Exhibition, 1908
• ALBERT BREDOW (1828 - 1899):
  ALBERT BREDOW (1828 - 1899): MONASTERY COURTYARD SCENEoil on canvas laid to canvas; signed lower right; Condition: five patches verso; 41 1/2 x 58 inches; 52 x 69 inches frame (4 inches deep)
• PATRICK ABBEY OIL ON
  PATRICK ABBEY OIL ON CANVASPATRICK ABBEY (Oregon, b.1971) oil on canvas, portrait of a man. Signed upper right, 30" x 22" (image), in a thin wood frame.