A few examples of appraisal values for
PETERS AND REED

• RICHARD PETERS, ALS TO JOSEPH REED,
  RICHARD PETERS, ALS TO JOSEPH REED, 1779 Richard Peters (1744-1828, lawyer and soldier, for most of the war, Secretary of the Continental Board of War) autograph letter, signed, April 3, 1779, to Joseph Reed (1741-1785, lawyer, soldier, President of the Pennsylvania Assembly); 1 p., folio, with additional integral cover sheet, 10 7/8 x 8 5/8 in., concerning protocols for requisitioning supplies (which Reed apparently did not follow) and declining to issue commissions to two new officers, whose ranks were not specified.
• PETER MAX (AMERICAN B. 1937),
  PETER MAX (AMERICAN B. 1937), WALKING IN REEDS, CHROMOLITHOGRAPH WITH HIGHLIGHTS, FRAME: 32-1/4 X 38-4/4 INCHESPeter Max (American b. 1937), Walking in Reeds, chromolithograph with highlights, Frame: 32-1/4 x 38-1/4 inches
• REED & BARTON SERVING SPOON AND
  REED & BARTON SERVING SPOON AND FORK cast with orchids and poppies - (2)
• REED & BARTON SERVING SPOON AND
  REED & BARTON SERVING SPOON AND FORK cast with orchids and poppies - (2)
• JOSEPH REED, ALS, DURING THE PA
  JOSEPH REED, ALS, DURING THE PA LINE MUTINY, 1781 Joseph Reed (1741-1785, Statesman, Aide de Camp of Washington) autograph letter, signed, as President of the Supreme Executive Council of Pennsylvania, dated at Philadelphia, January 25, 1781, to Brig. Gen. Anthony Wayne at Trenton; 2 1/2 pp., folio, 11 3/4 x 7 1/8 in. Reed tells Wayne, "We have just received a fresh Demand from Mr. Deane for Shirts & Shoes," expressing exasperation because the articles had already been sent in an effort to appease the desperate soldiers in winter camp at Jockey Hollow. He asks Wayne and other officers to do all they can to distribute supplies. A postscript alludes to the reorganization of the PA Line, including relocation of various regiments.
• PETER MAX ETCHING ''WALKING IN
  PETER MAX ETCHING ''WALKING IN REEDS'' WITH REMARQUE; 22 1/4''h x 18 1/2'' sight size. Framed 35 1/2''h x 32 1/2''.
• 19th century British School
  19th century British School portrait, "Mr. Reed at 77 1820", man wearing black jacket and yellow vest, unsigned, oil on canvas, 19th century, 35-7/8 x 28 in.; 19th century Empire style gilt wood and composition frame. Lined and restretched on old stretcher, stretcher marks, repaired hole at center with paint loss, crackle, abrasions at edges, retouch at cheek, clothing, background, less than 10 percent of surface affected; frame resurfaced, losses to composition.
• (2) LEONARD H. REEDY, (AMERICAN,
  (2) LEONARD H. REEDY, (AMERICAN, 1899-1956) SOUTHWEST & PUEBLO SCENES Watercolor on paper. Each signed 'Leonard H. Reedy (lower left).
• Dutch School (Early 20th
  Dutch School (Early 20th Century) "Peter Paul Reubens" and "Bartolome Esteban Murillo", pair of portraits depicting the artists, each done as a cartouche bust portrait within scrolling patterns, 11-1/4" x 6-1/2". Presented in molded parcel-gilt frames.
• Two English Pewter Dishes, early
  Two English Pewter Dishes, early 18th century including a single reed by Martha Fly (fl.London, 1694-1714) and a further single reed by Thomas Buckby (London, fl.1701-1732) each diameter 16.5 in — 41.9 cm
• Attributed to Peter Oliver
  Attributed to Peter Oliver (British, 1594-1648) Two Figures Praying mixed media on velum 3 x 3 1/4 inches.
• LEONARD HOWARD REEDY (ILLINOIS,
  LEONARD HOWARD REEDY (ILLINOIS, 1899-1956), PAIR OF WESTERN SCENES., WATERCOLORS ON PAPER, 8" X 10.75". FRAMED 15.5" X 18.5".LEONARD HOWARD REEDY, Illinois, 1899-1956, Pair of western scenes. One signed lower left and the other lower right "Leonard H. Reedy". Dimensions: Watercolors on paper, 8" x 10.75". Framed 15.5" x 18.5".
• PAUL ALLEN REED, AMERICAN,
  PAUL ALLEN REED, AMERICAN, WASHINGTON, D.C. 1919-2015, UNTITLED, 1987, MIXED MEDIA ON PAPER, 11 7/8 X 8 3/4 IN. (30.2 X 22.2 CM.), FRAME: 19 1/2 X 16 IN. (49.5 X 40.6 CM.)PAUL ALLEN REED, AMERICAN, WASHINGTON, D.C., 1919-2015 UNTITLED, 1987, Mixed media on paper Lower left numbered: 968713; lower right signed and dated: Paul Reed 1987 Catalogue note: A native of Washington D.C., Paul Reed was one of the founding artists of the Washington Color School. After attending San Diego State College and the Corcoran School of Art, Reed moved to New York and worked as a magazine illustrator and graphic designer (1942-1950). Reed returned to Washington in 1950, and opened his own graphic design firm. He rekindled his childhood friendship with Gene Davis and formed new friendships with fellow D.C. artists - notably Jacob Kainen. It was upon his return to D.C. that Reed began to stain colors on unprimed cotton duck, a technique pioneered by Morris Louis and Kenneth Noland, and inspired by Helen Frankenthaler. Reed had his first solo show in January 1963 at the Adams-Morgan Gallery in D.C., followed by a solo Show in New York. In 1965 he was invited, along with Kenneth Noland, Morris Louis, Gene Davis, Thomas Downing and Howard Mehring, to join the now famous exhibition at the Washington Gallery of Modern Art "The Washington Color Painters." Reviewers of the exhibition referred to the ""singing beauty" of the paintings, recalling the paper cutouts of Matisse"" THE ART OF PAUL REED: Color, Creativity, Curiosity David Gariff This particular work is from his oeuvre of the late 70s and 80s. "These complex works are created through a combination of painting and offset printing using opaque watercolors and inks. The resultant forms spread across the surface in a dialogue between scraped and free-flowing color." THE ART OF PAUL REED: Color, Creativity, Curiosity David Gariff Mixed media on paper Dimensions: 11 7/8 x 8 3/4 in. (30.2 x 22.2 cm.), Frame: 19 1/2 x 16 in. (49.5 x 40.6 cm.)
• MAX, Peter, (German, 1937-):
  MAX, Peter, (German, 1937-): Walking in the Reeds, Original Hand Painted Acrylic Signed by Peter Max Over Color Lithography, sight size 16.75'' x 23'', signed upper right, framed. 22.5'' x 28.5'', appraisal affixed verso for value of $12,500, stamped verso Peter Max 2003 with serial number 758355.
• Brett Weston Photograph & Books
  Brett Weston Photograph & Books ''Reeds Oregon'' silver gelatin collector's edition ''Photographs from Five Decades'' an aperture monograph with autographed edition of ''Voyage of the Eye'' 1975
• REED PROVIDENCE SIDE WHEELER
  REED PROVIDENCE SIDE WHEELER RIVER BOAT Scarce and colorful lithographed paper on wood with paper decorated walking beam. Ex: Ward Kimball Collection. 20'' l. Replaced smoke plume paper loss to pilot's house break to one wheel beam missing one wire.
• JOSEPH REED, ADS: ORDER FROM GEN.
  JOSEPH REED, ADS: ORDER FROM GEN. WASHINGTON, 1775 Joseph Reed (1741-1785, lawyer, soldier, Military secretary to Washington in 1775, President of the Pennsylvania Assembly) autograph letter, signed, at Head Quarters, [Cambridge], August 13, 1775; 1 p., 8vo, 7 1/4 X 6 1/4 in., conveying Washington's permission for William Cochran, slave of W. Boylston, "to go down to the lines to meet his Owner," with appropriate supervision.
• Willie Lucille Reed (American/New
  Willie Lucille Reed (American/New Orleans, b. 1914) "Le Petit Salon, St. Peter Street, New Orleans (from Pirate's Alley)", etching, Ed/100, image 7" x 5", pencil titled lower left, pencil signed lower right "Willie Lucille Reed". Glazed, double matted and presented in an ebonized frame.
• PAIR OF CAST STONE MUSICAL PUTTI
  PAIR OF CAST STONE MUSICAL PUTTI one of the plump figures playing the reed pipes and the other with a harp both of square columnar bases (2) Provenance: From the Estate of Chief Justice Warren Earl Burger
• AFTER PETER PAILLOU THE ELDER
  AFTER PETER PAILLOU THE ELDER (FL. 1720-1790)After Peter Paillou The Elder (fl. 1720-1790) , "The Heron" and "Arctic Tern", c. 1761, 2 hand-colored etchings, from The British Zoology by Thomas Pennant, etched by Peter Mazell (Irish, fl. 1720-1790), published by J. and J. March, London, sights 20 3/4 in. x 13 in. and 12 3/4 in . x 15 3/4 in., framed. (2 pcs.) Provenance: Estate of Julia Evans Reed
• PAIR OF CAST STONE MUSICAL PUTTI
  PAIR OF CAST STONE MUSICAL PUTTI one of the plump figures playing the reed pipes and the other with a harp both of square columnar bases (2) Provenance: From the Estate of Chief Justice Warren Earl Burger
• Reed & Barton L
  Reed & Barton L
• TWO MATCHSTICK HOLDERS BY ERNEST
  TWO MATCHSTICK HOLDERS BY ERNEST ''POPEYE'' REED (OHIO 1919-1985). Carved sandstone signed ''E. Reed''. The first a Native American head with feather headdress 2 1/2''h. The second a woman's head. 2 3/4''h.
• Peter Kennard and Cat
  Peter Kennard and Cat Phillipps/Photo Op/print, 49.5cm x 49.5cm
• Peter Monamy (British
  Peter Monamy (British 1681-1749)/Dutch Fisherman Reefing the Sails/a French Frigate and an English Squadron beyond/signed lower left/oil on canvas, 59.5cm x 89.5cm/Provenance: Private collection, Gloucestershire
• PHOTOGRAPH, PAUL REED Paul Reed
  PHOTOGRAPH, PAUL REED Paul Reed (American, 1919-2015), "Foxall News," 1988, photo collage, pencil signed and titled lower margin, overall (with frame): 16"h x 28"w. Purchased from Doyle, June 2020, lot 87.
• Framed and matted artist proof
  Framed and matted artist proof "J. Stanley Reeve Esq on Peterborough' by F. B. Voss, pencil signed by the artist 21" x 25" sight size / 29" x 32.5" overall Condition: Matting loose
• Peter Stilwell
  Peter Stilwell (Contemporary)/'Spotted Bird and Palm (purple and maroon')/signed with initials/mixed media on cut paper, 48cm x 49cm
• REED & BARTON ''FRANCIS 1ST''
  REED & BARTON ''FRANCIS 1ST'' BUTTER DISH 1953 with cover and liner; together with a ''Windsor'' pattern square bowl 1948; an Alvin covered cut glass jar; another silver mounted cut glass jar; a hand mirror; and a clothes brush (6)
• REED & BARTON ''FRANCIS 1ST''
  REED & BARTON ''FRANCIS 1ST'' BUTTER DISH 1953 with cover and liner; together with a ''Windsor'' pattern square bowl 1948; an Alvin covered cut glass jar; another silver mounted cut glass jar; a hand mirror; and a clothes brush (6)
• PAUL REED (AMERICAN, 1919-2015),
  PAUL REED (AMERICAN, 1919-2015), ABSTRACT, SERIGRAPH, FRAME: 18 X 14-3/4 INPaul Reed (American, 1919-2015), Abstract, Serigraph, Frame: 18 x 14-3/4 in
• PETER BEARD (1938-2020)
  PETER BEARD (1938-2020) AMERICANFoot 'n Mouth, Lake Rudolf, polaroid, 4 1/8 x 5 3/4 inches, signed, titled, inscribed 4191 Nairobi, with books as shown. Provenance: The Time is Always Now Gallery, New York.
• A PETER III. AND MARIA 6400 REIS
  A PETER III. AND MARIA 6400 REIS 1785 Brazil, Fine
• EIGHT REED AND BARTON, FRANCES I
  EIGHT REED AND BARTON, FRANCES I PATTERN FLAT TABLE ARTICLESEight Reed and Barton, Frances I Pattern Flat Table Articles
• Pete Peterson (American, 1931-2002)
  Pete Peterson (American, 1931-2002) (2) maritime serigraphs: "In from the Horn" and "Against an Angry Sea", silkscreen on paper, pencil signed "Pete Peterson", 24" x 32" image, framed 35" x 42-1/2", very good condition
• DAVID FREDERICK REED (AMERICAN B.
  DAVID FREDERICK REED (AMERICAN B. 1946), UNTITLED (155), OIL AND ALKYD ON TWO JOINED CANVASES, OVERALL: 16 X 84 IN (40.6 X 213.4 CM)David Frederick Reed, (American, b. 1946) Untitled (155), Oil and alkyd on two joined canvases Signed David Reed, dated 1980 and numbered 155 twice on tacking edge Oil and alkyd on two joined canvases Dimensions: Overall: 16 x 84 in (40.6 x 213.4 cm) Provenance: Property of a Private DC Collector