A few examples of appraisal values for
ORIGINAL EICHWALD

• Otto Eichinger Judaica painting
  Otto Eichinger Judaica painting (Austrian, born 1922), titled on frame plate "Rabbi", portrait of elderly rabbi with fur trimmed hat, holding book, signed upper right "O. Eichinger", oil on Masonite, 9-3/8 x 7-3/8 in. (sight); original gilt wood and composition frame. Good condition; frame with minor losses. Private Collection.
• FRITZ EICHENBERG (GERMAN, 1901 -
  FRITZ EICHENBERG (GERMAN, 1901 - 1990) 16½" x 9¾" folio; 12" x 9½" x 1" book "Ten Wood Engravings for the Old Testament", 1955, and "The Wood and the Graver: The Wotk of Fritz Eichenberg" first edition signed book. Wood engravings on paper in dark brick red portfolio cover, with title and list of contents pasted on the front. Comprising of "The First Seven Days", "And Their Eyes Were Opened", "And In Her Mouth Was an Olive Leaf", "And She Became a Pillar of Salt", "The Lamentations of Jeremiah", "The Book of Job", "The Book of Jonah", "The Peaceable Kingdom", "And David Took a Harp", "And His Strength Went from Him". Each 16 x 9? inches, titled, numbered 30/200, and signed in pencil; each signed in plate at lower left or right.
• JOSEF EIDENBERGER (Austria
  JOSEF EIDENBERGER (Austria 1899-1991) An original color etching ''Defreggen Valley'' etching no. 180 10 in. by 12 in. oval Signed in pencil lower center. Eidenberger Custom matted in wood frame.
• Otto Eichinger (Austrian 1922-2004)
  Otto Eichinger (Austrian 1922-2004) The Rabbi oil on board signed O. Eichinger (upper right) 10 1/4 x 7 3/4 inches.
• Original etching by Jacques
  Original etching by Jacques Villon (French C. 1939). Ex: Wertham Collection N.Y.C. C. 1950's. Site 5'' x 10''.
• FRITZ EICHENBERG
  FRITZ EICHENBERG (GERMAN/AMERICAN, 1901-1990)Fritz Eichenberg (German/American, 1901-1990), "The Diary of a Country Priest", 1986, printed by The Limited Editions Club, New York, portfolio of 5 original woodblock prints, each pencil-signed and numbered "8/50", marbleized hardcover folio, 12 1/2 in. x 9 3/4 in.
• FRITZ EICHENBERG CHILD AND
  FRITZ EICHENBERG CHILD AND ANIMALS WOODBLOCK PRINT Germany, United States,1901-1990Isaiah II, 1976, depicts a young child holding a snake surrounded by an ox, bear, fox, lion, and other various animals. Eichenberg started his art career in1923, emigrating to the United States with the rise of Nazi Germany and became part of the WPA 's Federal Arts Project.
• OSWALD EICHINGER (GERMAN B1915)
  OSWALD EICHINGER (GERMAN B1915) WALLY FINDLAY OILOswald Eichinger (GERMAN, born 1915) still life oil painting on artist panel board depicting desk items. Signed to upper left. Mounted in a gold painted accent wooden frame. Board measures approx. 10" height x 13" width to sight. Measures approx. 17 3/4" height x 20 1/2" width overall including frame. Provenance: Wally Findlay Gallery, Chicago. Appears in overall good condition.
• Erich Brauer etching (Austrian,
  Erich Brauer etching (Austrian, born 1929), Wer Kommt aus der Wueste, 1967, 5760, surreal landscape with figure and dog, signed lower right in pencil "Brauer", color etching on paper, 11-12 x 11-58 in.; gilt wood frame.
• WALTHER KLEMM, ERBSUNDE, (16)
  WALTHER KLEMM, ERBSUNDE, (16) EROTIC ETCHINGS Walther Klemm (German, 1883-1957), Sechzehn Radierungen zur Erbsünde. Eine erotische Schöpfungsgeschichte [Original Sin, An Erotic Creation Story]. Bruno Wollbruck, Weimar, 1919, #152 of 330 copies, text plus 16 loose etchings in paper mats, each signed in pencil, enclosed in cloth portfolio, 15.25"h x 12.5"w (mats), 16"h x 13"w (portfolio)
• OSWALD EICHINGER (GERMAN B1915)
  OSWALD EICHINGER (GERMAN B1915) WALLY FINDLAY OILOswald Eichinger (GERMAN, born 1915) still life oil painting on artist panel board depicting desk items with globe, map and pewter tankard. Signed to upper right. Mounted in a gold painted accent wooden frame. Board measures approx. 10" width x 13" height to sight. Measures approx. 17 3/4" width x 20 1/2" height overall including frame. Provenance: Wally Findlay Gallery, Chicago. Appears in overall good condition.
• German Version of an ''Eagle''
  German Version of an ''Eagle'' Graphophone Provenance: Dr. Richard PopeE
• George Winkelmann (German active
  George Winkelmann (German active 1920's-40's) "Egrets". Woodcut in colors ca. 1930 signed in pencil in the lower right margin matted and framed under glass overall 12-3/4" x 14-1/4".
• George Winkelmann (German active
  George Winkelmann (German active 1920's-40's) "Egrets." Woodcut in colors ca. 1930 signed in pencil in the lower right margin matted and framed under glass overall 12-3/4" x 14-1/4".
• George Winkelmann (German active
  George Winkelmann (German active 1920's-40's) "Egrets." Woodcut in colors ca. 1930 signed in pencil in the lower right margin matted and framed under glass overall 12-3/4" x 14-1/4".
• ERIK NITSCHE (1908 - 1998) "LILY"
  ERIK NITSCHE (1908 - 1998) "LILY" ORIGINALErik Nitsche (Swiss, 1908 - 1998) "Lily - Manuscript Illumination" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the Germany 80 + 40pf Medieval Manuscript Illumination stamp issued October 15, 1985. In the Middle Ages, books were decorated with figures and ornaments which helped clarify their contents and also entertain the reader. For the medieval monk, the margins of a page often presented an excellent opportunity to bring to life the teachings of Christ. Furthermore, the miniature paintings were used to vividly tell the story of the life and suffering of Christ. Often, the pictures could help mentally underscore certain Christian teachings which the monk felt were particularly important and in need of special emphasis. Later, as the art of illumination became more widely used and the skill of the illuminators grew, private citizens of great wealth would commission a monk or other artist to embellish a book with tiny illuminations. These paintings would often focus on such topics as architecture and landscapes. In addition, artists began embuing the written word with a vast network of vines and wicker. Often, the flowers and creatures held special symbolic meanings for the artist. For example, the lily featured in this artwork has long been a symbol of the innocence and purity of the Virgin Mary. The butterfly was frequently used by medieval monks as a symbol of the virtues of the Virgin Mary. Indeed, by being familiar with symbols and their meaning, the reader in the Middle Ages could learn much about the book's subject. Image Size: 12 x 14 in. Overall Size: 15 x 20 in. Unframed. (B09829) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• Siegfried Lenz/ Oskar Kokoschka
  Siegfried Lenz/ Oskar Kokoschka '' Einstein Uberquert die Elbe Bei Hamburg '' Hoffmann und Campe. Believed to be the deluxe edition of which only five were printed. Six original lithographs and portfolio with text the lithographs signed by Kokoschka in pencil each measuring 44 x 33 cm together with a limited edition lithograph of a man and a woman by Oskar Kokoschka numbered in Roman numerals 29/30 signed in pencil 30 x 38 cm. Provenance: an English private collection.
• ERNST BARLACH LITHOGRAPH "VERGNUG
  ERNST BARLACH LITHOGRAPH "VERGNUG EINBEIN", PENCIL SIGN...Ernst Barlach lithograph "Vergnug Einbein", pencil signed, ed. 54/702, sight size 24" x 18". Provenance: Estate of Dr. Thomas & Alice Kugelman, Bloomfield, Connecticut. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• GERMAN SCHOOL: "ENTWURF ZU EINEM
  GERMAN SCHOOL: "ENTWURF ZU EINEM WOHN U GEFCHAFTSHAUS" Pen and ink on paper signed and dated 1902.
• Otto Eichinger (Austrian,
  Otto Eichinger (Austrian, 1922-2004) Two oils on Masonite: Cardinal With Prayer Book, signed upper right "O. Eichinger/Wien"; Gentleman With Glass of Wine, signed verso "O. Eichinger", each 10 x 8 in., carved gilt wood frames (one behind glass),
• ERIK NITSCHE (1908 - 1998) "ROSE"
  ERIK NITSCHE (1908 - 1998) "ROSE" ORIGINALErik Nitsche (Swiss, 1908 - 1998) "Rose - Manuscript Illumination" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the Germany 60 + 30pf Medieval Manuscript Illumination stamp issued October 15, 1985. As the Middle Ages progressed, magnificent illuminated manuscripts became quite ornate. Yet, they continued to enhance the beauty of the books they adorned and added greatly to the readers' enjoyment. During this time, around the fourteenth and fifteenth centuries, there was a growing interest in brightly colored border-frames which actually framed the text in colors of green and scarlet. Figures like those shown in the stamp on this First Day Cover were scattered liberally through the manuscripts. The figures on this stamp are taken from the fifteenth century manuscript entitled the Berlin Parchment Manuscript which was probably created in Germany between 1520 and 1530. Like many manuscripts of its day, the Berlin Parchment Manuscript was alive with the bright colors of flowers and the interesting animals of the garden. Many of these colors actually sparkled with gold and silver. Indeed, miniature painting is not considered to be true illumination unless it uses gold or silver to create a beautiful shimmering effect. Since many of the works embellished with the miniature illuminations were religious books -- prayer books and scriptures -- the subjects of the illuminations often had religious significance. For example, the rose featured in this original artwork is a well-known symbol of the innocence and purity of the Virgin Mary. Image Size: 12 x 14 in. Overall Size: 15 x 20 in. Unframed. (B09828) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• German Stein - ''J. REINMANN
  German Stein - ''J. REINMANN MUNCHEN GESETZLICH GESCHUTZT''. 1/2L.
• [ANTISEMITISM] BRITENFAUST UND
  [ANTISEMITISM] BRITENFAUST UND JUDENGEIST, 1940 Franz Schattenfroh. Britenfaust und Judengeist, Reise Durch Agypten Palastina im Schatten des Krieges. (British Fist and Jewish Spirit: A Journey Through Palestine in the Shadow of War), Verlag fur Wirtschaft und Kultur, Payer & Co., Berlin, softcover in jacket, 104 pages with b&w photos, 9"h x 6"w
• German WWII Vet Bring Back Box with
  German WWII Vet Bring Back Box with Capture Papers Large Lot Lot includes 1934 lightweight double-decal Police helmet two party armbands one Hitler Youth armband two bayonets WWI Army belt and buckle Luftwaffe sport shirt eagle and more all in the original WWII shipping box. Condition: Very good.
• 2 EARNST EWALD COLOR LITHOGRAPHIC
  2 EARNST EWALD COLOR LITHOGRAPHIC PLATES DEPICTING CEILINGS AND WALLS: 1) ''Decoration im Kloster der Penitenzieri (XVI Jahrh)'', sight size 12'' x 15'', plate 34, 28'' x 33.50'', Exquisite custom framing and matting. 2) ''Decke im Pal Scrofa-Galcagnini (XVI Jahrn), plate 44, sight size 12'' x 15'', published in Berlin by Earst Wasmuth, 28'' x 33.50''. Exquisite custom framing and matting. Estate of Dr. Peter J. Fischinger, M.D., Ph.D., former Associate Director, National Cancer Institute.
• GEORG OESTREICHER (20TH CENTURY):
  GEORG OESTREICHER (20TH CENTURY): WINDBEUTELALMWindbeutelalm (Berggasthof Almhutte); 1925; oil on canvas; signed and dated lower left; Provenance: DeRu's Fine Arts, Laguna Beach label verso; 24 x 31 inches; 32 3/4 x 38 3/4 inches frame Condition:
• ERNST KIRCHNER (1880-1938):
  ERNST KIRCHNER (1880-1938): "VORWORT" FROM DAS WERK Woodcut print on paper 4 1/4 x 7 1/2 in. (image sight); purchased from Davidson Galleries Seattle.
• FRIEDENSREICH HUNDERTWASSER
  FRIEDENSREICH HUNDERTWASSER (AUSTRIAN 1928-2000) L'EXPULSION. Color lithograph 1967 signed numbered 44/ 154 and inscribed ''656 Geneve 1967'' Provenance: Kovler Gallery Chicago 647mm x 797mm Sheet: 27'' x 35'' Condition: Slight red pigment scuff about .5'' diameter in the lower right quadrant. Kovler gallery tag on the back. Sections of a yellow pigment line running along the top edge of the paper line incremants approximately 3'' 2'' .5''
• ADOLF HITLER MEIN KAMPF PRE WWII
  ADOLF HITLER MEIN KAMPF PRE WWII WEDDING ED.1939 pre WWII edition of the manifesto by the Nazi leader. Leather bound edition with a gilt city crest for Wilhelmshaven on the cover and a tipped in page congratulating newlyweds Josef Muller and Magdalena Lindemanns, married June 3, 1939. Wear typical for age and use. See images for more details on condition. shipping info This item can be shipped in-house.
• FRANZ OSWALD SCHIFFERS
  FRANZ OSWALD SCHIFFERS (1902-1976) ORIGINAL WWII POSTER...AN ORIGINAL AMERICAN WWII POSTER BY FRANZ OSWALD SCHIFFERS (1902-1976) Almost VD , 1946, chromolithograph, 57 x 41 cm (22 1/2 x 16 in.) LOT NOTES During the war, Schiffers was commissioned to create several posters aimed at U.S servicemen overseas.
• Lot four steins including man on
  Lot four steins including man on bicycle ''All Heil'' marked ''Original Thewalt'' etc.
• Ernst Wilckinghoff painting
  Ernst Wilckinghoff painting (German, born 1885), mountain landscape with creek and birch trees, inscribed in painting Munchen , signed lower right and inscribed in pencil "E. Wilckinghoff", oil on canvas lined with Masonite, 30-1/2 x 25-1/2 in.; painted wood frame. Restoration, retouch affecting 5 percent of surface mostly in sky, stretcher marks; frame with abrasions.
• OTTO EICHINGER, (1922-2004,
  OTTO EICHINGER, (1922-2004, AUSTRIAN), PORTRAIT OF A RABBI, OIL ON MASONITE, 10.5" H X 8.5" WOtto Eichinger, (1922-2004, Austrian) Portrait of a Rabbi Oil on masonite Signed upper right: O. Eichinger 10.5" H x 8.5" W Oil on masonite Dimensions: 10.5" H x 8.5" W
• Aufnahmen Mittelalterlicher
  Aufnahmen Mittelalterlicher Wand-Und Deckenmalereien in Deutschland Berlin:Ernst Wasmuth ND. Elephant folio size book of chromolithograph color plates depicting wall paper samples murals details and designs of places of worship in Germany. Compiled by Mssrs Von Kolb Vorlaender and Dr. Borrmann. Band II with text sheets in flap many plates.
• ERICH HECKEL, (GERMAN,
  ERICH HECKEL, (GERMAN, 1883-1970), BILDNIS E.H. (SELF PORTRAIT), 1917, WOODCUT, 9 3/8 X 7 IN.ERICH HECKEL, (German, 1883-1970) Bildnis E.H. (Self Portrait), 1917, woodcut signed Erich Heckel in pencil, l.r.; inscribed For Leo and Julia Feininger, l.r.; dated 1917 and inscribed Hand druck in pencil, l.l. 9 3/8 x 7 in. Provenance: The artist, to Lyonel Feininger (1871-1956); by descent to his son, T. Lux Feininger; The Estate of T. Lux Feininger. Condition: Condition: Archivally matted for exhibition; foxing, mainly in margins, three spots in forehead.
• GERMAN OIL ON CANVAS
  GERMAN OIL ON CANVAS LANDSCAPEGerman Early 20th Century oil on canvas of a forest opening up to a valley. Illegibly signed lower left. On verso bottom stretcher remnants of paper label "blick uber wolfels dorf nach dem heidelberg". Some paint loss to tree leaves especially prevalent in the top right of canvas, some crazing. Canvas 25 1/2" x 31". With frame 30" x 35 1/2".