A few examples of appraisal values for
OVINGTON GREEN

• Valentine Green (1739-1813) and
  Valentine Green (1739-1813) and Francis Jukes (1745-1812) - Aquatint - ''St. Augustine's Gate Canterbury'' 13.75ins x 20ins published October 16th 1779 by V. Green No. 29 Newman Street Oxford Street (creased and generally discoloured and grubby) within black and gilt glass and ebonised frame
• HELENA MARKSON "NEWINGTON GREEN"
  HELENA MARKSON "NEWINGTON GREEN" COLOR LITHOGRAPH "Newington Green" abrasct etching and aquatint on wove paper by Helena Markson (British-Israeli, 1934-2012), titled, numbered "47/50" and pencil signed to bottom, housed in a wood textured frame, artwork in overall good condition but frame is broken. Image: 22" H x 17.25" W; frame: 31.5" H x 25" W.
• Green, Valentine. The History and
  Green, Valentine. The History and Antiquities of the City and Suburbs of Worcester. 2 vols in one, 1796. 4to., later half russia (spines rubbed). Engraved titles, portrait, folding map and plates. Bookplate of Joseph Chichester. With a related pamphlet (2)
• Owens Pottery. Mat Green vase. c.
  Owens Pottery. Mat Green vase. c. 1905, glazed earthenware. 8¼ h × 3½ dia in. result: $262. estimate: $300–500. Impressed manufacturer's mark and number to underside ‘Owens 219’.
• VIKTOR & ROLF GREEN AND CREAM
  VIKTOR & ROLF GREEN AND CREAM SILK DRESS. Cut on the bias
• Walter Inglis Anderson
  Walter Inglis Anderson (American/Mississippi, 1903-1965) "Green Herons", graphite and watercolor on paper, 8-1/2" x 11", estate stamped lower right, inscribed in pencil en verso "53B Green Herons" and "Walter Anderson". Archival matting, unframed.
• GREEN VELVET AND GOLD-EMBROIDERED
  GREEN VELVET AND GOLD-EMBROIDERED EVENING COAT. Mandarin collar and hidden front snap buttons
• ENGLISH MOORCROFT 'INGLEWOOD' ART
  ENGLISH MOORCROFT 'INGLEWOOD' ART POTTERY VASEENGLISH MOORCROFT 'INGLEWOOD' ART POTTERY VASE, Philip Gibson design, 2004, 12"H.
• Valentine Green (British,
  Valentine Green (British, 1739-1813), after Anthony van Dyck Sir Thomas Wharton, circa 1770 mezzotint 20 x 14 inches. Property from the Estate of Professor Ethan D. Alyea, Jr., Bloomington, Indiana
• IVAN G. OLINSKY, AMERICAN/RUSSIAN
  IVAN G. OLINSKY, AMERICAN/RUSSIAN (1878-1962), THE GREEN BODICE, OIL ON CANVAS, 36 X 30 INCHESIVAN G. OLINSKY, American/Russian, (1878-1962) The Green Bodice, oil on canvas signed upper left "Ivan G. Olinsky" oil on canvas Dimensions: 36 x 30 inches Provenance: The Cooley Gallery, Old Lyme, Connecticut; Private Collection, New York, New York Condition: in overall good condtion; wax lined canvas; scattered inpaint mostly to edges (UV available upon request) We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
• Silver overlay glass vase with
  Silver overlay glass vase with green threading 8" h. Provenance: the Collection of Charlene Sussel Garrett Park Maryland. ?
• ARTS & CRAFTS OWENS POTTERY MATTE
  ARTS & CRAFTS OWENS POTTERY MATTE GREEN VASE Owens Pottery Arts and Crafts matte green vase having pierced and incised geometric decoration, impressed mark to underside: "OWENS 32." 7.5" H x 5.5" diameter. Provenance: Removed from the West Village, New York City estate of an Arts and Crafts collector.
• OWENS OWENSART MATT GREEN ART
  OWENS OWENSART MATT GREEN ART CRAFTS POTTERY VASE United States,20th CenturySquat incised textured vase with matte green finish, impressed stamp to bottom.
• Kent Ipsen early American studio
  Kent Ipsen early American studio green glass vinaigrette, 1965. Signed. 9"H.
• ARTS & CRAFTS OWENS POTTERY MATTE
  ARTS & CRAFTS OWENS POTTERY MATTE GREEN VASE Owens Pottery Arts and Crafts matte green vase having pierced and incised geometric decoration, impressed mark to underside: "Owens 52." 8" H x 8.5" diameter. Provenance: Removed from the West Village, New York City estate of an Arts and Crafts collector.
• GEORGE INNESS OIL ON PANEL
  GEORGE INNESS OIL ON PANEL (American 1825-1894) Titled ''The Orchard '' an olive-green meadow with apple trees and russet spots of weeds. In the middle ground is a small pond and in the far distance on the left stands a roof top among trees. The sky is a mixture of clouds with just a touch of highlights from the sun and pale blue sky with tall trees on the right. Image measures 20'' x 30''. Signed ''G. Inness'' lower right and dated 1885. Paper label from the William MacBeth Gallery 237 Fifth Avenue New York attached verso with title inscribed on label. The William MacBeth Gallery was located at this address from 1892-1906. Also a label from the Garfield Safe Deposit Co. New York is attached verso. The mahogany panel has a manufacturer's label attached verso that states ''French's Artist Board Patented June 29th 1880. This Board is `built-up' of three layers of Venners...'' and ''Manufactured only by E. F. French New York.'' George Inness was known to paint on these boards such as his painting titled ''Albano Italy'' located at Princeton University. Set in a gilt wood frame. ''The Orchard'' exhibits a Tonalist style with a Barbizon influence. Inness's signature style is emphasized in his deformation of space where the foreground sinks to the middle ground and the middle ground sinks to the background by varying and sometimes confusing uses of crisp delineation contrasted with mist enshrouded features. For example the objects in the foreground are just hints of grass and rocks while the center apple tree trunk is sharp and the wild flowers are sometimes sharp and sometimes just suggestions. And again in the background the roof line of the building in the distance is sharply delineated while the trees and fields around it are mass of tones and hazy shapes. The mission of his art was to see reality in a new light an attempt to attain the vision and insight of God. Inness believed that his paintings should speak of the harmony and unity between nature man and God. This was a constant struggle for him he felt that he was never able to finish a painting because the medium of oil never fully satisfied his quest for the unity of spiritual and physical sight. Inness claims to have destroyed more paintings than he sold because of this struggle. Provenance: passed down within the family. The painting is believed to have been purchased by the consignor's great grandfather John Henry Burgard. Burgard was a shipping magnate and insurance man who started his career in 1880 in Buffalo NY and moved to Portland Oregon in 1888 where he was an influential business man. Burgard was a member of the Portland City Council an organizer of the Metropolitan Street Railway Company an organizer of the Columbia Pacific Shipping Company Director of the Alaska Pacific Fisheries and on the directorate of various lumber and railway companies. The painting is in good condition.? There is some light inpainting mostly to the lower left and some frame wear as circled in red.? There is some?craquelure?where the paint has been heavily built-up and some inpainting to the craquelure.? The wood panel is in very good condition and shows no cracks or repairs.? The frame is in very good condition and is of recent make.
• JO DAVIDSON (1883-1952): TAVERN
  JO DAVIDSON (1883-1952): TAVERN ON THE GREEN Watercolor on paper signed and dated 1938 lower right. 6 1/4 x 4 1/2 in. (sight).
• Green (V) A Survey of the City of
  Green (V) A Survey of the City of Worcester, J Butler & Gamidge, Worcester, 1764 (2 Copies); together with Anon, The History of the City of Worcester, J Butler, 1790; Lewis, S Worcestershire General and Commercial Directory, Heming, 1820; RG, A Brief History of Worcester, J Tymbs, 1806; Anon, A Guide through the Royal Porcelain Works, Worcester, Deighton & Son, 1875; Binns, RW, Catalogue of a Collection of Worcester Porcelain in the Museum at the Royal Porcelain Works, 1882 (7)/Provenance: from
• CLARK GREENWOOD VOORHEES
  CLARK GREENWOOD VOORHEES (CONNECTICUT, 1871-1933), FARMSTEAD., OIL ON CANVAS, 23" X 30". FRAMED 32" X 39".CLARK GREENWOOD VOORHEES, Connecticut, 1871-1933, Farmstead. Signed lower right "Clark G. Voorhees". Dimensions: Oil on canvas, 23" x 30". Framed 32" x 39".
• William Ingham (b.1944
  William Ingham (b.1944 Washington) ''Green Garden Sky'' 1991 Acrylic on Canvas 68''x74'' Image. A large and colorful abstract expressionist composition. Signed and dated l.r. Framed 69''x75''. Excellent condition.
• Coventry Glass Works inkwells and
  Coventry Glass Works inkwells and three others Connecticut 1820-1840 two olive green molded cylinder inkpots H1 1/2'' Dia.2 1/4''; together with agate stone fitted with well H1 1/4'' W3''; silver-mounted crystal pot H2''; and French porcelain example H2 1/2'' L5'' D3'' (5pcs) Provenance: Charleston South Carolina collection.
• E JOSEPH FONTAINE (1929-2004, MA,
  E JOSEPH FONTAINE (1929-2004, MA, RI, ITALY) OILON CANVAS, TITLED “IN THE GREENHOUSE”. SIGNED LOWER RIGHT. EXCELLENT OVERALL CONDITION. SIGHT SIZE 19” X 25 1/2”, WITH ORIGINAL CARVED AND GILT FRAME 26” X 32 1/2”.
• OOB - 'High Green Waters' by Ivan
  OOB - 'High Green Waters' by Ivan Constantinovich Aivazofsky (Russian 1817-1900) signed lr with extensive Cyrillic inscription verso museum stamp in gold ribbed panel frame SS: 8'' x 13 3/4'' OS: 14 1/2'' x 20 1/4'' fine condition.
• Greene Albert Van Nesse [American
  Greene Albert Van Nesse [American 1887-1971] oil on board impressionist landscape painting of the Pikeland village Chester Springs PA with a woman on a porch talking to another in the road and signed l.r. "A.V. Greene". Greene lived and worked in Chester Springs and a veteran of WWI is interred at Arlington National Cemetery. 12"x14.5"
• OOB - 'High Green Waters' by Ivan
  OOB - 'High Green Waters' by Ivan Constantinovich Aivazofsky (Russian 1817-1900) signed lr with extensive Cyrillic inscription verso museum stamp in gold ribbed panel frame SS: 8'' x 13 3/4'' OS: 14 1/2'' x 20 1/4'' fine condition.
• CAMPOREALE Philip (American 20th
  CAMPOREALE Philip (American 20th Century): ''The Green Valley'' OIL/Canvas 24'' x 30'' singed dated 1955 framed 39'' x 33''. Sold with original bill of sale.
• LOETZ INKWELL. Purple green and
  LOETZ INKWELL. Purple green and gold iridescent body and foliate lid. Unsigned. 3''. Good condition with wear to lid.
• Julian Trevelyan (1910-1988) -
  Julian Trevelyan (1910-1988) - Lithograph in colours - ''Green Oxen'' 16ins x 20.75ins No. 13 of edition of 75 signed in full in crayon and titled in modern aluminium frame and glazed
• LARGE GREEN POTTERY VASEof ovoid
  LARGE GREEN POTTERY VASEof ovoid form. 29" high, 24" diameter. Provenance: Property of a Farmington, Connecticut Estate. Condition: Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition
• GREEN Bernard (American 1887-1951):
  GREEN Bernard (American 1887-1951): New England Home in the Afternoon Sun OIL/Canvas 16'' x 20'' signed lower left unframed.CONDITION: Has been relined.
• STRIATED GREEN ONYX VASE Striated
  STRIATED GREEN ONYX VASE Striated green onyx vase, possibly India or Pakistan, of baluster form with fluted neck, concave shoulder and ribbed spreading round base. 8" H
• A. AUBREY BODINE. "GREENSPRING
  A. AUBREY BODINE. "GREENSPRING LANE," PHOTOGRAPH (American, 1906-1970). Gelatin silver print, signed and dated "A. Aubrey Bodine, 1947" lr, 12 1/2 x 17 3/4 in., framed.
• JUGTOWN POTTERY, VERNON OWENS
  JUGTOWN POTTERY, VERNON OWENS (SEAGROVE, NC, B. 1941), DOGWOOD VASE Tall stoneware vase, deep red glaze brushed over white, stylized blossoms applied at the upper shoulder, signed on the underside and dated 2005.
• BELA DE TIREFORT 'GREENWICH VILLAGE
  BELA DE TIREFORT 'GREENWICH VILLAGE STREET' OIL Bela De Tirefort (American, 1894-1993) oil on canvas impressionistic painting depicting a brownstone-lined street in the rain, likely Greenwich Village, New York, signed and dated 1956 to lower right, housed in a gilt wood frame. Image: 8.5" H x 11.25" W; frame: 18" H x 21" W x 1.5" D.
• Unusual Owens vase with Native
  Unusual Owens vase with Native American Indian portrait finished in a thick alligator-skin matte green. Unmarked. Mint. 11 5/8" tall.
• Offset lithograph after Leroy
  Offset lithograph after Leroy Neiman, "Tavern on the Green, New York" with signature to lower right of image, certificate of authenticity in verso; overall good condition, minor wear to frame; image 18" x 14 1/4", frame 30 1/4 x 27 1/4" (approx.)