A few examples of appraisal values for
PETER SHARP

• PETER SIMON (ENGLISH, CIRCA
  PETER SIMON (ENGLISH, CIRCA 1764–1813), TWO SHAKESPEARE ENGRAVINGS Each an etching and engraving, circa 1790s, to include one from Romeo and Juliet and one from As You Like It, presumably published by Boydell and with printed details below matting, in uniform framing.
• Portrait of Admiral Peter Parker
  Portrait of Admiral Peter Parker (1721-1811) in wig, velvet waistcoat with embroidered embellishment, lace cravat, unsigned, oil on canvas, British School, late 18th/early 19th century, 30-1/8 x 24-7/8 in.; gilt carved and composition frame with acanthus corners. Restretched, lined, scattered areas of retouch in jacket and background not affecting face, crackle, cupping, cleavage, flaking, abrasions, stretcher marks; frame resurfaced, abrasions. Freeman's Auction, November 20, 2005, lot 517; Private Collection, South Carolina.
• Peter Phillips (British, b. 1939)
  Peter Phillips (British, b. 1939) Pop Art composition Silkscreen Pencil signed, numbered 70/75, dated '75 35 3/4" x 25 1/4"
• James Sharples, Sr. pastel
  James Sharples, Sr. pastel (English/American, 1751-1811, active in New York and Philadelphia 1793-1801), said to be portrait of Fisher Ames (1758-1808), pastel on paper, oval 9-5/8 x 7-3/4 in.; original late 18th/early 19th century carved and gilt wood oval frame. Lined with paper, 3/4 in. repaired tear at check to proper right ear with retouch (restoration by Patricia Morris, Santa Fe, New Mexico), other small tears and chipping at edges, some mild abrasion to coat.
• Peter Hayes (born 1946), a
  Peter Hayes (born 1946), a pierced porcelain blade on clay form and slate base, signed, 26.5cm high
• Peter Hayes (born 1946), a
  Peter Hayes (born 1946), a pierced porcelain blade on clay form and slate base, signed and inscribed Udaipur 2015, 25.75cm high
• Peter ScottCANADA GEESEsigned lower
  Peter ScottCANADA GEESEsigned lower right in pencil and marked Trial Proof lower left in pencildrypoint etching 20cm x 25cm (7.75" x 9.75")
• American Gouache on ivory miniature
  American Gouache on ivory miniature portrait pin Rev. Daniel Sharp Boston Massachusetts (1783-1853) set into unmarked yellow gold; engraved ''Daniel Sharp Born Dec. 25 1783 Died June 1853;'' approximately 1.25 in. length x 1 in. width Other Notes: Daniel Sharp D.D. (1783 - June 25 1853) was pastor of the Charles Street Baptist Church Boston Massachusetts for more than forty years (1812-ca.1853) and one of the founders of the Newton Theological Institution. Estimate $ 800-1 200 Any condition statement concerning the quality or condition of a stone or item of jewelry is given as a courtesy to a client is only an opinion and should not be treated as a statement of fact. We are not gemologists.
• Peter Scott ARR Teal signed in
  Peter Scott ARR Teal signed in pencil pencil drawing 14.5cm x 21.5cm (5.75" x 8.5")
• Peter ScottCANADA GEESEsigned lower
  Peter ScottCANADA GEESEsigned lower right in pencildrypoint etching 20cm x 25cm (7.75" x 9.75") (2 copies)
• Peter ScottCANADA GEESEnumbered I
  Peter ScottCANADA GEESEnumbered I II and III in pencil lower leftthree drypoint etchings 20cm x 25cm(7.75" x 9.75")
• Pastel portrait of a seated
  Pastel portrait of a seated gentleman attributed to James Sharples (1751-1811) mounted with reverse painted glass and a gilt frame. 9.5"x7"
• Istvan Boldizsar Hungarian,
  Istvan Boldizsar Hungarian, 1897-1984 Portrait of Peter, 1951 Estimate:$200-$300
• Peter Kennard and Cat
  Peter Kennard and Cat Phillipps/Photo Op/print, 49.5cm x 49.5cm
• PETER SOLOW (AMERICAN/NEW YORK,
  PETER SOLOW (AMERICAN/NEW YORK, B. 1952)Peter Solow (American/New York, b. 1952) , "Figures on the Shore", 1987, oil on canvas, signed and dated lower right, inscribed "G-31028" on stretcher, 50 in. x 60 in., framed. Provenance: Estate of James H. Stone, New Orleans, LA
• PETER HARKAWIK (B. 1982): TWO MEN
  PETER HARKAWIK (B. 1982): TWO MEN ONE NAPPINGphotograph enhanced with paint; unsigned; 56 1/2 x 43 inches sight; 59 3/4 x 45 1/2 inches frame Provenance: Provenance: The Estate of Juliet McIver Condition:
• Peter Stroud (British, 1921–2012)
  Peter Stroud (British, 1921–2012) Untitled (a group of six prints), 1971 screenprints signed and numbered 110/125 in pencil 28 x 33 7/8 inches.
• William Sharp[PEAR STUDIES] Four
  William Sharp[PEAR STUDIES] Four chromolithographs Together with After W. Muller [PEAR STUDIES], two chromolithograph3 (6) Estimate:$300-$500
• PETER GEE (AMERICAN/BRITISH,
  PETER GEE (AMERICAN/BRITISH, 1932-2005), "TRIPLE TARGETS," DHR/CAMP SYSTEMS SIGNED POSTER Silkscreen print, circa 1965, signed at lower left, matted and framed.
• PETER BEARD, PHOTOGRAPH, STAMPED
  PETER BEARD, PHOTOGRAPH, STAMPED Peter Beard (American, 1938-2020), "I'll Write when I Can", , Koobi Fora, Lake Rudolf, Kenya, 1965, agent's stamp on verso, loose and unframed, 11"h x 14"w (sheet)
• WILLIAM SHARP, ETCHING William
  WILLIAM SHARP, ETCHING William Sharp (American, 1900-1961), "Lincoln Park Marabous", c. 1940, etching and aquatint, pencil signed at lower right, with AAA documentation, 8.75"h x 11"w (plate), 14"h x 17.75"w (mat)
• Joseph Henry Sharp (American
  Joseph Henry Sharp (American 1859-1953) "Man Posing" graphite on paper signed lower left inscribed en verso 25 1/8 in. x 17 1/8 in. unframed.
• PETER CLAPHAM SHEPPARD O.S.A.
  PETER CLAPHAM SHEPPARD O.S.A. R.C.A. PORT CREDIT 1930S Medium: oil on board signed 8.5" (height) 21.3cm (height) 10.5" (width) 26.3cm (width)
• Portrait by Cincinnati Artist
  Portrait by Cincinnati Artist Joseph Henry Sharp Joseh Henry Sharp (American 1859-1953) pastel portrait of a CIncinnatian- typical of Sharp's early commission work signed l.r.; 24 x 20 in.
• PETER BEARD (1938-2020)
  PETER BEARD (1938-2020) AMERICANFoot 'n Mouth, Lake Rudolf, polaroid, 4 1/8 x 5 3/4 inches, signed, titled, inscribed 4191 Nairobi, with books as shown. Provenance: The Time is Always Now Gallery, New York.
• David Sharpe (American b. 1936)
  David Sharpe (American b. 1936) Abstract in Red and Black woodblock 8 1/2 x 8 1/2 inches.
• Peter Ward - Pastel drawing -
  Peter Ward - Pastel drawing - Head of a tabby cat 14.5ins square signed in white painted frame and glazed
• A silver skewer by Peter &
  A silver skewer by Peter & William Bateman London 1806. 25 cm.
• PETER PELTZ (1915-2001, SANDWICH,
  PETER PELTZ (1915-2001, SANDWICH, MA) - (3)carved and painted birds on wooden bases to include two owls and shorebird. Sizes ranging from 3" to 5" high, 3" to 5 1/2" long, and 2" to 4" deep.
• A Georgian silver pepper of vase
  A Georgian silver pepper of vase form by Peter & Ann Bateman London 1797 marks rubbed.
• PETER PAUL (1943-2013),
  PETER PAUL (1943-2013), ARCHITECTURAL COMPOSITIONS, 1970, LITHOGRAPH ON PAPER, IMAGE/SHEET: 26" H X 20" WPeter Paul, (1943-2013) Architectural compositions, 1970, Lithograph on paper A proof aside from the edition of unknown size Signed, dated, and indistinctly inscribed in pencil near the lower sheet edge: Peter Paul Lithograph on paper Dimensions: Image/Sheet: 26" H x 20" W Provenance: Estate of Dr. Sanford Kaufman and Dr. P. Waverly Davidson
• Peter Hanks (American, 20th/21st
  Peter Hanks (American, 20th/21st century) "Spring Thaw", bobwhit
• WORK ON PAPER, PETER SCHROTH
  WORK ON PAPER, PETER SCHROTH Peter Schroth (American, b. 1955), Untitled, 1996, ink on paper, signed and dated lower right, sheet: 9"h x 12"w, overall (with frame): 14"h x 15.75"w
• PHOEBE AND SPARROWPeter Peltz
  PHOEBE AND SPARROWPeter Peltz (1915-2001) Sandwich, MA, c. 1970 both are 5 in. long Peter Peltz (1915-2001) carved his first bird while at sea serving as a lieutenant in the Navy during World War II. After seeing action in both the Mediterranean and Pacific theatres, Peltz returned to the States, married, and moved to Cape Cod where he began carving in earnest. One of his works graced the Oval Office during John F. Kennedy’s tenure. The president was given the carving by his wife, Jacqueline, who owned at least three Peltz carvings. The phoebe exhibits the species identification and "P Peltz" signature on the bottom. The sparrow is signed "Peter Peltz." Original paint with moderate wear.
• Peter Ellenshaw (British,
  Peter Ellenshaw (British, 1913-2007) Path Through the Moors, 1975 oil on canvas signed Peter Ellenshaw and dated (lower right) 24 x 35 3/4 inches. Property From The Estate of Edwin L. Cox, Dallas, Texas
• PETER CLAPHAM SHEPPARD O.S.A.
  PETER CLAPHAM SHEPPARD O.S.A. R.C.A. HAY STACKS Medium: watercolour signed 7.25" (height) 18.1cm (height) 10.5" (width) 26.3cm (width)