A few examples of appraisal values for
PATCHES

• A GROUP OF CHINESE EMBROIDERED SILK
  A GROUP OF CHINESE EMBROIDERED SILK TEXTILESA thirteen piece group of Chinese embroidered silk textilesComprising a robe and twelve various panels and patches.the robe length 35 1/2 (93cm); width cuff to cuff 67in (170cm) Provenance:The Collect
• SOUTHERN CHIPPENDALE WALNUT CHEST OF
  SOUTHERN CHIPPENDALE WALNUT CHEST OF DRAWERSSouthern Chippendale walnut chest of drawers, late 18th c., 38" h., 40 1/4" w. NO in-house shipping for this lot. Condition: Feet and brasses replaced. Several patches.
• PENNSYLVANIA WATERCOLOR FRAKTUR DRAWINGPennsylvania
  PENNSYLVANIA WATERCOLOR FRAKTUR DRAWINGPennsylvania watercolor fraktur drawing of a pinwheel, late 19th c., frame - 14 1/2" x 11 1/2". Competitive in-house shipping is available for this lot. Condition: Good. A few losses/patches to frame.
• MASSACHUSETTS FEDERAL INLAID MAHOGANY
  MASSACHUSETTS FEDERAL INLAID MAHOGANY SIDEBOARDMassachusetts Federal inlaid mahogany sideboard, ca. 1800, 40" h., 69" w. NO in-house shipping for this lot. Condition: Legs ended out. Brasses replaced. Scattered veneer/inlay patches.
• NEEDLEWORK STITCHERY SAMPLER ON LINENNeedlework
  NEEDLEWORK STITCHERY SAMPLER ON LINENNeedlework stitchery sampler on linen, initialed and dated 1856 , with various examples of stitches, frame - 6 1/4" x 8 5/8"; together with a silk on linen needlework sampler, frame - 10 3/4" x 7 1/2". Competitive in-house shipping is available for this lot. Condition: Sample - frame - with patches and losses. Sampler - heavy toning and stains.
• MASSACHUSETTS CRANBERRY SCOOPMassachusetts
  MASSACHUSETTS CRANBERRY SCOOPMassachusetts cranberry scoop, stamped F.L. Buckingham , 9 1/2" h., 18 3/4" w., 20 1/2" d. NO in-house shipping for this lot. Condition: A couple of old patches. Wood filler between slats in one spot and solder in one spot of bottom.
• 2 SEWING NOTIONS CA. 1890-1930; BLACK
  2 SEWING NOTIONS CA. 1890-1930; BLACK FABRICcovered round rattle ball with appliqued patches, string and yarn embroidered diamonds, 3"d, Condition: fabric fraying and light fading; sawdust stuffed red cotton strawberry shaped pin cushion with green yarn embroidery, 2"d, 2 3/4"h, Condition: minor soiling and some light fading
• FINE MENNONITE OR BRETHREN COMMUNITY
  FINE MENNONITE OR BRETHREN COMMUNITY PIECEWORKpin ball cushion ca. 1860; rag stuffed fabric piecework assembled calico print fabrics with overlay lines of solid tone fabrics, dominant nine patch block interlaced with triangular piecework patches, [Note: similar to those found in Warwick Twp., PA crafted by Bomberger Family, Mennonite Arts, Hess page 173 figure 308]; Condition: fading and some soiling spots
• OIL ON CANVAS S. WEST, READING, PA CA.
  OIL ON CANVAS S. WEST, READING, PA CA. 1908;large lion in a gold frame, signed S. West 1908 lower left, 49 1/4"x 29 1/2" sight, 55 1/2"x 36" overall; Condition: several patches and canvas tear, some paint lifting in sky
• HEXAGON SHAPED PENNY RUG RUNNER CA.
  HEXAGON SHAPED PENNY RUG RUNNER CA. 1930-1950;attributed to Amish Community elongated hexagon shaped runner woven tan tri-blend fabric back with stitch mounted black ground penny coins that have vibrant color fabric feather stitch mounted small penny coin patches, the end of rug crocheted and tasseled wools fringe, 46"x 21 1/2"; Condition: some fabrics are with woven pattern not commonly used with old order Amish church, possible "Car Amish" church rug in old order traditional pattern, some wear and one small patch missing
• DROPLEAF STANDca. 1830; in mahogany
  DROPLEAF STANDca. 1830; in mahogany with two drawers with wooden pulls, swing out supports for drop leaves, all on turned cylindrical legs, 16 1/4"x 22"x 28 3/4"; Condition: patches to drawer fronts
• 2 HOMECRAFTED PENNY MATSca. late 19th-early
  2 HOMECRAFTED PENNY MATSca. late 19th-early 20th century; both hexagon shaped with long rectangular central field: burlap back mat and fringed rare form diamond design fish egg or penny pillow, the pennies patches are fastened to cotton homespun ground having three-tiers of graduated small round patches with pink yarn binding, each stuffed with wool batting and pulled burlap fringe, 30 1/2"x 14 3/4"; Amish-type diamond design penny rug with single round patch pennies wool yarn appliqued onto original red cotton foundation, backed with tri-blend gray fabric and red fabric binding, 50"x 42 1/2"; Condition: both show extensive use & substantial fading; some noted damage to both
• WALNUT FARM TABLEca. 1760; with a pegged
  WALNUT FARM TABLEca. 1760; with a pegged top over two drawers, all supported by cylindrical legs ending in pad feet, 49 1/2"x 30 1/2"x 30 1/2"; Condition: refinished, batten under top are replaced, originally two bale pulls on larger drawers, minor patches to top, drawer repaired
• FINE ROWS IN SAND/IRISH CHAIN VARIANT
  FINE ROWS IN SAND/IRISH CHAIN VARIANT QUILTca. 1860-1870s; fine mixed of salvaged calico prints and cotton weave fabrics piece worked block with off-setting central blocks of dark brown and white round floral print blocks and field rows of intercrossed lines with 1 3/4" wide triangular pieces pieced in Geese in Flight pattern, the union patch in hourglass design, quilt back in blue and white floral print fabric and binding in brown calico print, 76"x 84"; Condition: uncommon form with small patches of earlier era, some soiling
• APPLIQUED ROSE OF SHARON QUILTca. 1870;
  APPLIQUED ROSE OF SHARON QUILTca. 1870; expertly crafted white nine panel appliqued quilt with massive green and red Rose of Sharon applique; the panels with narrow green binding outlined and the quilt with trailing floral borders on sides and fine patchwork block star design on upper and foot ends of quilt; the head and foot with ten repeated Block Star patches with offsetting white blocks, white cotton back and binding with fine quilting work, 84"x 84"; [Note: attached note says "Made by Grandmother of Mr. J. Max Hamilton's Grandmother]; Condition: some deep soiling along top border, one applique has minor fraying to red fabric on one floral panel
• PA MENNONITE COMMUNITY PATCHWORK PRIVY
  PA MENNONITE COMMUNITY PATCHWORK PRIVY BAGca. 1870-1890; sampler-type patchwork design of mixed tone calico printed fabrics, the pocket bag with tapered top design with wool fabric binding top and tape weave hanging loops, backed with homespun linen with central stitch-bound opening, the patchwork includes windmill or pinwheel design patches and nine patch block, 21"-12" x 20"; Condition: with unmatched fabric bindings, typical condition - noted damage to wool fabric binding along top edge and typical soiling
• EARLY BLUE & WHITE PATCHWORK FEATHERED
  EARLY BLUE & WHITE PATCHWORK FEATHERED STAR PATTERca. 1830-1870; large size white cotton back and ground quilt with uniform navy blue calico print piecework patches, uniform eight point star design with sawtooth or feathered edge, 16 stars and fine white diamond in blue line border, broad white bordered with fine feather pattern quilting and lower mounted yarn worked fringe, 94"x 92"; Condition: good with minimal spots of soiling
• LONESTAR FEED BAG MATERIAL QUILTca.
  LONESTAR FEED BAG MATERIAL QUILTca. 1930-1940s; white cotton ground and colorful piecework assembled eight point star that has some feedbag print cotton fabrics with blue and pink solid tone patches, white cotton back, hand stitch quilted in large princess feather and feather wreath pattern, 76"x 72"; Condition: some soiling noted from use, possibly unwashed, charcoal layout lines remain
• Group of Nine WWII Medals and Miniatures
  Group of Nine WWII Medals and Miniatures to Major-General J.H. Roberts, 1945 all named, including a 1939-1945 star, an Africa star, an Italy star, a France and Germany star, a Defense Medal, a War Medal, with 'Mentioned in Dispatches' oak leaf, a General Service Medal with Malaya and Palestine clasps, an Army Emergency Reserve medal, and a 1939 French war cross (Croix de Guerre) 1939 with silver gilt star, all mounted, accompanied by a further medal: a WWI 1914-15 star to Pte. E.A. Roberts, 7TH Light Horse Rgt. Australian Imperial Force breast bar length 7 in — 17.8 cm
• SAM HERMAN ( 1936-2020) A STUDIO GLASS
  SAM HERMAN ( 1936-2020) A STUDIO GLASS VASE Circa 1980 In clear glass with abstract design and iridescent patches, etched signature Samuel Herman, 16cm high by 24cm at widest point
• Gertrude Ellen Hayes, ARE (1872-1956) -
  Gertrude Ellen Hayes, ARE (1872-1956) - A Lady by an Oil Lamp, signed and dated 1899, oil on canvas, 51 x 76m More Information Discreetly repaired patches. Craquleure across the surface of the K.E.A.S. canvas. Minor scuffed losses, principally marginal and not affecting the overall display of the picture. Slight ripple, the canvas would benefit from being re-tightened over stretchers.
• MARK TOBEY (AMERICAN, 1890-1976) "CONFUSION"
  MARK TOBEY (AMERICAN, 1890-1976) "CONFUSION" Colored lithograph. Signed 'Tobey' (lower right) and numbered '11/150'.Artist BioMark Tobey (American, 1890-1976) Throughout his life Tobey was deeply concerned with universal themes of man, nature, and God. In 1911, full of youthful ambition, he left Chicago for New York to become a fashion illustrator. His first exhibition, at M. Knoedler & Company in 1917, coincided with Tobey's first introduction to the Baha'i faith, whose interrelated concepts of unity, progressive revelation, and humanity would shape Tobey's art and life until his death. In 1922 Tobey began teaching at a progressive art school in Seattle and there studied calligraphy with a young Chinese artist, although thirteen years passed before it became integral to his art. From 1931 until 1938 Tobey taught in Devonshire, England, and in 1934, sponsored by a patron, he traveled to China and Japan. Improvising with calligraphy the following year, Tobey originated the distinctive "white writing" that marked his maturity as an artist. In the late 1950s experiments with sumi painting led Tobey to use broader strokes and patches of muted color. In 1960 Tobey settled in Basel, Switzerland, where he died in 1976.
• CHIPPENDALE WALNUT SLANT FRONT DESK,
  CHIPPENDALE WALNUT SLANT FRONT DESK, LATE 18TH C.Lancaster, Pennsylvania Chippendale walnut slant front desk, late 18th c. , with shell carved prospect door and smooth quarter columns, 44 1/4" h., 39 3/4" w. Provenance: Rock Ford Foundation. NO in-house shipping for this lot. Condition: Discoloration to finish on sides. Patches to writing surface. Brasses replaced. Structurally sound.
• THE WILLIAM BARCH CARVED WALNUT DESK
  THE WILLIAM BARCH CARVED WALNUT DESK AND BOOKCASEThe William Barch, Lancaster, Pennsylvania Chippendale carved walnut desk and bookcase, signed by cabinet maker William Dennis and dated 1789 , the upper section with a swan's neck pediment and two urn and flame finials with a central plume cartouche flanked by bold rosettes, above a floral carved frieze and arched recessed paneled doors over two candle slides, resting on a base with a fall front enclosing a fitted interior with serpentine and shell carved drawers over four drawers supported by ogee bracket feet, the prospect compartment with two inscriptions, the first To Mr Wm Barch made by Wm Dennis 1789 , the second Samuel Seagraves desk bought at Wm Barch's ___price 23 dollars 1814 , 103 1/2" h., 37" w. Provenance: Elizabeth L. Peters estate, Frederick, Maryland, 1990. NO in-house shipping for this lot. Condition: Parts: documents. Finials, mid-molding, brasses, and feet replaced. Patch to top of center finial. Patches at hinges of upper doors. A few lip repairs including a large patch to top drawer.
• CONRAD TREVITS, FRAKTUR BIRTH CERTIFICATEConrad
  CONRAD TREVITS, FRAKTUR BIRTH CERTIFICATEConrad Trevits (Southeastern Pennsylvania, late 18th/early 19th c.) , ink and watercolor fraktur birth certificate, for Maria Koppenhever, Dauphin County, born in 1806, 13" x 15 3/4", frame - 18 3/4" x 21 3/4". Provenance: A Pennsylvania collection. Competitive in-house shipping is available for this lot. Condition: Creases and edge tear. Laid on rice paper. Several secured tears. A few small edge patches. Large patch to bottom right corner.
• GEORGE III MAHOGANY SERPENTINE CHEST
  GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERSGeorge III mahogany serpentine chest of drawers, late 18th c. , with highly figured drawer fronts, and herringbone inlaid chamfered corners with urn inlaid feet, 38 3/4" h., 46" w. NO in-house shipping for this lot. Condition: Brasses replaced. Scattered small patches to inlay and cockbeading.
• GEORGE III MAHOGANY THREE-PART SECRETARY
  GEORGE III MAHOGANY THREE-PART SECRETARY BOOKCASEGeorge III mahogany three-part secretary bookcase, ca. 1770 , 92 1/2" h., 35 1/4" w. NO in-house shipping for this lot. Condition: Two panes cracked. A couple veneer patches, larger patches to top of base. Brasses replaced. Repaired breaks to feet.
• GEORGE III MAHOGANY ARMCHAIR, CA. 1760George
  GEORGE III MAHOGANY ARMCHAIR, CA. 1760George III mahogany armchair, ca. 1760 , probably Irish. NO in-house shipping for this lot. Condition: A few veneer patches to splat. Blowout to shoe. Slip seat replaced.
• MASSACHUSETTS PILGRIM CENTURY MAPLE
  MASSACHUSETTS PILGRIM CENTURY MAPLE GREAT CHAIRMassachusetts Pilgrim century maple great chair, late 17th c. NO in-house shipping for this lot. Condition: Legs ended out. Patches to stiles at and above arms. Several puttied areas to stiles and legs.
• PENNSYLVANIA FULL STOCK FLINTLOCK LONG
  PENNSYLVANIA FULL STOCK FLINTLOCK LONG RIFLEPennsylvania full stock flintlock long rifle, early 19th c. , approximately .52 caliber, with tiger maple stock, brass furniture to include a three piece engraved patch box, relief scroll carving at cheek rest, and foliate carving behind the barrel tang, 43 1/2" octagonal to round barrel. NO in-house shipping for this lot. Condition: Total length - 59". Smooth bore. Two small patches along barrel, lock original and functions correctly. Maker unknown.
• NEW ENGLAND QUEEN ANNE DROP LEAF DINING
  NEW ENGLAND QUEEN ANNE DROP LEAF DINING TABLENew England Queen Anne birch and maple drop leaf dining table, ca. 1770 , 27" h., 14 1/2" w., 47 1/2" d. NO in-house shipping for this lot. Condition: Overall good condition. A couple patches at hinges.
• MAHOGANY PEMBROKE TABLE, CA. 1800Mahogany
  MAHOGANY PEMBROKE TABLE, CA. 1800Mahogany Pembroke table, ca. 1800, 28 1/2" h., 21" w., 29 1/2" d. NO in-house shipping for this lot. Condition: Refinished. Patches at hinges. One hinge not attached. Foot appliques replaced.
• PENNSYLVANIA CHERRY TWO-PART CORNER
  PENNSYLVANIA CHERRY TWO-PART CORNER CUPBOARDPennsylvania cherry two-part corner cupboard, early 19th c., 81 1/4" h., 39" w. NO in-house shipping for this lot. Condition: 29" d. Breaks and patches to feet/skirt.
• WALNUT BLANKET CHEST, LATE 18TH C.Walnut
  WALNUT BLANKET CHEST, LATE 18TH C.Walnut blanket chest, late 18th c., with wonderful original wrought iron tulip strap hinges, 25" h., 50" w. NO in-house shipping for this lot. Condition: Several patches, lock escutcheon, hinges, one on side. Overall good condition.
• CONRAD TREVITS FRAKTURConrad Trevits
  CONRAD TREVITS FRAKTURConrad Trevits watercolor and ink on paper fraktur, Manheim Township with central heart and floral trees, 7 1/2" x 13". Competitive in-house shipping is available for this lot. Condition: Losses/discoloration/tears. Lower right corner has substantial restoration and there are other patches and in-painting throughout. Not laid down.
• HAMADAN LONG RUG, CA. 1920Hamadan long
  HAMADAN LONG RUG, CA. 1920Hamadan long rug, ca. 1920, 15'5" x 3'7" NO in-house shipping for this lot. Condition: Areas of heavy wear. A couple patches.