A few examples of appraisal values for
PENELOPE

• French bronze figure of Penelope
  French bronze figure of Penelope Orange brown patina, modeled as a woman seated on a bench, a walking stick in her hand and a quiver of arrows by her feet, raised on an oval black marble base inscribed 'PENELOPE'. H: 21 in. - lacquered surface - some discoloration to patina - general good condition - late 19th century
• After Etienne-Henri Dumaige (French
  After Etienne-Henri Dumaige (French 1830-1888) Penelope and Telemaque. Cast bronze signed in the base. Telemachus was the son of Ulysses and Penelope legendary Greek mythological figures and central to Homer's "Odyssey".
• Continental Renaissance Revival
  Continental Renaissance Revival Tapestryearly 20th century wool depicting a woman possibly Penelope of Ithaca spinning yarn in the presence of a suitor.91 x 64 in.Fraying; some stitching loss; fraying and separation at border binding.Estate of the late Arthur H. Danielson of Raleigh NC
• AFTER JEAN-BAPTISTE CLéSINGER
  AFTER JEAN-BAPTISTE CLéSINGER (FRENCH, 1814-1883), HELEN OF TROY Patinated cast bronze, the daughter of Zeus and Leda depicted crowned with diadem and standing in contrapposto with arms crossed and playing with pearls, incised signature "J. Clesinger" to the base.
• PENNY WEINSTEIN, "PENELOPE",
  PENNY WEINSTEIN, "PENELOPE", MID-LATE 20TH C., SERIGRAPH ON PAPER, YELLOW AND MOSS-GREEN GEOMETRIC DESIGN WITH FRACTURED ORB AT CENT...Penny Weinstein, "Penelope", mid-late 20th C., serigraph on paper, yellow and moss-green geometric design with fractured orb at center, pencil signed, titled and numbered #7/10 lower left (signature not currently visible in frame), matted and framed behind glass, staining to mat, mat burn, waving of paper, toning, slipped in frame, block size: 19 1/4" h. x 19 1/2" w. [PROVENANCE: Davis Collection]
• An artist proof work on paper
  An artist proof work on paper depicting a nude woman under the moonlight. Pencil titled and signed below figure, 'La Lune De Limoges, Artist Proof, Penelope Bennett'. Unframed image 24.5" x 26.5" Condition: some wrinkling to paper upper and lower right CT Transfer Fee $10
• JOHN FLAXMAN (british
  JOHN FLAXMAN (british 1755-1826) "PENELOPE'S DREAM" Signed with Initials bottom left, inscribed 'Penelope's dream, Homers Odyssey [sic] bottom center and bottom right, ink, pencil and watercolor on paper Sight: 4 3/8 x 5 14/16 in. provenance: From the Collection of Mrs. Muriel Wolgin, Philadelphia, Pennsylvania. Good condition
• HONORE DAUMIER COLORED DRAWING,
  HONORE DAUMIER COLORED DRAWING, PENELOPE'S NIGHTSOriginal framed hand colored drawing; pastel, charcoal and pencil. Penelope dreaming of Ulysses, for the series "L'Histoire Ancienne" 1841-1843 8.75"H x 6.75"W, pictured. Artist: Honore Daumier Issued: 19th c. Dimensions: 13.75"W x 14.75"H Country of Origin: France
• ROYAL WORCESTER VICTORIAN SERIES
  ROYAL WORCESTER VICTORIAN SERIES FIGURINE, PENELOPE 364...Rare porcelain woman in layered pink and cream gown with blue ribbon and matching shoes with bouquet of yellow roses. Royal Worcester Victorian Series backstamp. #royalworcester #penelope Artist: Ruth Esther and Ronald Van Ruyckevelt Issued: 20th c. Dimensions: 6.75"H Manufacturer: Royal Worcester Country of Origin: England Condition: Excellent.
• English or Continental parian
  English or Continental parian figural group of Ariadne riding a panther modeled as classical Greek heroine astride a panther holding garment 9 1/2 in. H. Estimate $ 125-200 Hair ribbon loss appropriate wear dirt staining underneath.
• Phoebe Donovan (1902-1998) - Oil
  Phoebe Donovan (1902-1998) - Oil painting - Half length portrait of ''Helen Ann Hermione Roberts Aged 6'' canvas 18ins x 14ins signed in limed wood frame
• Large Penelope Bennett serigraph,
  Large Penelope Bennett serigraph, “Indian - 'America,'” artist’s proof, signed lower left Penelope Bennett. Image 24.5” x 26.5” Overall 33.5” x 47.5” Condition: good CT Transfer Fee $20
• A CONTINENTAL PARIAN MODEL OF A
  A CONTINENTAL PARIAN MODEL OF A WOMAN AS A LAMPA Continental parian model of a Classical woman as a lamp20th centuryheight 33in (83.5cm); width 7 1/4in (18.5cm) square Provenance:Property from a Bel Air Residence curated by Hendrix Allardyce.
• Peggy Davies Illustrious Ladies
  Peggy Davies Illustrious Ladies of the Stage Fanny Kemble (cracked across the base of the figure)
• LEON PILET (FRENCH,
  LEON PILET (FRENCH, 1840-1916)Leon Pilet French, 1840-1916 Erato Cast bronze Signed to the lyre. Tabletop model of a female Grecian figure, likely Erato, in laurel crown, resting in a settee, a lyre at her side; gilt accents and accessories throughout the form. 11 1/2 x 13 1/2 in. (29.21 x 34.29 cm.)
• Signed PENELOPE Painted Wood
  Signed PENELOPE Painted Wood Butterfly Sculpture. Folk Art. Large Carved Wood Sculpture. Signed Penelope '93. Dimensions: H: 14 inches: W: 27 inches: D: 15 inches --- Condition: Antennae are designed to be loose and move freely. Light wear.
• WARNER BROTHERS PENELOPE
  WARNER BROTHERS PENELOPE LIMITED-EDITION PRINTFramed Warner Brothers limited-edition print on paper, "Penelope," 1996, numbered 270/ 350, accompanied by certificate of authenticity issued by Warner Brothers, sight: approx 22"h, 22"w, overall: approx 29.5"h, 29.5"w, 6.25lbs**Provenance: A private collection. The consignor had an early love for Disney and their beloved characters. She was employed by both the Disney Company and Warner Brothers Galleries for several years handling animation art and sales of scarce collectible items. She worked directly with many of the artists involved in the production of artwork, studio film and television shows. During her time with Warner Brothers Galleries she was able to procure pieces directly from the company vault in Burbank, CA.**
• HERMES, Gertrude, (United
  HERMES, Gertrude, (United Kingdom, 1901-1983): Seated Female Nude, Patinated Bronze, 6.5'' h., signed and dated '72.
• PENELOPE JENCKS (U.S.A., B.
  PENELOPE JENCKS (U.S.A., B. 1936). Eleanor Roosevelt Plaster Sculpture. Signed and dated 93 . From a Guttenberg, New Jersey estate. Dimensions: 14" Condition: Good.
• A well composed print depicting
  A well composed print depicting family seated around a table, with colorful vessels and glasses with their purple shadow on the table. Pencil titled, numbered, and signed lower left, Spanish Family, 26/100, Penelope Bennett. Unframed. Image: 26" x 37" Condition: some wrinkling at lower edge CT Transfer Fee $10
• Enrico Fanfani (1824-1885
  Enrico Fanfani (1824-1885 Italian) Elena Helen of Troy Gazing Out to Sea
• PARIAN SCULPTURE, ARIADNE AND THE
  PARIAN SCULPTURE, ARIADNE AND THE PANTHER Circa 1870, a porcelain figural sculpture depicting a Classical nude woman reclining atop of a panther, the panther sports a leash suggesting the tamed nature of the beast, unmarked. It is modeled after the work of Johann Heinrich Von Dannecker.
• PENELOPE MANZELLA (RI, 20TH C)
  PENELOPE MANZELLA (RI, 20TH C) REALIST PAINTINGPenelope Manzella (American, B. 1928) Depicts a river flowing between industrial buildings connected by a foot bridge. Signed and dated ('08) lower right. Oil on Canvas. Sight Size: 41.5 x 39.5 in. Overall Framed Size: 47.25 x 45.25 in. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• Copeland parian figure of
  Copeland parian figure of Corinna, seated partially nude classical female figure with scroll and pen, lyre at her side, marked in relief on front "Corinna the Lyric Muse", impressed on back "Copeland", marked on side "W Brodie" (William Brodie, British, 19th century) over "S", British, 19th century, 21-3/4 in. Generally good condition, loss to tip of lyre with repaint (old repair), side of base with adhesive residue, general surface grime. The Estate of the Late Shirley A. Flannery, Cincinnati, Ohio
• PRINT, OSKAR KOKOSCHKA Oskar
  PRINT, OSKAR KOKOSCHKA Oskar Kokoschka (Austrian, 1886-1980), "Die Odyssee: Penelopias Zweifel (Penelope's Doubts)," lithograph, pencil signed lower right, edition 25/50, sight: 18"h x 13.25"w, overall (with frame): 28.75"h x 22.25"w
• WARNER BROS 'PEPE'S POTION AMOUR'
  WARNER BROS 'PEPE'S POTION AMOUR' PENELOPE PRINTFramed Warner Brothers limited-edition print on paper, "Pepe's Potion Amour," 1999, numbered 323/ 350, Pepe Le Pew and Penelope, small chips to frame finish, sight: approx 24"h, 24"w, overall: approx 29.5"h, 29.5"w, 6.25lbs**Provenance: A private collection. The consignor had an early love for Disney and their beloved characters. She was employed by both the Disney Company and Warner Brothers Galleries for several years handling animation art and sales of scarce collectible items. She worked directly with many of the artists involved in the production of artwork, studio film and television shows. During her time with Warner Brothers Galleries she was able to procure pieces directly from the company vault in Burbank, CA.**
• Jules Arsene Garnier (French
  Jules Arsene Garnier (French 1847-1889) Portia and the three boxes. Oil on canvas signed and dated lower left framed in a wide gilt period frame overall apprx. 39" x 53". A scene from Shakespeare's "Merchant of Venice" where the beautiful princess Portia who is seeking suitor princes. The suitor must choose one of three boxes one gold one silver and one lead. If the person chooses the right box can win her hand. In this composition a servant reveals the three boxes to Bassanio who professes true love for Portia.
• Carlo LaBarbera (Neapolitan late
  Carlo LaBarbera (Neapolitan late 18th/early 19th c.) "Selene Goddess of the Moon" and "The Goddess's Companion" each encaustic on artist's board each signed on label en verso of board each sight 9 1/4 in. x 7 1/4 in. matted and framed alike.
• AFTER PABLO PICASSO (SPANISH,
  AFTER PABLO PICASSO (SPANISH, 1881-1973), RéCITS DE NESTOR SUR LA GUERRE DE TROIE (NESTOR'S TALES OF THE TROJAN WAR) Facsimile after original etching, likely published by the Collector's Guild, remarque of a woman's face at lower right, matted and framed.
• A panel of late 16th Century
  A panel of late 16th Century needlework, embroidered a scene of Pyramus and Thisbe with floral surround, 29cm x 35cm, framed and glazed
• NARCISSE VIRGILE DIAZ DE LA PENA,
  NARCISSE VIRGILE DIAZ DE LA PENA, (FRENCH, 1808-1876), WOMAN WITH PUTTI, OIL ON PANEL, 13 1/2 X 10 1/4 IN., FRAME: 22 1/2 X 19 1/2 IN.NARCISSE VIRGILE DIAZ de la PENA (French, 1808-1876) Woman with Putti oil on panel signed N. Diaz lower left 13 1/2 x 10 1/4 in., frame: 22 1/2 x 19 1/2 in. oil on panel Dimensions: 13 1/2 x 10 1/4 in., frame: 22 1/2 x 19 1/2 in. Condition: Framed under glass. Colors strong. UV examination reveals scattered areas of restoration, primarily in background. Frame rub along sides, with some losses along lower edges, most significantly an approx. 1/2 in. chip below signature along lower left edge.
• Pierre-Jules Cavelier (French,
  Pierre-Jules Cavelier (French, 1814-1894) Cast by F. Barbedienne Foundry Sleeping Penelope bronze stamped 935/ J. CAVELIER, inscribed F. Barbedienne Fondeur and with an A. Collas Réduction Mécanique seal Height 14 1/2 inches.
• A French Porcelain and Patinated
  A French Porcelain and Patinated Bronze of Calliope early 20th c. stamped "France" on the base the Muse of Poetry depicted seated at a desk on an oval black variegated marble bronze-mounted plinth base height 7 1/2 in. width 6 in. depth 7 1/2 in.
• AN 18TH CENTURY PAINTING AFTER
  AN 18TH CENTURY PAINTING AFTER LUCAS CRANACH THE ELDERAN 18TH CENTURY PAINTING AFTER LUCAS CRANACH THE ELDER The Judgement of Paris , oil on panel 103 x 62 cm (40 1/2 x 24 1/2 in.) LOT NOTES This early version of The Judgement of Paris inspired by a panel on the same subject by Lucas Cranach the Elder (in the collection the Metropolitan Museum of Art, New York) depicts the genesis of the Trojan War and the events that would lead to the city`s eventual demise. The languid figure of Paris is shown in the lower left, about to be woken up by Hermes with a request to determine which of the three goddesses presented, Hera, Aphrodite and Athena, is the most beautiful. Hermes is shown holding a golden apple, which according to legend, was inscribed by Eris (the goddess of discord) to the fairest , after she was not invited to Peleus` and Thetis` wedding, and thrown amid the gods into the celebration. Aphrodite won Paris` favour by promising him the love of Helen, the most beautiful mortal woman, should he select her to be the recipient of the coveted prize.
• Two similar Parianware Greek
  Two similar Parianware Greek style female nude figures, one is the Goddess Ariadne (grapes and jug). Both approximately: 20.5"h x 13"l x 10"d Condition: Minor chips, wear consistent with age.
• Anonymous 17th Century
  Anonymous 17th Century Allegorical Painting With two female figures in the foreground one wearing a diadem similar to that with which Artemis is usually pictured conversing with a seated figure. The landscape in which they are situated is a rocky outcrop among trees with the image of a large eagle in distant clouds. Overall apprx. 20" x 15".