A few examples of appraisal values for
ORIGINAL MISSED YOU TOO

• PRINT, MISHA Misha (American, b.
  PRINT, MISHA Misha (American, b. 1944), "I Miss You," embossed relief print in colors, pencil signed lower right, titled lower left, edition 53/300, overall (with frame): 31.25"h x 24"w
• KEITH HARING, "WITHOUT YOU"Keith
  KEITH HARING, "WITHOUT YOU"Keith Haring (American, 1958-1990)"Without You" David Bowie / Keith Haringprinted paper (7 in. record sleeve)a Keith Haring designed and signed 7 in. record sleeve for David Bowie's 1983 son
• Robert Thomas Barry (New York, born
  Robert Thomas Barry (New York, born 1936) Untitled, 1988, with words "Real, Only You, Did Not, Involved, Wait, Great Care, Nearly, Enough", signed verso with initials and date "R B 8 8", acrylic on canvas, 28-1/8 x 28-1/8 in.; black-painted shadowbox frame,
• Leo Meiersdorff (American,
  Leo Meiersdorff (American, 1934-1994) "I love you once, I love you twice, I love you like beans and rice", india ink and watercolor on paper, sight 24" x 34", titled, signed and dated lower right "Leo Meiersdorff". Glazed, matted and presented in a black lacquered frame.
• GOODMAN BENNY Signature (''Benny
  GOODMAN BENNY Signature (''Benny Goodman'') on a card with quotation ''I'll be seeing you.'' 2 1/4 x 4 inches.
• TWO LETTERS FROM ANDREW WYETH
  TWO LETTERS FROM ANDREW WYETH (AMERICAN, 1917-2009) TO ALICE MOORETwo Letters from ANDREW WYETH (American, 1917-2009) to Alice Moore, Mailed Monday, September 12, 1938 Dearest: Please forgive me for not writing, although I don't blame you if you don't. I do hope Peggy has come through every thing well. Please give her my best. Your not being here over Labor Day was of course a real disappointment but it couldn't be helped. One reason I'm sorry you couldn't get up is that you won't see any of my recent paintings which are easily the best I've done. You are all alone now aren't you? Let me tell you that I have thought of you a great deal this last week, in fact, I had a dream about you last night and in it you were my wife and I must say it was swell. I will tell you more about it when I know you better my dear. I am planning to leave here in two weeks or so. I will let you know definitely so that I can see you, that is, if you still want to see me. I have been at my work so long that I am getting very lonely for you. I have sold some more pictures since I last wrote you, in fact, all of my best pictures have been sold. Will try and write a good letter soon but until then this will let you know that I am thinking of you and counting the days till I see you. Love Andy Mailed Tuesday, September 27, 1938 Dearest, Just a note to let you know that I will see you Thursday night. It seems wonderful that I will see you again so please don't disappoint me Love, Andy Condition:
• Claudine Paluzzi (American, b.1931)
  Claudine Paluzzi (American, b.1931) "I Love the Hell Out of You" screenprint pencil signed, titled, and dated 1973 lower margin 15" x 15"
• WALT DISNEY: ORIGINAL PEN AND INK
  WALT DISNEY: ORIGINAL PEN AND INK MICKEY MOUSE DAWALT DISNEY: original pen and ink Mickey Mouse Daily Comic Strip, 1967, featuring Mickey Mouse, Minnie Mouse, and Goofy outside a travel agency, image measures 5" x 18"; The Jungle Book original hand painted production animation cel, featuring King Louie holding Mowgli by his leg, opening measures 10.25" x 14.25". Both framed.
• CORITA KENT (1918-1986), "I LOVE
  CORITA KENT (1918-1986), "I LOVE YOU VERY," 1971, SCREENPRINT IN COLORS ON PAPER, IMAGE/SHEET: 22.875" H X 22.625" WCorita Kent, (1918-1986) "I love you very," 1971, Screenprint in colors on paper Signed in pencil near the lower edge, at center: Corita Screenprint in colors on paper Dimensions: Image/Sheet: 22.875" H x 22.625" W Provenance: Estate of Dr. Sanford Kaufman and Dr. P. Waverly Davidson
• Artist Unknown (19th century)
  Artist Unknown (19th century) Meeting with the Queen mezzotint 17 1/2 x 23 1/2 inches.
• Fred Williams (1922-1990); "We Love
  Fred Williams (1922-1990); "We Love You Too" Lewis family pet portrait, 1962; pastel on board; 20" x 26"; signed and titled lower. Framed under glass. Williams was a Hollywood film makeup artist and painter who worked with some of the biggest names in Hollywood. Commissioned portraits include James Cagney, John Wayne, Yul Brynner, Peter Lorre, and Jerry Lewis as the Sad Clown. Property of the Patti Lewis Estate.
• LETTER FROM ANDREW WYETH (AMERICAN,
  LETTER FROM ANDREW WYETH (AMERICAN, 1917-2009) TO ALICE MOORELetter from ANDREW WYETH (American, 1917-2009) to Alice Moore, Sunday, May 15, 1938; mailed Monday, May 16, 1938 Dearest Alice, I saw you six days ago yet it seems more like sixty to me. I try to think about what happened when I was with you, but it all seems like a dream I don't understand it at all. I often wonder if you miss me any, but as you don't really love me, I guess you don't. Excuse me for bringing this up again, it's just because I feel so lonely here. There's not much spring up here, in fact it's more like winter. The trees are still bare and it's pretty cold. Today has been a perfect Sunday, dark and rainy. I have spent the day reading and trying to get some letters off to the family. I certainly hope these first few weeks go quickly or I will go crazy. It takes me so damn long to get acclimated to this place. I am as nervous as a bed bug until I get to work. I have been chopping a good deal of wood which has helped a little. It's strange the way most people think all an artist has to do is sit down and paint and I know a great many ones that do it that way and their work looks it. Maybe mine does too, but I can't work that way, but until I do get to work I feel terrible and that is how I feel now, and it's no fun. It certainly was nice seeing you looking so well, you really look like a different person. I am almost afraid what you might do when you hit this Maine air. I have been invited to several meals with the fisherman, which has been very interesting they certainly are great people and they know how to eat too. I hope to start on a portrait sometime this week if everything goes right, although I may hold off for another week in just looking things over. Damn it! Why can't you be here with me. Everything seems to be wrong. I guess I had better stop before I say something I shouldn't. I will write you a better letter in a few days when I pull my senses together. You take it easy now and get lots of sleep and food. Much love to you my dear, Andy Condition:
• Warren B. Davis (American,
  Warren B. Davis (American, 1865-1928), \"Absence Makes the Heart Grow Fonder\""
• RICHARD MERKIN (AMERICAN,
  RICHARD MERKIN (AMERICAN, 1938-2009), FOUR SILKSCREENS, C. 1980, "YOU KNOW, I USED TO HAVE A BEAUTIFUL TALENT ONCE, BABY", FROM THE...Richard Merkin (American, 1938-2009), four silkscreens, c. 1980, "You know, I used to have a beautiful talent once, baby", from the series, Fritz in Hollywood, ed: 260, signed with pencil, lower right, inscribed with pencil, "183/260", lower left; "Call Me Mickey Mouse.......", ed: 260, signed with pencil, lower right, inscribed with pencil, "109/260"; two impressions of "Satchel Paige", inscribed "217/260" and "218/260" respectively. All four printed on finished cream wove paper with complete margins, various sizes; all with wear consistent with age.
• FOUR LETTERS FROM ANDREW WYETH
  FOUR LETTERS FROM ANDREW WYETH (AMERICAN, 1917-2009) TO ALICE MOOREFour Letters from ANDREW WYETH (American, 1917-2009) to Alice Moore, Friday, September 17, 1937; mailed Saturday, September 18, 1937 My Dearest Alice: The rest of the family left last Tuesday so I am now very much alone. I have been thinking a great deal about you and realizing more and more what a splendid girl you are and what little hope I have of ever becoming your husband although I know we belong together, Alice, I know it as well as my right hand and by God, I'm going to do something about it. What I want to know from you is do you love me or is it hopeless? Please tell me the truth. I wish I could make you out. [Illegible sentence, crossed out] One minute you are very warm to me and the next, oh hell I give up - excuse me. Well I heard form N.Y. today and Mr. Macbeth is planning to give me my show the middle of October which is really a very good time. That means I have to leave here before I expected to though which I am sorry about and I think its worth it, don't you? Also I have been asked to have a one man show in Utica New York at the Williams Proctor Institute, which isn't so bad either. We have been having some foggy weather here for the past week so I have been working in the studio most of the time and have enjoyed it very much. It's really very cozy with the fire going. I think I have some good pictures started too. I hope you are well and that you haven't forgotten about me. I love you I love you I adore and want you but what's the use. Andy Saturday, October 2, 1937; mailed Saturday, October 2, 1937 Dearest Darling - Please, please forgive me for not writing since I have been working so hard that I forgot all about time but not about you I never can you are on my mind day and night and how often I have wished you could be here with me. I always thought that I would never need anyone as I need you . Alice, I want you to be near me always. I need you more than you need me I know although as time goes by I think you will change - I hope so anyway. Well, I have been working in Egg Tempera for the last two weeks and by God I like it I have done several landscapes and am now working on a portrait of a fellow who to me expresses Maine of today. Mr. Sidney Chase the artist who lives in Martinsville can't seem to understand why I should want to paint the worst drunk in Martinsville, but as I told him, I am not interested in painting the picturesque Maine of yesterday but want to paint it as it is today and to me this fellow is typical of Maine of today. I really think I am getting a good one. The name of the fellow is Charles Ervine, ask Jim Balano about him. Thursday I went to the Union Fair and had a swell time, went up with several fellows from the port. Mr. Ervine went also and passed out. I will tell about it when I see you. I want to get this in the mail so I had better stop by saying that I love you so much that it worries me. Andy [Accompanied by a black and white page of an exhibition catalouge depicting "Charles Ervine" by Andrew Wyeth] Thursday, October 14, 1937 My Dearest Alice, Just received word from Macbeth Gallery that my show opens October 19th, so I am planning to arrive in Poughkeepsie Friday night. Hoping that you will be there - Much love, Andy P.S. Could you let Bill Balano know. October, 1937, a Monday after the Macbeth show; mailed Tuesday, October 26, 1937. My Dearest Alice, Just a note to let you know that I am planning to call you from New York City Wednesday night about supper time. My show has gone well. I have sold everything and most of the reviews have been good. You have been on my mind night and day and how I do miss you. I had really a swell time with you in Poughkeepsie and I want to thank you my sweet I love I love you and I love you and by God just watch me. Excuse the terrible writing and also the shortness of this. I love you. Andy Condition:
• Original Walt Disney studios
  Original Walt Disney studios still ''Donald Duck'' mat signed ''To: Michael Barlow Best Wishes Walt Disney''. Sight 8'' x 10''.
• TWO LETTERS FROM ANDREW WYETH
  TWO LETTERS FROM ANDREW WYETH (AMERICAN, 1917-2009) TO ALICE MOORETwo Letters from ANDREW WYETH (American, 1917-2009) to Alice Moore, mis-dated April 15, 1938; mailed Thursday, April 14, 1938 --> Don't put Philadelphia on your letters. Dearest Alice: It is now 10 P.M. I have just come in after taking a long walk by myself [in margine: "not really, I had my dog Lupe along] in the moonlight it was beautiful, the pale cool haze of the countryside was almost more than I could stand. It made me feel as if I could walk for ever and never tire. It also made me feel very lonely and sad to think of how time is passing and things are changing it's strange the way you never think of time when you are young. (I am talking as if I am an old man.) I am a strange person because I find that the less I see of people, the happier I am. This must sound very strange coming from such a young boy but I mean it. The more I see of cities the more I like the country. When I am in the city I am lost. Every time I go to New York, I can't tell you what it does to me, but it certainly is awful. If you can get to Maine this summer we must certainly plan to take some walks in the moonlight. That was a grand letter you wrote me Alice. It made me feel very sad to think that you can't spend all of your time writing, because your writing shows that you have the stuff. I hope you won't be to much of a different person Alice when you are fully recovered because I am still hoping, just give me a little time. I have been spending the last three weeks getting together research materials for a story at Burgundy in 1150. It's damn well written. It's by Allen French the brother of Daniel Chester French, sculptor. I am doing black and white drawings for it. Really, you would laugh to see the pile of books of research I have around me in the studio. It's a hell of a mess. [Sketch of AW surrounded by books] Also, I just finished a water color for a book on Maine with the Stephen Daye Press are publishing. When it comes out, I will send you a copy. Carolyn told me to tell you to take it easy and don't drink too much beer. Henriette's paintings look extremely beautiful in her show. I don't understand why it doesn't make more of a hit. All I can say is that New York is nuts. I wish you could have seen it, damn shame. I am really sorry that Scribner's article ever came out. I thought it was very poorly written, don't you? And I thought that the pictures were just plain bad. It's impossible for me to do Maine pictures in Chadds Ford. Well you be good now and get well and I will be up and see you. I am thinking about you, much love, Andy Monday March 14, 1938 [postcard] Dear Alice, What a place Maine is in the winter it's stunning, you don't know it until you see it this time of year. We left Port Clyde this morning at five o'clock and had breakfast with Kenneth Roberts at Kennebunkport. He is a grand person, you would like him I know. Also had a nice time with Ben Ames Wil[?] Love Andy [verso] We are spending the night here in Concord. Have you ever been here? It's lovely this time of year - rather cold but no snow, which I am sorry about. I was surprised not to find it colder in Port Clyde. Condition:
• Sunday B. Morning. I Love Your Kiss
  Sunday B. Morning. I Love Your Kiss Forever Forever. screenprint in colors. 16¼ h × 22½ w in. result: $252. estimate: $500–700. Stamped to verso 'Fill in Your Own Signature Published by Sunday B. Morning'. Numbered to verso ‘68/2500’. This work is number 68 from the edition of 2500 published by Sunday B. Morning.
• 1 piece. Movie Poster. "You Were
  1 piece. Movie Poster. "You Were Never Lovelier." Columbia, 1942. Color litho insert format, approx. 36 x 14 inches (915 x 355 mm). Repairs to verso, a few small tears in margins, occasionally slightly dusty. With copyright but no code markings. Condition B-/B. Fred Astaire, Rita Hayworth.
• Unsigned miniature Painting of a
  Unsigned miniature Painting of a Girl Holding a Fan The pretty miss in yellow stands in a forest landscape in front of a pond, framed in a narrow brass frame under glass overall approx. 4-1/8" x 3-1/8".
• FRAME INK & WATERCOLOR POEMca. 1825
  FRAME INK & WATERCOLOR POEMca. 1825 dated; two-part hand written poem letter to Miss Ei Bushar sent from "her friend J.S.", the poem about "you" blushing rose, "so beautiful but beware of secret thorn", framed in a bird's eye maple frame, 9 1/4"x 10 3/4" framed; Condition: appears removed composition box, no folds observed, some foxing
• PAPER CUTOUT BY JOHN BROWN WALKER
  PAPER CUTOUT BY JOHN BROWN WALKER (OHIO 1815-1908). Unsigned. Blue paper with hand overlayed by a red heart. Rose and foliate scrolls with ''Remember Me Addie''. In a decorated frame 17 3/4''h. 14 1/8''w. Cut out has shifted slightly and shows the ghost image on the backing paper.
• PRINT, MARY CORITA KENT Mary Corita
  PRINT, MARY CORITA KENT Mary Corita Kent (American, 1918-1986), "I Love You Very," screenprint, signed in pen lower right, sight: 22.5"h x 22.5"w, overall (with frame): 30.5"h x 30.5"w
• JIM CONDRON (MD, 1970 - ) "Could
  JIM CONDRON (MD, 1970 - ) "Could You Hate Me Less", impasto oil on handmade paper on board, unsigned, artist identified and title given with date of 2012 on framer's label, stamped "Yvette Torres / Fine Art", in white painted wood shadowline frame, OS: 10 1/4" square, SS: 9" square. Fine condition.
• LETTER FROM ANDREW WYETH (AMERICAN,
  LETTER FROM ANDREW WYETH (AMERICAN, 1917-2009) TO ALICE MOORELetter from ANDREW WYETH (American, 1917-2009) to Alice Moore, Sunday, August 1, 1937; mailed Monday, August 2, 1937 My Dearest Alice, I just had to write you this note to let you know how much I love you and miss you not being here. God! But its been lonely for me since you left. I know now how much I really need you and how desperately I am in love with you . I certainly hope that anything that happened the other night has not changed your feelings towards me because if it has I ought to be shot, but please, please don't let it my darling I couldn't stand it. If you do ever learn to love me and will wait for me I feel very confident that I will make a success of my art and I am sure that it won't be long. I wish I could write clearly what I mean. I know that if I had a girl like you around me long I could really do things with my painting and my dull mind. I really mean this from the bottom of my soul. If it isn't asking too much I wish you would write to me some time will you, Alice. I am writing this in my studio it's about ten o'clock PM. The rest of the family have gone to Rockland to see a show. I feel rather lonely and yet I feel happy when I think of you and then I am glad to be alone. I am getting up at three thirty tomorrow morning to go hauling so I guess I had better say good night to you my love my darling I do miss you terribly. Andy P.S. Have you a small photograph of yourself you could let me have. A. I hope you can understand this letter [Accompanied by a black and white photograph of Wyeth in a straw hat, inscribed "don't I look happy"] Condition:
• LETTER FROM ANDREW WYETH (AMERICAN,
  LETTER FROM ANDREW WYETH (AMERICAN, 1917-2009) TO ALICE MOORELetter from ANDREW WYETH (American, 1917-2009) to Alice Moore, Tuesday, March 1, 1938; mailed Tuesday, March 1, 1938 Dearest: I feel as if I saw you in a dream and not until I was on the train did I really wake up to the fact that I had been with you. I know that I must have been dull as hell and I certainly am sorry if I bored you. I hope you don't think I am like that all the time because I am not. You would find me a very different person if I was with you longer - my Dearest I want you. I feel so lonely and I am so afraid something might come between us. I know that we are made for each other . When I travel very much I get into a fog. I am one that should not travel if I hope to do anything. I just heard that the poet Witter Bynner [1881-1968] is an illegitimate son of Walt Whitman, which is very interesting I think. I certainly want you to meet him if he comes to New York again. I am enclosing two small photographs of water colors I painted in 1936. The one of [the] fisherman in the dory is the boy that was drowned off of our point. Both of these water colors were sold last week. My work in the studio is coming along well. The work on the self-portrait is slow. There is no better training for an artist than self-portraiture. I really think that every artist should do it just as a study. One gets very little accurate drawing out of landscape. There are very few landscape painters that can paint portraits, which I think is very bad. I was working outside today on a landscape. It was beautifully clear and cold with a brisk wind. The color was very rich, deep browns and purple shadows. I have a good landscape start, also I think I have [sketch of a landscape with a house and tree] a good cold from it, damn it! I love winter landscapes but the cold gets me. If only my health holds out I will be able to paint something good sometime. I was so happy to find your mother and father looking well. I wish him the best of luck on his book. It will give you a great deal more chance to do what you want and you certainly do deserve it. I am going to try to plan to see you again soon, that is if you can stand it. Can you? I miss you Alice more and more and still I want Moore. Why do we have to live so far apart I think it's terrible. Well remember that I am thinking of you and waiting and someday you will see something good by Andrew Wyeth. March 1, 1938 [Accompanied by a photograph of the painting described above and a photograph of Wyeth painting outside, inscribed verso in Wyeth's hand "Andrew Wyeth trying to paint a good water color for a change."] Condition:
• Artist Unknown Unknown oil on
  Artist Unknown Unknown oil on canvas 30 x 25 inches.
• PASTEL ILLUSTRATION OF GIRL SMILING
  PASTEL ILLUSTRATION OF GIRL SMILING Unsigned.
• SISTER MARY CORITA KENT (1918 -
  SISTER MARY CORITA KENT (1918 - 1986): I LOVE YOU VERYserigraph, framed under acrylic; signed in pencil lower right; Numbered E200[?] lower left; Provenance: The Estate of Kay Pick, Beverly Hills, CA; 11 3/4 inches square frame Condition:
• Michael Michaeledes (British born
  Michael Michaeledes (British born 1925); Untitled a framed paper cut out signed and dated 1985 bottom right 60 x 88cm.
• * Artist Unknown (20th century)
  * Artist Unknown (20th century) Tropical Oasis mixed media on cardboard 11 1/2 x 13 3/8 inches.
• Eugene E. Loving
  Eugene E. Loving (American/Louisiana, 1908-1971) "Little Theatre Court, Old New Orleans", etching, sight 10-1/2" x 8", titled in pencil lower left, signed in pencil lower right, inscribed "Ed/200" lower center. Glazed, matted and framed.
• CORITA KENT, I LOVE YOU, UNEASY
  CORITA KENT, I LOVE YOU, UNEASY BALANCE (2)Sister Mary Corita Kent (American, 1918-1986)I Love You, Uneasy Balance. & Blue Zenith (2)screen prints in colors on wove paperI Love You signed Sister Mary Corita in light blue ink to the lower righ
• ILLUSTRATION: RUSSELL PATTERSON
  ILLUSTRATION: RUSSELL PATTERSON (AMERICAN, 1896 - 1977), "OH SHUCKS, MISSED AGAIN", 1959, WATERCOLOR ON PAPER, DEPICTS CUPID STANDIN...ILLUSTRATION: Russell Patterson (American, 1896 - 1977), "Oh Shucks, Missed Again", 1959, watercolor on paper, depicts cupid standing on column in three-quarter profile view looking toward couple, arrow strikes the man's hind-quarters, tree in background with red leaves, and doves flying throughout, framed and matted under glass, signed LC, condition consistent with age including toning and light wear, ss: 24 1/4" h. x 14 3/4" w. [PROVENANCE: Artist was commissioned by consignor's mother to design a ten-piece series for the family's Janssens Restaurant in New York City in 1959 and subsequently passed down to the consignor. Commission fee per piece was $500 in 1959.]
• LETTER FROM ANDREW WYETH (AMERICAN,
  LETTER FROM ANDREW WYETH (AMERICAN, 1917-2009) TO ALICE MOORELetter from ANDREW WYETH (American, 1917-2009) to Alice Moore, Mailed Mid-November, 1938 Dearest, I was very upset to hear that you are again ill. I certainly hope that you will take better care of yourself after this, but please don't try and get up before you should. I do hope you can make it to our party but if you can't I will see you soon any way. Well, I have been working hard and I think have really been doing some good work. Finished up a tempera painting and am working on another also have done several large water colors which everyone here thinks are the best I have done. I thought the Boston papers were very good to me, in fact, much better than New York. If the writers in the future are as good to me as they were I will be lucky. Boston you know is a hard place to break in to. I sold four large water colors. The trouble was is that most of my best pictures were sold before the show opened. In fact, quite a number of people want me to make copies of the water colors they liked which were sold, the damn fools . Well, my show opens tomorrow in Philadelphia. I am enclosing some clippings out of today's papers. Just wait old dear, I'll show the world what painting is. I am planning to go South after Thanksgiving for a couple weeks and I do want to see you before this. So please try and come down as I do want to see you. Will write soon, in fact, in a couple of days. Much love to you my sweet, Andy [Bottom half of page with sketched scene: a large central figure with hat, with caption "don't you wish I looked like this instead this," with arrow to sketch of himself, with figure in bed at right, captioned "you," inscribed along bottom margin, "excuse me you know I am crazy"] [Accompanied by an exhibition invitation at McClees Gallery, 1615 Walnut Street, Philadelphia, November 14 - November 26, 1938, two newspaper clippings with reviews of the exhibition at McClees Galleries, and a clipping from a Pennsylvania Academy of the Fine Arts publication with notice of a show and reproduction of AW's painting, "Calm Morning" with a note in his hand, "This gives people the impression I am a strong person."] Condition:
• Artist Unknown Hand pencil on paper
  Artist Unknown Hand pencil on paper signed illegibly (lower right) 3 x 4 inches.