A few examples of appraisal values for
PASSION OF THE CHRIST

• LUCAS VAN LEYDEN, PASSION OF THE
  LUCAS VAN LEYDEN, PASSION OF THE CHRIST Lucas van Leyden (Dutch, 1494-1533), (4) engravings on paper, matted and framed en suite, possibly later impressions, 4.5"h x 3"w (sheets), 16"h x 12"w (frame)
• Lucas Cranach the Elder (German
  Lucas Cranach the Elder (German 1472-1553) Passion of Christ woodcut 9 3/4 x 6 3/4 inches.
• EUROPEAN SCHOOL "THE CRUCIFIXION"
  EUROPEAN SCHOOL "THE CRUCIFIXION" OIL ON CANVAS European School religious oil painting on canvas depicting the crucifixion of Jesus Christ flanked by his mourning followers, the city of Jerusalem in the background, Christie's label to verso, housed in a hardwood frame. Image: 21.5" H x 31" W; frame: 27" H x 37" W.
• A Spanish Colonial Painting of
  A Spanish Colonial Painting of Christ Crowned with Thorns Unsigned oil painting on a wood panel depicting the Passion of Christ framed in a wide frame with a gilt inner liner overall 21" x 17-3/8".
• EUROPEAN SCHOOL "THE CRUCIFIXION"
  EUROPEAN SCHOOL "THE CRUCIFIXION" OIL ON CANVAS European School oil on canvas painting depicting the crucifixion of Jesus Christ, he is flanked by his mourning followers, the city of Jerusalem in the background, Christie's label to verso, housed in a hardwood frame. Image: 21.5" H x 31" W; frame: 27" H x 37" W.
• EUROPEAN SCHOOL "THE CRUCIFIXION"
  EUROPEAN SCHOOL "THE CRUCIFIXION" OIL ON CANVAS European School oil on canvas painting depicting the crucifixion of Jesus Christ, he is flanked by his mourning followers, the city of Jerusalem in the background, Christie's label to verso, housed in a hardwood frame. Image: 21.5" H x 31" W; frame: 27" H x 37" W.
• 18C CONTINENTAL OLD MASTER'S
  18C CONTINENTAL OLD MASTER'S CRUCIFIXION PAINTING Europe,18th-Early 19th CenturyDepicting the removed body of Jesus Christ from the cross held by a mourning Virgin Mary with Joseph of Arimathea supporting his back and Mary Magdalene kneeling at his feet while Nicodemus and Cassius watch in the background.
• CRUCIFIXION OF CHRIST MOSAIC.
  CRUCIFIXION OF CHRIST MOSAIC. American, 20th century. Depicts Jesus on the cross flanked by Mary and St. Peter. Loss of glass pieces. Framed, 24"h. 19"w.
• LARGE OLD MASTER CRUCIFIXION
  LARGE OLD MASTER CRUCIFIXION PAINTING Late 17th c. Italian, the scene crowded with figures, a soldier nailing the feet of the thief on the left from a ladder, a Centurion waits on horseback brandishing a spear, Mary has collapsed at the foot of Christ's cross, surrounded by his neophyte, in a black deep cove frame with lemon gold liner, OS: 42 3/4" x 34 3/4", SS: 37" x 29". Relined.
• ARCHITECTURALLY SALVAGED STAINED
  ARCHITECTURALLY SALVAGED STAINED GLASS WINDOW DEPICTING THE CRUCIFIXION OF JESUS CHRIST Circa 1960, hand painted multi-color seeded glass with lead solder detailing the dead body of Christ surmounted by a plaque reading INRI (King of the Jews), with the converted Roman soldier and mournful followers.
• A Greek (Mount Athos) Gilt Silver
  A Greek (Mount Athos) Gilt Silver Carved Wood and Coral Inset Cross 19th century depicting scenes from the Passion of Christ. Height 11 inches.
• ANTIQUE RELIGIOUS PAINTING OF
  ANTIQUE RELIGIOUS PAINTING OF PASSION SCENEOld oil on canvas painting of Jesus' being prepared for burial. Measures 36-1/2" x 23-1/2". Worn or painted-over text at the bottom of the painting. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• CORPUS CHRISTI- NORTHERN EUROPEAN
  CORPUS CHRISTI- NORTHERN EUROPEAN 15th-16th Century or earlier. Dramatically stylized depiction of Christ crucified in gilt silver. H. with stand 5 3/4''. From the Marvin Sadik Collection.
• TWO OLD MASTER PAINTINGS
  TWO OLD MASTER PAINTINGS DEPICTING SCENES FROM THE LIFE OF CHRIST Oil on canvas laid on panel, 18th century, the first depicts the flagellation of Christ, the second depicts the crowning of thorns, each presented in very fine 19th century gilt composition frames.
• SPANISH COLONIAL SCHOOL
  SPANISH COLONIAL SCHOOL DEVOTIONAL PAINTING(late 17th/early 18th century) The Loving, Suffering Christ, with text contrasting the love of God with the work of hatred, unsigned, oil on canvas with wood panel, 18-1/2 x 11-3/4 in.; 19th century gilt wood and composition diaper pattern frame, 23 x 16-1/4 in. Provenance: Estate of Ronald M. Lambe, Asheville, North Carolina Note: Inscription: A Jesus el amor y odio lo arrojan en el Cedron el odio pudo acabarse mas nunca pudo el amor/El odio fue obra del hombre el amor fue obra de Dios....diera aconocer su autor/No los Rios de Yngratitudes ni los mares sel Dolor Sutocaran [?] el y ncendio de ese amante Corazon/que ymporia, que Caudaloso sea el y mpetu del Cedron sus Aguas no son' Capaces de apagar aquel Ardor/Portanto Alma Religiosa llega alivia a tu senor que es mui justa ...pagues amor, con amor.Rough translation: To Jesus, love and hatred are thrown into the Cedron, hatred could end but love never could/Hatred was the work of man, love was the work of God ... let the author know/Not the rivers of ingratitude nor the seas of pain will Succeed the and fire of that loving heart./that and why, that mighty be the and impetus of the Cedron its waters are not capable of quenching that Burning/Therefore, Religious Soul comes, relieves your Lord who is very fair ... pay love, with love Condition: original strainer with some pest damage and lacking central horizontal support, wood panel with pest damage recto, craquelure, crackle, flaking, surface dirt; frame with losses to composition
• SANTOS OF CHRIST ON THE CROSS
  SANTOS OF CHRIST ON THE CROSS Polychrome painted wood.
• Russian icon of the Anastasis with
  Russian icon of the Anastasis with the Passion and main Ecclesiastical Feasts 18th century The central panel depicting Christ's descent into Hell enclosed by twelve scenes from the Passion of Christ, set within sixteen panels depicting the main ecclesiastical festivals, painted on a gilt ground with an ochre border. H: 15 1/2, W: 13 1/2 in. PROVENANCE: Private Bucks County collection ,000-
• 18th Century Italian School/The
  18th Century Italian School/The Crucifixion/with Mary, Mary Magdalene and St John/oil on canvas, 91cm x 70cm/see illustration
• ITALIAN OLD MASTER O/C PAINTING
  ITALIAN OLD MASTER O/C PAINTING OF JESUS CHRIST Italy,18th CenturyOld Masters depiction of Jesus Christ.
• AFTER PIOMBO, "CHRIST CARRYING
  AFTER PIOMBO, "CHRIST CARRYING THE CROSS", OIL After Sebastiano del Piombo (Italian circa 1485-1547), "Christ Carrying the Cross", 19th century, oil on canvas, painting depicting Christ at the Crucifixion surrounded by soldiers, framed, apparently unsigned, Fred Reed framing/conservation label en verso. Canvas approx. h. 46.75", w. 37.25"; Overall h. 53", w. 43.5".
• LA PASSION DE NOTRE SEIGNEUR
  LA PASSION DE NOTRE SEIGNEUR ILLUSTRATED BY PAUL AIZPIRILA PASSION DE NOTRE SEIGNEUR ILLUSTRATED BY PAUL AIZPIRI, La Passion de Notre Seigneur Ecrite par Jehan Gerson Presentee par Ferdinand Renaud. Copy specially printed for Arthur Buchwald. Unpaginated with 12 color lithographic illustrations by Paul Aizpiri, 8 double-page and 4 full page. In loose quires as issued in original lithographed wrapper, folio, in original cloth dropback box. Box measures 15.5 x 12 in.
• SPANISH COLONIAL SCHOOL
  SPANISH COLONIAL SCHOOL DEVOTIONAL PAINTING(late 17th/early 18th century) The Loving, Suffering Christ, with text contrasting the love of God with the work of hatred, unsigned, oil on canvas with wood panel, 18-1/2 x 11-3/4 in.; 19th century gilt wood and composition diaper pattern frame, 23 x 16-1/4 in. Provenance: Estate of Ronald M. Lambe, Asheville, North Carolina Note: Inscription: A Jesus el amor y odio lo arrojan en el Cedron el odio pudo acabarse mas nunca pudo el amor/El odio fue obra del hombre el amor fue obra de Dios....diera aconocer su autor/No los Rios de Yngratitudes ni los mares sel Dolor Sutocaran [?] el y ncendio de ese amante Corazon/que ymporia, que Caudaloso sea el y mpetu del Cedron sus Aguas no son' Capaces de apagar aquel Ardor/Portanto Alma Religiosa llega alivia a tu senor que es mui justa ...pagues amor, con amor. Rough translation: To Jesus, love and hatred are thrown into the Cedron, hatred could end but love never could/Hatred was the work of man, love was the work of God ... let the author know/Not the rivers of ingratitude nor the seas of pain will Succeed the and fire of that loving heart./that and why, that mighty be the and impetus of the Cedron its waters are not capable of quenching that Burning/Therefore, Religious Soul comes, relieves your Lord who is very fair ... pay love, with love Condition: original strainer with some pest damage and lacking central horizontal support, wood panel with pest damage recto, craquelure, crackle, flaking, surface dirt; frame with losses to composition
• SOUTH AMERICAN SCHOOL CHRIST
  SOUTH AMERICAN SCHOOL CHRIST BEARING THE CROSS Oil on canvas: 15 x 21 in. Framed
• 19TH CENTURY RELIGIOUS PAINTING
  19TH CENTURY RELIGIOUS PAINTING OF JESUS CHRISTDESCRIPTION: A framed 19th Century oil painting depicting Jesus Christ walking to his crucifixion with a crying Virgin Mary. CIRCA: 19th Century ORIGIN: Continental DIMENSIONS: H. 36" x W. 27" | Framed H. 38.75" x W. 30" CONDITION: Wear consistent with age. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• 18th C. unsigned oil on canvas
  18th C. unsigned oil on canvas crucifixion scene depicting Christ on the cross fainting Virgin Mary Roman soldiers and weeping Mary Magdalene total fourteen figures original label from Dorotheum Auction House in Vienna Austria verso [''Unsigniert Kreuzigung Christi Ol auf Leinwand restauriert abgeblattert leicht durchlocht 95 cm x 68.5 cm (schollig) ungerahmt...''] typed description verso purchased mid 1980s replaced stretcher and frame restoration to canvas numerous concentrated areas of repair in lower half of canvas 27'' w. x 36 1/2'' h.
• A SOUTH GERMAN / AUSTRIAN CARVED
  A SOUTH GERMAN / AUSTRIAN CARVED POLYCHROME SCULPTURE OF THE CRUCIFIXION OR CHRIST ON THE CROSS After Martin Zürn (circa 1585-1651), Possibly Mid-17th Century and Later Modelled as a near-life size figure, with loincloth, stigmata nails, wearing a crown of thorns, later re-painted, restored and later cross, 170cm high
• AFTER ADRIAEN COLLAERT "VITA PASSIO
  AFTER ADRIAEN COLLAERT "VITA PASSIO JESU CHRISTI ETCHING", FRAME: 14 X 12 IN. (35.6 X 30.5 CM.)After Adriaen Collaert "Vita Passio Jesu Christi Etching",, Dimensions: Frame: 14 x 12 in. (35.6 x 30.5 cm.)
• EUROPEAN SCHOOL, 19TH CENTURY,
  EUROPEAN SCHOOL, 19TH CENTURY, THE CRUCIFIXION OF CHRIST, OIL ON BOARD, FRAMED: 10-3/4 X 8-3/4 INEuropean School, 19th Century, The Crucifixion of Christ, Oil on Board, Framed: 10-3/4 x 8-3/4 in,
• A MODERN PHOTOGRAPH OF CHRIST ON
  A MODERN PHOTOGRAPH OF CHRIST ON THE CROSS, VENEZUELAN Gelatin silver print mounted to board, signed "Vibos Valis" at lower right.
• After Peter Paul Rubens/The
  After Peter Paul Rubens/The Lamentation of Christ by Mary and John/oil on canvas, 87cm x 102cm
• European school oil painting on
  European school oil painting on canvas depictingthe Crucifixion of Christ. Canvas: 37.5''H x 51.25''W; Frame: 45.5''H x 58.75''W. Unsigned. Circa - Early 19th C.
• SPANISH COLONIAL SCHOOL (19TH
  SPANISH COLONIAL SCHOOL (19TH CENTURY), MOST PRECIOUS BLOOD OF JESUS CHRIST Oil on canvas, depicting Christ on the Cross flanked by attending angels, inscribed to lower edge of canvas, framed.
• AUBUSSON BIBLICAL SUBJECT TAPESTRY,
  AUBUSSON BIBLICAL SUBJECT TAPESTRY, CHRIST BROUGHT BEFORE HEROD LATE 17TH/ EARLY 18TH CENTURY from a Passion of Christ series, depicting Christ standing and gesturing before Herod who is seated on a throne, attended by a soldier and three other figures260cm x 308cmProvenance: Property from an East Lothian Country House
• THE LAMENTATION OF CHRIST,
  THE LAMENTATION OF CHRIST, DELACROIX C. 1852-63Featured in this lot is an Original "The Lamentation Of Christ, A Study In Progress" attributed to Eugène Delacroix, circa 1852-1863; Provenance: Henry Sjaardema collection Big Sky, Montana. Delacroix, considered the greatest painter of the Romantic period, is probably best known for his painting “Liberty Leading the People.” He is far less known and appreciated as an important painter of religious subjects, yet with 120 pictures and over 220 drawings depicting traditional subjects, like The Pietà or Christ on the Cross, initiate the style of modern religious art. Although Delacroix (1798-1863) has been characterized as a radical and an unbeliever who found religion irrational, these pictures challenge claims that Delacroix’s religious subjects were few in number, mere commissions remote from his personal interests. Delacroix’s religious paintings were informed in general terms by the Romantic penchant for introspection that defined the aesthetic experience as a sign of the spiritual. In 1847, 1848, and again in 1857, Delacroix painted variations of The Lamentation. Delacroix’s early work is in marked contrast to his later versions which were created in a variety of media from the 1840s through the 1850s. The later pictures demonstrate a transformation from the solitary, strong, heroic figure to a more austere and vulnerable personality, posed in a stark and haunting vision of suffering as described in the Gospel of Mark. Delacroix continued to paint until the end of his life, but in his last years, perhaps as a result of personal reflection, he increasingly focused on Christian-themed works. This oil painting features the central figures of the Virgin Mary, arms outstretched, standing over the white-robed lifeless body of Christ being borne by three men. Next to Mary is a young boy, three adults are in the forefront right side while one man in the forefront left side is holding a torch in front of what appears to be the entrance to a cave. In the above left background, a cross is visible on a hill, three figures kneeling over a dead body. This painting was made over two strips of horizontal canvas. Appears unsigned but is titled and dated on an accompanying metal plaque. The painting has an ornate gold gilt wood frame. Craquelure observed, scuffing, and spotting observed on the reverse of the canvas. Visible art measures 92"L x 66.5"W with the frame measuring 97.5"L x 72.5"W x 2.5"D.*
• OIL ON PANEL, CRUCIFIXIONAfter
  OIL ON PANEL, CRUCIFIXIONAfter Quentin Masys (1466-1530, Dutch), painted by W. De Jong 1934, Crucifixion, oil on panel, signed lower left. Measuring, 19.5" x 14".
• Robert Street (1796-1865
  Robert Street (1796-1865 Pennsylvania) 'Jesus Christ' Oil on Canvas over Board, 1838. A dramatic image of Christ bearing the cross, his head covered in a crown of thorns prior to crucifixion. Painting measures 38x31'' and is in gilt frame with overall measurements of 44x38''. Signed and dated lower right. Canvas adhered to backing board, likely a 20th century restoration. Craquelure throughout with noticeable 4'' raised craquelure at top left side.