A STEUBEN 18K GOLD AND GLASS SCULPTUREAA STEUBEN 18K GOLD AND GLASS SCULPTUREA Steuben 18K gold and glass sculpture: Partridge in a Pear Treedesigned by Lloyd Atkins, 1970model 1014Etched Steuben, in original factory box.height 6in (15cm) Provenance:The Collection of Fr
A WILLIAM IV PARTNERS WRITING TABLE,A WILLIAM IV PARTNERS WRITING TABLE, GILLOWSA William IV mahogany partners writing tableattributed to Gillowscirca 1830height 30 1/2in (77.5cm); width 54in (137cm); depth 35 3/4in (91cm) Provenance:With Partridge Fine Arts, Ltd., London, 1990.
A QUEEN ANNE BURR YEWWOOD SECRETARYA QUEEN ANNE BURR YEWWOOD SECRETARY CABINETA Queen Anne burr yewwood secretary cabinetearly 18th centuryheight 76 3/4in (195cm); width 30in (76cm); depth 20 1/2in (52cm) Provenance:The collection of Mrs. A.J. Whitall.With Partridge Fine Arts
Two Royal Crown Derby paperweights.IncludingTwo Royal Crown Derby paperweights.Including a snail & partridge. More Information Partridge missing stopper.
Set of three graduated wall hangingSet of three graduated wall hanging Beswick flying Grouse/Partridge, designed by Arthur Gredington, marked 1188-1, 2, 3 respectively, approx 19cm H x 25cm W and smaller (3)
GUY TROUGHTON (1960-), PARTRIDGES INGUY TROUGHTON (1960-), PARTRIDGES IN SET-ASIDE Title: Guy Troughton (1960-), Partridges in Set-Aside Medium: watercolor on paper Dimensions: 19 1/4 x 14 Framed dimension: 27 x 21 1/2 x 3/4
Archibald Thorburn (1860-1935) - Pheasants;Archibald Thorburn (1860-1935) - Pheasants; Partridge, a set of three, Goupiltints, published by The Fine Art Society or Goupil & Co, 1895 and circa, 19 x 28cm, oak frames (3) More Information Slightly stained
IMOGEN CUNNINGHAM PHOTOGRAPH OF ROIIMOGEN CUNNINGHAM PHOTOGRAPH OF ROI PARTRIDGEImogen Cunningham (American, 1883-1976), photograph, Roi Partridge (Husband) on the Dipsea. Trust label verso: "Roi on the Dipsea Trail 3, 1918". Printed by Rondal Partridge (Son), April, 1979. Image:
RARE BLACK AND 'PARTRIDGE FEATHER' GLAZEDRARE BLACK AND 'PARTRIDGE FEATHER' GLAZED VASERare Black And 'Partridge Feather' Glazed Vase. Of classic pear shape, supported on a slightly splayed footring rising to a generous ovoid body surmounted by a waisted neck flaring at the mouth, cover
BLACK GLAZED 'PARTRIDGE FEATHER' YUHUCHUANBLACK GLAZED 'PARTRIDGE FEATHER' YUHUCHUAN VASEBlack Glazed 'Partridge Feather' Yuhuchuan Vase of classic pear shape, supported on a slightly splayed footring rising to a generous rounded body surmounted by a waisted neck flaring at the mouth, the
Robert Dighton (1752-1814, UK) framedRobert Dighton (1752-1814, UK) framed and matted mezzotint titled "Setting Dog and Partridges" published by Carrington Bowes 1787 by T. Burford with The McEwan Gallery label.
10" x 14" ss / 18.5" x 22.5" oa
Condition: Some discoloration to matting, not examined out of frame.
SERGIO BUSTAMANTE (B. 1949), PARTRIDGESERGIO BUSTAMANTE (B. 1949), PARTRIDGE ON A SWINGSergio Bustamante, (b. 1949) Partridge on a swing, Copper and mixed metals Edition: 11/100 Signed and numbered to shoulder feather 2 pieces Copper and mixed metals Dimensions: 37" H x 19" W x 13" D
THREE PERTHSHIRE CHRISTMAS COMMEMORATIVETHREE PERTHSHIRE CHRISTMAS COMMEMORATIVE PAPERWEIGHTS, CONSISTING OF: 1974 'BRITISH ROBIN', 1990 'PARTRIDGE IN A PEAR TREE', AND 'CHRISTMAS POINSETTIA'Three Perthshire Christmas Commemorative Paperweights, Consisting of: 1974 'British Robin', 1990 'Partridge in a Pear Tree', and 'Christmas Poinsettia',,
PAIR OF GEORGE III MAHOGANY, SATINWOOD,PAIR OF GEORGE III MAHOGANY, SATINWOOD, AND FRUITWOOD MARQUETRY CORNER TABLES, IN THE MANNER OF INCE AND MAYHEW
18TH CENTURY the bowfront tops with quarter fan medallions, ribbon-tied husk swags and foliate scrolls, within a palmette border, above friezes with parquetry inlay and wavy aprons, raised on line inlaid square tapered legs ending in brass caps and ball feet; bearing Frank Partridge St. James/ New York ivorine trade labels(2)79cm wide, 77cm high, 53cm deep
COLLECTION OF ART REFERENCE BOOKS
ONCOLLECTION OF ART REFERENCE BOOKS
ON ASIAN CERAMICS ?????????????????????????????????????????????????????????????????????including art reference books on asian art ceramics, in total 85 publications:Ashmolean Museum, Eastern Ceramics: and other works of art from the collection of Gerald Reitlinger, Oxford: Ashmolean Museum, 1981Battie, David (ed.), Sotheby's Concise Encyclopaedia of Porcelain, London: Conran Octopus Limited, 1994Beurdeley, Cecile, A Connoisseur's Guide to Chinese Ceramics, Office du Livre, 1985Butler, Michael, Seventeenth Century Jingdezhen Porcelain from the Shanghai Museum and the Butler Collections, London: Scala Publishers Limited, 2006Carswell, John, Blue & White: Chinese Porcelain Around the World, London: The British Museum, 2000Carswell, John, Chinese Ceramics in the Sadberk Hanim Museum, Istandbul: Sadberk Hanim Museum, 1995Catalogue of a Special Exhibition of Early Ming Period Porcelain, Taipei: National Palace MuseumChina without Dragons: Rare Pieces from the Oriental Ceramics Society Members, Hong Kong: CA Book Publishing, 2020Chinese Ceramics: Selected articles from Orientations 1982-2003, Hong Kong: Orientations Magazine Ltd., 2004Vainker, S.J., Chinese Pottery and Porcelain: From Prehistory to the Present, London: The British Museum, 1991Crick, Monique (ed.), Celadon: Grès des musées de la province du Zhejiang, Chine, Paris: Paris-Musées, 2005Davidson, Gerald, The Handbook of Marks on Chinese Ceramics, London: Han - Shan Books, 1994Eskenazi: Song ceramics 10th to 13th century (catalogue), 2003Fischell, Rosalind, Blue & White China: Origins/Western Influences, Boston: Little Brown & Company, 1987Foundation Amaverunt, Musée Ariana, La porcelaine chinoise de transition et ses influences sur la céramique japonaise, proche-orientale et européenneFrick Collection, Chinese Blue-and-white Porcelain in the Frick Collection, Frick Collection, 1992Fung, Rebecca, Ming Colours: Polychrome Porcelain from Jingdezhen, London: School of Oriental and African Studies, 2006Garner, Harry, Oriental Blue & White, London: Faber and Faber Limited, 1954Gray, Anita,A Catalogue of Oriental Ceramics and Works of ArtGray, Anita, A Catalogue of Oriental Ceramics and Works of ArtGray, Basil, Sung Porcelain & Stoneware, London: Faber and Faber Limited, 1984Hardy, Sheila Yorke, Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1999Harrison-Hall, Jessica, Ming Ceramics in the British Museum, London: The British Museum, 2001Heaven and Earth Seen Within Song Ceramics from the Robert Barron Collection, New Orleans: New Orleans Museum of Art, 2000Ho, Lee Ying, Antique Ceramics: translated by Goh Beng Choo, Singapore: Asiapac Books PTE Ltd., 1996Illustrated Catalogue of Celadon Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1997Illustrated Catalogue of Ming and Ming Style Polychrome Wares in The Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2006Illustrated Catalogue of Qing Monochrome Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1989Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, Hardy, Sheila Yorke, London: School of Oriental & African Studies, 1999Jenyns, Soame, Japanese Pottery, London: Faber and Faber Limited, 1971Jenyns, Soame, Ming Pottery and Porcelain, London: Faber and Faber Limited, 1988Kerr, Rose (et al.), The World in Colours: an exhibition of ceramics with coloured decoration dating from 700 to 1920 belonging to members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2006Kerr, Rose, Song Dynasty Ceramics, London: V&A Publications, 2004Krahl, Regina, Dawn of the Yellow Earth: Ancient Chinese Ceramics from the Meiyintang Collection, New York: China Institute Gallery, 2000Kuwayama, George, Chinese Ceramics in Colonial Mexico, Los Angeles: Los Angeles County Museum of Art, 1997Li, He, Chinese Ceramics: The New Standard Guide, London: Thames and Hudson, 1996Little, Stephen, Chinese Ceramicsof the Transitional Period: 1620-1683, New York: China Institute in America, 1983Littleton & Hennessy, Littleton & Hennessy: Exhibition of Qing Porcelain, London: Littleton & Hennessy, 2005Liu, Liang-yu, A Survey of Chinese Ceramics: Ch'ing Official and Popular Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Ming Official Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Sung Wares, Taipei: Aries Gemini Publishing Ltd., 1991Lo, Kai-Yin (ed.), Bright as Silver White as Snow: Chinese White Ceramics from Late Tang to Yuan Dynasty, Yung Ming Tang, 1998Macintosh, Duncan, Chinese Blue and White Porcelain: Third Edition, Woodbridge: Antique Collectors' Club Ltd., 1994Medley, Margaret, Illustrated Catalogue of Ming Polychrome Wares, London: School of Oriental & African Studies, 1978Medley, Margaret, Illustrated Catalogue of Ting and Allied Wares, London: School of Oriental & African Studies, 1980Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2004Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains, London: School of Oriental & African Studies, 1976Medley, Margaret, Metalwork and Chinese Ceramics, London: School of Oriental & African Studies, 1972Medley, Margaret, The Chinese Potter: A Practical History of Chinese Ceramics, Oxford, Phaidon Press Limited, 1999Medley, Margaret, Yuan Porcelain & Stoneware, London: Faber and Faber Limited, 1974Mowry, Robert D., Farrell, Eugene, Coolidge Rousmaniere, Nicola, Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black-Glazed Ceramics, 400-1400, Cambridge: Harvard University Art Museums, 1997Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition, Bath: The Museum of East Asian Art, 1993Pierson, Stacey (ed.), Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties, London: Percival David Foundation of Chinese Art, 2002Pierson, Stacey, Blue and White for China: Porcelain Treasures in the Percival David Collection, London: School of Oriental and African Studies, 2004Pierson, Stacey, Designs as Signs: Decoration and Chinese Ceramics, London: School of Oriental & African Studies, 2001Pierson, Stacey, Earth, Fire and Water: Chinese Ceramic Technology: A Handbook for Non-specialists, London: School of Oriental and African Studies, 1996Pierson, Stacey, Percival David Foundation of Chinese Art: Illustrated Guide to the Collection, London: School of Oriental & African Studies, 2004Pierson, Stacey, Song Ceramics: Objects of Admiration, London: School of Oriental and African Studies, 2003Pope, John Alexander, Chinese Porcelains from the Ardebil Shrine, London: Sotheby Parke Bernet Publications, 1981Priestley & Ferraro, Chinese Art: Song Ceramics & Works of Art, 2014Riggs, Thomas (et al.), Dark Jewels: Chinese Black and Brown Ceramics from the Shatzman Collection, Chapel Hill: Ackland Art Museum, 2002Rinaldi, Maura, Kraak Porcelain: A Moment in the History of Trade, London: Bamboo Publishing, 1989Scott, Rosemary (ed.), Illustrated Catalogue of Qing Enamelled Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1991Scott, Rosemary and Pierson, Stacey, Flawless Porcelains: Imperial Ceramics from the Reign of the Chenghua Emperor, London: School of Oriental and African Studies, 1995Scott, Rosemary E. (ed.), The Porcelains of Jingdezhen (Colloquies on Art & Archaeology in Asia No.16), London: School of Oriental and African Studies, 1993Scott, Rosemary, Imperial Taste: Chinese Ceramics from the Percival David Foundation, San Francisco: Chronicle Books, 1989Shanghai Museum Ancient Chinese Ceramics Gallery, Shanghai MuseumSong Ceramics: Art History, Archaeology and Technology (Colloquies on Art & Archaeology in Asia No.22), London: School of Oriental & African Studies, 2004Sotheby's: Song A Japanese Collection, London: Sotheby's, 2011Sotheby's: Song Ceramics from the Muwen Tang Collection, 2003The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Museum of Oriental Ceramics, Osaka, Song Ceramics, Osaka: Asahi Shimbun, 1999The Tsui Museum of Art, Hong Kong: Tsui Museum of Art, 1991The World in Blue and White: an exhibition of blue and white ceramics, dating between 1320 and 1820, from members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2003The World in Monochromes, London: The Oriental Ceramic Society, 2009Tippett, Paul, Christie's Collectables: Blue and White China The Connoisseur's Guide, London: Little, Brown and Company, 1997Transactions of the Oriental Ceramic Society Volume 68. 2003-2004, London: The Oriental Ceramic Society, 2005Tregear, Mary, Chinese Ceramics in the Ashmolean Museum, Oxford: Ashmolean Museum, 1987Tregear, Mary, Song Ceramics, London: Thames and Hudson, 1982Wang, Qingzheng, A Dictionary of Chinese Ceramics, Shanghai: Shanghai Dictionary Publishing House, 2002Wilson, Ming, Rare Marks on Chinese Ceramics: a joint exhibition from the Percival David Foundation of Chinese Art and the Victoria and Albert Museum, London: School of Oriental & African Studies, 1998Wirgin, Jan, Sung Ceramic Designs, London: Han-Shan Tang Ltd., 1979Wong, Sarah and Pierson, Stacey (ed.), Collectors, Curators, Connoisseurs: A Century of the Oriental Ceramic Society 1921-2021, London: The Oriental Ceramic Society, 2021Wood, Nigel, Chinese Glazes, London: A & C Black Ltd., 1999(qty)Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years.Please note this lot will be offered with no reserve. ???????
FAMILLE ROSE 'PARTRIDGE' SAUCER
QINGFAMILLE ROSE 'PARTRIDGE' SAUCER
QING DYNASTY, GUANGXU MARK AND OF THE PERIOD ??????? ???????the interior finely painted with a partridge in the reeds, the base inscribed with a six-character Guangxu mark in underglaze blue(1)9.8cm diameterProvenance: Private collection, Cambridge
CERAMIC REFERENCE BOOK COLLECTION ??????????????????????????????????????????Including:CERAMIC REFERENCE BOOK COLLECTION ??????????????????????????????????????????Including: early pottery, Chinese Ming and Qing dynasty ceramics, museum and private collection, in total 44 publications.Asahi Shimbun Cultural Planning Department (Ed.). Newly Discovered Southern Song Ceramics: A Thirteenth-Century "Time Capsule". Tokyo: Asahi Shimbun Publishing Company, 1998.Ayers, John. The Seligman Collection of Oriental Art: Chinese and Korean Pottery and Porcelain. London: The Arts Council of Great Britain, 1964.Chen, Quanfang. Yaozhou Kiln. Shaanxi: Shaanxi Travel & Tourism Press, 1992.Chinese Ceramics: Leeds Art Gallery and Temple Newsam House. Leeds: Beck & Partridge Ltd, 1966.D'Argence, Rene Yvon Lefebvre. The Hans Popper Collection of Oriental Art. Japan: Kodansha International Ltd, 1973.Duan, Qing Bo. Ancient Chinese Pottery. Wuhan: Hubei Fine Arts Publishing House, 2001.Gerald, Reitlinger. Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger. Oxford: The Ashmolean Museum, 1981.Gompertz, G. St. G. M. Chinese Celadon Wares. London: Faber & Faber, 1958.Houli, Yang, and Fan, Fengmei. Dated Qingbai Wares of the Song and Yuan Dynasties. Hong Kong: Ching Leng Foundation, 1998.Hughes-Stanton, P. and Kerr, Rose. Kiln sites of ancient China: An exhibition lent by the People's Republic of China, 1981.Illustrated Catalogue of Celadon Wares in The Percival David Foundation of Chinese Art. London: School of Oriental and African Studies, 1997Joseph, Adrian Malcolm (Ed.). Chinese Pottery Burial Objects of the Sui and Tang Dynasties. London: Hugh M. Moss Ltd., 1970.Kerr, Rose. Song Dynasty Ceramics (Victoria & Albert Museum - Far Eastern Series). London: V&A Publications, 2004.Kotz, Suzanne (Ed.). Imperial Taste: Chinese Ceramics from the Percival David Foundation. San Francisco: Chronicle Books, 1989.Krahl, Regina. Yuegutang: Eine Berliner Sammlung Chinesischer Keramik / A Collection Of Chinese Ceramics In Berlin. Berlin: G + H Verlag, 2000.Lau, Aileen (Ed.). Spirit of Han: Ceramics for the After-life. Singapore: Sun Tree Publishing, 1991.Laurence, Desmond Roger. Chinese Porcelain: 25 years of unscholarly collecting. London: D.R. Lawrence, 2003.Laurence, S.J.. Chinese Pottery and Porcelain: From Prehistory to the Present. London: British Museum Press, 1991.Li, Hui Bing. Porcelain of the Song Dynasty (vol 1). Shanghai: Shanghai Science and Technology Press, 2002.Li, Hui Bing. Porcelain of the Song Dynasty (vol 2). Shanghai: Shanghai Science and Technology Press, 2002.Lu, Yaw, Feng, Xianming, and Tregar, Mary. Song Ceramics: With an Illustrated Catalogue of the Exhibition Organized by the Southeast Asian Ceramic Society and Held at the National Museum, Singapore in May-June 1983. Singapore: Southeast Asian Ceramic Society, 1983.M.H. de Young Memorial Museum. Avery Brundage Collection: Chinese Ceramics. San Francisco: de Young Museum Society, 1967.McElney, Brian Shane. Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition. Bath: Museum of East Asian Art, 1993.Medley, Margaret (Ed.). Decorative Techniques and Styles in Asian Ceramics: Colloquies on Art & Archaeology in Asia No.8. London: School of Oriental and African Studies, 1978.Medley, Margaret. Yuan Porcelain and Stoneware. London: Faber & Faber, 1974.Mino, Yutaka and Tsiang¸ Katherine. Ice and Green Clouds: Traditions of Chinese Celadon. Indianapolis: Indiana University Press, 1986.Mowry, Robert D., Farrell, Eugene, and Rousmaniere, Nicole Coolidge. Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black Glazed Ceramics, 400-1400. Cambridge: Harvard University Art Museums, 1996.Pierson, Stacey (Ed.). Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties. London: Percival David Foundation of Chinese Art, 2011.Pierson, Stacey (Ed.). Song Ceramics: Art History, Archaeology and Technology: Colloquies on Art & Archaeology in Asia No. 22. London: Percival David Foundation of Chinese Art, 2004Pierson, Stacey (Ed.). The Museum of East Asian Art Journal. Bath: Museum of East Asian Art, 1995.Pope, John Alexander. Fourteenth-Century Blue and White: A Group of Chinese Porcelains in the Topkapi Sarayi Muzesi, Istanbul. Washington: Freer Gallery of Art Occasional Papers, 1952.Scott, Rosemary E. (Ed.). The Tectus Collection: Tectussamlingen, Centraltryckeriet AB Boras. 1991.Sullivan, Michael. Chinese Ceramics, Bronzes and Jades in the Collection of Sir Alan and Lady Barlow. London: Faber and Faber Limited, 1963.Sydney L. Moss Ltd.. Chinese Monochromes From the P.J. Donnelly Collection. London: Sydney L. Moss Ltd., 1974.The Burrell Collection: Chinese Stonewares and Porcelains. Glasgow: Glasgow Art Gallery, 1950s.The Museum of Oriental Ceramics, Osaka. Song Ceramics. Tokyo: Asahi Shimbun Publishing Company, 1999.The Vancouver Society for Asian Art Presents The Talking Jars. 1971Tregear, Mary. Early Chinese Green Wares: in the collection of the Ashmolean Museum. Oxford: Oriental Art, 1967.Tregear, Mary. Guide to the Chinese Ceramics in the Department of Eastern Art Ashmolean Museum. Walsall: Finaprint Ltd, 1966.Tung, Wu. Earth Transformed: Chinese Ceramics In The Museum Of Fine Arts, Boston. Boston: Museum of Fine Arts, 2001.Watson, William. Pre-Tang Ceramics of China: Chinese Pottery from 4000 BC to 600 AD. London: Faber & Faber, 1991.Watson, William. Tang and Liao Ceramics. New York: Rizzoli International Publications Ltd., 1984.Wirgin, Jan. Sung Ceramic Designs. 1970.Wood, Nigel. Chinese Glazes. Philadelphia: University of Pennsylvania Press, 1999.(qty)Please note this lot will be offered with no reserve. ???????
MARTYN "NATURAL HISTORY" HAND-COLOREDMARTYN "NATURAL HISTORY" HAND-COLORED PLATE, 1786 Hand-colored engraved plate (Plate LXXIX) from "A New Dictionary of Natural History; or Compleat Universal Display of Animated Nature," by William Frederic Martyn, published by Harrison & Co. 1786, illustrating "1. Paca. 2. Male Panther. 3. Mountain Partridge of Jamaica. 4. Red-Legged Partridge. 5. White Partridge." Image: 13.25" H x 8" W; frame: 19" H x 13.75" W x 1" D. Areas of wrinkling, minor discoloration and foxing, old tape residue at top, old tape on frame.
UNUSUAL NAVAJO GERMANTOWN WEAVING INUNUSUAL NAVAJO GERMANTOWN WEAVING IN POOR CONDITIONThe striking and somewhat pictorial weaving of multiple techniques and motifs is executed in twelve colors of Germantown yarn to create brilliant floating diamonds on an unusual 'salt and pepper' field woven from Partridge yarn. 'Partridge' yarn as it was marketed by Marshall Field and Company at the turn of the last century was a four-ply yarn created by spotting yarn of a certain color with bits of lighter dye interspersed along their length. This and the colorful Germantown yarns were provided to Navajo women for use in weaving their rugs, though the Partridge yarn is rarely seen.Measures 56.5 x 44 inches.This weaving is offered AS FOUND in fair to poor condition with one minor area of dry mud from a potter wasp's nest, numerous holes, areas worn through from foot traffic, stain and complete loss of the fringe that would have disguised the weaver's warp ends. The weaving remains colorful and sturdy without dry rot.See the last image for a view of this piece backlit by sunlight.Provenance: A private inherited collection originating 40-plus years ago in Nebraska.
(10) STERLING SILVER FLATWARE BONBON(10) STERLING SILVER FLATWARE BONBON SPOONS(lot of 10) Assorted sterling silver flatware, many bonbon spoons, highlights include: (1) pierced bonbon spoon, with putto and doves, inscription at back, possibly with Hanau pseudo-marks, approx 6 3/8"l, (1) Gorham pierced bonbon spoon, with mask motif, approx 6.75"l, (1) Gorham "Cambridge" pierced confection spoon, approx 5 7/8"l, (1) Whiting Mfg. Co. "Partridgeberry" pierced bonbon spoon, monogrammed, approx 4 3/8"l, (1) Whiting Mfg. Co. "Louis XV" pierced bonbon spoon, monogrammed, approx 4.5"l; 9.05ozt total
FRAMED FRENCH TROMPE L'OEIL GAME BIRDFRAMED FRENCH TROMPE L'OEIL GAME BIRD PRINTFramed trompe l'oeil print on paper, "La Chasse: La Perdrix Grise" (The Hunt: Grey Partridge), after Edouard Travies (France, 1809-1870), Ledot Aine, Editeur, Rue de Rivoli, sight: approx 20.5"h, 15.75"w, overall: approx 26"h, 21.25"w, 8.5lbs
(4) FRAMED ENGLISH HUNTING SHOOTING(4) FRAMED ENGLISH HUNTING SHOOTING ETCHINGS(lot of 4) Framed aquatint etchings on paper, four shooting scenes, after Samuel John Egbert Jones (United Kingdom, 1797-1861), including: (1) "Woodcock Shooting," (1) "Partridge Shooting," (1) "Duck Shooting," (1) "Pheasant Shooting," toning and foxing to sheets, sight: approx 14.5"h, 18.75"w, overall: approx 18"h, 22"w; 22lbs total
GROUPING OF LALIQUE ANIMALS. IncludesGROUPING OF LALIQUE ANIMALS. Includes (2) roosters - 8" h; (1) partridge - 7" h; elephant - 6" x 6"; toad - 3" x 4"; (2) bison - 4" x 5"; owl - 3.75" h; wild boar - 2.5" x 3.5"; horse - 3.5" x 3.5"; fighting rams - 10" w x 3.25" h; and (2) ring holders - bird with upraised tail measures approx. 3.75" in diameter x 4" h. From a New Rochelle, NY estate. Condition: Good.
IMPORTANT ANTIQUE ATLAS DU VOYAGE DEIMPORTANT ANTIQUE ATLAS DU VOYAGE DE LA PEROUSE The atlas volume (atlas volume only, 2 text volumes missing, lacking, gone) from the important book "Atlas Du Voyage De La Perouse". With engraved portrait at front, title page, large folding map of the world, St. Catherine, Grand Ocean, Conception map, Conception costumes, 4 botanicals "Chili", Map of Cook's Bay, view Easter Island, view Easter Island, map Sandwich Islands, View Mowee, Map Coast of America & Asia, Map NW Coast of N. America, map detailed coast of NW N. America, view of the coast of NW America, map Port Des Francais (modern OR), plate insects, view Port Des Francais, plate Blackbird, plate Native Americans, plate female Native American, plate shipwreck, map Bucarelli, plate shells, plate sand dollars, map detailed view NW coast N. America, view of coast of NW America, map detailed Coast of NW America, view of coast NW America, map St. Francois, map Bay of Monterey, map Plan du Port De St. Diego, view CA Partridges, view Sugarbird, map L'ile Necker, map Decouverte, View Macao, View Manila bay, view costumes Manila, map Decouvertes, map archipelago de Coree, map with 5 views (Quelpaert, et al,), map decouvertes Sea of China, map North of Japan, map bay of Ternai, map bay of Langle, view costumes bay Langle, map bay of D'estaing, map plan of the bay of Castries, view of Castries, costumes Castries, plate double view Castries, view Kamtschatka, view (double view) Port Des Francais, view (double view) Manilla bay, view Japanese boats, view, Chinese / Formosa boats, view (2 small boats), view (2 small boats), view shells, map archipelago Des Navigateurs, map de l'anse du Massacre (2 views), view of Massacre, Map Philippines and California (double view), map Grand Ocean, map iles Kuriles (Kuril). All plates and maps numbered consecutively from 1 (Mappe Monde) to 69 (Kuril). Scarce to be found at all, although the state of binding on this is rough, the maps are remarkable and complete, with little discoloration / foxing / problems. Dimensions: 18" x 12" x 1.25" Condition: Binding detached, spine rough, some internal damp staining.
GEORGE III INLAID PARTRIDGE WOOD WORKGEORGE III INLAID PARTRIDGE WOOD WORK TABLE28 x 20 1/2 x 15 in.
Condition
In good overall condition with scuffing, nicks and wear throughout.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
JEWELRY. SOUTHWEST SILVER JEWELRY GROUPING.JEWELRY. SOUTHWEST SILVER JEWELRY GROUPING. Includes a signed Ray Tracey & Knifewing Segura stylized sterling squash blossom style necklace comprised of bear form pendants displaying turquoise inlay - stamped to the underside of each pendant "Sterling" with a pictorial maker's mark; a large shadow box style cuff bracelet with interior bezel set turquoise pendant - apparently unmarked; and an oversized shadow box style pendant displaying cutout in the form of a partridge with interior bezel set turquoise pendant - bail has been damaged with a portion missing, apparently unmarked. Total approx. weight of necklace is 4.68 troy oz (gross); total approx. weight of bracelet and pendant is 5.27 troy oz (gross). From a Greenwich, CT estate. Dimensions: necklace measures approx. 16.675" in length, pendant with bail measures approx. 2.675" in length. Condition: Good, with light surface scratches and minor dings/dents.
ROBERT HAVELL II (BRITISH, 1793-1878),ROBERT HAVELL II (BRITISH, 1793-1878), FOUR SPORTING PRINTS Each a hand-colored etching and aquatint, to include Pheasant Shooting, Snipe Shooting, Wild Duck Shooting, and Partridge Shooting, in uniform bird's-eye maple veneer framing.
Regency inlaid casket form tea caddy,Regency inlaid casket form tea caddy, English, in Partridgewood , first quarter 19th c, on bun foot, with dual covered compartment interior, lion form handles at sides, 7-5/8"L, 4-1/2"D, 6-5/8"H
22PC PARTRIDGE & OTHER ALASKAN BOUDOIR22PC PARTRIDGE & OTHER ALASKAN BOUDOIR PHOTO CARDS United States,19th CenturyThe collection includes an assortment of Partridge, Edward A. Groff, and other boudoir cards of Alaskan landscapes including Peril Strait, Norris Glacier, Oneonta Bluffs, areas near Indian River, and many others.
AIDEN LASSELL RIPLEY (MASSACHUSETTS/NEWAIDEN LASSELL RIPLEY (MASSACHUSETTS/NEW YORK, 1896-1969), “THREE PARTRIDGES ON A PITCH PINE”., WATERCOLOR ON PAPER, 18” X 29” SIGHT. FRAMED 27” X 38”.AIDEN LASSELL RIPLEY, Massachusetts/New York, 1896-1969, "Three Partridges on a Pitch Pine". Signed lower left "A. Lassell Ripley". Titled verso. Dimensions: Watercolor on paper, 18" x 29" sight. Framed 27" x 38".
(50+) 33-1/3 vinyl record albums, mostly(50+) 33-1/3 vinyl record albums, mostly rock & pop, including Lionel Richie, The Kinks, The Kingsmen, Whitney Houston, Barbra Streisand, The Police, Huey Lewis & the News, Journey, Olivia Newton John, Abba, Chicago, Kenny Loggins, Partridge Family, Genesis, Little River Band, Bachman Turner Overdrive, Iron Butterfly, Rolling Stones, Jimi Hendrix, DeBarge, Kim Carnes, Earth Wind & Fire, Christopher Cross, David Bowie, Barry Manilow, Juice Newton, Billy Joel, Hall & Oates, Rick Springfield, Go-Gos, Ferrante & Teicher, Sheena Easton, Billy Joel, Captain & Tennille
WILLIAM PARTRIDGE BURPEE, (AMERICAN,WILLIAM PARTRIDGE BURPEE, (AMERICAN, 1846-1940), HAYSTACK ON THE ANNISQUAM RIVER, OIL ON CANVAS, 12 1/4 X 18 1/8 IN., FRAME: 18 3/8 X 24 3/8 IN.WILLIAM PARTRIDGE BURPEE, (American, 1846-1940) Haystack on the Annisquam River, oil on canvas estate stamped verso oil on canvas Dimensions: 12 1/4 x 18 1/8 in., frame: 18 3/8 x 24 3/8 in. Provenance: The Estate of the Artist; Childs Gallery, Boston, Massachusetts; A Massachusetts Collector; by descent within the family. Condition: One small line of inpainting in sky along left edge, otherwise in good condition. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
A set of four 19th C. colored sportingA set of four 19th C. colored sporting lithographs (after Turner), titles include: 'August Grouse Shooting', 'November Woodcock Shooting', 'September Partridge Shooting', and 'October Pheasant Shooting'. Image 16.5” x 20” Overall 24” x 28” Condition: toning, some foxing and fading, some with paper loss/holes CT Transfer Fee $20
BORIS RIAB (1898-1975)Two WatercolorsBORIS RIAB (1898-1975)Two Watercolors of Springers
each signed "B Riab" lower right
each 16 by 13 in.
Springer with Hungarian Partridge
Springer with Green-Winged Teal
ARTHUR BURDETT FROST (1851-1928)AutumnARTHUR BURDETT FROST (1851-1928)Autumn Woodcock Shooting, 1895
signed "A.B. Frost" lower right
watercolor and gouache, 13 1/2 by 21 1/2 in.
titled on The Old Print Shop, New York label on back
Charles Porter Schutt, known to friends and family as Porter, was an avid sportsman with a keen appreciation for sporting art. Born in 1911 in Wilmington, Delaware, in 1935, he married Phyllis Moxham du Pont, daughter of Eugene E. du Pont. Under her father’s champion tutelage, she became an accomplished shot at an early age. Together, Porter and Phyllis shared a profound love of the outdoors, respect for nature, and enjoyment of the sport of shooting. They spent countless days hunting quail, woodcock, dove, duck, and wild turkey at her parents’ two expansive sporting properties, Kinloch Plantation, on the Santee River outside Charleston, South Carolina, and Napley Green, on the Chester River near Rock Hall, Maryland. In addition to attending and hosting organized shooting parties on the East Coast, the couple regularly traveled to Scotland and Spain to enjoy “walked up” days flushing out partridge, pheasant, and woodcock with other experienced guns.
In the late 1960s, the Schutts purchased a large tract of land in Alabama where they envisioned a shooting plantation of their own. “Gallio,” the result, is a pristine forested property, shaped over forty years into a shooting paradise, and designed to provide and protect a perfect natural habitat for game birds.
Though the walls at Gallio and at Dogwood, in Wilmington, were covered with Audubons and Frosts, “Autumn Woodcock” had a place of pride in Porter’s library above his desk as his favorite and most prized work of art. It was the perfect painting to appreciate while sitting, nursing a scotch, and planning the next shooting party or yearly trip to Scotland. To Porter and Phyllis, Frost’s incredible eye for detail and ability to capture the spirit of the moment trumped all others. Porter Schutt died in 1999, and “Autumn Woodcock” descended in the family until being offered today.
A. B. Frost was born in Philadelphia in 1851, but spent his most prolific years in New Jersey. Considered one of the great illustrators of the “Golden Age of American Illustration,” he illustrated more than ninety books and produced thousands of illustrations for “Harper’s Weekly,” “Scribner’s,” and “Life” magazines. Frost’s illustrative work chronicles the mood and details of the daily life of farmers, hunters, and fishermen, as well as barnyards and pastoral motifs.
By 1876, he was on Harper’s staff working on many books including “Tom Sawyer,” “Uncle Remus,” and “Mr. Dooley.” He also illustrated Theodore Roosevelt’s sporting book, "Hunting Trips of a Ranchman."
Frost was an ardent sportsman who spent his summers and autumns fishing, rowing, and hunting ducks and snipe. He is best known for his hunting and shooting prints which capture the drama of sport in realistic, detailed settings. Frost lived much of his life at his estate, Moneysunk, in Convent Station, New Jersey.
This work, “Autumn Woodcock,” is the original watercolor reproduced by Charles Scribner’s Sons in Frost’s "Shooting Pictures," a portfolio of twelve chromolithograph prints. It is considered one of the artist's most iconic and recognized works.
Of the thousands of works that Frost is known to have produced, "Autumn Woodcock," with its excellent composition and superb condition, ranks right at the top. The work reveals Frost as one of the greatest illustrators of his generation. The hunter is perfectly positioned as the setters come across the woodcock by a brook, a Frost masterwork in every sense.
As Henry M. Reed notes, “Every scene portrayed is one that each of us who has hunted with dog and gun has experienced - the setter staunchly on point, the gun ready, thumb on the safety, and heart pounding as we await the explosive fluttering of wings as the bird flushes...all of these are situations which the artist handles with such realism and familiarity that the viewer is placed squarely in the center of the adventure...The pointing dogs are magnificent - sneaky, noses moist and low, and their weightless balance, with forefoot raised, is perfection. The landscape backgrounds for the shooting pictures signify autumn, with grey morning mist behind the birches, the fallen leaves wet with morning dew...”
Provenance: Charles Porter Schutt Collection, acquired from The Old Print Shop, New York
Sarah S. Harrison Collection, by descent
Renee du Pont Harrison Collection, by descent
Literature: Henry M. Reed, "The A. B. Frost Book," Charleston, SC, 1993, p. 87, illustrated.
Henry M. Reed, "The A. B. Frost Book," Rutland, VT, 1967, illustrated.
Henry W. Lanier, "A. B. Frost The American Sportsman's Artist," New York, 1933, illustrated.
MATCHED PAIR OF CHELSEA-TYPE PORCELAINMATCHED PAIR OF CHELSEA-TYPE PORCELAIN PARTRIDGE TUREENS, ENGLAND, C. 1755, England, c. 1755, each polychrome enamel decorated and modeled nesting in a basket, no visible marks, lg. 5 3/4, ht. 4 1/4 in.