A few examples of appraisal values for
OLIVER TIGER

• After Samuel Howitt and Captain
  After Samuel Howitt and Captain Thomas Williamson (British, 19th century) Five prints accompanied by text, from Oriental Field Sports, published by T. McLean, 1818, for Edward Ormé: "A Tiger Killed By a Poison Arrow", "The Ganges Breaking Its Banks; with Fishing…", "The Hog at Bay", "The Chase after a Hog", "Death of the Bear", hand-colored aquatint and engravings, 17-5/8 x 22-1/4 in. (tiger); matching gilt wood frames,
• Oscar Waldmann (Swiss, 1856-1937)
  Oscar Waldmann (Swiss, 1856-1937) TIGER AND SERPENT patinatted bronze, signed length 14.25 in — 36.2 cm
• FOLK ART, PORTRAIT OF A TIGER,
  FOLK ART, PORTRAIT OF A TIGER, OIL ON BOARD, SIGNED ON VERSO, FRAME: 16 X 17-1/2 INFolk Art, Portrait of a Tiger, Oil on Board, Signed on Verso, Frame: 16 x 17-1/2 in
• Donald Grant (British 1930-2001)
  Donald Grant (British 1930-2001) TIGER IN NATURE oil on canvas framed signed: lower right Donald Grant H24'' W36'' Provenance: Atlanta Georgia private collection. MacConnal-Mason & Sons Ltd Good original condition.
• Samuel Howitt A TIGER HUNTED BY
  Samuel Howitt A TIGER HUNTED BY WILD DOGS Hand-colored aquatint Estimate:$200-$300
• Thomas Sulley (English, 20th
  Thomas Sulley (English, 20th Century) Pair of oil portraits of a lady and gentleman now with, respectively, the head of a tiger cat and a Cairn Terrier, the portraits second quarter 19th century, the animal heads third quarter 20th century, h. 36-1/4", w. 28".
• LUDWIG BEMELMANS (NEW
  LUDWIG BEMELMANS (NEW YORK/FRANCE, 1898-1962), TO THE TIGER IN THE ZOO, MADELINE JUST SAID “POOH, POOH”., COLOR LITHOGRAPH ON WOVE PAPER, IMAGE SIZE 24” X 19.5”. SHEET SIZE 29” X 24”. UNFRAMED.LUDWIG BEMELMANS, New York/France, 1898-1962, To the Tiger in the Zoo, Madeline just said "Pooh, Pooh". Signed and numbered "Bemelmans 35/300" in pencil lower margin. Dimensions: Color lithograph on wove paper, image size 24" x 19.5". Sheet size 29" x 24". Unframed.
• Oliver Boberg (German, b 1965)
  Oliver Boberg (German, b 1965) "Seite 3/Page 3", Lambda C-Print, 2005, signed on reverse Oliver Boberg, label on reverse, from Lora Reynolds Gallery, edition 3/5, 65-1/2" x 58-1/2", very good condition, small damage to corner
• BRONZE WILDLIFE SCULPTURE of a
  BRONZE WILDLIFE SCULPTURE of a tiger crouching and peering about to pounce. Length: 37 inches.
• HENRI MAIK "TIGER" COLOR
  HENRI MAIK "TIGER" COLOR LITHOGRAPH, FRAMED Henri Hecht Maik (French, 1922-1993) "Tiger", color lithograph. Pencil signed and numbered 165 of 250, framed.
• LARGE CHARLES FRACE 'SIBERIAN
  LARGE CHARLES FRACE 'SIBERIAN TIGER' OIL PAINTINGCharles Frace, American (1926-2005). 'Siberian Tiger', 1979. Oil on canvas, matted and mounted in wood frame, signed lower left. Labels on verso Connally Alterman Art Gallery. Includes hard cover book 'Nature's Window Charles Frace', published by American Masters Foundation, 1992 (Pictured on page 97). Provenance: Estate of a private collection and long time friend of Charles Frace. Measures 42.5"H x 50.5"W framed; 30"H x 38"W unframed.
• 20th Century School Young Tiger
  20th Century School Young Tiger Family Estimate: $200  - $300
• Mose Ernest Tolliver
  Mose Ernest Tolliver (American/Alabama 1920-2006) "Safari" oil on plywood signed lower right 17 in. x 25 1/4 in. unframed.
• BRONZE WILDLIFE SCULPTURE of a
  BRONZE WILDLIFE SCULPTURE of a tiger crouching and peering about to pounce. Length: 37 inches.
• HENRI MAIK, "TIGER IN THE GRASS",
  HENRI MAIK, "TIGER IN THE GRASS", OIL ON CANVAS Henri Hecht Maik (French 1922-1993), "Tiger in the Grass", 1980, oil on canvas naive landscape with tiger, signed and dated to lower right, signed and having a Wally Findlay Gallery label en verso, framed. Approximate measurements: canvas h. 9. 625", w. 13"; frame h. 17. 25", w. 20. 75", d. 2. 375".
• CHARLES ALPHONSE GOLDIE, TIGERS
  CHARLES ALPHONSE GOLDIE, TIGERS (2)Charles Alphonse Goldie (British, 19th Century)Tigers (2)oil on burlap laid down on boardboth signed and dated lower left Goldie / Paris / 190717 x 23in (43.2 x 58.4cm)
• FRANZ MARC, (GERMAN, 1880-1916),
  FRANZ MARC, (GERMAN, 1880-1916), TIGER (TIGER), WOODCUT, 8 X 9 1/2 IN.FRANZ MARC, (German, 1880-1916) Tiger (Tiger), woodcut stamped and signed in pencil by Maria Marc, verso 8 x 9 1/2 in. Provenance: The artist's widow, Maria Marc, to Lyonel Feininger (1871-1956); by descent to his son, T. Lux Feininger; The Estate of T. Lux Feininger. Condition: Condition: Smudge on paper in upper left margin.
• GUSTAVO NOVOA (b. 1940): "TIGER'S
  GUSTAVO NOVOA (b. 1940): "TIGER'S RETREAT" Oil on canvas 48 x 36 in. signed. dated 1993.
• Life size Steiff display tiger with
  Life size Steiff display tiger with green glass eyes ad pull. Not marked and as found. 35"h.x58"l.
• TIGER DRAWINGA naïve charcoal
  TIGER DRAWINGA naïve charcoal drawing of a tiger in a period birdseye maple veneer frame, found in Montreal. Circa 1890. H: 31"; W: 21.5". Field Collection.
• An Indian carved ivory tiger with
  An Indian carved ivory tiger with three cubs inset eyes circa 1930 28 cm long.
• Ivory model of a tiger 20th
  Ivory model of a tiger 20th century Together with six small animal models. light brown long inclusion to top, repair to tail in two areas, well carved elephant ivory overall 5 or 6/
• HENRI MAIK, "TIGER AND CUB"
  HENRI MAIK, "TIGER AND CUB" LITHOGRAPH, FRAMED Henri Hecht Maik (French, 1922-1993) "Tiger and Cub", color lithograph. Pencil signed and numbered 77 of 120, framed.
• PAUL ROSE, "TIGER" OIL ON CANVAS
  PAUL ROSE, "TIGER" OIL ON CANVAS BOARD Paul Rose (South African 1931-2018), "Tiger," oil on canvas board depicting the head of a tiger with its mouth partially open, signed at lower right, framed. Approximate dimensions: sight h. 21", w. 16.75"; overall h. 28", w. 24", d. 1.5".
• Brunswick-Balke-Collender Co.
  Brunswick-Balke-Collender Co. novelty; twenty veneers artfully arranged to form exotic Bengal tiger and native environs, late 19th C. 26"H x 43"W. Paper label verso with illustration and identification of woods. Good condition, minor scratches in surface
• Steiff tiger cub, and two cats:
  Steiff tiger cub, and two cats: Susi and Tabby; all with ear buttons and cloth tags; cats with paper tags. 7 1/2"H. Good condition.
• Life size Steiff display tiger with
  Life size Steiff display tiger with green glass eyes ad pull. Not marked and as found. 35''h.x58''l.
• GEROME RICHARD TIGER, OKLAHOMA
  GEROME RICHARD TIGER, OKLAHOMA (1941 - 1967), OBSERVING THE ENEMY; THE GUIDING SPIRIT; YESTERDAY, TODAY AND TOMORROW, THREE PORTFOLIO LIMITED EDITION LITHOGRAPHS, 15" X 11" (IMAGE), 20" X 16" (SHEET)Gerome Richard Tiger, Oklahoma, (1941 - 1967) Observing the Enemy; The Guiding Spirit; Yesterday, Today and Tomorrow, three portfolio limited edition lithographs edition of 1500. Signed in the plate. With 4-page bio poster booklet portfolio and original documentation. Biography from the archives of askArt: Jerome Tiger was a full blood Creek-Seminole, born in 1941 in Oklahoma. He grew up on the campgrounds that surrounded his grandfather's Indian Baptist church near the sleepy town of Eufaula. Research for many of his paintings began when he was still a child as he traveled with his maternal grandfather, Coleman Lewis, a Baptist Missionary. Coleman traveled throughout Indian Country and on the long rides through the backwoods to churches, and Coleman taught his grandson the history of the Creek people in his native Creek language. In Enfaula and, later, in Muskogee, Tiger attended public schools, learned English, and became familiar with such marvels of white culture as running water, indoor toilets, and telephones. He was a high school dropout, a street and ring fighter of exceptional ability, and a laborer. He married and had three children. And he died in 1967, at the age of twenty-six, of a gunshot wound to the head. Tiger's legacy was his paintings: a body of work of exquisite beauty that revolutionized American Indian art. The success and genius of Tiger's art can be attributed to what was called the Tiger style--a unique combination of spiritual vision, humane understanding, and technical virtuosity. In subject matter and composition, his art was traditional. In every other respect, it was a radical departure from classical Indian art. When Tiger began painting in the 1960's, few, if any, artists could make a living in Indian art. With some formal training at the Cooper School of Art in Cleveland, against all odds, he committed himself to Indian art, and from 1962 until 1967, produced hundreds of paintings that from the outset received the acclaim of critics, won awards, and brought him success and recognition. The average Indian art buyer of the 1960's was unduly critical, ready to find fault with the quality of a piece of work or the authenticity of its details. To be popular with such an audience, not only did Tiger have to be technically competent but inventive and prolific. Tiger's uncanny ability to draw virtually anything after only a momentary glance has led critics to refer to him as the Rembrandt or Goya of Indian art. This is quite a lofty comparison since Tiger had never seen the work of the masters with whom he was compared. But characteristic of all great art, Tiger's work had universal appeal. Its beauty and deep spirituality spoke to people of all races, not just Native Americans. Since his death, Tiger's style has had a tremendous influence on the Indian artists that have succeeded him. One art critic commented--"Wherever there are Indian paintings today, Tiger's influence can be felt." With almost unanimous agreement, Native American artists credit Jerome Tiger with being the major influence in the development of contemporary Indian art. Tiger was an artist's artist. Sources: Submitted June 2004 from the Ashworth Collection of Western and Native American Art in Fort Smith, AR. Material for this biography was obtained from the web site www.jerometigerart.com and http://www.jerometigerart.com three portfolio limited edition lithographs Dimensions: 15" x 11" (image), 20" x 16" (sheet)
• Oliver Boberg (German, b 1965)
  Oliver Boberg (German, b 1965) "Seite 4/Page4" Lambda C-Print, unsigned, label on reverse from DCKT Contemporary Gallery, edition 4/5, 39-3/4" x 67-1/4", very good condition
• FRIEDRICH WILHELM LION KUHNERT
  FRIEDRICH WILHELM LION KUHNERT (GERMAN, 1865-1926)Friedrich Wilhelm Lion Kuhnert German, 1865-1926 Tiger Studies, 1995 Graphite on paper, signed and dated upper right Detailed study of a tiger's head and two paws, framed and matted. Sight 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm.), frame: 14 1/4 x 17 1/2 in. (36.2 x 44.5 cm.)
• HERMAN PALMER (1894-1946)Tiger
  HERMAN PALMER (1894-1946)Tiger signed "Herman Palmer" lower center crayon, 8 1/2 by 14 1/2 in. says ink wash but it's charcoal, crayon (smudges, Herman Palmer was born in Utah in 1894. He studied at the Art Students League in New York and was known as a leading animalier artist of his time. Palmer served in the Navy in World War I. He was a pupil of Mahonri Young (1877-1957). Several of his animal sketches are in the National Gallery of Art in Washington, DC, and other works can be found in the Brooklyn Museum and the Art Institute of Chicago, among other institutions. He was awarded a Guggenheim fellowship in 1940 and died in 1946. Provenance: Private Collection, Bozeman, Montana
• ROARING TIGERRoaring Tiger. New
  ROARING TIGERRoaring Tiger. New York: Marx Toys, ca. 1963. Battery operated prowling Bengal tiger with controller that walks and roars when operating. 17î from tip of tail to nose. Vibrant color with whiskers and all wheels intact, controller does not stay closed when batteries are loaded, light scraping and oxidation on controller. Working well. Very good.
• Oliver (British, late 19th/ early
  Oliver (British, late 19th/ early 20th century) View by the Bridge oil on canvas signed "Oliver E.S.N." lr 16 x 20 in., framed
• William Skilling (American, b.
  William Skilling (American, b. 1940) The Tiger oil on canvas signed (lower right) 48 x 60 inches.
• A black and white etching (1/40) of
  A black and white etching (1/40) of a tiger signed in pencil ''E.J. Detmold '' 35 x 25 cm.
• An Italian Carved Alabaster
  An Italian Carved Alabaster Figure of a Tiger depicted in standing position with an open mouth. Length 18 inches.