A few examples of appraisal values for
ORLEANS

• Provincial Louis XV-Style Fruitwood
  Provincial Louis XV-Style Fruitwood Bergere avec Orielles, late 19th century, the domed back surmounted by a floral crest, padded and leather-upholstered, joined by shaped, like-upholstered sides to the caned seat, raised on molded cabriole legs headed by floral carving and ending in scrolled toes, h. 46".
• Provincial Louis XV-Style Fruitwood
  Provincial Louis XV-Style Fruitwood Bergere avec Orielles, third quarter 19th century, the slightly domed and padded back joined by shaped sides and outscrolled arms to the cushioned seat, raised on molded cabriole legs headed by foliate carving and ending in peg toes, h. 43".
• Louis XVI-Style Fruitwood Bergere
  Louis XVI-Style Fruitwood Bergere avec Orielles, third quarter 19th century, the padded and domed back and shaped sides surmounted by a ribbon-carved frame and floral crest, joined to the bolstered and cushioned seat by padded and scrolled arms, raised above a paneled frieze on fluted, tapering circular legs ending in toupie feet, h. 44".
• Pair of Provincial Louis XV-Style
  Pair of Provincial Louis XV-Style Fruitwood Bergeres avec Orielles, late 19th century, each with a shaped and padded back and sides surmounted by a foliate-carved crest, joined to the cushioned seat by acanthine-carved, padded arms, the shaped, foliate-carved apron raised on cabriole legs headed by floral carving and ending in foliate-scrolled toes, upholstered in a Moroccan-style tapestry-patterned fabric, h. 49".
• Pair of Louis XV-Style Fruitwood
  Pair of Louis XV-Style Fruitwood Bergeres avec Orielles, third quarter 19th century, each with a slightly domed and padded back surmounted by a carved shell crest and corner scroll finials, joined to the cushioned seat by padded shaped sides and acanthine-carved arms, raised on cabriole legs ending in scrolled toes, h. 44".
• LOUIS ORR (AMERICAN, 1879-1961),
  LOUIS ORR (AMERICAN, 1879-1961), TWO ETCHINGS OF PARIS Etchings on cream wove paper, to include an image of the Cathédrale Notre-Dame de Paris and a Parisian bridge, one pencil signed, both signed in the plate and inscribed "Paris," one dated 1916, in uniform gilt frames.
• Louis XV-Style Fruitwood Bergere
  Louis XV-Style Fruitwood Bergere avec Orielles, the trisected padded back and sides surmounted by a floral-carved crest, joined by shaped sides and padded arms to the cushioned seat, raised on cabriole legs headed by floral carving and ending in scrolled toes, h. 42".
• Louis XV-Style Fruitwood Bergere
  Louis XV-Style Fruitwood Bergere avec Orielles, third quarter 19th century, the padded rectangular back and shaped sides within a molded frame, joined by padded arms to the cushioned seat, raised on cabriole legs ending in scrolled toes, h. 35".
• Pair of Louis XV-Style Fruitwood
  Pair of Louis XV-Style Fruitwood Bergeres avec Orielles, third quarter 19th century, each with a domed and padded back joined by shaped sides and scrolling arms to the cushioned seat, raised on molded cabriole legs ending in scrolled toes, h. 42".
• Louis XV-Style Giltwood Bergere
  Louis XV-Style Giltwood Bergere avec Orielles, ca. 1900, the domed and padded back joined to the cushioned seat by shaped sides and outscrolled arms, above a shell- and foliate-carved frieze, raised on cabriole legs ending in scrolled toes, h. 40-1/4".
• Pair of Louis XV-Style Fruitwood
  Pair of Louis XV-Style Fruitwood Bergere avec Orielles, early 20th century, each with a slightly domed and padded back surmounted by a floral crest, joined to the cushioned seat by shaped sides and padded arms, the floral-carved apron raised on cabriole legs ending in scrolled toes, h. 42".
• LARGE ILE D'ORLEANS STYLE ROCKER,
  LARGE ILE D'ORLEANS STYLE ROCKER, QUEBEC, CA. 1830A large open back rocker in the Ile d'Orleans form with sloping arms and a plank seat. Many layers of paint removed to the original yellow ochre paint. Rockers an old replacement. Quebec, circa 1830. H: 39"; W/L: 18"; D/P: 29". FRANCAIS: Grande berçante à dossier ouvert de style Île d'Orléans, bras inclinés, siège à planche. Décapé à la peinture ocre jaune d'origine. Berçants anciennement remplacés. Québec, circa 1830.
• (MAP) JAILLOT ALEXIS HUBERT Le
  (MAP) JAILLOT ALEXIS HUBERT Le Gouvernement d'Orleans et La Generalite Divisee en Ses Elections. Par le St. Sanson Geographe Ord. du Roy. Engraved map with hand-coloring in outline from Atlas Nouveau. Amsterdam 1696. 24 1/2 x 38 inches.
• Pair of Louis XV-Style
  Pair of Louis XV-Style Polychromed Bergeres avec Orielles, late 19th century, each with a domed back surrounded by a floral crest, joined by shaped padded sides and like arms to the cushioned seat, the shaped floral-carved apron raised on cabriole legs ending in scrolled toes, now upholstered in Lorenzo Rubelli silk, h. 37-1/2".
• Colette Pope Heldner (Louisiana
  Colette Pope Heldner (Louisiana 1902-1990) "Orleans Alley Vieux Carré New Orleans" 1935 oil on canvas signed and dated lower left signed titled and inscribed en verso 16 in. x 10 5/8 in. attractively framed.
• ORR Louis (American 1879-1961):
  ORR Louis (American 1879-1961): ''Paris'' view from the Seine Pastel and Graphite 16'' x 12'' signed lower left and titled worn period frame 17 1/4'' x 15 1/2''.CONDITION: On paper laid on board several small areas of moisture present at one time in the left and right margins minor paper loss in left and right margin several pin holes that are very minimal good overall
• Louis XV-Style Giltwood Bergere
  Louis XV-Style Giltwood Bergere Avec Orielles, the domed and padded back surmounted by a shell-carved crest and flanked to either side by shaped and downswept arms, the cushioned seat raised on cabriole legs headed by foliate carving and ending in scrolled toes, h. 48".
• LOUIS ORR (CONNECTICUT/FRANCE,
  LOUIS ORR (CONNECTICUT/FRANCE, 1879-1966), “CATHEDRAL OF ST. ETIENNE DU MONT, PARIS”., ETCHING WITH AQUATINT ON PAPER, 26” X 20”. FRAMED 36” X 29.5”.LOUIS ORR, Connecticut/France, 1879-1966, "Cathedral of St. Etienne Du Mont, Paris". Signed in pencil lower right. Dimensions: Etching with aquatint on paper, 26" x 20". Framed 36" x 29.5".
• JULES RENE HERVE O/C, TUILERIES
  JULES RENE HERVE O/C, TUILERIES FOUNTAINJules Rene Herve (French, 1887-1981) oil on canvas painting, Paris street scene. Depicts a fountain in the Tuileries Garden with the Luxor Obelisk in the Place de la Concorde in the background. Signed Jules R. Herve lower left. En verso, signed "Jules R. Herve, 44 Rue Vercingetorix, Paris - 14c". Housed in a carved giltwood frame with linen matte. Sight - 8 1/8" H x 10" W. Framed - 13 3/8" H x 15 3/8" W. (Higher-resolution photos are available at www.caseantiques.com) Condition: Overall excellent condition.
• 19th century Louisiana Street
  19th century Louisiana Street Scenecolored chalk and pencil on paper the lower margin pencil inscribed ''Orleans Parish La....Mrs. Sias 1 1/2 inch Rosewood 10/- '' presented in its likely original wooden frame.SS 11.25 x 15.5 in.; DOA 14.5 x 18.5 in.Scuffs and chipping to the frame; some marginal damp stains to the art.Private collection Richmond VA
• Clarence Millet A.N.A.
  Clarence Millet A.N.A. (American/New Orleans 1897-1959) "Pere Antoine's Garden from Orleans French Quarter" oil on canvas board signed lower left 8 in. x 10 in. attractively framed.
• TWO LOUIS ORR (AMERICAN/FRENCH,
  TWO LOUIS ORR (AMERICAN/FRENCH, 1879 - 1966)Two Louis Orr (American/French, 1879 - 1966), pastels on paper, to include "Paris", signed lower left, 11 1/2" x 15 1/4"; along with "Landscape with Houses", some water damage, 9 1/2" x 14"; both signed lower left "Louis Orr, Paris". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received
• 1690 AVIGNON FRENCH MAP: Contado de
  1690 AVIGNON FRENCH MAP: Contado de Venassino E Principato d'Oranges. Hand tinted. Framed in double sided glass frame. Sight size 19 1/2'' x 26 5/8'', frame 23 1/2'' x 31 1/2''CONDITION: Note tear to lower left corner, writing front and back, restoration.
• LOUIS ORR (CONNECTICUT/FRANCE,
  LOUIS ORR (CONNECTICUT/FRANCE, 1879-1966), PASTEL ON PAPER, "ILE ST. LOUIS, PARIS", SKETCH-LIKE DEPICTION OF A BRIDGE CROSSING RIVER...Louis Orr (Connecticut/France, 1879-1966), pastel on paper, "Ile St. Louis, Paris", sketch-like depiction of a bridge crossing river, city buildings in background, bare trees to left, signed lower right, paper framing label verso with artist name and title, wear consistent with age, ss: 15" h. x 12" w.
• FRAMED MAP FROM A 19TH CENTURY
  FRAMED MAP FROM A 19TH CENTURY WALKER ATLASVillage of Orleans Town of Orleans Mass'' includes ''Village of Rock Harbor''. 18'' x 27''. Professionally mounted. Figured burlwood frame.''
• 16th century French School
  16th century French School painting, allegory of Odor, seated and holding a vase of flowers in one hand and a stem of lilies in the other, dog at her right arm, inscribed at left Odoratus , oil on canvas, French School-Fontainebleau, 37-1/2 x 46-1/2 in.; early stained wood frame. Retacked to verso of frame after being shipped separately from frame, lacking stretcher, eleven holes or tears, recently cleaned, flaking, craquelure; verso frame with rosehead nails. Collection of a Gentleman, Memphis, Tennessee.
• ORR, Louis, (American,
  ORR, Louis, (American, 1879-1951): ''La Cathedrale de Reims-Transept'' , Etching, 30 1/2'' x 21 1/2'' with margins, signed, unframed.CONDITION: Water damage visible in bottom and right margins, glue residue in upper margin.
• LANVIN ORANGE SILK GOWN. Hiver
  LANVIN ORANGE SILK GOWN. Hiver 2006. Strapless columnar form
• LOUIS ORR (AMERICAN, 1879-1961), LA
  LOUIS ORR (AMERICAN, 1879-1961), LA PORTE, ST. DENIS, PARIS Etching, 1929, pencil signed at lower right, retains paperwork from Collier's Readers Research Bureau, New York regarding the print, matted and framed.
• YVES SAINT LAURENT RIVE GAUCHE
  YVES SAINT LAURENT RIVE GAUCHE BURNT ORANGE WOOL JACKET. 1990s; size 44.
• Louis Orr (Connecticut/France,
  Louis Orr (Connecticut/France, 1879-1961) Three Eastern North Carolina-related etchings: The Market, Fayetteville, at least two deckled edges, uneven trim at right margin; The Mirror, Orton Plantation, four deckled edges, small stain lower left margin; St. Thomas Episcopal Church, Bath, four deckled edges, 10 x 8 in. (plates), 15-7/8 x 12-3/4 in. (page); matching gilt silver frames,
• ORR Louis (American 1879-1961):
  ORR Louis (American 1879-1961): ''The Silver House St. Gilles Gard France'' Oil/Wood Panel 16'' x 13'' signed and titled verso dated 1921 encased in period gilded and painted frame with wear 20 1/8'' x 17 1/4''.CONDITION: Needs cleaning several minor abrasions with no paint loss.
• RAYMOND DORLEANS (HAITIAN) OIL ON
  RAYMOND DORLEANS (HAITIAN) OIL ON CANVASDESCRIPTION: Raymond Dorleans Haitian oil on canvas, signed painting, featuring people carrying supplies around their village. Signed bottom right "R. D'Orleans"CIRCA:20th Ct.ORIGIN:HaitiDIMENSIONS: H:25" x L:33"CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• Louis Orr (Connecticut/France,
  Louis Orr (Connecticut/France, 1879-1961) Two Winston-Salem, North Carolina, related etchings: Salem Academy, The Inner Court (Moravian Settlement, Old Salem), and The Belo House, 10 x 8 in. (plates), 15-7/8 x 12-3/4 in. (page); matching gilt silver frames,
• LOUIS ORR (AMERICAN, 1879-1961),
  LOUIS ORR (AMERICAN, 1879-1961), TWO FRENCH VIEWS Each an etching, both pencil signed lower margin, to include Le Pont Marie, Paris and a cathedral interior view, matted and framed.
• LOUIS ORR (AMERICAN, 1879-1961),
  LOUIS ORR (AMERICAN, 1879-1961), TWO ETCHINGS To include a Parisian etching and a harbor scene, the first pencil signed and with remarque lower margin, in uniform framing.