A few examples of appraisal values for
PETER ROSE

• PETER JONES (20TH CENTURY), STILL
  PETER JONES (20TH CENTURY), STILL LIFE WITH YELLOW ROSES Oil on Masonite, signed lower left, attractively framed.
• PETER MAX: "ROSEVILLE"oil on canvas
  PETER MAX: "ROSEVILLE"oil on canvas signed top right 60 x 48 inches Condition:
• PETER ALEXANDER (b. 1939): ROSARITO
  PETER ALEXANDER (b. 1939): ROSARITO Acrylic and oil on canvas initialed and dated lower right signed titled and dated on verso. Provenance: Property from the collection of Jan Cowles. 47 3/4 x 60 in. 48 1/2 x 60 3/4 in.
• PETER MAX ACRYLIC OVER OFFSET
  PETER MAX ACRYLIC OVER OFFSET LITHOGRAPHPETER MAX (New York, born 1937) acrylic over offset lithograph, "Roseville Profile," flowers and a face. Signed upper right. Image measures 31" x 24". In a wood frame; 43.5" x 36.5" overall.
• PETER MAX SIGNED MIXED MEDIA
  PETER MAX SIGNED MIXED MEDIA 'ROSEVILLE PROFILE'Peter Max, German/American (Born 1937). Pop art mixed media in vivid colors by Peter Max signed in top right corner and mounted in gilt frame with black matting. Measures 44.5"H x 36"W framed; 30.5"H x 22.5"W visual.
• PETE ROSE SIGNED REDS CAP Signed
  PETE ROSE SIGNED REDS CAP Signed with black marker.
• Peter Phillips (British, b. 1939)
  Peter Phillips (British, b. 1939) Pop Art composition Silkscreen Pencil signed, numbered 70/75, dated '75 35 3/4" x 25 1/4"
• Brian Rose b.1954. Henry Street.
  Brian Rose b.1954. Henry Street. 1980, c-print. 16? h × 20? w in. result: $875. estimate: $1,000–1,500. Signed, titled, dated and numbered to artist's label on verso ‘Brian Rose Henry Street 1980 1/10’. This work is number 1 from the edition of 10. Sold with a certificate of authenticity from the artist and a copy of WTC signed by the artist. Provenance: Acquired directly from the artist by the present owner
• ANDY WARHOL / PETE ROSE (1985),
  ANDY WARHOL / PETE ROSE (1985), SIGNED BY BOTHAndy Warhol (American, 1928-1987) Pete Rose , 1985 Serigraph on paper 38" x 30" (image) Pencil-signed edition of 50 Pencil-signed to the bottom margin by both Andy Warhol and Pete Rose. Hand numbered 43/50, with the publisher's blind stamp to the bottom left corner. Archivally presented behind glass in a white frame that measures 49" x 41". Warhol's image of baseball legend Pete Rose stands as one of the most fascinating 20th century intersections between the disparate worlds of sports and fine art. When the Cincinnati Art Museum commissioned the portrait in anticipation of Pete Rose surpassing Ty Cobb as the all-time hits leader, the two superstars had purportedly not heard of one another. The unusual pairing didn't prevent the commission from being an overwhelming success, as the edition of 50 screenprints offered by the museum sold out very quickly. Because of the small size of the edition and the lasting legacies of both artist and subject, the prints remain scarce to market and popular with collectors of sports memorabilia and pop art alike. Rarer still are impressions signed by both Warhol and Rose-- only a handful from the edition were signed by the Cincinnati Reds great. Pete Rose began his career with a Rookie of the Year award, quickly developed into a perennial All-Star, garnered a handful of Golden Gloves, was named MVP in 1973, and retired with 4256 hits to his name, a record that will continue to stand for a very long time. His unparalleled effort and tenacity earned him the nickname "Charlie Hustle" from Whitey Ford. Despite his legendary status on the field, Rose has been barred from the Baseball Hall of Fame for betting on the sport, a decision that remains the subject of much contention and debate, perhaps leading to an even more eminent stature in baseball history. Artist and iconoclast Andy Warhol stands comfortably inside the pantheon of 20th century culture. His status in pop art is arguably unrivaled, injecting the world of fine art with a generous dose of commercial imagery and celebrity appeal, and influencing generations of artists across a variety of media. Provenance : A private Kansas City collection, thence from a private Arizona collection, thence from the Cincinnati Museum of Art. Condition Very good condition, with no evidence of toning or acid burn to the sheet. In the left margin along the extreme edge of the mat sight is a bit of faint creasing (contained outside of the image and running parallel with the mat). Otherwise pristine. The sheet has not been removed from the frame.
• PETER MAX (1937- ): "ROSEVILLE
  PETER MAX (1937- ): "ROSEVILLE PROFILE"serigraph in colors; signed and numbered 295/300; 29 1/4 x 23 1/4 inches, sight; 42 x 36 inches frame Condition:
• PETER MAX (B. 1937), "ROSEVILLE
  PETER MAX (B. 1937), "ROSEVILLE PROFILE," 2005, MIXED MEDIA WITH ACRYLIC AND LITHOGRAPHY IN COLORS ON PAPER, SIGHT: 35.5" H X 23.25" WPeter Max, (b. 1937) "Roseville Profile," 2005, Mixed media with acrylic and lithography in colors on paper Signed upper right: Max; signed again in the image, lower center; titled and dated from a certificate of authenticity that accompanies this lot Mixed media with acrylic and lithography in colors on paper Dimensions: Sight: 35.5" H x 23.25" W
• PETER NADIN (B. 1954): STUDIO
  PETER NADIN (B. 1954): STUDIO WINDOW WITH ROSA BONHEUR1988; oil on canvas with applied objects, unframed; signed and dated verso; Provenance: Brooke Alexander, New York (label verso); The Jerry Magnin Family Office; 87 1/2 x 180 inches Condition:
• PETER AMBROSE (B. 1953), UNTITLED
  PETER AMBROSE (B. 1953), UNTITLED (HIPS), 1988, CAST IRON AND STEEL, 101" H X 15" W X 20" LPeter Ambrose, (b. 1953) Untitled (Hips), 1988, Cast iron and steel Unsigned Cast iron and steel Dimensions: 101" H x 15" W x 20" L Provenance: Rosa Esma, New York, NY Private Collection, Southern California
• Peter Hayes (born 1946), a
  Peter Hayes (born 1946), a pierced porcelain blade on clay form and slate base, signed, 26.5cm high
• Peter Hayes (born 1946), a
  Peter Hayes (born 1946), a pierced porcelain blade on clay form and slate base, signed and inscribed Udaipur 2015, 25.75cm high
• A GROUP OF FOUR ANIMAL FIGURES,
  A GROUP OF FOUR ANIMAL FIGURES, PETER ROSE (TN) AND PAMELA OWENS (NC) Salt glazed stoneware bunny basket, rabbit, and blue glazed bird, each signed "Peter Rose" and a open mouth cawing bird by Pamela Owens of Jugtown (9 3/4 in.).
• Circle of Sir Peter Lely
  Circle of Sir Peter Lely (Anglo-Dutch, 1618-1680) "Portrait of a Gentleman in a Brown Robe with a White Jabot" and "Portrait of a Lady in a Rose Dress with a Blue Wrap", pair of oval oils on canvas, 29" x 23-1/2", unsigned. Presented in matching 19th-century carved giltwood frames.
• Peter Casteels (after) (Belgian
  Peter Casteels (after) (Belgian 1684-1749) BASKET OF SPRING FLOWERS oil on canvas framed unsigned H25'' W30'' Provenance: Ex-collection of Marjorie Seely Blossom Jones Wilson. Descended to present owner Atlanta Georgia collection. Other Notes: New York and London socialite Marjorie Seely Blossom was first married to financier E. Clarence Jones. They wanted to build a lavish home in Palm Beach for the season which was to be designed by Marion Sims Wyeth. The oceanfront estate know today as Vita Serena on 105 Clarendon Avenue was completed after the death of Mr. Jones. Mrs. Jones later married Captain Robert Amcotts Wilson and they considered the Palm Beach estate their second home. It was eventually sold to Jean Flagler Matthews who rented the house to King Saud during the early 1960s. Today this magnificient property is for sale at the asking price of 27.9 million dollars.
• Peter Care (born 1952), a
  Peter Care (born 1952), a circular porcelain sculpture of three interlocking pieces, the exterior in copper and cream glazes, the interior textured and shaped to resemble fabric, impressed mark, 16.5cm diameter, together with a studio ceramic vase of organic form, the black lustre glaze painted with grey and white roundels and splashes, indistinctly signed and dated 1984, 13.5cm high [2]
• PETER MAX (AMERICAN, B. 1937),
  PETER MAX (AMERICAN, B. 1937), BLUSHING BEAUTY ON BLENDS Acrylic over print on canvas, 2008, with acrylic signature at lower right, retains label from outside gallery to verso, framed.
• PETER ROBERT KEIL. "BLUMENSTRAUSS,"
  PETER ROBERT KEIL. "BLUMENSTRAUSS," ACRYLIC "Bouquet" (German, b. 1942). Acrylic on board, 1991, signed lr, signed, titled and dated, with "Amsterdam" written on verso, 24 x 24 in., unframed.
• Guy Rose (American/French
  Guy Rose (American/French 1867-1925) ink and watercolor canal scene signed lower right and dated '94 13" x 11". ?
• § SIR PETER BLAKE C.B.E., R.A.
  § SIR PETER BLAKE C.B.E., R.A. (BRITISH 1932-) GIRL IN A POPPIES FIELD, 1974 Screenprint, 45/125, signed, dated and numbered in pencil to marginsheet 63.5cm (25in), 48.5cm (19in)
• PETER ERSKINE (B. 1941) "ANGEL'S
  PETER ERSKINE (B. 1941) "ANGEL'S WING"2003; gold leaf on resin; pencil-signed, dated, and numbered 1/40 to backing panel; in an acrylic box frame; Provenance: Chuck Fries, God Father of the Television Movie and Ava Fries Estate, Beverly Hills; 4 1/4 x 5 3/4 inches; 11 x 14 inches frame Condition:
• Rose Stern (American, Mid-20th
  Rose Stern (American, Mid-20th Century) "New York Street Scene", gouache and ink on paper, signed lower right, 15" x 19-1/2". Framed.
• Tom Ferguson (20th century) White
  Tom Ferguson (20th century) White and Black Roses platinum palladium print edition 4/25 7 1/2 x 9 1/2 inches.
• POTTERY SCULPTURE OF MONKEY AND
  POTTERY SCULPTURE OF MONKEY AND BIRD, PETER ROSE (KNOXVILLE, TN) Wood-fired clay, turned and hand-sculpted, salt glazed surface with carved and painted details, inscribed signature beneath the tail.
• PIERRE JOSEPH REDOUT‚(French,
  PIERRE JOSEPH REDOUT‚(French, 1759?1840) Two plates: one Pl. 151 Paeonia officinalis mas; Rose, both hand colored stipple engravings on laid paper, sheets approximately 14-1/8 x 10-3/8 in.; gilt wood frames by Heydenryk, 18-3/8 x 15-7/8 in. Provenance: Private Georgia Collection Condition: light toning and fading, one examined out of frame, binding edge present left, small pin size holes; painted and gilt wood frames
• PAUL ROSE (SOUTH AFRICAN 1931-2018)
  PAUL ROSE (SOUTH AFRICAN 1931-2018) A PAINTING, "SECRET...PAUL ROSE (South African 1931-2018) A PAINTING, "Secretary bird," 1990, oil on canvas, signed and dated L/L, "Paul Rose '90." 15" x 23" Condition: In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• PETER TERESZCZUK (1875-1963)
  PETER TERESZCZUK (1875-1963) AUSTRIANA 19th century bronze & natural material figural sculpture depicting a young girl picking flowers, affixed to a naturalistic plinth base bearing impressed signature for Austrian sculptor, Peter Tereszczuk. Height, 4". International buyers be advised that this lot contains material that will require export-import permits. Please ensure you have done your due diligence prior to bidding.
• PAUL ROSE, "TIGER" OIL ON CANVAS
  PAUL ROSE, "TIGER" OIL ON CANVAS BOARD Paul Rose (South African 1931-2018), "Tiger," oil on canvas board depicting the head of a tiger with its mouth partially open, signed at lower right, framed. Approximate dimensions: sight h. 21", w. 16.75"; overall h. 28", w. 24", d. 1.5".
• PETE ROSE SIGNED PHOTOGRAPH8x10
  PETE ROSE SIGNED PHOTOGRAPH8x10 photo signed by Pete Rose. Unconditionally guaranteed to be authentic. shipping info This item can be shipped in-house.
• PETER ROBERT KEIL. "VASE OF
  PETER ROBERT KEIL. "VASE OF FLOWERS," ACRYLIC (German, b. 1942). Acrylic on board, 1984, signed and dated lc, 24 x 12 in., unframed.
• PETER BEARD (1938-2020)
  PETER BEARD (1938-2020) AMERICANFoot 'n Mouth, Lake Rudolf, polaroid, 4 1/8 x 5 3/4 inches, signed, titled, inscribed 4191 Nairobi, with books as shown. Provenance: The Time is Always Now Gallery, New York.
• Geo. Peter (19th century) Potted
  Geo. Peter (19th century) Potted Plants oil on board signed Geo. Peter (lower right) 27 x 21 inches.
• PETER MAX MIXED MEDIA BLUSHING
  PETER MAX MIXED MEDIA BLUSHING BEAUTY BLENDSPeter Max (German / American, 1937-). Mixed media acrylic embellished lithograph, Blushing Beauty Blends 2006. Signed lower right. 7 1/4" x 9 1/4" (with frame 21" x 18 3/4"). Remnants of a label stuck under glass on left side of image, staining to linen mats, chips and losses to frame.