A few examples of appraisal values for
OPPENHEIM

• MODERN ART BOOKS, 10 Group of Ten
  MODERN ART BOOKS, 10 Group of Ten Modern Art Books, comprising: "Ben Shahn" Shahn, Bernarda, "Georgia O'Keefe" published by The Viking Press in hardcover and paperback, "One Hundred Flowers" ed. by Callaway, Nicholas, "Meret Oppenheimer", published by Parkett Publishers, "Willem de Kooning: The Late Paintings, The 1980s" published by The San Francisco Museum of Modern Art, "Richard Diebenkorn: Ocean Park" Flam, Jack, "Lucian Freud", published by Thames and Hudson, "Lucian Freud: The Painter's Etchings"published by The Museum of Modern Art, "Claes Oldenburg: Drawings and Prints" commentary by Baro, Gene. Largest: 16.5" H x 13.75" W. Keywords: Bibliophile, Art History, Written Word, Photographs, Modernism
• VARIOUS ARTISTS: PORTFOLIOFive
  VARIOUS ARTISTS: PORTFOLIOFive lithographs on Arches, 1971, all signed in pencil and numbered 35/50, various sizes, all unframed. Note: Includes Vito Acconci, Trademarks; Dan Graham, Time Extended Distance Extended; and Homes for America; and Dennis Oppenheim, Still from Project; and Still from Aspen Project #1 . Lacking Vito Acconci Kiss Off. Condition The full sheets. Some pale staining and surface soiling. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• VARIOUS ARTISTS: PORTFOLIOFive
  VARIOUS ARTISTS: PORTFOLIOFive lithographs on Arches, 1971, all signed in pencil and numbered 49/50, various sizes, all unframed. Note: Includes Vito Acconci, Trademarks; Dan Graham, Time Extended Distance Extended; and Homes for America; and Dennis Oppenheim, Still from Project; and Still from Aspen Project #1 . Lacking Vito Acconci Kiss Off. Condition The full sheets. Some pale staining and surface soiling. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• MERET OPPENHEIM, (2) SILKSCREEN
  MERET OPPENHEIM, (2) SILKSCREEN MULTIPLES, 1975 Meret Oppenheim (German, 1913-1985), "Love of Polyphemus" (from the series Mirrors of the Mind), screenprint on diecut mirrorized Altuglass, each with etched artist initials "MO" and numbered 98/100 and 99/100, jointly published by Multiples, Inc. & Castelli Graphics, New York, 18.75"h x 7.5"w
• GILT BRONZE MANTLE CLOCK & MATCHING
  GILT BRONZE MANTLE CLOCK & MATCHING CANDELABRAA very good late 19th century French three-piece gilt bronze clock garniture, consisting of a fine gilt bronze mantel clock & matching pair of four-light candelabra, the clock case decorated with Sèvres style painted porcelain plaques and a circular porcelain clock face with Roman numerals, stamped on the reverse P.H. MOUREY for French sculptor Philippe H. Mourney (1840-1910), the brocot movement stamped OPPENHEIM LONDRES & PARIS, decorative elements missing, key intact, in running condition, dimensions, 11.5" h x 14.5" w x 4.5' D. The candelabra showing painted porcelain columns rising to foliate cast branches with detachable bobèches, raised overall on gilt bronze bases decorated with painted porcelain elements, surrounded by a trio of fauns, measuring 18" high.
• Art Deco. collection of six
  Art Deco. collection of six female busts. c. 1930, glazed terracotta. estimate: $1,000–1,500. Tallest measures: 7 w x 7.5 d x 13.5 h inches. Shortest measures: 8 w x 7 d x 9.25 h inches. Brass manufacturer's label to underside of tallest ‘Goldscheider Wien GW Made in Austria’. Glazed to underside of example with blue base ‘Made in Czechoslovakia hand-painted’. Impressed to underside of example wth blue shawl ‘Made in Czechoslovakia 157_118’ and stamped ‘FBS Czechoslovakia’. Two matching examples stamped to underside ‘Made in Austria’. Stamped manufacturer's mark to interior of example with grapes ‘Gmundner Keramic PL’. Provenance: Estate of Harry Oppenheimer | Doyle, Doyle at Home, 22 June 2017, Lot 440 | Private Collection
• DENNIS OPPENHEIM
  DENNIS OPPENHEIM (AMERICAN,1938-2011) LITHODESCRIPTION: Dennis Oppenheim (American, 1938-2011) Signed & numbered in pencil, Limited edition, Lithograph on woven paper. Title: Cobalt Vectors "48/150" Stamped on reverse " 1978 Herman Finesod"Â CIRCA: 1979 ORIGIN: USA DIMENSIONS: L: 41.25" x W: 29.75"Â CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• DENNIS OPPENHEIM
  DENNIS OPPENHEIM (AMERICAN,1938-2011) LITHODESCRIPTION: Dennis Oppenheim (American, 1938-2011) Signed & numbered in pencil, Limited edition, Lithograph on woven paper. Title: Relocated Burial Ground "48/150" Stamped on reverse " 1978 Herman Finesod"Â CIRCA: 1979 ORIGIN: USA DIMENSIONS: L: 41" x W: 29.75"Â CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• OPPENHEIM HAMMERED COPPER
  OPPENHEIM HAMMERED COPPER DISHDESCRIPTION: An Oppenheim hammered copper dish with curved handle and pieced floral designs. CIRCA: 20th Cent. ORIGIN: Israel DIMENSIONS: H: 4" x W: 5.5" x L: 14.5" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• 2PC JUDAICA ISRAELI COPPER
  2PC JUDAICA ISRAELI COPPER PLATESIncludes 1 A. N. Oppenheim platter, carved and decorated in a relief featuring a Jewish Man with Hebrew inscriptions surrounding the illustration and 1 mid-century Passover seder plate. A. N. Oppenheim factory label. Largest measures: 13.75"W. Smallest measures: 13.5"W. Country of Origin: Israel Condition: Age related wear.
• PAIR OF COPPER AND BRASS
  PAIR OF COPPER AND BRASS OPPENHEIM ISRAELI ETROG CONTAI...2 beautiful egg-shaped footed boxes. Cooper body and cover adorned with a brass base and handle. Oppenheim Israel impressed on the base. Issued: 20th century Dimensions: 3.75"W x 7"H Manufacturer: Oppenheim Country of Origin: Israel Condition: Age related wear.
• AUTOGRAPH ALBUM DATING 1916 -
  AUTOGRAPH ALBUM DATING 1916 - 1918Autograph album dating from 1916 - 1918 with various signatures, approximately 119, sorted into several categories including Political, Art, Presidential and Military, Famous authors, entertainers, inventors and many others. Examples include William Taft, Theodore Roosevelt, Thomas Edison, Zane Gray, a written note signed by Helen Keller, General Pershing, Enrico Caruso w/ caricature, Orville Wright, Jack London, Howard Chandler Christy, Bron Nordfeldt, Charles Dana Gibson, Sir Rabindranath Tagore, Hugo Munsterberg, E. Phillips Oppenheim and others.... Most signatures glued to album pages. Provenance: Collected by the consignor's great-great uncle. Condition: Expected moderate wear to album cover. Most signatures glued to album pages. Most interior pages intact and very clean.
• CONTINENTAL SILVER BERRY SETThree
  CONTINENTAL SILVER BERRY SETThree piece silver berry set, consisting of bowl, sugar sifter and sugar tongs with elaborately repoussed and chased berry design. All pieces marked with moon, crown .800 and spread eagle mark. Cased in a fitted box marked Louis Oppenheim Jeweler Piramasens Kaiserslauten. Bowl 4 3/4" diameter, 5 5/8" spoon, 4" tongs. 4.01 oz troy. German, circa 1900. Provenance: Collection of the late Edwin and Rebecca Raskin, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com) Condition: Silver in excellent condition; some minor wear to box.
• POSS. G. ERIC OPPENHEIM, TWO NUDE
  POSS. G. ERIC OPPENHEIM, TWO NUDE STUDIES, O/CPossibly G. Eric Oppenheim (20th century), two nude studies, oil on canvas, one signed lower right, one upper left "Oppenheim". Sight size: 13 1/2" high, 10 1/2" wide. Frame size: 20 3/4" high, 17 1/2"wide. Condition: Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition.
• SAMUEL EDMUND OPPENHEIM (AMERICAN
  SAMUEL EDMUND OPPENHEIM (AMERICAN 1901-1992) A PAINTING...SAMUEL EDMUND OPPENHEIM (American 1901-1992) A PAINTING, "Geisha Portrait with Blue Vase," 1990s, oil on canvas, signed U/L, "Oppenheim," verso a paper label; 9" x 12", framed 19 3/4" x 22 3/4". Provenance: Pace Galleries, Houston, Texas Condition: No visible damage or sign of repair. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• SAMUEL EDMUND OPPENHEIM (AMERICAN
  SAMUEL EDMUND OPPENHEIM (AMERICAN 1901-1992) A PAINTING...SAMUEL EDMUND OPPENHEIM (American 1901-1992) A PAINTING, "Geisha Portrait with Pink Vase," 1990s, oil on canvas, signed U/C, "Oppenheim," verso a paper gallery; 9" x 12", framed 21 1/2" x 24 1/2". Provenance: Pace Galleries, Houston, Texas Condition: No visible damage or sign of repair. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• WILHELM VON EIFF PUNCH BOWL WITH
  WILHELM VON EIFF PUNCH BOWL WITH GLASSES AND TRAYGerman, early 20th century, deep punch bowl with frosted bands over carved horizontal grooves, domed lid with silver mount, 800 fine, glass finial with cameo of young Hercules strangling a serpent, signed "W.V. Eiff", overall 17-3/4 x 12-1/2 in.; silver ladle, 800 fine, set with cameo of Hercules verso, signed "W.V. Eiff"; with glass ladle stand; 18 glasses, 3-1/8 x 2-7/8 in.; round rosewood and silver tray with German hallmarks, 21 in. diameter Provenance: Phillips, New York, NY, Lot 115 and Lot 116, sold December 12, 1997; Oppenheimer Collection; Private Collection, New York Condition: scratches to glass, nine cups with rim chip/s, lid with rim chip, glass stand with rim chip, silver with some tarnish and scratches, tray cracks and wear to rosewood veneer, weight silver plate base
• MARK CATESBY(British, 1679-1749) T.
  MARK CATESBY(British, 1679-1749) T. 44 The Painted Finch, from The Natural History of Carolina, Florida and The Bahama Islands, 1754 edition, Vol. 1, hand-colored engraving on laid paper with "IV" watermark, plate, 13-3/4 x 10-1/8 in., sheet, 20-5/8 x 14-3/8 in.; wood frame, 23-1/2 x 19 in. Provenance: W. Graham Arader, III, King of Prussia, Pennsylvania; Property from an Important Charleston Collection Condition: hinged in at top, binding edge present at left, full sheet, light fading; museum quality framing by Joel Oppenheimer, The Audubon Gallery, Charleston, South Carolina
• DENNIS OPPENHEIM STUDY, AND THE
  DENNIS OPPENHEIM STUDY, AND THE MIND GREW FINGERS(New York, 1938-2011) 1983, inscribed upper left "Study For.. And/The Mind Grew Fingers/Steel Frame Electric/Fan. Ribbons/13' x 9' x 9' Project/For. S.F. Calif.", signed lower right "Dennis Oppenheim 1983", graphite, crayon, ink, charcoal, oil wash, and oil pastel on paper, 38-1/4 x 50-1/4 in.; wood frame with acrylic, 39 x 51 in. Note: Dennis Oppenheim was a pioneer in earthworks and conceptual art. His New York Times Obituary attempts to explain this enigmatic artist stating, "Belonging to a generation of artists who saw portable painting and sculpture as obsolete, Mr. Oppenheim started out in the realm of the esoteric, the immaterial and the chronically unsalable. But he was always a showman, not averse to the circuslike, or to courting danger." For another drawing from the series see The Philadelphia Museum of Art accession number 1984-46-1. For a similar work see also: Christie's New York, 6 May 1991, lot 254 Related exhibition: MoMA, New York City, New York, P.S. 1 exhibition "Dennis Oppenheim: And the Mind Grew Fingers", December 8, 1991?February 9, 1992. (MoMA PS1 Archives, II.A.587.) . Provenance: Private Collection, Princeton, New Jersey Condition: loose, good condition, not removed from frame, frame and acrylic with abrasions
• DOROTHEA TANNING (1910 - 2012) "I
  DOROTHEA TANNING (1910 - 2012) "I LOVE MAX"Dorothea Tanning (American, 1910 - 2012) "Bonjour Max Ernst" (I love Max) - 1976 Aquatint, sugar-lift aquatint and roulette. Pencil signed and numbered (10/100) lower margin. Image Size: 14 7/8 x 19.5 in. Overall Framed Size: 27 x 31 in. Framed behind glass. For the portfolio Bonjour Max Ernst, with one print by Dorothea Tanning and additional prints by Alechinsky, Arman, Baj, Bellmer, Ben, Cesar, Copley, Francois, Kern, Lam Lichtenstein, Man Ray, Masson, Matta, Messagier, Miro, Moore, Nillson, Oppenheim, Penrose, de Saint Phalle, Titus Carmel, and Wunderlich; Leessai Max Ernst by Louis Aragon. Editions Georges Visat, Paris. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• GIACOMO (PALMA IL GIOVANE) PALMA
  GIACOMO (PALMA IL GIOVANE) PALMA (ITALIAN, 1544-1628)Giacomo (Palma il Giovane) Palma Italian, 1544-1628 Untitled Ink wash on paper, notations lower right Roman Centurions with bishop, matted behind glass and framed, collector's stamp J.P.H. (John Postle Heseltine) and Count Genevosio lower right. Aliases: Palma Giovane, Jacopo Negretti, Palma il Giovane, Giacomo Palma il Giovane, Jacopo Palma il Giovane, Palma Giovane, Jacopo Palma, Jacopo (il Giovane) Palma, Giacomo Negretti. Sight: 3 3/4 x 6 1/2 in. (9.5 x 16.5 cm.), frame: 14 x 17 in. (35.6 x 43.2 cm.) John Postle Heseltine (1507); Henry Oppenheimer Collection; Christie's Sale (L.1351; July 10, 1936) Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• DENNIS OPPENHEIM (AMERICAN.
  DENNIS OPPENHEIM (AMERICAN. 1938-2011)Study for a Figure with a Future Project, Banff, Canada, 1983. Mixed Media, Pencil, Pastel, Wash on Paper. Measuring 50 by 38 in, framed 52 by 41 in. (Cond: good)
• DENNIS OPPENHEIM (AMERICAN.
  DENNIS OPPENHEIM (AMERICAN. 1938-2011)Drawing for Rolling Explosion, for Bard, NY, 1984. Signed and dated 1984. Mixed Media, Pencil, Pastel, Wash on Paper. Measuring 37.75 by 50 in., framed 44 by 58 in. (Cond: good)
• FOLK ART BIRD SCULPTURE Late 20th
  FOLK ART BIRD SCULPTURE Late 20th century, carved and burnt wood bird with peg eyes, mounted painted metal legs after a design by Meret Oppenheim, ink signed and dated to the underside which appears to read Jim Tippen.
• OPPENHEIM BOOKENDS, METAL AND
  OPPENHEIM BOOKENDS, METAL AND BONE BESAMINOppenheim Israel brass bookends, marked on verso. Metal and bone besamin. Both bookends loose in stand. Besamin base loose in stand. 1 Bookend: 4 1/4" L x 4 1/2" x 5 1/2" Besamin: 7 1/2" H.
• SAMUEL EDMUND OPPENHEIM, AMERICAN
  SAMUEL EDMUND OPPENHEIM, AMERICAN 1901-1992, PORTRAIT OF A GIRL, MARY NORRIS, 1987, OIL ON CANVAS, 30 X 25 IN. (76.20 X 63.50 CM.), FRAME: 37 1/2 X 32 1/2 IN. (95.25 X 82.55 CM.)SAMUEL EDMUND OPPENHEIM, AMERICAN, 1901-1992 PORTRAIT OF A GIRL, MARY NORRIS, 1987, Oil on canvas Framed; upper right signed: S. Edmund Oppenheim / '87 Oil on canvas Dimensions: 30 x 25 in. (76.20 x 63.50 cm.), Frame: 37 1/2 x 32 1/2 in. (95.25 x 82.55 cm.)
• SAMUEL EDMUND OPPENHEIM, AMERICAN
  SAMUEL EDMUND OPPENHEIM, AMERICAN 1901-1992, PORTRAIT OF A GIRL, MARY NORRIS, 1987, OIL ON CANVAS: 30 X 25 IN., 37 1/2 X 32 1/2 IN. (FRAMED)SAMUEL EDMUND OPPENHEIM, AMERICAN, 1901-1992 PORTRAIT OF A GIRL, MARY NORRIS, 1987, Oil on canvas: 30 x 25 in., 37 1/2 x 32 1/2 in. (framed) Framed; upper right signed: S. Edmund Oppenheim / "87 Oil on canvas: 30 x 25 in., 37 1/2 x 32 1/2 in. (framed)
• DENNIS OPPENHEIM (1938-2011):
  DENNIS OPPENHEIM (1938-2011): "PLAYING DEAD. CHANDRA OPPENHEIM"1972 Super 8 Film Loop, lithograph signed 'Dennis Oppenheim', dated '1978', and editioned 'Trial Proof 6/10' (lower right) Provenance: Gift from the artist to the present owner. 42 x 30 1/4 inches Condition:
• STERLING SILVER VOLUPTé CIGARETTE
  STERLING SILVER VOLUPTé CIGARETTE CASE, BLACKINTON & CO. STERLING COSMETIC CASE, AND POSSIBLY HIRSCH & OPPENHEIMER FOR GEORGE E. HOMER STERLING SOAP DISH, L OF LATTER: 3 7/8 IN. (9.84 CM.); COMBINED GROSS: 11.1 OZTSterling Silver Volupté Cigarette Case, Blackinton & Co. Sterling Cosmetic Case, and Possibly Hirsch & Oppenheimer for George E. Homer Sterling Soap Dish,, Dimensions: L of latter: 3 7/8 in. (9.84 cm.); Combined gross: 11.1 ozt
• GLORIA OPPENHEIM, NATIVE AMERICAN
  GLORIA OPPENHEIM, NATIVE AMERICAN WOMAN, OIL ON CANVAS, FRAME: 25 1/2 X 21 1/2 IN. (64.77 X 54.61 CM.)Gloria Oppenheim, Native American Woman, Oil on Canvas,, Dimensions: Frame: 25 1/2 x 21 1/2 in. (64.77 x 54.61 cm.)
• MAX (MOPP) OPPENHEIMER (AUSTRIAN
  MAX (MOPP) OPPENHEIMER (AUSTRIAN 1885-1954), SELBSTBILDNIS MIT GRIFFEL (ECHTE 31), ETCHING AND DRYPOINT, 152 X 127 MMMax (Mopp) Oppenheimer (Austrian 1885-1954), Selbstbildnis mit Griffel , (Echte 31), Etching and drypoint, 1913, signed MOPP in graphite l.r. and numbered 15/36 in graphite l.l.; apparently in good condition. Framed.* Sight size: 152 x 127 mm (6 x 5 in) Dimensions: Sight size: 152 x 127 mm (6 x 5 in)
• DENNIS OPPENHEIM (AMERICAN,
  DENNIS OPPENHEIM (AMERICAN, 1938-2011), FOUR LITHOGRAPHS, EACH DEPICTS ARCHITECTURAL MODEL LINE DRAWINGS, PASTEL COLORS, WITH SILVER...Dennis Oppenheim (American, 1938-2011), four lithographs, each depicts architectural model line drawings, pastel colors, with silver writing underlined describing materials and objective of the architectural model, including: "A Device for Converting…"; "Magic Loom"; "Station for Detaining and Blinding radioactive Horses"; and "Impulse Reactor", each signed LL, ed. 73/100, all with condition consistent with age including light toning and wear, sheets: 38" h. x 50" w. [Sold to further the mission of the Hartford Art School.]
• G. HOWARD HILDER (AMERICAN/FLORIDA,
  G. HOWARD HILDER (AMERICAN/FLORIDA, 1866-1935)G. Howard Hilder (American/Florida, 1866-1935), "Catedral de San Cristobal de la Havana, Cuba", watercolor on board, signed lower right, inscribed "For the Misses Poppenheim/Havana Cathedral/by Howard Hilder of Newport/L.G." on paper label en verso, 19 3/4 in. x 14 in., framed
• AFTER JOHN JAMES AUDUBON (AMERICAN,
  AFTER JOHN JAMES AUDUBON (AMERICAN, 1785-1851)After John James Audubon (American, 1785-1851) , "Schniz's Sandpiper", digital image transfer on paper, printed by New York Historical Society and Oppenheimer Editions, "New York Historical Society" blind stamp lower left, "Oppenheimer Editions" blind stamp lower right, "Oppenheimer Editions, LLC" label with artist on backing board, sight 13 1/4 in. x 21 in., framed Provenance: Estate of Julia Evans Reed
• AFTER JOHN JAMES AUDUBON (AMERICAN,
  AFTER JOHN JAMES AUDUBON (AMERICAN, 1785-1851)After John James Audubon (American, 1785-1851) , "Brown Pelican", digital image transfer on paper, printed by New York Historical Society and Oppenheimer Editions, "New York Historical Society" blind stamp lower left, "Oppenheimer Editions" blind stamp lower right, "Joel Oppenheimer , Chicago" label on backing board, 23 1/4 in. x 37 in., framed Provenance: Estate of Julia Evans Reed
• LARRY STUART BELL (B. 1939): 9/11
  LARRY STUART BELL (B. 1939): 9/11 AND THE TIME MACHINE (DMX-C1)Larry Stuart Bell, 1939 9/11 and The Time Machine (DMX-C1), acrylic and screenprint on canvas 2001; signed, dated verso and inscribed "dmx-c1" verso acrylic and screenprint on canvas Dimensions: 42 x 42 in. (106.7 x 106.7 cm.) Provenance: Property from The Oppenheim Estate Collection Condition: