A few examples of appraisal values for
PEMBERTON

• John Leigh-Pemberton
  John Leigh-Pemberton (1911-1997)/William of Orange Enters London, 1688/signed and dated '52/oil on canvas, 59.5cm x 65cm/Provenance: Shell-Mex and BP Ltd, catalogue no 1827
• Howard Penton (20th Century
  Howard Penton (20th Century British) - forty-eight pencil drawings for ''Picturesque Westminster'' (various sizes - many with titles and handwritten printing instructions to backs)
• LOT OF 19 DOCUMENTS AND PHOTOGRAPHS
  LOT OF 19 DOCUMENTS AND PHOTOGRAPHS RELATED TOMASSACHUSETTS. INCLUDING NEW BEDFORD, FALL RIVER, BERKLEY, NEWBURYPORT, PEMBROKE, ETC. HIGHLIGHTS INCLUDE: A LETTER GIVING AN ACCOUNT OF AN INCIDENT AT THE BATTLE OF GETTYSBURG WRITTEN BY CORPORAL CHARLES J. ELDRIDGE OF THE 33RD MA VOLUNTEERS, AN INVENTORY FROM PEMBROKE DATED 1737 AND SIGNED BY ISAAC WINSLOW, A LETTER WRITTEN IN 1810 BY MINISTER THOMAS ANDROS WHO WAS A VETERAN OF THE AMERICAN REVOLUTION AND WAS A SURVIVOR OF THE PRISON SHIP JERSEY, FOUR PHOTOGRAPHS FROM FALL RIVER (LATE 19TH C. SUBJECTS INCLUDE HUNTERS), FIVE PHOTOGRAPHS RELATING TO NEW BEDFORD (LATE 19TH C. SUBJECTS INCLUDE HUNTERS, TAILORS, AND OFFICER PORTRAITS), CORRESPONDENCE LETTERS REGARDING WAR PENSION FOR A NEW BEDFORD WOMAN, AND $20,000 IN CONFEDERATE MONEY.
• John Leigh-Pemberton
  John Leigh-Pemberton (1911-1997)/Charles II at Dover, 1660/signed and dated '52/oil on canvas, 57.5cm x 65cm/Provenance: Shell-Mex and BP Ltd, catalogue no 1826
• COLONIAL PA. SHIP'S EXPENSE
  COLONIAL PA. SHIP'S EXPENSE ACCOUNT, 1756-1758 "Owners of Ship Marlbro' to James Pemberton for sundry Disbursements since Settlement of her last outsett ...;" DS, recording various expenses from the last day of 1756 to June 18, 1759, including voyages to Jamaica, Carolina, and England; 2 pp. folio. James Pemberton, 1723-1808, was a leading merchant in Philadelphia during this period, a prominent Quaker minister and activist against slavery.
• Percy Enderbie - ''Cambria
  Percy Enderbie - ''Cambria Triumphans'' originally printed for Andrew Crooke London 1661 and reprinted by Samuel Bagster London 1810 (one full gilt tooled green leather bound folio sized volume)
• John Leigh-Pemberton
  John Leigh-Pemberton (1911-1997)/Queen Anne Going to Greenwich, circa 1710/signed and dated '52/oil on canvas, 57.5cm x 65cm/Provenance: Shell-Mex and BP Ltd, catalogue no 1828, Philip's sale sticker, sale 385, Lot 98
• Muriel Pemberton (1909 - 1993)
  Muriel Pemberton (1909 - 1993) unframed oil on canvas Wooded landscape signed 20 x 24in. Estimate ?150-200 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?50
• Kent (S) The Grammar of Heraldry, J
  Kent (S) The Grammar of Heraldry, J Pemberton, London
• John Leigh-Pemberton
  John Leigh-Pemberton (1911-1997)/Queen Elizabeth I, Tilbury 1588/signed and dated '52/oil on canvas, 63cm x 100cm
• BENNARD B. PERLMAN. "GLOUCESTER
  BENNARD B. PERLMAN. "GLOUCESTER HARBOR," OIL (American, 1928-2008). Oil on panel, signed "Bennard B. Perlman" ll, 40 x 30 in., framed.
• MORTIMER LUDDINGTON MENPES
  MORTIMER LUDDINGTON MENPES (AUSTRALIAN/BRITISH 1855-1938) BENARES Signed, inscribed verso, oil on panel28cm x 21.5cm (11in x 8.5in)Provenance: Collection of the late Sir Richard Shepherd, MP
• T. Picken c.1842 coloured
  T. Picken c.1842 coloured lithograph View of the Intended harbour at Brighton on recoil principle c.1842 I.O.B. 1200c 10 x 16.75in. Estimate ?120-180 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?240
• Francis Charles Bowen Wedgwood
  Francis Charles Bowen Wedgwood (Exh. 1928-39) oil on wooden panel 'Thunderstorm over the Pembroke Coast' label verso 13.5 x 18in. Estimate ?100-150 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?100
• John Leigh-Pemberton
  John Leigh-Pemberton (1911-1997)/Prince Charles Edward Enters Edinburgh, 1745/signed and dated '52/oil on canvas, 57.5cm x 65cm
• WILLIAMSBURG "CAMPBELL CLASSICS"
  WILLIAMSBURG "CAMPBELL CLASSICS" BARBER POLE REPRODUCTION PAINTED BY D. PEMBERTON, 20TH C., POST STAMPED ON BASE “WILLIAMSBURG CAMPBELL CLASSICS,” PAINTED IN AMERICAN FLAG RED, WHITE AND BLUE THEME, SIGNED ON BASE BOT...Williamsburg "Campbell Classics" barber pole reproduction painted by D. Pemberton, 20th C., post stamped on base "Williamsburg Campbell Classics," painted in American flag red, white and blue theme, signed on base bottom "painted by D Pemberton," gold ball finial over round tapered shaft (stars and stripes) over square base in red & white and black bottom base, 81" h. x 9" sq. base.
• ENGLISH 18TH CENTURY
  ENGLISH 18TH CENTURY ENGRAVINGView of Wilton, Wilshire, The Seat of the Rt. Honorable Earl of Pembroke. Published according to Act of Parliament March 1st. 1759, Carrington Bowlers, John Boydell, Henry Parker, et al. engraved and drawn by Luke Sullivan, later hand colored. 11.75 by 19.5 in., overall, matted, framed 21 by 26.5 in.
• M PLACE AFTER ROBERT KER PORTER
  M PLACE AFTER ROBERT KER PORTER (BRITISH, 1777-1842) (2) The Loyal Associated and Volunteer Corps of the City of Westminster engraving in colour 45 x 62cm together with an oval profile portrait of a soldier in watercolour (2)
• 17 B & O CENTENNIAL PATTERN
  17 B & O CENTENNIAL PATTERN DEMITASSE CUPS Scammell's Lamberton.
• WILFRED BOSWORTH JENKINS (FL.
  WILFRED BOSWORTH JENKINS (FL. 1875 - 1888)Manor House, Hambolton, Surrey oil on canvas; signed lower left; titled verso; 30 x 25 inches; 39 x 34 x 3 1/4 inches frame Condition:
• PELTRO WILLIAM TOMKINS (ENGLISH
  PELTRO WILLIAM TOMKINS (ENGLISH 1759–1840) AFTER SIR JOSHUA REYNOLDS FOR THOMAS MACKLIN POETS GALLERY, FLEET STREET, 'THE VESTAL', CIRCA 1798, ETCHING AND STIPPLE ENGRAVING, FRAME 28 1/8 X 22 1/8 IN. (71.4 X 56.2 CM.)Peltro William Tomkins (English 1759–1840) after Sir Joshua Reynolds for Thomas Macklin Poets Gallery, Fleet Street, 'The Vestal', Circa 1798, Etching and Stipple Engraving,, Dimensions: Frame 28 1/8 x 22 1/8 in. (71.4 x 56.2 cm.)
• ATTRIBUTED TO PERCY MORTON TEASDALE
  ATTRIBUTED TO PERCY MORTON TEASDALE (BRITISH, 1870-1961) (3) Clapham Junction inscribed with title and artist's name (to backboard) watercolour 35 x 26cm ARR together with an oil on cardboard of Albany Cafe by Erika Cruttwell, signed, 18 x 48.5cm; and a print of West Cowes Castle, 13 x 17cm (3)
• WILLIAM PEPPERELL, ALS, MAINE, 1738
  WILLIAM PEPPERELL, ALS, MAINE, 1738 Sir William Pepperel (1696-1759, Massachusetts/Maine merchant, jurist, and militia officer, named the 1st American-born baronet for the capture of Ft. Louisburg in 1745) autograph letter, signed, (the retained 1st draft, with corrections), dated at Kittery, July 3, 1738, to Joseph Richardson; 1 p., small 4to, 7 1/8 x 5 7/8 in.; informs Richardson that he and several others have been appointed referees to settle disputes between Thomas Westbrook and Samuel Waldo, and asks to arrange a meeting at Falmouth (now Portland) in early August. Westbrook (1675-1744) and Waldo (1695-1759) were land speculators and engaged in a partnership to identify and secure suitable trees for ships' masts for the Royal Navy. Their alliance was disintegrating, as indicated in this letter, and in 1743 Waldo would succeed in foreclosing on Westbrook, taking all his land and money.
• Beswick Model of Lifeguard with
  Beswick Model of Lifeguard with Trumpet 1624
• 18th century British School
  18th century British School portrait, gentleman in powdered wig and wearing a green jacket, painted within a feigned spandrel, unsigned, oil on canvas, colourman label verso stretcher "Thomas W. Hampton…Union Street.Aberdeen", 29-3/4 x 24-7/8 in.; 18th century carved and gilt wood frame. Restretched, 19th century lining, three holes with paint loss in original canvas, retouch possible from period of lining affecting only small areas of background, crackle, abrasions, stretcher marks; frame resurfaced, abrasions, flaking, minor pest damage at sight edge.
• A pewter quart jug engraved beneath
  A pewter quart jug engraved beneath 'Palmerston Arms Grosvenor Park Camberwell' a pint mug engraved beneath 'The Boot Alston' and sundry pewter measures
• MORTIMER LUDDINGTON MENPES
  MORTIMER LUDDINGTON MENPES (AUSTRALIAN/BRITISH 1855-1938) TANGIERS Signed, oil on board41cm x 33cm (16in x 13in)Provenance: Michael Parkin Gallery, London, no. P405Collection of the late Sir Richard Shepherd, MP
• BERENGER BENGER (BRITISH,
  BERENGER BENGER (BRITISH, 1868-1935) The Church at Wisborough Green signed 'Berenger Benger' (lower right) watercolour 24 x 35.5cm Provenance Private collection, UK
• William Havell (British, 1782-1857)
  William Havell (British, 1782-1857) Citgarren Castle, Pembroke, South Wales watercolor 10 3/4 x 15 1/4 inches. Property from the Collection of F. Alan Cummings, Tallahassee, Florida
• MORGAN RENDLE (BRITISH 1889-1952)
  MORGAN RENDLE (BRITISH 1889-1952) POYNINS - SUSSEX Oil on canvas: 32 x 38 1/4 in. Framed; lower right signed: Morgan Rendle; verso: label
• ROBERT EMMETT OWEN (NEW
  ROBERT EMMETT OWEN (NEW YORK/CONNECTICUT/MASSACHUSETTS, 1878-1957), “WEST PLYMOUTH, NEW HAMPSHIRE”., OIL ON CANVAS, 16” X 20”. UNFRAMED.ROBERT EMMETT OWEN, New York/Connecticut/Massachusetts, 1878-1957, "West Plymouth, New Hampshire". Unsigned. Identified and titled verso. Dimensions: Oil on canvas, 16" x 20". Unframed. Provenance: Spanierman Gallery, New York.
• A collection of Pendelfin Figures
  A collection of Pendelfin Figures including Spud Woody flunky Crocker Bobby Wordsworth Blazer Little Mo Sledger Humphrey George & the Dragon Bellman Busker Casanova Holly Scoffer Blossom Noel etc.(Some wear) (20)
• PEMENICK OIL ON BOARD "GLOUCESTER
  PEMENICK OIL ON BOARD "GLOUCESTER DOCK SCENE", CIRCA 19...Pemenick Oil on Board "Gloucester Dock Scene" signed illegibly lower right Pemenick, inscribed on verso #1708 Aug. 1977, in white washed driftwood like frame 8.5 in. x 14.5 in. Framed 12.25 in. x 18.25 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• AMBROSE J. PETERS TOGGLE-HEAD
  AMBROSE J. PETERS TOGGLE-HEAD HARPOON NEW BEDFORD, MASSACHUSETTS, EARLY 20TH CENTURY LENGTH 32".AMBROSE J. PETERS TOGGLE-HEAD HARPOON, New Bedford, Massachusetts, Early 20th Century, Head marked "AJP". Possibly illegible ship marks. Retains some traces of red paint. Dimensions: Length 32". Provenance: Bob and Nina Hellman, Nantucket, Massachusetts. Includes copy of original receipt.The Collection of Michael Gill.
• WILLIAM PARTRIDGE BURPEE (ME/MA,
  WILLIAM PARTRIDGE BURPEE (ME/MA, 1846-1940) Tug Mooring, Boston Harbor; miniature watercolor on buff paper, unsigned, in white stick frame, matted under glass, double glazed, having an invitation verso to an exhibition at Burpee's studio at 110 Tremont St, Boston. undated. OS: 8" x 10", SS: 3 1/2" x 5 1/2".
• Edward Barnard Lintott
  Edward Barnard Lintott (English/American, 1875-1951) Seated Pierrot. Oil on canvasboard, signed in the lower right corner, approx. 16" x 12", framed in an ornate gilt frame overall approx. 23-1/2" x 19-3/4".