A few examples of appraisal values for
PENROSE

• COLLECTION OF PABLO PICASSO RELATED
  COLLECTION OF PABLO PICASSO RELATED BOOKS Collection of books related to Pablo Picasso (Spanish, 1881-1973), comprising: "Picasso: 49 Lithographs etc." (Lear, 1947), Sutton, Kieth "Picasso", Karshan, Donald "Picasso Linocuts", Duncan, David Douglas "Goodbye Picasso", Jaffe, Hans "Twentieth Century Masters: Picasso", MoMA, "Picasso and Portraiture" (X2), Richardson, John "A Life of Picasso; Vol. I 1881 - 1906", Joris, Yvonne "Picasso Keramiek", de BAranano, Kosme "PIcasso: A Dialogue With Ceramics", Ramie, Georges "Ceramique de Picasso", Penrose, Roland "The Sculpture of Picasso", Gallwitz, Klaus "Picasso at 90: The Late Work". 13 total. Largest: 13.5" H x 10.5" W.
• VERY RARE PAIR OF GRAEME PARK
  VERY RARE PAIR OF GRAEME PARK PHILADELPHIA QUEEN ANNE C...1740-1760, each with scrolled and shell carved crest over a figured splat with four scrolled volutes, set on shell carved legs with trifid feet, upholstered compass seats, one retaining early and probably original needlework upholstery and under upholstery marked with "IV" and matching slip seat marked "IV", 42-1/2 x 21 x 22-1/2 in. Provenance: Probable line of descent, needlework upholstered example: Dr. Thomas Graeme (1688-1772), Graeme Park, Horsham, Pennsylvania; Elizabeth Graeme Fergusson (1737-1801), Graeme Park, daughter; Dr. William Smith (1746-1822), Graeme Park, by transfer from above, husband of niece; Samuel Penrose (1748-1833), Graeme Park, by purchase from above; William Penrose (1782-1863), Graeme Park, by purchase from above in 1821, son; Ann (Penrose) Iredell (1811-c.1881), Graeme Park and Davis Grove Road, Horsham, daughter; Hannah (Iredell) Twining (b. 1839), Davis Grove Road, Horsham, Pennsylvania, daughter; Ida (Twining) Jones (c.1873-1968), Green Meadows Farm, Warrington, Pennsylvania, daughter; Thence by descent; Sold, Sotheby's, New York, 22 October 1983, lot 254; Private Collection, purchased from above; Sold, Sotheby's, New York, 17 and 19 January, 1997, lot 778 for $118,000; Leigh Keno, Inc., New York; Property of Eric Martin Wunsch; Sold Christie's New York, September 25, 2013 lot 8 for $40,000 hammer Pink upholstered example: Probably made for Dr. Thomas Graeme (1688-1772), Graeme Park, Horsham, Pennsylvania Mrs. J. Insley Blair (Natalie Knowlton) (1883-1951), Manhattan and Tuxedo Park, New York Natica (Blair) Lorillard (1913-1955), daughter Screven Lorillard (1909-1979), husband Alice (Whitney) Lorillard (1919-2015), wife Thence by descent in the family Collection of Mrs. J. Insley Blair, sold Christie's, New York, January 20, 2017, lot 542 for $50,000 Important Private Virginia Estate Note: The Christie's catalog entry for the needlework upholstered example records that "With its original needlework upholstery cover and a notable provenance, this side chair is an important and rare survival from mid-eighteenth century Philadelphia. As indicated by the Roman numerals on its frame and slip-seat, the chair was originally part of a larger set of at least nine chairs of which two or three others are known. These comprise a chair at Colonial Williamsburg, a single example advertised in 1956, and a third, which may or may not duplicate the previous example, published in 1960 and sold in 1998 (David Stockwell, advertisement, The Magazine Antiques (September 1956), p. 173; Barbara Snow, "Living with Antiques: The Home of Mr. and Mrs. J. Stanley Lee, Newtown, Pennsylvania," The Magazine Antiques (September 1960), p. 240; Wechsler's Auction House, Washington D.C., 17 January 1998, lot 185). The first three are illustrated with needlework seat covers that are virtually identical to that made for the chair offered here. With green grounds and stylized leaves and flowers worked in shades of red, yellow, blue and green threads, these covers represent the original coverings. As discussed by Morrison H. Heckscher, this set is distinguished by the broad width of its splats. A side chair now at the Metropolitan Museum of Art with slightly variant shell carving but an identical splat was most likely made in the same shop and, with a similar historical association as the set represented by the chair offered here, may have furnished the same eighteenth-century household (Morrison H. Heckscher, American Furniture: The Queen Anne and Chippendale Styles (New York, 1985), pp. 82-83, cat. 38). This chair descended to the twentieth century with a history of being part of the furnishings of Graeme Park in Horsham, Pennsylvania, a provenance that is supported by the other known chairs from the same set, all of which were also associated with the historic house by their later owners. Originally called Fountain Low and probably constructed for utilitarian purposes, Graeme Park was built in 1722 for Lieutenant-Governor Sir William Keith (1669-1749) on his 1,735 acre estate about twenty five miles north of Philadelphia. Keith returned to England in 1728 and, while the chairs were later thought to have been owned by Keith himself, they date to the period following the house's purchase by Keith's son-in-law, Dr. Thomas Graeme (1688-1772) in 1739. Graeme had accompanied Keith to Philadelphia in 1717 and two years later married Keith's step-daughter, Ann Diggs (d. 1765). After purchasing the house, Graeme re-named the estate and began its transformation into a Georgian summer mansion by re-planting the gardens and retrofitting the house with interior panelling. For almost a hundred years after Dr. Graeme's death in 1772, this set of chairs appears to have remained intact on the estate and owned by successive proprietors of Graeme Park. Graeme bequeathed the estate to his daughter, Elizabeth Graeme Fergusson (1737-1801), a respected poet and scholar who hosted America's first salon, attended by Philadelphia's leading intellectual figures such as Dr. Benjamin Rush and Francis Hopkinson. Elizabeth has been credited with working the floral needlework covers on the chairs, but it is also possible that they were stitched by her mother, Ann Diggs Graeme, especially if the chairs were made closer to 1740 than 1760. Evidence of the latter's proficiency in the needlework arts is suggested by "the Crocadile [sic] in Needle Work by Mrs. Graeme," which was in a bed chamber in 1778; interestingly, the same room had "6 chairs with the old Arm chair," possibly a reference to some of the set represented by this chair. During the Revolutionary War, Elizabeth's husband, Hugh Fergusson, was a Loyalist and deserted not only the country, but his wife. In 1791, Elizabeth transferred ownership of the estate to Dr. William Smith (1746-1822), her niece's husband, and in exhchange, he managed her finances. In 1801, Smith sold the parcel of land that contained the mansion house to Samuel Penrose (1748-1833), a prominent local Quaker farmer, and, in 1821 Samuel sold it to his son, William Penrose (1782-1863), who had been living on the estate with his wife in a separate house since their marriage in 1810. For much of the nineteenth century, Graeme Park was largely uninhabited and looked after by the Penrose family, a circumstance that probably contributed to the survival of the chairs' needlework seat covers ("Addendum to Graeme Park," Historic American Buildings Survey , HABS no. PA-579, pp. 1-29; Thomas Allen Glenn, Some Colonial Mansions and Those Who Lived in Them (Philadelphia, 1899), pp. 367-398; Theodore Webber Bean, History of Montgomery County, Pennsylvania (Philadelphia, 1884), pp. 880-883, 888-896; Simon Gratz, "Some Material for a Biography of Mrs. Fergusson, nee Graeme," Pennsylvania Magazine of History and Biography , vol. 39, no. 3 (1915), p. 295; "People" [biographies], www.graemepark.org ). The set of chairs appears to have been separated upon the settlement of William Penrose's estate in 1865. This chair and the example now at Colonial Williamsburg descended through William's daughter, Ann J. (Penrose) Iredell (1811-c.1881) and remained in the Horsham area until sold out of the family. Colonial Williamsburg purchased their chair from Iredell Twining (1879-1971); his sister, Ida (Twining) Jones (c.1873-1968), was the last family owner identified at the time of this chair's sale at auction in 1983. The chair illustrated in The Magazine Antiques in 1960 (see above) descended to William Penrose's younger daughter, Hannah (1820-1894), who at Graeme Park in 1857, married Isaac Worstall Hicks (1809-1898), son of the celebrated artist, Edward Hicks (1780-1849)." (see https://www.christies.com/lot/lot-5717013) Condition: needlework upholstered example with minor patch at one crest volute, minor brakes and repairs at joint of crest rail to rear stiles and at joint of splat to crest rail (strip patch), old crack/checking at one rear leg, some finish distress at splat, small patch at top of one crest volute, very minor chip at one splat volute, rich color with dry varnished surface with some minor finish distress Needlework example: Christie's catalog entry notes "Retains the original needlework slip seat marked VIIII. Seat frame marked VIII. Crack, repair and surface patch to base of crest just above splat. Crack repairs and minor patches to back of crest at juncture with stiles. Patch to portion of left scrolled volute on crest. Some scratches bruising and wear to legs and feet. Chip to inside of left front leg near ankle. Comes with replaced slip seat. Minor chip to lower scrolled volute on left side of splat. Otherwise good condition." Pink upholstered example: Christie's notes "Underside of front seat rail bears pencil inscription "M Davis". Majority of knee returns appear to be original Crack to left front and right side returns. right returns. Right rear side return possibly replaced. Surface patch to left scrolled volute of crest. Inside of right seat rail bears sticker numbered "25". Some imperfections to dry surface, primarily on backside of chair. Crest re-pinned. Some shrinkage cracks to left front leg. Minor wear and abrasions to legs and feet. Otherwise good condition."
• OIL ON CANVAS PORTRAITOil on canvas
  OIL ON CANVAS PORTRAITOil on canvas portrait of Bartholomew Penrose Jr. (1708-1758) of Philadelphia, early 18th c., inscribed in upper right, of a young gentleman and his hound, the background with fox hunt scene, 30" x 25". NO in-house shipping for this lot. Condition: Relined. Covered with an obscuring layer of varnish. A couple of miniscule areas of paint loss. Craquelure.
• PAIR OF OIL ON CANVAS PORTRAITSPair
  PAIR OF OIL ON CANVAS PORTRAITSPair of oil on canvas portraits of Bartholomew Penrose Sr. (1674-1711) of Bristol and his wife Hester, early 18th c. , the gentleman inscribed in upper right, verso retaining the label of Frost & Reed, Bristol (Fine Art Gallery), the woman inscribed Mrs. Penrose wife of Bartholomew Penrose of Bristol . The sitters moved to Philadelphia where Bartholomew, a master ship carpenter, was commissioned by William Penn to build the ship Diligence in 1706, 30" x 25". NO in-house shipping for this lot. Condition: Woman - 41 1/8" x 36" x 4", old reline, minor scattered touch-up. Man - 41" x 36" x 4", old reline, flaking, several smaller repaired tears and punctures.
• (22) FLATWARE COLLECTION INCLUD.
  (22) FLATWARE COLLECTION INCLUD. WALLACE 'PENROSE'(lot of 22) Collection of flatware, including: (13 piece) Wallace "Penrose" flatware, (three) knives, (one) butter knife, (three) forks, (two) salad forks, (three) teaspoons, (one) soup spoon, (9 piece) carving set, possibly with sterling silver handles, monogrammed D, (six) knives, (one) carving knife, (one) serving fork, (one) knife steel; approx 12.86ozt total (weighable silver only)
• ATTRIBUTED TO ROBERT RICHARD
  ATTRIBUTED TO ROBERT RICHARD SCANLAN (1801-1876): PORTRAIT OF MISS LUCY ROGERS OF PENROSE, CORNWALLOil on canvas, unsigned, titled on a label on the reverse, lined. 12 x 10 in., 16 x 14 in. (frame). Condition Lined. Craquelure and surface soiling. Some scattered inpainting, some in the face. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• A TRENCH MORTAR PERISCOPE by A.W.
  A TRENCH MORTAR PERISCOPE by A.W. Penrose & Co. Ltd, London, stamped with a military crows foot, no. 1146, 43cm long.
• WATERFORD CRYSTAL LISMORE SALAD
  WATERFORD CRYSTAL LISMORE SALAD BOWLStunning crystal bowl with exquisite detail; Lismore pattern. Waterford etched on base. Influenced by the 18th century crystal designs of Waterford founders George and William Penrose, Waterford Crystal designer Miroslav Havel created the Lismore pattern in 1953. The pattern features refined diamond cuts and a symmetrical series of upward flowing wedge cuts.
• WATERFORD CRYSTAL SOCIETY VASE,
  WATERFORD CRYSTAL SOCIETY VASE, PENROSEIn clear coloration. Beautiful crystal cut in Penrose fan and criss-cross design. Waterford Society acid mark. Issued: 1995 Dimensions: 5"L x 5"W x 8.5"H Manufacturer: Waterford Condition: Age related wear.
• 4 CHINESE EXPORT PORCELAIN ARMORIAL
  4 CHINESE EXPORT PORCELAIN ARMORIAL PLATES & 1 SHALLOW ...1st-2nd items: Pair of Chinese Famille Rose porcelain export saucers, painted in the manner of Johann Gregor Horoldt, the central reserves depicting figures seated at a table drinking tea and the rims with vignettes depicting figures engaged in various activities interspersed with floral sprigs, gilt highlights throughout. One plate retains a retailer label for "Vic Pearson & Co Ltd., London". 8 7/8" dia. 18th century. 3rd item: Chinese Export porcelain armorial plate, the center with a coat of arms, possibly for James Seys of Penrose in Monmouth, the rim with applied scrolling enameled decoration. Plate retains a retailer label for "Vic Pearson & Co Ltd., London". 9" dia. 18th century. 4th item: Edme Samson export armorial plate, decorated in the 18th century Chinese Export Armorial style.The center bearing a polychrome and parcel gilt Order of the Garter coat of arms flanked by a lion and unicorn and surmounted by a crown, reading "Honi soit qui Mal y pense" ("Shame on him who thinks evil of it") and encircled with polychrome floral sprigs. The rim with polychrome floral swags and gilt link chain decoration. Red Samson Asian style mark on the underside. 9 1/2" dia. Late 19th century. 5th item: Chinese Export armorial porcelain bowl, the center with a coat of arms, possibly for the family Peers, polychrome and parcel-gilt depicting griffins on a shield. The rim with polychrome vignettes of a griffin and foliate designs within gilt fretwork; foliate sprays to underside of rim. Bowl retains a partial retailer label for "Vic Pearson & Co Ltd., London". 8 3/8" dia. 18th century. The Collection of Dr. Joe Newsom Rawlings, Davisboro, Georgia. Condition: 1st-2nd items: Both plates with evidence of restoration, visible under UV light inspection. 3rd item: Very minor fleabites to the underside of the rim. 4th item: Overall good condition, no chips or hairlines. 5th item: Overall good condition, losses to decoration, primarily to gilt. Possible old restoration to one area of the rim.
• JOSEPH AND NATHANIEL RICHARDSON
  JOSEPH AND NATHANIEL RICHARDSON COIN SILVER COFFEE POTPhiladelphia, Pennsylvania, late 18th century, urn form body, pineapple finial, scroll wooden handle, one side with engraved shield flanked by floral sprays, opposite side with later inscription documenting ownership, marks for Joseph & Nathaniel Richardson (Philadelphia, Pennsylvania, working 1777-1791), 43.53 oz. T., 15 in. Provenance: Philip Thomas II (1727-1784) and Anne Harris Galloway (1719/20-1763), Ann Arundel County, MD, to their daughter-in-law Sarah Margaret Weems (1762-1824), who married Philip Thomas III (1754-1809) 7 March 1782, to their daughter Mary Frances Caroline Thomas (1798-1858), who married Jeremiah Smith Hubbard Boies (1798-1858) 28 February 1828, to their daughter Sarah Hannah Boies (1834-1881), who married Richard Alexander Fullerton Penrose (1827-1908) 28 September 1858, to their daughter-in-law Katharine Drexel (1866-1918), who married Charles Bingham Penrose (1862-1925) 11 November 1892, to his brother Dr. Richard Alexander Fullerton Penrose (1863-1931) 25 December 1901; Christie's, January 19, 2018; The Important Private Collection of a Rocky Mountain Couple Condition: back side with later inscription, handle slightly pushed in at top and bottom, small dents, light scratches
• DOROTHEA TANNING (1910 - 2012) "I
  DOROTHEA TANNING (1910 - 2012) "I LOVE MAX"Dorothea Tanning (American, 1910 - 2012) "Bonjour Max Ernst" (I love Max) - 1976 Aquatint, sugar-lift aquatint and roulette. Pencil signed and numbered (10/100) lower margin. Image Size: 14 7/8 x 19.5 in. Overall Framed Size: 27 x 31 in. Framed behind glass. For the portfolio Bonjour Max Ernst, with one print by Dorothea Tanning and additional prints by Alechinsky, Arman, Baj, Bellmer, Ben, Cesar, Copley, Francois, Kern, Lam Lichtenstein, Man Ray, Masson, Matta, Messagier, Miro, Moore, Nillson, Oppenheim, Penrose, de Saint Phalle, Titus Carmel, and Wunderlich; Leessai Max Ernst by Louis Aragon. Editions Georges Visat, Paris. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• SIX BOOKS PERTAINING TO PABLO
  SIX BOOKS PERTAINING TO PABLO PICASSOComprising: Hans Bollinger, Picasso For Vollard; Roland Penrose, The Sculpture of Picasso; George Ramie, Ceramque De Picasso; Georges Bloch, Pablo Picasso, Cataloque Catalogue de Louvre ET Grave et Lithographe, 1904-1967; and two additional books. (Cond: used, some jackets lacking, jackets torn)
• SIX MODERN ART REFERENCE BOOKS:
  SIX MODERN ART REFERENCE BOOKS: DE KOONING, MONDRIAN, POLLOCK, PICASSO. 12"H X 9"W X 2"D (LARGEST)Six Modern Art reference books: de Kooning, Mondrian, Pollock, Picasso., Includes: The Sculpture of Picasso, Roland Penrose, The Museum of Modern Art, New York, 1967 The Art of 20th Century Volumes I and II, Taschen, 2005 Jackson Pollock, Francis V. O'Connor, The Museum of Modern Art, 1967 Willem de Kooning, The Museum of Modern Art, New York, Thomas B. Hess, 1968 Jacques Villon, Master of Graphic Art, 1875-1863, Museum of Fine Arts, Boston, 1964 Piet Mondrian, Michel Seuphor, Life and Work, Dimensions: 12"H x 9"W x 2"D (largest)
• 4 BOOKS ON PROMINENT 20TH CENTURY
  4 BOOKS ON PROMINENT 20TH CENTURY ARTISTS"Love and Joy About Letters" by Ben Shahn. Published by Grossman Publishers, New York, 1963. First edition with slip case. "O'Keeffe's O'Keeffes: The Artist's Collection" by Barbara Lynes with Russell Bowman. Published by Thames & Hudson. "Picasso at Work" by Edward Quinn and Roland Penrose. Published by Doubleday & Company Inc. New York . "Larry Rivers" by Sam Hunter. Published by Arthur A Bartley, Publishers, New York, 1989.
• 4 BOOKS ON PROMINENT 20TH CENTURY
  4 BOOKS ON PROMINENT 20TH CENTURY ARTISTS"Love and Joy About Letters" by Ben Shahn. Published by Grossman Publishers, New York, 1963. First edition with slip case. "O'Keeffe's O'Keeffes: The Artist's Collection" by Barbara Lynes with Russell Bowman. Published by Thames & Hudson. "Picasso at Work" by Edward Quinn and Roland Penrose. Published by Doubleday & Company Inc. New York . "Larry Rivers" by Sam Hunter. Published by Arthur A Bartley, Publishers, New York, 1989.
• DISCOVERY FARM AT ALPENROSE' 4-H
  DISCOVERY FARM AT ALPENROSE' 4-H SIGNDISCOVERY FARM AT ALPENROSE' 4-H SIGN, hand painted plywood, 44.5 x 96 inches.
• ALPENROSE CIRCUS TICKET
  ALPENROSE CIRCUS TICKET WAGONALPENROSE CIRCUS TICKET WAGON, 82.25"H x 101"L x 57"W.
• ALPENROSE CIRCUS WAGONALPENROSE
  ALPENROSE CIRCUS WAGONALPENROSE CIRCUS WAGON, 63.5"H x 79"L x 43"W.
• ALPENROSE CIRCUS WAGONALPENROSE
  ALPENROSE CIRCUS WAGONALPENROSE CIRCUS WAGON, blue wood bars, interior wood passenger benches, rear access door, 82"H x 100"L x 57.5"W.
• ALPENROSE PARADE BANNER, FLAG AND
  ALPENROSE PARADE BANNER, FLAG AND HAT LOTALPENROSE PARADE BANNER, FLAG AND HAT LOT, 17 total items including a pole banner that reads 'LEGIO ALPENROSE OPTIME.'
• 1937 ALPENROSE DAIRY DELIVERY
  1937 ALPENROSE DAIRY DELIVERY TRUCK1937 ALPENROSE DAIRY DELIVERY TRUCK, Detroit Industrial Vehicles Company (DIVCO), with four cylinder gas engine, folding side doors, rear access double doors, white finish, Alpenrose Dairy side lettering.
• THE 1912 ALPENROSE CALLIOPE
  THE 1912 ALPENROSE CALLIOPE WAGONTHE 1912 ALPENROSE CALLIOPE WAGON, the circus wagon housing The New Tone Air Calliope by National Calliope Corporation, Kansas City, MO., a brass pipe calliope model B94, s/n 101, c. 1912, the wagon built by Alpenrose Dairy carpenters in 1960, 100"H x 153"L (excluding tongue) x 71"W overall.
• ALPENROSE PARADE PUPPET
  ALPENROSE PARADE PUPPET WAGONALPENROSE PARADE PUPPET WAGON, with 'Rusty and the Puppets' side sign under puppet stage window, and 'Alpenrose Puppet Wagon' top sign, 102"H x 49.25"W x 130.25"L overall.
• ALPENROSE DIARY HORSE-DRAWN
  ALPENROSE DIARY HORSE-DRAWN DELIVERY WAGONALPENROSE DIARY HORSE-DRAWN DELIVERY WAGON, American made, early 20th century, donated by a friend to Henry Cadonau and used in the Portland Rose parade in the 1950's, 83"H x 64"W x 126"L overall.
• WHITE ALPENROSE PARADE PASSENGER
  WHITE ALPENROSE PARADE PASSENGER WAGONWHITE ALPENROSE PARADE PASSENGER WAGON, with two opposing bench seats behind the driver's seat, 'Alpenrose Diary' and 'Est. by Henry Cadonau, 1916' lettering along both sides, 62"H x 61"W x 122"L overall.
• AN ILLUMINATED ALPENROSE
  AN ILLUMINATED ALPENROSE ADVERTISING SIGNAN ILLUMINATED ALPENROSE ADVERTISING SIGN, hexagonal design with eight advertising panels, 20"H x 48.5"W.
• ALPENROSE PARADE CHARIOTALPENROSE
  ALPENROSE PARADE CHARIOTALPENROSE PARADE CHARIOT, a two-wheel Roman chariot design with upholstered interior, 34"H.
• ALPENROSE CIRCUS PARADE BAND
  ALPENROSE CIRCUS PARADE BAND WAGONALPENROSE CIRCUS PARADE BAND WAGON, 86"H x 57.25"W x 185"L overall.
• ALPENROSE DAIRY BELL WAGONALPENROSE
  ALPENROSE DAIRY BELL WAGONALPENROSE DAIRY BELL WAGON, the Swiss bronze cow bells removed and retained by the family, 83"H x 91"L x 60"W overall.
• ALPENROSE DAIRY STAGE
  ALPENROSE DAIRY STAGE COACHALPENROSE DAIRY STAGE COACH, a scale model of Wells Fargo stage coaches, custom built at Alpenrose in 1955; used in Portland Rose Festival parades and Alpenrose 4th of July pageants, brown and yellow painted finish, 91"H x 66.5"W x 130"L overall, excluding tongue.
• LONG 'HOTEL ALPENROSE' SIGNLONG
  LONG 'HOTEL ALPENROSE' SIGNLONG 'HOTEL ALPENROSE' SIGN, hand painted wood board construction, 27.25 x 167.5 inches.
• SMALL HORSE-DRAWN ALPENROSE DAIRY
  SMALL HORSE-DRAWN ALPENROSE DAIRY FARM WAGONSMALL HORSE-DRAWN ALPENROSE DAIRY FARM WAGON, American, late 19th/early 20th century, red and white wood construction with Alpenrose markings, 54.5"H x 66.5"L x 57"W overall.
• ANTIQUE TWO-SEAT SURREY WITH
  ANTIQUE TWO-SEAT SURREY WITH FRINGED CANOPY TOPANTIQUE TWO-SEAT SURREY WITH FRINGED CANOPY TOP, American, late 19th/early 20th century, a four-wheeled horse drawn carriage for up to four passengers, Alpenrose markings, black with red seats, axles and wheels, 74.25"H x 57"W x 99.5"L overall.
• ALPENROSE DAIRY HORSE DRAWN
  ALPENROSE DAIRY HORSE DRAWN DELIVERY WAGONORIGINAL ALPENROSE DAIRY HORSE DRAWN DELIVERY WAGON, American, c. 1925, Ice Cream Fountain Service markings, white metal construction with blue chassis and pneumatic rubber tires. Cab dimensions: 121.25"L x 49"W.
• DAIRYVILLE CONFECTIONERY'
  DAIRYVILLE CONFECTIONERY' SIGNDAIRYVILLE CONFECTIONERY' SIGN, hand painted plywood, dated 2017, 46.5 x 88.25 inches. A vintage 'ALPENROSE CONFECTIONERY' wood sign, 12 x 36 inches, accompanies the lot.